bibliography978-3-319-57922...©theeditor(s)(ifapplicable)andtheauthor(s)2017...

19
301 © The Editor(s) (if applicable) and The Author(s) 2017 L. Dudenhoeffer, Anatomy of the Superhero Film, DOI 10.1007/978-3-319-57922-1 Afra, Kia. “PG-13, Ratings Creep, and the Legacy of Screen Violence: The MPAA Responds to the FTC’s ‘Marketing Violent Entertainment to Children.’” Cinema Journal 55, no. 3 (2016): 40–64. Agamben, Giorgio. The Open: Man and Animal. Translated by Kevin Attell. Stanford: Stanford University Press, 2004. Alaniz, José. Death, Disability, and the Superhero: The Silver Age and Beyond. Jackson: University Press of Mississippi, 2014. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univer- sity of Texas Press, 1994. Arnett, Robert P. “Casino Royale and Franchise Remix: James Bond as Superhero.” Film Criticism 33, no. 3 (2009): 1–16. Arnaudo, Marco. The Myth of the Superhero. Translated by Jamie Richards. Baltimore: Johns Hopkins University Press, 2013. Bainbridge, Jason. “‘Worlds Within Worlds’: The Role of Superheroes in the Marvel and DC Universes.” In The Contemporary Comic Book Superhero, 64–85. Edited by Angela Ndalianis. New York: Routledge, 2009. Barad, Karen. “Posthumanist Performativity: Toward an Understanding of How Mat- ter Comes to Matter.” Signs: Journal of Women in Culture and Society 28, no. 3 (2003): 801–31. ———. “Tranmaterialities: Trans/Matter/Realities and Queer Political Imaginings.” GLQ: A Journal of Lesbian and Gay Studies 21, no. 2–3 (2015): 387–422. Beaty, Bart. “The Fighting Civil Servant: Making Sense of the Canadian Superhero.” American Review of Canadian Studies 36, no. 3 (2006): 427–39. Benjamin, Walter. “On Some Motifs in Baudelaire.” Translated by Harry Zohn. In Illuminations: Essays and Reflections, 155–200. Edited by Hannah Arendt. New York: Schocken Books, 1968. ———. “The Work of Art in the Age of Mechanical Reproduction.” Translated by Harry Zohn. In Illuminations: Essays and Reflections, 217–51. Edited by Hannah Arendt. New York: Schocken Books, 1968. Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010. BIBLIOGRAPHY

Upload: others

Post on 25-Jan-2021

2 views

Category:

Documents


0 download

TRANSCRIPT

  • 301© The Editor(s) (if applicable) and The Author(s) 2017 L. Dudenhoeffer, Anatomy of the Superhero Film, DOI 10.1007/978-3-319-57922-1

    Afra, Kia. “PG-13, Ratings Creep, and the Legacy of Screen Violence: The MPAA Responds to the FTC’s ‘Marketing Violent Entertainment to Children.’” Cinema Journal 55, no. 3 (2016): 40–64.

    Agamben, Giorgio. The Open: Man and Animal. Translated by Kevin Attell. Stanford: Stanford University Press, 2004.

    Alaniz, José. Death, Disability, and the Superhero: The Silver Age and Beyond. Jackson: University Press of Mississippi, 2014.

    Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univer-sity of Texas Press, 1994.

    Arnett, Robert P. “Casino Royale and Franchise Remix: James Bond as Superhero.” Film Criticism 33, no. 3 (2009): 1–16.

    Arnaudo, Marco. The Myth of the Superhero. Translated by Jamie Richards. Baltimore: Johns Hopkins University Press, 2013.

    Bainbridge, Jason. “‘Worlds Within Worlds’: The Role of Superheroes in the Marvel and DC Universes.” In The Contemporary Comic Book Superhero, 64–85. Edited by Angela Ndalianis. New York: Routledge, 2009.

    Barad, Karen. “Posthumanist Performativity: Toward an Understanding of How Mat-ter Comes to Matter.” Signs: Journal of Women in Culture and Society 28, no. 3 (2003): 801–31.

    ———. “Tranmaterialities: Trans/Matter/Realities and Queer Political Imaginings.” GLQ: A Journal of Lesbian and Gay Studies 21, no. 2–3 (2015): 387–422.

    Beaty, Bart. “The Fighting Civil Servant: Making Sense of the Canadian Superhero.” American Review of Canadian Studies 36, no. 3 (2006): 427–39.

    Benjamin, Walter. “On Some Motifs in Baudelaire.” Translated by Harry Zohn. In Illuminations: Essays and Reflections, 155–200. Edited by Hannah Arendt. New York: Schocken Books, 1968.

    ———. “The Work of Art in the Age of Mechanical Reproduction.” Translated by Harry Zohn. In Illuminations: Essays and Reflections, 217–51. Edited by Hannah Arendt. New York: Schocken Books, 1968.

    Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010.

    BiBliography

  • 302 BIBLIOGRAPHY

    Bevin, Phillip. “Batman Versus Superman: A Conversation.” In Many More Lives of the Batman, 123–33. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015.

    Bobel, Chris. New Blood: Third-Wave Feminism and the Politics of Menstruation. New Brunswick: Rutgers University Press, 2012.

    Bogost, Ian. Alien Phenomenology, or What It’s Like to Be a Thing. Minneapolis: Uni-versity of Minnesota Press, 2012.

    ———. How to Do Things with Videogames. Minneapolis: University of Minnesota Press, 2011.

    Boney, Alex. “Superheroes and the Modern(ist) Age.” In What Is a Superhero?, 42–49. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford Uni-versity Press, 2013.

    Braudy, Leo. The World in a Frame: What We See in Films. Chicago: University of Chi-cago Press, 1976.

    Brooker, Will. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2005.

    ———. Hunting the Dark Knight: Twenty-First Century Batman. New York: I. B. Tauris, 2012.

    ———. “We Could Be Heroes.” In What Is a Superhero?, 11–17. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013.

    Brown, Jeffrey A. Black Superheroes, Milestone Comics, and Their Fans. Jackson: Uni-versity Press of Mississippi, 2001.

    ———. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2017.

