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OH>>>-X-<-<-<-<^^-<^^^

Op. 30 THE ELEMENTS OF PIANO-PLAYING Piano

SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

VoL 530

EHLOp. 30

The Elements of

Piano-Playing

$1 50PRicr i IN U.S.*.



Mu^ ~m

SCHIRMER'S LIBRARY

OF MUSICAL CLASSICS

Vol. 530

ALBERT BIEHLOp. 30

The Elements of

Piano-Playing

G.

SCHIRMER, INCNew York

Copyright, 1898, by G Schirmer, Inc.

PrlM«d In l«i« U. S. A.



(9Z3*^3 311-1

The Elements of Piano -playing. 3

The elements of piano -playing, the fundamental re-

for the performance of any given piano-

consist in the player's complete control over

movements of his fing'ers and hands. Not until

is obtained, can he convey to his hearers his own

and emotional ( onctption of a composition.

Ia 1 2

The surest way of obtaining such perfect control over

all the fingers, as to make them act on the keys withprecisely the greater or lesser degree of force desired,

is by practising the following carefully arranged exer-

cises. They should be practised daily, and repeated as

many times as possible.

3 4 A. BIEHL. Op. ;K).

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ScHiRMER'S Libraryof Musical Classics

PIANO METHODS, STUDIES, AND EXERCISESSERIES ONE

BKKKNS, H.

L. 1070 Op. 61.

L.50i Op. 70.

L. 508 Op. 79.

L. 526 Op. 88.

L.1031 Op. 89.

Id KTiM. n.

L. 137 Op. 29.

L. 138 Op. 32.

I.. 136 Op. 100.

1.. 758 Op. 101.

1.. 795

I.. 691 Op. 166.

L. I5b8

HII MI^ A.

I.. 530 Op. 30.

L. 497 Op. 44.

HRVUMS, J.

I.. IftOO

HHAl KR, F.

I,. 49» Op. 15.

i!i h(,mlllf:r,

L. 500 Op. 100.

School of Vclofitr. 40 SludiM. Complett.

The ^tmt. L. 259, Bk. I; L. 260, Bk. II;

L. 262. Bk. HI.

SO I'iKtt without OcUtcs. For Begin-

20 Children—Sludiri without Octave*.

The School of .^calea. Chords, and Em-belltshmenti. 28 ."Studies.

TraininK of the Left Hand. 40 Exercises

and 25 Studies.

24 Studies. Treparatorr to the CramerStudies (VoKnch-Buonamici).

24 Studies. A sequel to Op. 29. (Vogrich-

Buonamici).

25 Easy Studies. (Vogrich-Buonamici).

24 .Melodious Pieces.

50 .Selected Studies from Op. 100, 29, tnd

32. (Germer).

25 Primary Eludea. (Osterle).

50 Selected Studies from Op. 29, 32, 100,

134 (Buonamici-Cornell). Bk. I;

L.1589, Bk. II. sp. «.

The Elenientfi of Piano-Playinir.

25 Easy and Proures-tire Studies. With

special reference to the left hand.

Bk. I; L.498, Bk. II.

SI Exercises.

12 Studies for Development of Velocity.

F.

25 Easy and Progressire Studies. (Oes-

terle). Complete.

The Same. L. 977. Bk. I; L. 97b. Bk. II.

L.7j3 Op. 105. 12 Brillian* and .Mel«dioua Studies. (Oc»-

terle.

18 Characteristic Studies (Oettcrle).T,. 7'.: Op. 109.

tlloiMN, F.

L.I -.51

L, 33

CI.KMKNTI, M.

L.167

Ln780

L.1112

L.3-6

C ()>TONF, C.

I,. 139 Op. 24.

t.. 141 Op. 25.

I,. 110 Op. 30.

I.. 1371 Op. 31.

I.. 226 Op. 37.

I.. 1030 Op. 44.

I.. 25

Etudes (Mikuli).

Etudea (Kriedhcim.)

