blade made

13
“The highest goal is to create materials, products and architecture designed for indefinite use, rather than single or even multiple generations. Reuse is a step in that direction and for 2012Architects [now Superuse Studios] every successful project has led to more ambitious goals” — BRAD PITT ‘Superuse’ PBS documentary Blade Made

Upload: superuse-studios

Post on 07-Apr-2016

220 views

Category:

Documents


2 download

DESCRIPTION

Brochure from Superuse Studios about the end-of-turbine-life rotor blade problem and possible solutions

TRANSCRIPT

Page 1: Blade Made

“The highest goal is to create materials, products and architecture designed for indefinite use, rather than single or even multiple generations. Reuse is a step in that direction and for 2012Architects [now Superuse Studios] every successful project has led to more ambitious goals”

— B r a d P i t t ‘Superuse’ PBS documentary

Blade Made

Page 2: Blade Made

End-of-turbine-life rotor blade problem?

P r o f e s s o r H e n n i n g A l b e r s 2 0 0 8Institut für Umwelt und Biotechnik, Hochschule Bremen

At current growth rates,

by 2034, there will be

~225,000 tonnes of rotor blade

composite material produced annually,

worldwide.

The wind energy industry continues to boom. Each new turbine generating rotor blades made of valuable composite materials that are difficult to recover at the end of their energy generating life.

New generation rotor blades made of glass or carbon fibre composite material have average lifespans of between 10 and 25 years.

Recycling of glass fibre composite is possible though complex.

However, recycling of the more highly valued carbon fibre composite is currently impossible. Because of its value, substantial R&D investment worldwide is being made to develop recovery and recycling methods.

In many EU countries landfill of carbon composites is now prohibited.

Thus, though discouraged, many rotor blades at the end of their wind turbine life, are currently shredded and incinerated, or, in countries where it is still allowed, sent to landfill.

The public increasingly demands that green industries have practical and ecologically sound solutions for its production and end-of-life waste issues.

Page 3: Blade Made

We, at Superuse Studios, are waste use pioneers with 17 years experience using waste material such as end-of-life wind rotor blades in design and architecture.

From rotor blades we have successfully designed and built: urban furniture, a playground, a sign post for a recycling centre, and, are currently finalising the construction of blade made bus shelters.

Our realised projects demon-strate the technical applica-tions and potential for blade made designs and architec-ture. Blade made designs are durable, iconic, compete economically, and, reduce the ecological footprint of projects in which they are used.

We envisage yet larger scale architectural potential for

rotor blades; structures that celebrate the inherent design, engineering, material, aes-thetic, ergonomic and iconic properties of rotor blades and that are creative, useful, and beautiful.

In their second life as design and architectural elements, ro-tor blades could be used for a further 50-100 years, or more.

If blade made design was adopted globally it could play a considerable role in reducing waste generated by the wind energy industry by providing unique design and architecture with added aesthetic and high material value for society. Blade made structures could play an additional valuable role as above-ground, in-use, compos-ite material storage. In this way valuable composite material could be recovered later from

such structures when econom-ic and environmentally viable recovery or recycling methods are established. Benefits not achieved when composites are sent to permanent disuse in landfill or are incinerated.

The global availability of discard-ed rotor blades makes them a very interesting resource for blade made projects worldwide.

At Superuse Studios, waste rotor blades are seen as structural and aesthetic elements for large scale, worldwide use in design and architecture.

Blade made designs reduce wind energy waste and provide opportunity for later recovery of valuable composite materials.

A Superuse solution

Architects can play a fundamental role by

using waste, and what’s more ingenuity, to convert waste

into structures that are useful, imaginative and beautiful.

b A H A m ó n A n d s A n j i n é s 2 0 1 0 Rematerial: From Waste to Architecture

20 playgrounds 100 waste blades

11 urban seats 100 waste blades

100 bus shelters 200 waste blades

Blades redirected from incineration and landfill.

400 waste blades

If only 5% of The Netherlands’ yearly production of urban furniture such as

playgrounds, public seating and bus shelters were made using waste rotor

blades, then all of The Netherlands’ estimated 400* waste rotor blades

produced annually would be removed from the waste stream.

(* ~2000 wind turbines, assuming 15 year blade lifespan)

= 1000 MW = ±10 tonne composite material

Page 4: Blade Made

REwind Willemsplein

TEAMCésare Peeren Jos de Krieger Karola van Rooyan Frank Feder

WASTE STREAMS9 x ~6m rotor blades;concrete rubble aggregate

YEAR2012

LocATionWillemsplein, Rotterdam,Netherlands

cLiEnTRotterdam MunicipalityJoulz Energy Company

Page 5: Blade Made

durable, indestructible seating with iconic quality

Public seating made from rotor blades was designed and installed for the Rotterdam municipality with joint funding from Joulz Energy Company. The REwind public seating is located at Willemsplein, a public square at the foot of the well-known Erasmus bridge.

