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T TO"
COLLECTION OF
LODICONTAINING THE
RUDIMENTS OF MUSIC, AND PLAIN INSTRUCTIONS FOR THE
$~6SJ - >7
Together with a complete collection of the most admired
SOUTHERN AIRS, MARCHES, QUICKSTEPS, GALOPS, POLKAS, SCHOTTISCHES, MAZURKAS, WALTZES, DANCES,
Quadrilles, &c., many of which are arranged with* a second part, so that they can be played as Duetts,
lkir fliD luliiULui hf iVmnr/lnoii Plnfn or Violinby the addition of another A'ccordeou, Elute, or Violin,
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Published by A. E. BLACKMAR, No. 167 Canal Street.
N. Ik—Piano arrangements of any piece of Music in this work can be obtained from the Publisher.
Entered according to Act of Congress in the year 1866, by A. E. BLACKMAR. in the Clerk’s office of the District Court for the Eastern District of Louisiana.
4 RUDIMENTS OF MUSIC.
The Treble or G Clef
^fixes the letter G upon the second or lowest line but one of the staff.
The Bass or F Clef §§ fixes the letter F upon the fourth line of the staff.
TIME.
Every piece of music is divided into equal portions by lines drawn perpendiculary across the staff, called Bars. The
space between two bars is called a Measure.
The kinds of time most frequently used are indicated thus:
n, 4 ^ xfc if& or Ae Ae Ae ^ -8-
-0 or| signifies that every measure contains a whole note or its equivalent in shorter notes and rests.
| signifies that each measure contains the value of three quarters.
A Triplet is indicated by the figure 3 placed over or under three notes, and signifies that the}'' are to be played in the
time of two notes of the same value.
Th us :
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A Dot placed after a note prolongs its length by one half its value, thus : is equal in length to J* f
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A Flat
A Natural^
C —* ~1
A Sharp p 8 placed before a note raises it a half-tone.
|lowers a note a half-tone.
restores a note to its original pitch.
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RUDIMENTS OP MUSIO.'
THE SIGNATURE.!
i'
Sharps or Flats placed after the Clef at the commencement of a piece of music afifeot all the corresponding notes
throughout the piece.
Da Capo or D.C. occuring in the course of a piece of music directs the player to repeat the first strain, before pro-
ceeding to the next;at the end of a piece it directs to return to the beginning and end with the first strain, or at the
word Fine, or at a pause ^r\ over a double bar.
8va over a series of notes indicate that they are to be performed an octave (8 notes) higher than written.
directs the player to repeat from the preceeding double bar, or from the markm or
from the beginning if he is playing the first strain.
The character above or below two or more notes of the same degree is called a Tie, and signifies that they are to
be played as one note of the duration of the whole;the same character over or under notes of different pitch signifies
that they are to be connected in a smooth flowing manner.
6 ACCORD EON INSTRUCTOR.
NATURAL SCALE OF THE ACCORDEON.D E F G
r A B C 4L £GABCDEFGA BCDEF 17^. .,«.££ f: ]: {:
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The figures indicate the number of the key, counting from the lowest in tone.
The bellows is to be drawn for all except those which have the character v under them, for which the bellows must be
closed. The short or semitone keys are indicated by an s. (Is)
The above scale is that adopted throughout this book, and is for a ten-keyed Accordeon;but every piece can be play-
ed upon smaller or larger instruments by attending to the following points of difference
:
On some twelve-keyed Accordeons,
On all single eight-keyed Accordeons.
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On all single ten-keyed Accordeons,
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ACCORDEON INSTRUCTOR. 7
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TRANSPOSITION.
.vi;
I-
As it is very difficult to play upon the Accordeon in any but the natural key, or key of C, it is necessary for one who
wishes to be able to play from music arranged for the Violin, Flute or other instruments, to understand how to trans-
pose every piece into the key of C, or how to mark down the figures so that the instrument shall play in the natural
key. This can be learned from the following scales by the help of which, the learner will be able to mark any music that
is within the compass of the Accordeon. Observe, that if you find that a strain will run higher or lower than your in-
strument can play, you must mark it as the notes are figured, an octave lower or higher.
N. B. All the music in this work can be performed upon a Flute or Violin, and a little attention to the figures will
soon make plain the principle of transposition.
4*
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THOU ART SO NEAR -Concluded 21
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COME TO ME, DARLING, EATON. 25m
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50 LANCERS’ QUADRILLES. Continued
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52 THE HAPPY OLD LANCERS
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No. 3. The Happy Old Man.
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CONTEN l b
PAG*
Amour et Fanatisme 16
Arkansas Traveller 51
Aurene Schottisch 32Aurora Schottisch 32
* Ay! Chiquita , 26
Bonnie Blue Flag 9
Brightest Eyes Galop 18
Oamelia Dance ......... 33
Carrie Yaughn 52
Clay Polka * 39
(pasties in the Air 11
Come to Me, Darling 25
Confederates’ Polka March 39
Crescent City Waltz 31
Daisy Darling 11
Dearest Spot of Earth 20
Do they Think of Me at Home? 24
Fanchon Polka 38Faust Grand March 47
Faust Waltz !'28
Flag of the Regiment. . . . 19
For Bales! for Football) 10
Four Step Polka 39
Gallant Girl that Smote the Dastard Tory. 11
Gen. Beauregard’s Manassas Quick Step,. . 45
Gen. Bragg's Grand March 42Gen. Jos. E. Johnston’s Manassas March . . 46
Gen. Longstreet’s Grand March 41
Gen. Robert E. Lee’s Quick March 43Gipsy Dell Waltz 38Goober Peas 9
Good Bye at the Door' 22Guards’ Waltz 29
Happy Contraband
Happy Old Lancers
Happy Old Man 4 • •
j
Her Bright Smile Haunts Me Still .
'low can I leave Thee
am dying, Egypt, dying
have heard Sweet Music Stealing ..
1 Bacio Waltz
1 is my Country’s Call
lwould like to Change my Name. .
.
Le no Mother NowJfferson Davis’ Grand MarchJ<kn Morgan s Reel
Juial Polka .
Junita
Lt DorsetLaiciers de la Reine
Lacers Quadrilles
LaNativeLa Rosalia
LesGracesLocbiska . . .
.’
Loge O’BuchanLow Dream MazurkaLuci, di LammermoorMatlilde MazurkaMazirka des Traineaux
Missuri
My Miryland
My Suthern Sunny HomeNatale WaltzNear he Banks of that Lone River
PAGE
535252 i
17
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2812
53,13
. 44
. 60
. 36
. 23
. 49
. 58. 49
. 50
. 54
. 50
. 49
. 31
. 34
. 27
. 34
. 48
. 11
. 19
. 14
. 29
. 22
. PAGZ
One of my Waltzes •
One-Sixty-Seven Polka •_
Origin of the “Stars and Bars”
Over the Rippling Sea • • •
O ye Tears !
Pearl River Polka
Prince Imperial Quadrilles
Queen’s Lancers _
Romance from “ L’ Eclair ”
Rochester Schottisch
Rosalia Lancers
Rudiments of Music .
Rural Schottisch
Santa Lucia
Serenade Polonaise
She Waits by the River for MeStonewall Jackson’s Grand March. . .
Stonewall Jackson’s WayTake Me HomeThat Bugler !
The Cure
There’s Life in the Old Land yet
The Conquered Banner
The Volunteer
Those Dark Eyes
Thou art so near
Traiueanx MazurkaU-pi-dee
Washington Artillery Polka March .
Wearing of the Grey
We have parted
Who’s peen here since I’ve peen gone
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