Cradus ad Parnasnum. 100 Exercises.

(VogrirhK Bk. I ; I.. 168, Bk. II.

Cradus ad Parnassum. 2'J Selected Stud-

ies. (Tausig).

The .Same. iip. f. e.

I'rrludro and I'.irrcine* in all the Ma]or

and .Minor Keys. (Vognch).

25 Melodic Studies. (Ocsterle).

15 Studies in Style and Expreaaion.

(Oenterle).

20 Studies on the Singing Touch.

(Oeslerle).

15 Studie. in Style. (Pein).

24 tinliiant Prrludeo in all the Maior

and Minor Kr)«. for Small llandi.

15 Sludir« in K«pre»»ion. (von I»oenho(T)

30 Selected Studiea. (Uotcrle).

G. SCHIRMER, INC,

84 Studies, lik. I ; I.. 143. Bk. II.; L. 114,

Bk. 111.; L. 145. Bk. IV.

50 Selected Studies. (Bulow). Complete.

The Same. L. 828, Bk. I.; L. 829. Bk. II.;

L. 830, Bk. III.; L. 831. Bk. IV.

The Same. L. 1178. Complete, sp.

CKAMF.R, J. B.

L. 112

L. 827

L.828

I.. 1178

CROISKZ, A.

L. 1438 Op. 100.

CZKKN'i , c.

L. 153 Op. 139.

L.378 Op. 261.

L. 161 Op. 299.

L.150 Op. 335.

L.149 Op. 337.

L.383 Op. 365.

L.749 Op. 453.

L.402 Op. B53.

L. 115 Op. 599.

L 148 Op. 63G.

L.60 Op. 718.

L. 151 Op. 740.

L.n58 Op. 755.

L. 192 Op. 802.

L.H7 Op. 821.

L. 51 Op. 823

I.. 272 Op. 849

L.99I

L.44S

23 .Melodious Etudes. (Deis).

100 Progressive Studies without Octaves.

(Vognch).

125 Exercises in Passage-Playing. Ele-

mentary Studies. (Buonamici).

The School of Velocity. 40 Studies. (Vog-

rich). Complete.

The Same. L. 162, Bk. I.; I.. 163. Bk. II.;

L. 164. Bk. Ill ; L. 165. Bk. IV.

The School of Legato and Staccato. 50

Studies. Sequel to Op. 299. (Buona-

mici).

40 Daily Exercises. (Buonamici).

School of the Virtuoso. Studies in bra-

vura and style. (Buonamici).

110 Easy and i'rogressiTC Exercises.

(Buonamici).

6 Octave Studies in Progressive Diifi-

tulty. (Schultie).Practical .Method for Beginners. (Buona-

mici).

Preliminary School of Finger Dexterity.

(Buonamici).

24 Studies for the Left Hand. (Scharfcn-

burg).

The Art of Finger Dexterity. 50 Studies

in Brilliant Style. (Vogrich). Complete.

The Same. L. I5j, Bk. I.; L. 156. Bk. II;

L. 157, Bk. III.; L. 158. Bk. IV.; L. 159,

Bk. v.; L. 160. Bk. VI.

Perfection in Style. 25 Finishing Studies.

(Hcriug).

Practical Finger Exercises. (Relic).

Complete.

160 Eight-.MesBure Exercises. (Buona-mici).

The Little Pianist. 75 Exercises, begin-

ning with the First Rudiments. Com-

plete.

The Same. L. 5a, Bk. I.; L. 56, Bk. II.

30 New Studies in Technics. Preparatory

to Op. 2'.''.'. (Buonamici).

Selected Studies. An Anthology. (Oes-

terlc). Hk. I; Vpper Elementary and

Ixjwcr t;r8ile». L. 995. Bk. II: Middle

Grades. L. 996, Bk III: Ipper and

Middle (;radeii. L. 997, Bk. IV: Ipper

and Advanced tirades.

First Instruction in Piano-Playing. 100

Recreations. (Ruthardt).

NEW YORK

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