biro simanim score - university of victoriadpbiro/biro_simanim_mvmts_1-11.pdf · perc. 1 perc. 2...

Material Press

!"#m"$

(Signs/Traces)

For Ensemble and Live Electronics

Dániel Péter Biró (2006-2007)

“!"#m"$” (Signs/Traces) Dániel Péter Biró In Hebrew !"#m"$ (Simanim) can be translated as “signs” or “traces.” The singular “siman” also corresponds to the Greek “sema,” meaning “sign,” forming the basis of the word “semantics.” The composition explores the transference of energy between sonorous signs and their traces. The piece is in 12 Movements:

1) Álom (Dream) 2) !"%%c (Shadows) 3) &'()q (Sacrifice) 4) Nzombi (Pygmy Music for the Return from a Hunt) 5) q"(* !)qm (Place of Emptiness) 6) !"")+ (Peoples) 7) !"%%c (Shadows) 8) *m,( – Sirató (Imprint - Lament) 9) !"-"(, (Traces) 10) !%(# (Disappearing) 11) Frankfurt 12) *,".% (Whisper)

The piece is written for and dedicated to Thaddeus Watson and the HR Ensemble for Neue Musik (Members of the Frankfurt Radio Symphony) and the Experimentalstudio of the German Radio (SWR). I wish to thank Randy Jones and Kirk McNally and the members of the Experimentalstudio of the German Radio (SWR) for their help in realizing the electronic component of this composition.

Perc. 1 Perc. 2

Ob.

Vla.

Vl.

Cello

Clar.

Harp Flute

Stage

Dániel Péter Biró – Miching speaker set-up

Version 1.0

Hall

Instrument speaker 1

(gong)


(gong)


(gong)


(gong)


(harp)


(piano)

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 1

chorus + pan 1+2

comb filter gate 2

vocodermodulatorcarrier

3

white noise gate 4

reverb + delays 5+6

pink noise gate 7

harmonizer gate 8

Biró: Simanim

Speaker

RL

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 2

chorus + pan 1+2

comb filter gate 2


3

white noise gate 4

pink noise gate 7

harmonizer gate 8

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 3

chorus + pan 1+2

comb filter gate 2


3

white noise gate 4

pink noise gate 7

harmonizer gate 8

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 4

chorus + pan 1+2

comb filter gate 2


3

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet1

Movement 5

chorus + pan 1+2

comb filter gate 2


3

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 6

chorus + pan 1+2

comb filter gate 2


3

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 7

chorus + pan 1+2

comb filter gate 2

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 8

chorus + pan 1+2


3

harmonizer gate 8

Biró: Simanim

Speaker

ring modulator gateHarp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 9

chorus + pan 1+2

comb filter gate 2


3

harmonizer gate 8

Biró: Simanim

Speaker

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 10

chorus + pan 1+2

comb filter gate 2


3

reverb + delays 5+6

harmonizer gate 8

Biró: Simanim

Speaker

RL

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 11

chorus + pan 1+2

comb filter gate 2


3

reverb + delays 5+6

pink noise gate 7

harmonizer gate 8

Biró: Simanim

Speaker

RL

ring modulator gate

Harp

Flute

Cello

Viola

Violin

Percussion 1

Percussion 2

Oboe

Clarinet

1

Movement 12

chorus + pan 1+2

comb filter gate 2


3

white noise gate 4

reverb + delays 5+6

pink noise gate 7

harmonizer gate 8

Biró: Simanim

Speaker

RL

Gongs 1+2

Gongs 3+4

Res. Harp

Res. Piano

f=2.0s

Master Fader

Resonances (all Movements)

reverb, t = 20s

Biró: Simanim

Speaker

Res. Harp

Gongs 1–4

Res. Piano

Flute

Oboe

Clarinet

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9; ,$

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7:9x 5:7x

+

(activates resonance of piano in hall)

4mp

-< ;pp

-< 0 1 , ,$5"

, , , 4mp

- -pp

- - 7"

4$ , , , 0mf

-: -f

9"-: , , , ,$10"

4'$

+ (activates resonance of piano in hall)

4mp

-= ;pp

-= 0 1 , ,$5"

, , , 4mp

- -pp

- -7"

4$ , , , 0mf

-. / -f

9"

-. / , , , ,$10"

4'$

+ , ,Gong

0mf

(activates resonance of gong in hall)

-3 / ;5"

-$3 , , ,

(activates resonance of gongs in hall)4 4 0

mf

7"

--:--$

, , , 4Vibes(fast motor)4 0

f

9"

--33 :--$33 , , , ,$

10"

> , ,mp

with brushes

p

,?