The municipality were in need of durable, indestructible seating with iconic quality for people waiting to board harbour tour boats, but which could also be temporarily removed, when necessary, to make room for public events.

Nine rotor blades from Friesland destined for incineration were used. 5 blades were used for seating, 3 as backrests, and 1 as place marker.

By adjusting the angles and positions of the blades ergonomic public seating with a diversity of seating options was created. Seating depths vary from ±30cm to ±80cm, providing upright seating to more relaxed lounging options.

The ±6m long blades, originally manufactured by Stork, are attached with bolts to 1m3 concrete aggregate blocks made heavy enough to keep the lightweight blades in place. The aggregate is 100% recycled concrete rubble from Rotterdam. The blocks have a pentagon footprint with a skewed 3D form that changes shape from different viewing angles. The tops of the blocks are oblique which puts the upright place marker blade at a slight angle, making it stand out against the predominantly vertical elements on the square.

All blades were painted signal red, to bring colour to the stark grey surroundings of Willemsplein and to pick up on the red of Willemsbrug that can be seen further down the river.

Page 6: Blade Made

TEAMCésare Peeren Jeroen BergsmaJos de Krieger

WASTE STREAMS5 x ~30m rotor blades;Fighter plane cockpit;Nike grind sports floor

YEAR2009

LocATionOude Noorden, Rotterdam, Netherlands

cLiEnTSt. Kinderparadijs de Meidoorn

PRiZEWinner, 2009 European Environmental Design Award

Wikado

Page 7: Blade Made

playground with added value and smaller ecological footprint built for the same price as a comparable standard playground

The first ‘Wikado’ built at the Meidoorn playground at Oude Noorden, Rotterdam, was built for the same budget as a comparable standard playground, and has an ecological footprint fifty times smaller. This Keurmerk Instituut approved playground is winner of the 2009 European Environmental Design Award.

The playground was designed to maximise imaginative play, social interaction, and children driven game development. The inherent properties of rotor blades make this material an excellent choice: weather and wind resistant; organic, ergonomic

shapes; and, a strong and rigid structure. The cylindrical portion of 30m long blades has a diameter of 1.4m and makes for interior play spaces.

One of the five 30m blades was used intact. The remaining four blades were cut into 3 sections.

The four cylindrical end sections were transformed into play towers that stand around the central play zone. Each tower has a distinct and recognizable character: the ‘towerflat’ has three rooms with peeking holes; the ‘watchtower’ with a former F16 cockpit on top; the ‘water tower’ with hand pump for

children to pump water for mixing with sand; and, the ‘slide tower’ to which the original slippery slides from the site are attached.

The intact blade and remaining cut sections were overlaid as if pick-up-sticks in the classic children’s game ‘Mikado’. And indeed, the name ‘Wikado’ is derived from ‘Mikado’, and the Dutch word ‘wiek’ for rotor blades.

The overlaid blades give a diversity of play spaces for toddlers through to older children and allows for different types of play activities. It creates a labyrinth in which children can

endlessly chase each other, whilst also creating sheltered and interior spaces for other kinds of play.

Tensioned netting strung between the 4 towers is for climbing and also functions to create a play space for street football (the PannaVeld). The surface of the PannaVeld is made of ‘Nike gravel’, a flooring developed by Nike sports from shredded sneakers.

Page 8: Blade Made

REwind Almere

TEAMJeroen BergsmaJos de Krieger

WASTE STREAMS4 x 30m rotor blades; former bus station

LocATionAlmere Poort,Netherlands

cLiEnTAlmere Municipality

YEAR2014

Page 9: Blade Made

durable and indestructible shelter

Construction is underway of the Superuse Studios’ designed shelters for the thousands of daily commuters to use the bus-train transfer station at Almere Poort.

The Almere municipality is developing the bus-train transfer station at Almere Poort in an effort to stimulate investment and building in the area.

The durable and indestructible shelter design uses four 30m rotor blades. Waste rotor blades are easy to find in Almere, Holland’s #1 wind-energy region. Stacked in a Stonehenge like manner two 30m blades are used to create a large shelter. Two of these large shelters are being built.

The changing shape over the length of the blades gives a shelter roof that morphs into different shapes depending on the angle from which it is viewed.

Every part of the blade is used. The blades were cut into 4 sections to harness the different inherent qualities along the length of the blade. This gives construction pieces that are essentially readymade for different construction purposes. The strongest and heaviest part (former connection to the wind turbine axial) is used as roof supporting columns, and the widest part of the blade for the roof. The tip of the blade is used for the long seating bench, and the circular end pieces are used for large planting pots placed around the site.