    Bryant, Levi R. The Democracy of Objects. Ann Arbor: Open Humanities Press, 2011. Bukatman, Scott. Hellboy’s World: Comics and Monsters on the Margins. Oakland: Uni-

    versity of California Press, 2016.———. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham:

    Duke University Press, 2003. ———.“Why I Hate Superhero Movies.” Cinema Journal 50, no. 3 (2011): 118–22.Burke, Liam. The Comic Book Film Adaptation. Jackson: University Press of Missis-

    sippi, 2015. Burt, Jonathan. Animals in Film. London: Reaktion Books, 2002. Capitanio, Adam. “‘The Jekyll and Hyde of the Atomic Age’: The Incredible Hulk as

    the Ambiguous Embodiment of Nuclear Power.” Journal of Popular Culture 43, no. 2 (2010): 249–70.

    Carey, Bjorn. “Stanford Biologist Explains Science of Origin Stories of Captain Amer-ica and the Incredible Hulk.” Stanford News. August 12, 2014, http://news.stan-ford.edu/news/2014/august/marvel-heroes-alvarado-081214.html.

    Carpenter, Stanford W. “Superheroes Need Superior Villains.” In What Is a Super-hero?, 89–93. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013.

    Castoriadis, Cornelius. Figures of the Thinkable. Translated by Helen Arnold. Stanford: Stanford University Press, 2007.

    Cates, Isaac. “On the Literary Use of Superheroes; Or, Batman and Superman Fist-fight in Heaven.” American Literature 84, no. 4 (2011): 831–57.

    Chaloner, Penny. Organic Chemistry: A Mechanistic Approach. Boca Raton: CRC Press, 2015.

    http://news.stanford.edu/news/2014/august/marvel-heroes-alvarado-081214.htmlhttp://news.stanford.edu/news/2014/august/marvel-heroes-alvarado-081214.html

  • BIBLIOGRAPHY 303

    Collins, Jim. “Batman: The Movie, Narrative—The Hyperconsciousness.” In Many More Lives of the Batman, 153–70. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015.

    Coogan, Peter. “The Hero Defines the Genre, the Genre Defines the Hero.” In What Is a Superhero? 3–10. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013.

    ———. Superhero: The Secret Origin of a Genre. Austin: MonkeyBrain Books, 2006. Corrigan, Timothy. “Still Speed: Cinematic Acceleration, Value, and Execution.” Cin-

    ema Journal 55, no. 2 (2016): 119–25.Costello, Matthew J. Secret Identity Crisis: Comic Books and the Unmasking of Cold

    War America. New York: Continuum, 2009. Crary, Jonathan. 24/7. New York: Verso, 2014. Creed, Barbara. Media Matrix: Sexing the New Reality. Crows Nest: Allen & Unwin,

    2003.Dargis, Manohla. “Moral Conflict Plus a Hot Bod: What More Does a Girl Need?”

    The New York Times. January, 14, 2005, http://www.nytimes.com/2005/01/14/movies/moral-conflict-plus-a-hot-bod-what-more-does-a-girl-need.html?_r=0.

    Davis, Blair. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers University Press, 2017.

    Dean, Jodi. Publicity’s Secret: How Technoculture Capitalizes on Democracy. Ithaca: Cornell University Press, 2002.

    Delaney, Janice, Mary Jane Lupton, and Emily Roth. The Curse: A Cultural History of Menstruation. Champaign: University of Illinois Press, 1988.

    Deshaye, Joel. “The Metaphor of Celebrity, Three Superheroes, and One Persona or Another.” Journal of Popular Culture 47, no. 3 (2014): 571–90.

    DiPaolo, Marc. War, Politics and Superheroes: Ethics and Propaganda in Comics and Film. Jefferson: McFarland, 2011.

    Dilley, Whitney Crothers. The Cinema of Ang Lee: The Other Side of the Screen. New York: Wallflower Press, 2007.

    Dittmer, Jason. “Captain America’s Empire: Reflections on Identity, Popular Culture, and Post 9/11 Geopolitics.” Annals of the Association of American Geographers 95, no. 3 (2005): 626–43.

    Dixon, Wheeler Winston. “Introduction: Movies in the 1940s.” In American Cinema of the 1940s, 1–21. Edited Wheeler Winston Dixon. New Brunswick: Rutgers Uni-versity Press, 2006.

    Dixon, Wheeler Winston, and Richard Graham. A Brief History of Comic Book Movies. New York: Palgrave Macmillan, 2017.

    Dudenhoeffer, Larrie. Embodiment and Horror Cinema. New York: Palgrave Macmil-lan, 2014.

    Dunn, Stephane. “Baad Bitches” & Sassy Supermamas: Black Power Action Films. Urbana: University of Illinois Press, 2008.

    Ebert, Roger. “Hulk.” RogerEbert.com. June 20, 2003. http://www.rogerebert.com/reviews/hulk-2003.

    Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloom-ington: Indiana University Press, 1979.

    Edelstein, David. “The Dark Knight Rises Closes Out the Most Ambitious Superhero Movie Cycle Ever,” New York Magazine. July 30, 2012, http://www.vulture.com/2012/07/movie-review-david-edelstein-on-the-dark-knight-rises.html.

    http://www.nytimes.com/2005/01/14/movies/moral-conflict-plus-a-hot-bod-what-more-does-a-girl-need.html?_r=0http://www.nytimes.com/2005/01/14/movies/moral-conflict-plus-a-hot-bod-what-more-does-a-girl-need.html?_r=0http://www.rogerebert.com/reviews/hulk-2003http://www.rogerebert.com/reviews/hulk-2003http://www.vulture.com/2012/07/movie-review-david-edelstein-on-the-dark-knight-rises.htmlhttp://www.vulture.com/2012/07/movie-review-david-edelstein-on-the-dark-knight-rises.html

  • 304 BIBLIOGRAPHY

    Elsaesser, Thomas. Metropolis. London: British Film Institute, 2000. Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of Ameri-

    can Comics. New York: New York University Press, 2015. Fernandez, Charmaine. “Déjà New in Joss Whedon's Marvel’s The Avengers.” Limina

    18, no. 2 (2013): 1–15. Fisher, Mark. “Batman’s Political Right Turn,” The Guardian. July 22, 2012,

    https://www.theguardian.com/commentisfree/2012/jul/22/batman-political-right-turn.

