body of work
DESCRIPTION
Trends and inspiration, used for final footwear collection 2012/2013 Autumn WinterTRANSCRIPT
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Table ofContents
Trends 5 - 13
Autumn/Winter 2012/13
The Collection 15
Inspiration
Concept Board 16 - 17
Mood Boards 18 - 23
Colour Board 24 - 25
Materials and textures 26 - 27
Hardware and details 28 - 29
Development
Last Development 30 - 31
Heel Development 32 - 33
3D Scanning and Rapid Prototyping 34 - 37
Experimentation 38 - 61
Initial Designs
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Catherine McAleer will, every season be subtly influenced by fashion trends. Although it is not one of the
more important aspects for the consumer, it is essential to recognize the importance of seasonal influences
and of to be aware of developments in the luxury footwear market. The following pages offer a snapshot of
the Autumn Winter 2012-13 trends which CMAs collection will incorporate and feature in the designs.
Autumn/Winter 2012/13Trends
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3D Textural Effects
3D Textural Effects
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Encrusted
Exquisite stones, and crystals, precious golden
treads built up, adorning products, will be a high-
light of Autumn Winter 2013. Embellished items
are not just limited to evening gowns, as elegant
versions of bling will be found on jackets, day-
dresses and accessories. CMA will embrace the
combination of encrusting items to create 3D
textural effects through the use of goldwork
embroidery.
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Stitchwork Detail
Fine, handmade-looking stitches created by
embroidery machines is evident in the Fall trends
for 2013. Floral stitches with gold metallic threads
are a strong feature which CMA will display in the
collection.
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BotanicalInfluences
‘Natural beauty is on show as one of
the key motif directions of the season.
Traditional symbols of femininity are
combined with natural science.
Flowers, leaves and plants are depicted
in a range of different styles from
kitsch and romantic to stylised
illustrations.
Techniques vary greatly from
embossed and enamelled to moulded
and mesh-covered.’ (WGSN)
The first collection by CMA will be
heavily influenced by the texture,
shapes and the curvature of leaves
and other botanical items. This will be
linked with inspiration from the
Baroque era.
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Materials and Hardware
There is a strong focus on
metal hardware which has
an antiqued affect giving
products a masculine feel.
Tightly linked chains and
woven metal elements are
integrated with leather
taking inspiration from
ancient crafts.
Contrast materials create
a new winter look with a
craft feel. Gold is a very
prominent choice for
Autumn/Winter 2013.
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The first collection released by Catherine McAleer, will hold a deep memory of the past, which
has been thrust into the future. This Autumn/Winter 2013 women’s footwear collection will
combine traditional Irish craftsmanship techniques, for example goldwork embroidery, with new
3D rapid prototyping technology. Much emphasis will be placed on the quality and the tech-
niques used within the making of the products.
The theme of the designs will be inspired by the juxtaposition of ideas.
~ Technology and tradition
~ Baroque and Romanticism
~ Hard and soft furnishings
~ Old and new
~ Feminine and Masculine
~ Antique and Modern
TheCollection
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Handmade
Craftsmanship
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Technology
3D Rapid Prototyping
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BAROQUE & ROLL
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Footwear with attitude: powerful baroque features will
show through in the designs for this collection. The heels
will be the prominent features inspired by the baroque
era. Hoping to marry these characters with a simple yet
structured silhouette to create eye-catching stunning
pieces with a modern twist.
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Masculine & Feminine
Much inspiration from mens footwear styles will show through in CMAs first
collection with the use of strong sculptural shapes. Feminine touches of
colour and delicate stitching will balance the collaboration of both
elements. Alexander Mc Queen uses this technique in his work by
marring masculine and feminine with utilitarian hardware and soft
pink leather respectively to create a unique and unusual piece.
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Fashion of the 1940s and the beauty and elegance
of great Hollywood actresses will inspire the
overall mood of the collection. Combining the
Sophia Loren’s sexiness with the tailored masculine
style which Marlene Dietrich exuded, to create a
feminine but powerful range.
Old Hollywood Glamour
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Pantone 548c Pantone 5757c
Pantone 533c
Pantone 506Pantone Black c
Pantone 1815ce Pantone 871cPantone 4625
Emotional colours
Textural
Romantic edge
Striking contrasts
Metallic tones
Luxurious luminosity
Winter darks
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Materials andTextures
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Hardware and
Details
Brass detailing and hardware will be used
throughout the collection giving an over-
all antique look to the range. The Baroque
theme will follow through in each of the
designs. Careful consideration will need to
be put into the placement of these details
as too much may be too busy and in turn
cheapen the overall look of the shoes.
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Last Development
The images below are an example of a pair of lasts
available from Springline Ltd. The tow shape is sculpted
but has a soft edge to it. The images on the page
opposite are work in progress, which will take inspiration
from the last shapes below. Milliput has been applied
and will be sanded down to a more appropriate shape.
Leather will have to be lasted over the toe as a test to
ensure the upper will sit in the right position.
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Original last shape Last built up with Milliput
Last is to be sanded down to reflect simular
shape to those on the previous page.
Toe Shape
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Heel Development
These brass pieces were sourced from a vintage market
and were originally decorative furniture parts. The pieces
have been manipulated slightly to fit the curvature of
the chosen lasts for this project. By heating them up and
hammering them gently they became more flexible, but
because of the density of brass too much movement and
the pieces would snap. It was decided to look at other op-
tions to create the desired shape and effect.
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3D SCANner
The camera to the left is taking multiple photos of the brass piece as it spins on the plate beneath it. This is
first step before beginning the rapid prototyping process.
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Once the image is scanned in and imported to Rhino 3D computer program the brass can then be shaped
and details defined. Different tools are used to carve and sculpt the piece.
It can be seen in the left hand screen shot that the right hand side of the heel has been defined more than the
left. A close up can be viewed in the screen shot to the right.
Once this process is finished it can then be printed in 3D using the rapid prototype machine.
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The 5” last which will be used for this project, was imported into Rhino using a 3D Scanner. This was then
placed into the brass heel file so that the pitch could be obtained. From this, a plate for the heel can be
developed, which has room for screws to go through it so that the heel can be attached and it is wearable.
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As it is an expensive process to produce a the 3D rapid prototyped heel for this project, an alternative
solution has been formed. The original brass pieces will be applied with Milliput to fill out any cracks or
imperfections, it will also be used to build on and strengthen the shaft of the heels. First a sole board was
made and attached to the last, secondly some leather, of approximate equal thickness to that of what I
will actually use for the final piece, was attached to the back of the last. As Milliput hardens within hours a
sample was made from plasterzine to see what the plate would look like. The results above are shown. This
will take more work and experimentation in term two.