bob katz - the secret of the mastering engineer

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    Table of contents . . . . . . . . . . . . . . . . . . 3 Welcome . . . . . . . . . . . . . . . . . . . . . . . . 5

    Getting Started . . . . . . . . . . . . . . . . . . . 6 Your Room Your Monitors . . . . . . . . . . . 7 Metering . . . . . . . . . . . . . . . . . . . . . . . . 8 Dynamics Processing . . . . . . . . . . . . . . 9

    Sequencing:Relative Levels, Loudness and Normalization . . . . . . . . . . . . . . . . 10 Recipe for Radio Success . . . . . . . . . . 11Dither . . . . . . . . . . . . . . . . . . . . . . . . . 13 Equalization. . . . . . . . . . . . . . . . . . . . . 13 Sibilance Control . . . . . . . . . . . . . . . . . 15 Noise reduction . . . . . . . . . . . . . . . . . . 15 Monitors . . . . . . . . . . . . . . . . . . . . . . . 16 Advanced Mastering Techniques . . . . . 17

    Reference . . . . . . . . . . . . . . . . . . . . . . 19 Glossary . . . . . . . . . . . . . . . . . . . . . . . 19

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    Mastering vs. Mixing

    When you ask your spouse to turn the TV

    down a touch - do you mean only 1 dB?

    Think Holistically

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    Very few recording studios are suitable for mastering.For optimal mastering, use a different room than yourrecording studio or room. The typical recording controlroom has noisy fans, a large console and acousticobstacles that interfere with evaluation of sound.

    What's wrong with near-field monitors?

    Subwoofers

    Room Acoustics

    Monitor Translation

    Monitoring Levels and Fletcher-Munson

    When you go to a concert, do you identify an 80 Hz resonance under the third balcony?

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    Truth in Metering

    The Ear Is The Final Judge

    Quasi-Peak Meters and Judgment of Quality

    Peak Program Meter

    Over Counters and Increased Level

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    The Myth of Radio-Ready

    radio ready

    The Music Always Comes First1

    2

    The Sound Comes Second3

    4

    5

    Preparing For The Radio6 Peak to average ratio

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    7 Subsonics

    8 Excessive Sibilance

    9 Excessive peak percussion

    Loudness and the radio

    Do you know what comb filtering is?

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    What Is An Accurate Tone Balance

    Specialized Music Genres

    EQ Tricks

    When you go to concerts, do you sometimes think you hear edits?

    Wordlengths and Dithering

    Here are some basic rules and examples:

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    At concerts do you try to identify themicrophones that are used?

    Know Your Limits

    EQ Interaction with the compressor

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    If a film or TV actor wearing a microphone crosses his arms, do you immediately notice the change in sound quality?

    Monitors and Equalization

    Monitors and Stereo Imaging

    beyond

    up over up

    Adjusting stereo balance

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    Alternate Mixes

    MS Mastering Techniques

    Do you try to identify the frequency every time you hear system feedback?

    The MS adventure begins

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    Even More Advanced M-S Technique

    Make an UnFinalized Safety

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