    Flanagan, Martin. “‘Get Ready for Rush Hour’: The Chronotope in Action.” In Action and Adventure Cinema, 103–18. Edited by Yvonne Tasker. New York: Routledge, 2004.

    Foucault, Michel. Abnormal: Lectures at the Collège de France 1975–1975. Translated by Graham Burchell. New York: Picador, 2003.

    Fowkes, Katherine A. The Fantasy Film. Malden: Wiley-Blackwell, 2010. Fradley, Martin. “What Do You Believe In?’: Film Scholarship and the Cultural Poli-

    tics of the Dark Knight Franchise.” Film Quarterly 66, no. 3 (2013): 15–27.Freeman, Matthew. “Up, Up and Across: Superman, the Second World War and the

    Historical Development of Transmedia Storytelling.” Historical Journal of Film, Radio & Television 35, no. 2 (2015): 215–39.

    French, Philip. Westerns. Manchester: Carcanet Press, 2005.Gallagher, Mark. “Batman in East Asia.” In Many More Lives of the Batman, 88–106.

    Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015.

    Garrard, Greg. Ecocriticism. New York: Routledge, 2012. Gavaler, Chris. “The Well-Born Superhero.” The Journal of American Culture. 37,

    no. 2 (2014): 182–97.Gayles, Jonathan. “Black Macho and the Myth of the Superwoman Redux: Masculin-

    ity and Misogyny in Blade.” Journal of Popular Culture 45, no. 2 (2012): 284–300.

    Gillespie, Tarleton. Wired Shut: Copyright and the Shape of Digital Culture. Cam-bridge: The MIT Press, 2007.

    Glass, Fred. “Sign of the Times: The Computer as Character in Tron, War Games, and Superman III. Film Quarterly 38, no. 2 (1984): 16–27.

    Groensteen, Thierry. The System of Comics. Translated by Bart Beatty and Nick Nguyen. Jackson: University Press of Mississippi, 2007.

    Gunning, Tom. “An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator.” In Film Theory & Criticism, 736–50. Edited by Leo Braudy and Mar-shall Cohen. New York: Oxford University Press, 2009.

    Hall, Joshua M. “Differential-Surface: Deleuze and Superhero Comics.” Transna-tional Literature 7, no. 2 (2015): 1–13.

    Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. New York: Rout-ledge, 2006.

    Harman, Graham. The Quadruple Object. Alresford: Zero Books, 2011.———. Tool-Being: Heidegger and the Metaphysics of Objects. Chicago: Open Court

    Press, 2002. ———. Towards Speculative Realism: Essays and Lectures. Alresford: Zero Books,

    2010. ———. Weird Realism: Lovecraft and Philosophy. Alresford: Zero Books, 2012.

    https://www.theguardian.com/commentisfree/2012/jul/22/batman-political-right-turnhttps://www.theguardian.com/commentisfree/2012/jul/22/batman-political-right-turn

  • BIBLIOGRAPHY 305

    Harman, Jim, and Donald F. Glut. The Great Movie Serials: Their Sound and Fury. New York: Routledge, 1973.

    Hassler-Forest, Dan. Capitalist Superheroes: Caped Crusaders in the Neoliberal Age. Alresford: Zero Books, 2012.

    Hassoun, Dan. “The Joker as Performance Style from Romero to Ledger.” In The Joker: A Serious Study of the Clown Prince of Crime, 3–17. Edited by Robert Moses Peaslee and Robert G. Weiner. Jackson: University of Mississippi Press, 2015.

    Hogan, Jon. “The Comic Book as Symbolic Environment: The Case of Iron Man.” ETC: A Review of General Semantics 66, no. 2 (2009): 199–214.

    Holland, Jeanne. “It’s Complicated: Spider-Man 2’s Reinscription of ‘Good’ and ‘Evil’ in Post-9/11 America.” Journal of Popular Culture 35, no. 4 (2012): 289–303.

    Ihde, Don. Bodies in Technology. Minneapolis: University of Minnesota Press, 2002. Jackson, Rosemary. Fantasy: The Literature of Subversion. New York: Routledge, 1981. Jeffords, Susan. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brun-

    swick: Rutgers University Press, 1994.Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. New

    York: Routledge, 1992. Jennings, John. “Superheroes by Design.” What Is a Superhero?, 59–63 Edited by

    Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013. Johnson, Derek. “Will the Real Wolverine Please Stand Up?: Marvel’s Mutation from

    Monthlies to Movies.” In Film and Comic Books, 64–85. Edited by Ian Gordon, Mark Jancovich, and Matthew P. McAllister. Jackson: University Press of Missis-sippi, 2007.

    Johnson, Vilja. “‘It’s What You Do that Defines You’: Christopher Nolan’s Batman as Moral Philosopher.” Journal of Popular Culture 47, no. 5 (2014): 952–67.

    Jordan, John J. “Vampire Cyborgs & Scientific Imperialism.” Journal of Popular Film & Television 27, no. 2 (1999): 5–15.

    Joye, Stijn, and Tanneke Van de Walle. “Batman Returns, Again and Again: An Exploratory Inquiry into the Recent Batman Film Franchise, Artistic Imitation and Fan Appreciation.” Catalan Journal of Communication & Cultural Studies 7, no. 1 (2015): 37–50.

    Kakoudaki, Despina. Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People. New Brunswick: Rutgers University Press, 2014.

    Kaplan, Richard. “Spider-Man in Love: A Psychoanalytic Interpretation.” Journal of Popular Culture 44, no. 2 (2011): 291–313.

    Kellner, Douglas. Media Spectacle and Insurrection, 2011: From the Arab Uprisings to Occupy Everywhere. New York: Bloomsbury, 2012.

    King, Geoff. Spectacular Narratives: Hollywood in the Age of the Blockbuster. New York: I. B. Tauris, 2000.

    Kipnis, Laura. The Female Thing: Dirt, Envy, Sex, Vulnerability. New York: Vintage Books, 2006.