,?

,?

,? 5"

,/ 4'$ , , ,

with brushes

p mp

&&&-2'

&&&-2'

7"&&&-/4'$ , , , , ,$

9"

, , , ,$10"

4:5e

+ , ,


0mf

--33/

;;

5"

--$33 , , , 4 4 0

mf

7"

--../

--$.. , , , 5 0

f

9"

--/

--$

0 4 5 , , ,$10"

@ , , , ,$ , , , , ,$ , , ,with brushes

ff fff

&&&-2. '

&&&-2 '

9"

&&&-:

4'$ , , , ,$10"

+ , ,


mp

nat.

p

-23 - -7 -+5"

-+: 4'$ , , ,arco ord.poco pont.

p

gliss.

1/2on bridge

mp

&&&-2 '&&&-23 '

7"

&&&-3/ 4'$ , , ,

ff

arco ord.1/2 on bridge

fff

&&&-2. '&&&-2 '

9"

&&&-/ 4'$ , , , ,$

10"

4:5e

A

tastoord.

ppp mf


.-2. -3 -7

nat.

mp

-23 -7 - -* - -: 4 1 , ,$5"

,1/2 c.l.t.tasto

p

gliss.

nat.

pp

&&&-2

&&&-2*

&&&-23

&&&-7

&&&-: 4 5 , ,$

7"

,arco at frogpont.

mf f

nat.

-?B3 -?B) -?B) -?B3 -3: 0 4' , ,$9"

,IVff

nat.overpressed

/)

fff

gliss. 07 / 0 1' ,$10"

5:6e3:4e

@ , ,


mp

nat.

p

-23 - -7 -+ 5"-+: 4'$ , , , @

arco ord.poco pont.

p

gliss.

mp

&&&-2 '

&&&-23 '

7"

&&&-3: 4'$ , , ,

arco ord.1/2 on bridge

ff fff

&&&-2. '

&&&-2 '

9"

&&&-:

4'$ , , , ,$10"

4:5e

43

!"

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q = 56

q = 56

#$

#$

#$

#$

#$

#$

#$

#$

#$

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!"

!"

!"

!"

!"

!"

!"

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!"(# .10

#$

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#$

#$

#$

#$

#$

#$

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!"

!"

!"

!"

!"

!"

!"

!"

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$"

$"

$"

$"

$"

$"

$"

$"

$"

accel.

accel.

Flute

Oboe

Clarinet in Bb

Percussion 1(Gongs)


Harp

Violin

Viola

Violoncello

!

"

!

"

#

!

"

%3/4 air

ppp

ord.

fff mp

$

&'(&

gliss.3/4 air

ppp

&% & & 6 "&) *&'1/2 air

pp

&(+ff mf

ord.

$

&', &,&(

gliss.

fffmp

$&'% &%&+ &

4:5e

pp

1/2 air

8 "

&) *&'3/4 air

ppp

ord.

ffff mf

$&'(+&%+ &(gliss.

