bob katz - the secret of the mastering engineer
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Table of contents . . . . . . . . . . . . . . . . . . 3 Welcome . . . . . . . . . . . . . . . . . . . . . . . . 5
Getting Started . . . . . . . . . . . . . . . . . . . 6 Your Room Your Monitors . . . . . . . . . . . 7 Metering . . . . . . . . . . . . . . . . . . . . . . . . 8 Dynamics Processing . . . . . . . . . . . . . . 9
Sequencing:Relative Levels, Loudness and Normalization . . . . . . . . . . . . . . . . 10 Recipe for Radio Success . . . . . . . . . . 11Dither . . . . . . . . . . . . . . . . . . . . . . . . . 13 Equalization. . . . . . . . . . . . . . . . . . . . . 13 Sibilance Control . . . . . . . . . . . . . . . . . 15 Noise reduction . . . . . . . . . . . . . . . . . . 15 Monitors . . . . . . . . . . . . . . . . . . . . . . . 16 Advanced Mastering Techniques . . . . . 17
Reference . . . . . . . . . . . . . . . . . . . . . . 19 Glossary . . . . . . . . . . . . . . . . . . . . . . . 19
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Mastering vs. Mixing
When you ask your spouse to turn the TV
down a touch - do you mean only 1 dB?
Think Holistically
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Very few recording studios are suitable for mastering.For optimal mastering, use a different room than yourrecording studio or room. The typical recording controlroom has noisy fans, a large console and acousticobstacles that interfere with evaluation of sound.
What's wrong with near-field monitors?
Subwoofers
Room Acoustics
Monitor Translation
Monitoring Levels and Fletcher-Munson
When you go to a concert, do you identify an 80 Hz resonance under the third balcony?
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Truth in Metering
The Ear Is The Final Judge
Quasi-Peak Meters and Judgment of Quality
Peak Program Meter
Over Counters and Increased Level
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The Myth of Radio-Ready
radio ready
The Music Always Comes First1
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The Sound Comes Second3
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Preparing For The Radio6 Peak to average ratio
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7 Subsonics
8 Excessive Sibilance
9 Excessive peak percussion
Loudness and the radio
Do you know what comb filtering is?
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What Is An Accurate Tone Balance
Specialized Music Genres
EQ Tricks
When you go to concerts, do you sometimes think you hear edits?
Wordlengths and Dithering
Here are some basic rules and examples:
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At concerts do you try to identify themicrophones that are used?
Know Your Limits
EQ Interaction with the compressor
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If a film or TV actor wearing a microphone crosses his arms, do you immediately notice the change in sound quality?
Monitors and Equalization
Monitors and Stereo Imaging
beyond
up over up
Adjusting stereo balance
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Alternate Mixes
MS Mastering Techniques
Do you try to identify the frequency every time you hear system feedback?
The MS adventure begins
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Even More Advanced M-S Technique
Make an UnFinalized Safety
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