    Kitses, Jim. “Authorship and Genre: Notes on the Western.” In The Western Reader, 57–68. Edited by in Jim Kitses and Gregg Rickman. New York: Limelight Edi-tions, 1998.

    Klock, Geoff. How to Read Superhero Comics and Why. New York: Continuum, 2002. Koh, Wilson. “Everything Old Is Good Again: Myth and Nostalgia in Spider-Man.”

    Continuum: Journal of Media & Cultural Studies 23, no. 5 (2009): 735–47.

  • 306 BIBLIOGRAPHY

    Leslie, Esther. “Loops and Joins: Muybridge and the Optics of Animation.” Early Pop-ular Visual Culture 11, no. 1 (2013): 28–40.

    Lévy, Pierre. Cyberculture. Translated by Robert Bononno. Minneapolis: University of Minnesota Press, 2001.

    Lichtenfeld, Eric. Action Speaks Louder: Violence, Spectacle, and the American Action Movie. Middletown: Wesleyan University Press, 2007.

    Madrid, Mike. The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines. Minneapolis: Exterminating Angel Press, 2009.

    Marks, Laura U. “Invisible Media.” In New Media: Theories and Practices of Digitextu-ality, 33–45. Edited by Anna Everett and John T. Caldwell. New York: Routledge, 2003.

    Marshall, Sarah. “Jessica Jones vs. The World: Marvel’s Newest Superhero Takes on the Epic Battle of Everyday Life.” The New Republic. November 25, 2015, https://newrepublic.com/article/124594/jessica-jones-vs-world-marvel-netflix.

    Martin, Emily. The Woman in the Body: A Cultural Analysis of Reproduction. Boston: Beacon Press, 2001.

    Martin, Reinhold. The Urban Apparatus: Mediapolitics and the City. Minneapolis: University of Minnesota Press, 2016.

    Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Durham: Duke University Press, 2002.

    ———. What Animals Teach Us About Politics. Durham: Duke University Press, 2014.McGowan, Todd. The Fictional Christopher Nolan. Austin: University of Texas Press,

    2012.McKenna, Tony. “The Politics of Deduction.” Overland 217 (2014): 47–52. Medhurst, Andy. “Batman, Deviance, and Camp.” In The Superhero Reader, 237–51.

    Edited by Charles Hatfield, Jeet Heer, and Kent Worcester. Jackson: University Press of Mississippi, 2013.

    Meehan, Eileen R. “‘Holy Commodity Fetish, Batman!’: The Political Economy of a Commercial Intertext.” In Many More Lives of the Batman, 69–87. Edited by Rob-erta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015.

    Meillassoux, Quentin. After Finitude: An Essay on the Necessity of Contingency. Translated by Ray Brassier. New York: Continuum, 2008.

    Merleau-Ponty, Maurice. Phenomenology of Perception. Translated by Donald A. Landes. New York: Routledge, 2014.

    Moore, Jesse T. “The Education of Green Lantern: Culture and Ideology.” Journal of American Culture 26, no. 2 (2003): 263–78.

    Morton, Timothy. Hyperobjects: Philosophy and Ecology after the End of the World. Min-neapolis: University of Minnesota Press, 2013.

    ———. Realist Magic: Objects, Ontology, Causality. Ann Arbor: Open Humanities Press, 2013.

    Nagel, Thomas. “What Is It Like to Be a Bat?” Philosophical Review 83, no. 4 (1974): 435–50.

    Nair, Kartik. “Plummeting to the Pavement: The Fall of the Body in Spider-Man.” In Terror and the Cinematic Sublime: Essays on Violence and the Unpresentable in Post-9/11 Films, 15–28. Edited by Todd A. Comer and Lloyd Isaac Vayo. Jefferson: McFarland, 2012.

    Nama, Adilifu. Super Black: American Pop Culture and Black Superheroes. Austin: Uni-versity of Texas Press, 2011.

    https://newrepublic.com/article/124594/jessica-jones-vs-world-marvel-netflix

  • BIBLIOGRAPHY 307

    Nietzsche, Friedrich. “On Truth and Lies in a Nonmoral Sense.” Translated by Dan-iel Breazeale. The Nietzsche Reader, 114–23. Edited by Keith Ansell Pearson and Duncan Large. Malden: Blackwell Publishing, 2006.

    Nutall, Alice. “‘I Am the Monster Parents Tell Their Children About at Night’: The Marvel Films’ Loki as Gothic Antagonist.” Gothic Studies 18, no. 2 (2016): 62–73.

    O’Brien, Harvey. Action Movies: The Cinema of Striking Back. London: Wallflower Press, 2012.

    Oehlert, Mark. “From Captain America to Wolverine: Cyborgs in Comic Books: Alternate Images of Cybernetic Heroes and Villains.” In The Cybercultures Reader, 112–123. Edited by David Bell and Barbara M. Kennedy. New York: Routledge, 2000.

    Orr, Christopher. “‘The Dark Knight Rises’…and Falls,” The Atlantic. July 20, 2012, https://www.theatlantic.com/entertainment/archive/2012/07/the-dark-knight-rises-and-falls/260091/.

    Palmer, Lorrie. “The Punisher as Revisionist Superhero Western.” In The Superhero Reader, 279–94. Edited by Charles Hatfield, Jeet Heer, and Kent Worcester. Jack-son: University Press of Mississippi, 2013.

    Parikka, Jussi. Insect Media: An Archaeology of Animals and Technology. Minneapolis: University of Minnesota Press, 2010.

    Peppard, Anna F. “Canada’s Mutant Body: Nationalism and (Super)Multicultural-ism in Alpha Flight vs. the X-Men.” Journal of the Fantastic in the Arts 26, no. 2 (2015): 311–32.

    Prater, Louise. “Gender and Power: The Phoenix/Jean Grey across Time and Media.” Colloquy: Text Theory Critique 24 (2012): 159–70.

    Prince, Stephen. Classical Film Violence: Designing and Regulating Brutality in Hol-lywood Cinema, 1930–1968. New Brunswick: Rutgers University Press, 2003.

    ———. Digital Visual Effects in Cinema: The Seduction of Reality. New Brunswick: Rutgers University Press, 2012.