3:5e

3/4 air

ppp

&() - * * . / /

3:5e

% (activates resonance of piano in hall)

/ /'6 "

/ /'8 "

/ /f

gliss. gliss. gliss. gliss. gliss. gliss. gliss.

mp

gliss. /&0 &( &( & &% &( &( & &05:4e

% (activates resonance of piano in hall)

/1/2 air

ppp

6 "

&'% gliss. &( 1 - 2

1/2 air

ppp

8 "

&'% &% 1 - * * . / * * * *

mp ppp

&% 3 4%5:4e

5 (activates resonance of gongs in hall)

/ /'6 "

/ /'8 "

/ / / * soft !

f

&0 &

6 / /'6"

/ /'8 "

/ / /f

with brushes

&'& &

'&'

&'

6:4e

5 (activates resonance of harp in hall)

/ /'6 "

/ /'8 "

/ / / *f

&&00

&&

% / /'6 "

/ /'8 "

/ / /)l.h.ord.

f

&0 &*+

l.h. 1/2 pressed

over-pressedbow

+

6:4e

gliss.

% / /'6 "

/ /'8 "

/l.h.ord.

pp

&0 & *+l.h. 1/2 pressed

over-pressedbow (l.h. ord)

+7

6:5e

ff

gliss. ,%) - * . 8 /

5 / /' / /'8 "

/ / % /*+l.h. 1/2 pressed

f

-% &)

l.h.ord.

over-pressedbow

+

6:4e

gliss.

44

9 !"

!"

!"

!"

!"

!"

!"

!"

!"

#"

#"

#"

#"

#"

#"

#"

#"

#"

A

A

q = 82

q = 82

$"

$"

$"

$"

$"

$"

$"

$"

$"

!$%

!$%

!$%

!$%

!$%

!$%

!$%

!$%

!$%

#"

#"

#"

#"

#"

#"

#"

#"

#"

q = 88

q = 88

attacca

attacca

accel.

accel.

Fl.

Ob.

Cl.

Perc. 1(Gongs)

Perc. 2B. D.

Hp.

Vln. I

Vla.

Vc.

!

"

!

"

#

!

"

& ' ' ' ' ' ' ' '$10"

' ' ' ' ' '$12"

&mp

gliss. gliss. gliss.

p

( () (* (% ( () ( + ,6:4e

' , ,f mf

(% (& () () - + , ,f mf

(.) (% + , ' ' '$10 "

'mf mp

(. () (% () () - + , '

ppp pppp

(.% ( gliss. 12 "( '/ +$7:6x

& , , , ,f mf sub. ppp

(. () 0)

1/2 air

ff f

3/4 air(% (1 ( (1 ( + +7:6x

' ,1/2 air

mf fff ff

(% (.) ( (1 (12 + , ,ff

1/4 air

(increased resonance of piano in hall)

3/4 air

ppp

10"(.1 (% (% (% () ($) ' ' '1/4 air

mp pp

1/2 air

(.

(%() gliss. (*2 , ,

3/4 air

pppp

12 "

($%/

6:4e

5:4x 3:2x

3 ' ' ' ' ' , hard

f

(! ' '$

10 "

' ' , hard

f

! ' ' '$12"

() 4

5ff

(- + , 6 ' ' ' 'f

with brushes

fff

(.' (

.(.

(.

(- + , '$10 "

' 'f

sweepingwith brushes

(fff

(- + ' '$12"

3 ' ' ' ' ' ,f

(( ' '$

10 "

' ' ,f

'

()

' '$12 "(

())/

&ff

*& - + , 6 ' ' ' ' +,

f

l.h. 1/2 pressed

over-pressed bowl.h. ord.

fff

-) ' 7 'gliss. *7)2 + , '$10 "

' '

over-pressedbow

ff

*7%

fff

gliss. *- + ' '$12 "

8 '

l.h.ord.

f

l.h. 1/2 pressed

() '+,

over-pressedbow (l.h. ord.)

/7

6:4e

ff

gliss. *%2 + 6 +,l.h. 1/2 pressed

f

over-pressedbowl.h. ord.

ff

-) '7 'gliss. *)2 + , , ' '

10 "

'$

over-pressedbow

ff fff

*7) 7gliss. *%/ , ' ' ' '$

12 "

&ff

*2 + , 6 ' ' ' '.

f

l.h.ord.()

over-pressedbowl.h. ord.

fff

/gliss. *7)2 + ,10 "

'$ ' ' 3

ff

over-pressedbow

*7)

fff

gliss. *2 + ' '$12 "

45

!"

!"

!"

!"

!"