Construction is underway and completion is expected by the end of November 2014.

Page 10: Blade Made

TEAMJeroen BergsmaJan JongertMarco Zaccara

WASTE STREAMS1 x 30m rotor blade; waste steel sheeting; reclaimed window frames

LocATionMaastricht,Netherlands

cLiEnTKringloop Zuid

YEAR2014Kringloop Zuid

Page 11: Blade Made

iconic place marking signpost

A waste wind rotor blade stands 25m high over the Kringloop Zuid recycling centre. It is visible for kilometers and acts as a signpost directing visitors to the material collection and distribution point. The top 4m tip of the blade now serves as an advertising banner next to the front door.

Kringloop Zuid is the large, sheltered recycling center located at the edge of Maastricht. The use of reclaimed materials in its construction reinforces the building’s role as recycling center.

A waste rotor blade, reclaimed window frames, and colourful steel sheeting production waste were used. The reclaimed window frames were used to make a distinctive 40m long, 6m high shop front. This shop window is highly visible from the street and brings light into the 2,000m2 interior. The frames were harvested from apartment blocks being demolished by Strukton (one of the Kringloop Zuid construction partners) to make way for the tunneling for the A2 motorway near Maastricht.

The remaining facade is a colorful patchwork of steel sheeting waste from a steel factory in the neighbourhood. Steel sheeting that does not meet an order’s requirements is discarded even though qualitatively the material is ‘as new’.

The Superuse strategy has provided a unique building built for a budget comparable to a standard facility of this size.

Page 12: Blade Made

HoWWe think society can be progressively transformed by creating ingenious, beautiful and functional architectural and social design solutions using that which is considered ‘waste’ by many.

Our work strives to harness the full potential of all types of currently underutilised resources (including material, energy, human, food, knowledge, data resources etc.) and, to identify and link surplus or waste outputs with needs or inputs. In this way society can become more sustainable, and, the current huge impact of architecture and design on energy and virgin resource use significantly reduced.

To use locally sourced ‘waste’ flows and make optimal functional, aesthetic and environmentally smart use of their properties in design is what we call SUPERUSE. Clever links or shortcuts created between wasted outputs and wanted inputs is what we call ‘CYCLIFIERS’.

WHoSuperuse Studios was founded in 1997 by Césare Peeren and Jan Jongert and has become an internationally renowned pioneer in the field of sustainability.

The studios are currently run by 5 engineers specialised in interventions, design, architecture, urbanism and research.

These engineers team up in different combinations, and with specialists from other disciplines as required to match a project’s needs.

Link different.

We believe architects and designers can play a major role in transforming society by ingeniously re-using and re-linking all the materials, resources and systems that already exist.

And we have been developing an approach, methods and tools to achieve this.

From left to right: Jos de Krieger, Césare Peeren, Jan Jongert, Floris Schiferli, Jeroen Bergsma.

Rotterdam, NL +31 10 4664 444 [email protected] superuse-studios.com

WHATSuperuse Studios researches, designs, and builds innovative products, interiors and buildings, and develops strategies for smart urban transformations.

Our Superuse philosophy and design approach is applicable at all project scales and incorporates concepts such as resource and energy efficiency, social design, circular- and blue economy, and urban agriculture.

We share our approach, methods and tools through our webplatforms: superuse.org and harvestmap.org; through the book ‘Superuse’; the PBS documentary ‘Superuse’, narrated by Brad Pitt; and, by presenting at conferences worldwide; presenting for TedEX Utrecht; lecturing in Universities across Europe; and, conducting workshops.

Page 13: Blade Made

MoESRestaurant interiorTot moes, Amsterdam

WoRM Re-)createRemovable audience seatingWORM, Rotterdam

REwind Almere PoortBus-train transfer stationAlmere municipality, Almere

KindervrijstaatFlexible workshop/theatre roomKindervrijstaat, Utrecht

Villa Welpeloo250m2 family housePrivate commission, Enschede

WoRM Re-)createPerformance spaceWORM, Rotterdam

WikadoPlaygroundSt. Kinderparadijs de Meidoorn, Rotterdam

(no) Flat FutureClimate FaçadeSenter Novem, Hoogvliet

Selected Projects cable reels

Decommissioned airplanes

Wind rotor blades

Reclaimed windows

RotterrollerFestival EntranceRobodock, Amsterdam

Airplane seatbelt beltFor saleSuperuse-studios.com

REwindPublic furnitureRotterdam municipality, Rotterdam

FBKVBSound proof meeting roomFBKVB, Amsterdam

PhotographyDenis Guzzo: cover; p6/7; 9; 10/11. Allard van der Hoek: p8; 12; 13. Karola van Rooyen: p13; 23. Fernando van Teijlingen: p18/19; 20; 21.