    Proctor, William. “Man of Steel (Zack Snyder US 2013).” Science Fiction Film and Television 8, no. 2 (2015): 290–3.

    Purse, Lisa. “Digital Heroes in Contemporary Hollywood: Exertion, Identification, and the Virtual Action Body.” Film Criticism 32, no. 1 (2007): 5–25.

    ———. Contemporary Action Cinema. Edinburgh: Edinburgh University Press, 2011.———. Digital Imaging in Popular Cinema. Edinburgh University Press, 2013.Reynolds, Richard. Super Heroes: A Modern Mythology. Jackson, MS: University Press

    of Mississippi, 1992. Robinson, Lillian S. Wonder Women: Feminisms and Superheroes. New York: Rout-

    ledge, 2003.Roblou, Yann. “Complex Masculinities: The Superhero in Modern American Mov-

    ies.” Culture, Society & Masculinities 4, no. 1 (2012): 76–91. Roh, David S., Betsy Huang, and Greta A. Niu. “Technologizing Orientalism: An

    Introduction.” In Techno-Orientalism: Imaging Asia in Speculative Fiction, History, and Media, 1–19. Edited by David S. Roh, Betsy Huang, and Greta A. Niu. New Brunswick: Rutgers University Press, 2015.

    Rogers, Ariel. Cinematic Appeals: The Experience of New Movie Technologies. New York: Columbia University Press, 2013.

    Rosen, Philip. Change Mummified: Cinema, Historicity, Theory. Minneapolis: Univer-sity of Minnesota Press, 2001.

    https://www.theatlantic.com/entertainment/archive/2012/07/the-dark-knight-rises-and-falls/260091/https://www.theatlantic.com/entertainment/archive/2012/07/the-dark-knight-rises-and-falls/260091/

  • 308 BIBLIOGRAPHY

    Rosewarne, Lauren. Periods in Pop Culture: Menstruation in Film and Television. Lan-ham: Lexington Books, 2012.

    Russell, Patrick Kent. “Christopher Nolan’s The Dark Knight Trilogy as a Noir View of American Social Tensions.” Interdisciplinary Humanities33, no. 1 (2016): 171–86.

    Sandifer, Philip. “Amazing Fantasies: Trauma, Affect, and Superheroes.” English Lan-guage Notes 46, no. 2 (2008): 175–92.

    Santo, Avi. “Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era.” Cinema Journal 49, no. 2 (2010): 63–85.

    Saunders, Ben. Do the Gods Wear Capes? Spirituality, Fantasy, and Superheroes. New York: Continuum, 2011.

    Scott, Cord A. “Anti-Heroes: Spider-Man and the Punisher.” In Web-Spinning Hero-ics: Critical Essays on the History and Meaning of Spider-Man, 120–7. Edited by Robert Moses Peaslee and Robert G. Weiner. Jefferson: McFarland, 2012.

    Scully, Tyler, and Kenneth Moorman. “The Rise of Vigilantism in 1980s Comics: Rea-sons and Outcomes.” Journal of Popular Culture 50, no. 3 (2014): 634–52.

    Serres, Michel. Thumbelina: The Culture and Technology of Millennials. Translated by Daniel W. Smith. Lanham: Rowman & Littlefield, 2015.

    Shaviro, Steven. No Speed Limit: Three Essays on Accelerationism. Minneapolis: Univer-sity of Minnesota Press, 2015.

    ———. Post Cinematic Affect. Alresford: Zero Books, 2010.———. The Universe of Things: On Speculative Realism. Minneapolis: University of

    Minnesota Press, 2014. Sheldon, Rebekah. “Form/Matter/Chora: Object-Oriented Ontology and Feminist

    New Materialism.” In The Nonhuman Turn, 193–222. Edited by Richard Grusin. Minneapolis: University of Minnesota Press, 2015.

    Sims, David. “The Sublime Darkness of Jessica Jones.” The Atlantic. November 19, 2015, https://www.theatlantic.com/entertainment/archive/2015/11/jessica-jones-marvel-netflix/416685/.

    Soares, Michael. “The Man of Tomorrow: Superman from American Exceptionalism to Globalization.” Journal of Popular Culture 48, no. 4 (2015): 747–61.

    Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berke-ley: University of California Press, 2004.

    ———. “Sci-Why?: On the Decline of a Film Genre in an Age of Technological Wiz-ardry.” Science Fiction Studies 41, no. 2 (2014): 284–300.

    Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966.Spigel, Lynn, and Henry Jenkins. “Same Bat Channel, Different Bat Times: Mass Cul-

    ture and Popular Memory.” In Many More Lives of the Batman, 171–201. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015.

    Spinoza, Baruch. Ethics. Trans. G. H. R. Parkinson. New York: Oxford University Press, 2000.

    Spross, Jeff, and Zack Beauchamp. “Liberalism’s Dark Knight and Christopher Nolan’s Defense of Civil Society.” ThinkProgress. July 26, 2012, https://thinkpro-gress.org/guest-post-liberalisms-dark-knight-and-christopher-nolan-s-defense-of-civil-society-a8156d0c4a88#.dqxsovtm1.

    Stabile, Carole A. “‘Sweetheart, This Ain’t Gender Studies’: Sexism and Superheroes.” Communication & Critical/Cultural Studies 6, no. 1 (2009): 86–92.

    https://www.theatlantic.com/entertainment/archive/2015/11/jessica-jones-marvel-netflix/416685/https://www.theatlantic.com/entertainment/archive/2015/11/jessica-jones-marvel-netflix/416685/https://thinkprogress.org/guest-post-liberalisms-dark-knight-and-christopher-nolan-s-defense-of-civil-society-a8156d0c4a88#.dqxsovtm1https://thinkprogress.org/guest-post-liberalisms-dark-knight-and-christopher-nolan-s-defense-of-civil-society-a8156d0c4a88#.dqxsovtm1https://thinkprogress.org/guest-post-liberalisms-dark-knight-and-christopher-nolan-s-defense-of-civil-society-a8156d0c4a88#.dqxsovtm1

  • BIBLIOGRAPHY 309

    St. Clair, Robert. “The Bomb in (and the Right to) the City: Batman, Argo, and Hol-lywood’s Revolutionary Crowds.” International Journal of Žižek Studies 7, no. 3 (2013): 1–20.