!"

!"

!"

!"

!"

!"

!"

e = 126

e = 126

11. Frankfurt

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

e = 124

e = 124

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

$%!#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

"%$'(#&

$"

$"

$"

$"

$"

$"

$"

$"

$"

$"

$"

$"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

A

A

e = 122

e = 122

$'

$'

$'

$'

$'

$'

$'

$'

$'

$'

$'

$'

$"

$"

$"

$"

$"

$"

$"

$"

$"

$"

$"

$"

e = 120

e = 120

attacca

attacca

Piccolo

Alto Flute

Oboe

Clarinet in Bb

Percussion 1 (Thunder Sheet)

Percussion 1(snare drumBass Drum)

Percussion 2Timpani


Harp

Violin 1

Viola

Violoncello

!

"

#

!

"

!

"

!

"

) * *$7"

*$9"

* * *1/4 air

ff

+% &

fff

1/2 air

gliss. 11",-. /&$ * * * * *$

13"

*1/4 air

fff ffff

,0- ,0% ,01 ,0'/

5:4e

15"

2$ *$8"

)1/2 air

"ff" "fff"

3/4 air

*$7"

*$9"

* * * * *$11"

* * * * *$13"

* *$ *$,0

3 ,01 ,

0% ,

0' ,

03

5:4e

) *

multiphonic8b

ff

,,$1'

fff

activatespianoresonance

9",,'. /&$ * /& 4mf

,%. ,%f

gliss. ,3. / 2 * *$11"

* * * * *$13"

* *$15"

*$8"

) * *$7"

*$9"

* * 21/2 air

f

,3ff

1/4 air

gliss. ,1. / * *$11"

* * * * *$13"

* *$15"

*$8"

5 * *$7"

*$9"

f

, * * * *$11"

* * * * *$13"

mf

+ &let ring

+15"

,$

*$8"

5 * *$7"

Snare Drum

*$9"

on rim4f fff

* * * *$11"

* * * * *$13"

playing on rim

Bass drum

, , , , 2mp

,0

,0

,0

ppp

,0

5:3q

*$15"

*$8"

5:4x

6 * *$7"

*$9"

*fff ffff

* * *$11"

,03 ,

0% ,

0% 2 2 2 /

Brutal

ff

,0' 7 ,' ,

03 & ,

0%

mf

,0% ,01 & / * *$13"

* *$15"

*$8"

6:5x

5 * *$7"

*$9"

*fff ffff

* * *$11",

0,0

,0 2 2 2 /

Brutal

ff

,07 , ,

0& ,

0mf

, ,0& / * *$

13"

* *$15"

*$8"

6:5x

6 * *$7"

fff

9"

activates2nd harpresonance

,,,,,$-3

* * * * )

activates2nd harpresonance

fff

11"

,,,,,$-3- * * * *

ff

13"

+++++$-3-

&&&&&

(activates harp and gongresonance)

+++++ &&&&& ++++

+15"

,,,,,$ *$

8"

) * *$7"

*$9"

* * 2 2

1/2 on bridge

ff fff

,1 &8gliss. ,%. /& 2 2 *$

11"

* * /mf

scratch tone (overpressed)

fff

((93

((93

((9'

((' : 4 / 2 2 *$

13"

* *$15"

*$8"

4:3e

; * *$7"

*$9"

* * * * *$11"

tasto

mp

<<-

pp

nat.

gliss. ,,'. 4 / / *tastoflaut.

p

++'&&

nat.

ppp

gliss. ,,%. 4 /13"

=$ * *$15"

*$8"

6 * *$7"

*$9"

*pont.

fff

1/2 on bridge

ffff

* * *$11"

,,93 ,,

9% ,,

9% 2

Brutal

2 2

bowing at Frognat.

/ff

,,9' 7

,,'

,,93 &

& ,,9%

pont.

mf

,,% ,,91 &&

/ * *$13"

* *$15"

*$8"

6:5x

46

biro simanim score - university of victoriadpbiro/biro_simanim_mvmts_1-11.pdf · perc. 1 perc. 2...

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