    Stevens, J. Richard. Captain America, Masculinity, and Violence: The Evolution of a National Icon. Syracuse: Syracuse University Press, 2015.

    Stoddart, Scott F. “Epilogue—New Visions/New Vistas: Christopher Nolan’s Bat-man Trilogy and the New Western.” In The New Western: Critical Essays on the Genre Since 9/11, 229–43. Edited by Scott F. Stoddart. Jefferson: McFarland, 2016.

    Stuller, Jennifer K. Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology. New York: I. B. Tauris, 2010.

    Tasker, Yvonne. Spectacular Bodies: Gender, Genre, and the Action Cinema. New York: Routledge, 1993.

    Taylor, Aaron. “‘He’s Gotta Be Strong, and He’s Gotta Be Fast, and He’s Gotta Be Larger Than Life’: Investigating the Engendered Superhero Body.” Journal of Pop-ular Culture 40, no. 2 (2007): 344–60.

    Telotte, J. P. Animating Space: From Mickey to Wall-E. Lexington: University Press of Kentucky, 2010.

    Terrill, Robert E. “Spectacular Repression: Sanitizing the Batman.” Critical Studies in Media Communication 17, no. 4 (2000): 493–509.

    Thacker, Eugene. Biomedia. Minneapolis: University of Minnesota Press, 2004. ———. “Dark Media.” In Excommunication: Three Inquiries and Media and Media-

    tion, 77–149. Edited by Alexander R. Galloway, Eugene Thacker, and McKenzie Wark. Chicago: The University of Chicago Press, 2014.

    ———. In Dust of this Planet: Horror of Philosophy Vol. 1. Alresford: Zero Books, 2011.

    ———. Tentacles Longer than Night: Horror of Philosophy Vol. 3. Alresford: Zero Books, 2015.

    Trushell, John M. “American Dreams of Mutants: The X-Men—‘Pulp’ Fiction, Sci-ence Fiction, and Superheroes.” Journal of Popular Culture 38, no. 1 (2004): 149–68.

    Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick: Rutgers University Press, 2013.

    Turan. Kenneth. “Batman v Superman, with Ben Affleck and Henry Cavill, Is a Gritty Superhero Showdown.” Los Angeles Times. March 23, 2016, http://www.latimes.com/entertainment/movies/la-et-mn-batman-superman-review-20160325-col-umn.html.

    Tyree, J. M. “American Heroes.” Film Quarterly 62, no. 3 (2009): 28–34. Uricchio, William, and Roberta Pearson. “‘I’m Not Fooled by that Cheap Disguise.’”

    In Many More Lives of the Batman, 205–36. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015.

    Verano, Frank. “Superheroes Need Supervillains.” In What Is a Superhero?, 83–7. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013.

    Vernon, Matthew. “Subversive Nostalgia, or Captain America at the Museum.” Jour-nal of Popular Culture 49, no. 1 (2016): 116–35.

    Walton, Saige. “Baroque Mutants in the 21st Century?: Rethinking Genre Through the Superhero. In The Contemporary Comic Book Superhero, 86–106. Edited by Angela Ndalianis. New York: Routledge, 2009.

    http://www.latimes.com/entertainment/movies/la-et-mn-batman-superman-review-20160325-column.htmlhttp://www.latimes.com/entertainment/movies/la-et-mn-batman-superman-review-20160325-column.htmlhttp://www.latimes.com/entertainment/movies/la-et-mn-batman-superman-review-20160325-column.html

  • 310 BIBLIOGRAPHY

    Weiner, Robert. “Marvel Comics and the Golem Legend.” Shofar: An Interdiscipli-nary Journal of Jewish Studies 29, no. 2 (2011): 50–72.

    Weinstein, Simcha. Up, Up, and Oy Veh! How Jewish History, Culture, and Values Shaped the Comic Book Superhero. Fort Lee: Barricade Books, 2006.

    Whaley, Deborah Elizabeth. Black Women in Sequence: Re-inking Comics, Graphic Novels, and Anime. Seattle: University of Washington Press, 2016.

    Whissel, Kristen. Spectacular Digital Effects: CGI and Contemporary Cinema. Dur-ham: Duke University Press, 2014.

    Whitehead, Alfred North. The Concept of Nature. Amherst: Prometheus Books, 2004. “White Supremacists Urge Thor Boycott Over Casting of Black Actor as Norse God.”

    The Guardian. December 17, 2010, https://www.theguardian.com/film/2010/dec/17/white-supremacists-boycott-thor.

    Wininger, Kevin L. “A Look at Superman’s X-ray Vision.” Radiologic Technology 84, no. 5 (2013): 530–35.

    Winner, Langdon. “Silicon Valley Mystery House.” In Variations on a Theme Park, 31–60. Edited by Michael Sorkin. New York: Hill and Wang, 1992.

    Winstead, Nick. “‘As a Symbol I Can Be Incorruptible’: How Christopher Nolan De-Queered the Batman of Joel Schumacher.” Journal of Popular Culture 48, no. 3 (2015): 572–85.

    Winterhalter, Benjamin. “The Politics of the Inner: Why The Dark Knight Rises Is Not a Conservative Allegory,” Journal of Popular Culture 48, no. 5 (2015): 1030–47.

    Wood, Aylish. “Pixel Visions: Digital Intermediates and Micromanipulations of the Image.” Film Criticism 32, no. 1 (2007): 72–94.

    Yockey, Matt. “Secret Origins: Melodrama and the Digital in Ang Lee’s Hulk.” In Superhero Synergies: Comic Book Characters Go Digital, 27–40. Edited by James N. Gilmore and Matthias Stork. Lanham: Rowman & Littlefield, 2014.

    ———. “Somewhere in Time: Utopia and the Return of Superman.” Velvet Light Trap: A Critical Journal of Film & Television 61 (2008): 26–37.

    Young, Elizabeth. “Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein.” In The Dread of Difference: Gender and the Horror Film, 309–37. Edited by Barry Keith Grant. Austin: University of Texas Press, 1996.

    Zehr, E. Paul. Becoming Batman: The Possibility of a Superhero. Baltimore: Johns Hop-kins University Press, 2009.

    Zingsheim, Jason. “X-Men Evolution: Mutational Identity and Shifting Subjectivi-ties.” Howard Journal of Communication 22, no. 3 (2011): 223–39.

    Žižek, Slavoj. “The Politics of Batman.” The New Statesman. August 23, 2012, http://www.newstatesman.com/culture/culture/2012/08/slavoj-%C5%BEi%C5%BEek-politics-batman.

    https://www.theguardian.com/film/2010/dec/17/white-supremacists-boycott-thorhttps://www.theguardian.com/film/2010/dec/17/white-supremacists-boycott-thorhttp://www.newstatesman.com/culture/culture/2012/08/slavoj-%C5%BEi%C5%BEek-politics-batmanhttp://www.newstatesman.com/culture/culture/2012/08/slavoj-%C5%BEi%C5%BEek-politics-batman

  • 311

    Apocalypse, 57, 196–199, 201–205, 235Aquaman, 120, 192Arnett, Robert P., 21Arnaudo, Marco, 143As Above, So Below, 135As You Like It, 57Atlas of Men, 11Atom Man vs. Superman, 168–170, 182Avengers: Age of Ultron, 70, 150, 203,

    218, 252, 266Avengers, The, 1, 60–62, 66, 69, 70, 74,

    75, 123, 141, 149–153, 162, 203, 219, 223, 252, 253, 256, 263, 267, 269, 272, 281, 296

    BBainbridge, Jason, 228Bane, 116–118, 160Banner, David, 243, 245–249Batgirl (Barbara Gordon), 105, 106Batman (Bruce Wayne), 83, 86, 87, 90,

    91, 94, 95, 97, 98, 99, 101, 102, 105, 108–121, 145, 148, 157–161, 172, 191, 192, 228, 230, 265

    Batman (1943), 82–84, 86Batman (1966), 85, 87, 158Batman (1989), 2, 90, 92, 112, 121,

    145, 158Batman and Robin (1949), 85, 88Batman & Robin (1997), 104

    AAbomination, The (Emil Blonsky),

    251–253Accelerationism, 231Action films, 1, 3, 6, 7, 22, 63, 68, 81,

    104, 111, 116, 118, 143, 207–209, 211, 212, 241, 265

    Adamantium, 198, 199, 201, 234–242Adventures of Captain Marvel, The, 82,

    168Adventures of Superman, The television

    series, 170, 171Aether, 63–67Afra, Kia, 77, 285Agamben, Giorgio, 237, 238Ajax, 153–156Alaniz, José, 286All the President’s Men, 79Alligator, 137Amazing Spider-Man, The, 128, 134,

    136, 162Amazing Spider-Man 2, The, 138, 141,

    281American Splendor, 21American Sniper, 162Amityville Horror, The, 78Anderson, Christopher, 229Angel, 45, 96, 193, 205, 227Angel Dust, 153–155Ant-Man, 74, 151, 225, 268–273, 286Ant-Man (Scott Lang), 268, 270

    index

    © The Editor(s) (if applicable) and The Author(s) 2017 L. Dudenhoeffer, Anatomy of the Superhero Film, DOI 10.1007/978-3-319-57922-1

  • 312 INDEX

    Batman Begins, 108, 109, 111, 161Batman Forever, 99–102, 106Batman Returns, 10, 77, 94, 95, 97, 99,

    100, 116Batmobile, 83, 84, 87, 89, 90, 92, 93,

    95, 96, 100, 101, 103–105, 109, 111, 118

    Batman television series (1966-1968), 85

    Batman v Superman: Dawn of Justice, 119, 191

    Bat Whispers, The, 85Barad, Karen, 222Beast (Hank McCoy), 193, 196Beast from 20,000 Fathoms, The, 247Beaty, Bart, 284Benjamin, Walter, 166Bennett, Jane, 9, 36, 139, 224Bevin, Phillip, 119Big, 186, 187Blackheart, 206, 208Blackout (Ray Carrigan), 212Black Panther, The (T’Challa), 74, 75,

    234, 235Black Rain, 241Black Sunday, 112Black Widow, The (Natasha Romanoff),

    151Blade, 28–36, 58, 76, 77, 112, 234Blade II, 30–33, 58Blade: Trinity, 32, 33, 35Blair Witch, 135Blonde Venus, 107Bobel, Chris, 52Body Melt, 23Bogost, Ian, 61, 100, 162Boney, Alex, 68Boondock Saints, The, 145Born Free, 251Bourne Legacy, The, 286Bram Stoker’s Dracula, 33Braudy, Leo, 22Brave One, The, 142Brooker, Will, 24, 83, 158Brown, Jeffrey A., 77, 139, 163Bryant, Levi R., 10, 177, 212, 299Bukatman, Scott, 3, 123, 193Bullseye, 36, 38, 39, 41, 42Burke, Liam, 21Burt, Jonathan, 242

    CCage, Luke (Carl Lucas), 279Call of Duty, 258Capitanio, Adam, 243Captain America (1944), 67, 83Captain America (Steve Rogers), 67,

    69–71, 74, 79, 249Captain America: The First Avenger, 67,

    70Captain America: The Winter Soldier,

    72, 152Captain America: Civil War, 74, 150,

    152, 220, 269, 272Carpenter, Stanford W., 197Casino Royale, 1, 21Castoriadis, Cornelius, 115Cates, Isaac, 230Catwoman, 5, 10, 11, 75, 87, 90, 95,

    96, 98, 99, 116, 160, 234Catwoman (Patience Philips)Catwoman (Selina Kyle), 98Challenge, The, 241Chaloner, Penny, 229Choratic space, 219–225, 232Chronicle, 140Collins, Jim, 93Coogan, Peter, 5, 280Cottonmouth (Cornell Stokes), 279Correlationism, 85Corrigan, Timothy, 231Costello, Matthew J., 117Crank, 27, 212Crary, Jonathan, 158Creed, Barbara, 286Crimewave, 133Crossbones (Brock Rumlow), 152, 221Cyclops (Scott Summers), 193, 200–202,

    237

    DDaimajin, 250Dr. Daka, 82–85Daredevil, 36–51, 53, 56, 78, 81, 91,

    147, 149, 152, 163, 275Daredevil (Matt Murdock), 43, 46, 48,

    49, 51Dargis, Manohla, 55Dark Knight Rises, The, 115–118, 159,

    160

  • INDEX 313

    Dark Knight, The, 111–115, 118, 120, 147, 159–161

    Davis, Blair, 79Day After, The, 197DC Extended Universe, 119, 120, 192,

    230Deadpool (Wade Wilson), 153–157, 163,

    237, 238, 245Dean, Jodi, 232Death Wish II, 146Delaney, Janice, Mary Jane Lupton, and

    Emily Roth, 51Deshaye, Joel, 255Diamondback (Willis Stryker), 279–283Dillard, Mariah, 279, 280, 283Dilley, Whitney CrothersDiPaolo, Marc, 142Dittmer, Jason, 70Dixon, Wheeler Winston, 185, 229Doctor Doom (Victor Von Doom), 6Doctor Octopus (Otto Octavius), 126,

    128–130Doom, 258Doomsday, 192Dracula, 5, 32–35Drones, 150, 152, 219, 261, 262, 285,

    286Dunn, Stephane, 230

    EEbert, Roger, 243Eco, Umberto, 116, 174, 178Edelstein, David, 160Ekphrasis, 99Elektra, 27, 36, 38, 39, 41, 48–56, 152Elektra (Elektra Natchios), 36, 48, 50Electro (Max Dillon), 138Elsaesser, Thomas, 71Empire Strikes Back, The, 198That’s Entertainment!, 74Enter the Ninja, 44Escape Plan, 78Evening with Batman and Robin, An, 86Exorcist, The, 22, 202Eye in the Sky, 286

    FFalcon, The (Sam Wilson), 72, 75, 272Fantastic Four: Rise of the Silver Surfer,

    14Fantastic Four, The, 11–14, 19, 20, 23,

    24, 204, 290–293, 295–300Fantastic Four (2005), 10, 20, 296Fantastic Four (2015), 298, 300Fast and the Furious, The, 209That Fatal Sneeze, 81, 82Fawaz, Ramzi, 280Felix the Cat, 77Fernandez, Charmaine, 285Ferris Bueller’s Day Off, 157Film Rating SystemsFisher, Mark, 160Flanagan, Martin, 207Flash, The, 120, 135, 188, 192Flipper, 251Foster, Jane, 56, 63Foucault, Michel, 124Fowkes, Katherine A., 121Fort Apache, 161Fox, Lucius, 113Fradley, Martin, 160Frankenstein, 131, 139Freaks, 30, 97, 199Freeman, Matthew, 228Mr. Freeze (Victor Fries), 104–107, 158French, Philip, 161Freshman, The, 121Frost, Deacon, 28–30, 56–58, 60, 104Fury, Nick, 72, 73, 252, 260Fury, The, 298

    GGallagher, Mark, 113Gamer, 212Gamera, 250Garrard, Greg, 10Gavaler, Chris, 228Gayles, Jonathan, 77Gentlemen Prefer Blondes, 107Ghost Rider, 205–212, 218, 231Ghost Rider (Carter Slade), 206, 207

  • 314 INDEX

    Ghost Rider (Johnny Blaze), 206, 210Ghost Rider: Spirit of Vengeance, 210G.I. Joe: The Rise of Cobra, 44Gillespie, Tarleton, 229Glass, Fred, 180Gojira, 247, 250Good Kill, 286Gordon, James, 91, 111Gorman, Gus, 179, 229Gotham City, 2, 84–94, 96, 100, 101,

    104, 108, 109, 113, 115, 159, 191Graham, Richard, 185Green Goblin (Harry Osborn), 140Green Goblin (Norman Osborn), 124,

    130, 140Green Lantern Corps, 213, 214, 216Green Lantern (Hal Jordan), 213, 214,

    216Groensteen, Thierry, 22Guardian, The, 57, 160Guardians of the Universe, 10Gunning, Tom, 25

    HHall, Joshua M., 286Hammer, Justin, 151, 261Hammond, Hector, 214, 216Hand, The, 49, 50, 53–55, 62Hansel & Gretel: Witch Hunters, 1Hansen, Mark B.N., 23, 149Harman, Graham, 9, 35, 61, 129, 224,

    247Harman, Jim, and Donald F. Glut, 24Hassler-Forest, Dan, 84, 231, 285Hassoun, Dan, 159Hawkeye (Clint Barton), 150Heidegger, Martin.From Hell, 77, 105Help!, 178Hicks, Heather J.High Noon, 160Hogan, Jon, 257Holland, Jeanne, 126Honey, I Shrunk the Kids, 272Hulk, 3, 24, 62, 220, 234, 235, 243–

    253, 265–267, 270, 283, 285, 286, 296

    Hulkbuster, 267Hulk, The (Bruce Banner), 243, 246,

    247, 249–252, 270, 285, 286Human Torch, The (Johnny Storm), 12,

    15, 294Hunger Games, The, 6, 116Hydra, 67–69, 71–73, 75, 218, 219,

    253, 268Hyperobjects, 214, 216, 218

    IIceman (Bobby Drake), 10, 200Ichi the Killer, 113Ihde, Don, 22Impact Aesthetic, 207–212Incredible Hulk, The, 249, 250Incredible Melting Man, The, 23Indiana Jones and the Kingdom of the

    Crystal Skull, 1Infinity Stones, 218Invisible Woman, The (Susan Storm), 12,

    17, 18, 290, 293Iron Man, 12, 61, 69, 70, 74, 75, 119,

    143, 150, 151, 152, 218–221, 226, 234–236, 242, 245, 252–268, 272, 280, 284–285

    Iron Man (Tony Stark), 1, 253, 285Iron Man 2, 151, 259–262Iron Man 3, 177, 262, 264–266, 286Iron Monger (Obadiah Stane), 255

    JJackson, Rosemary, 247James Bond series, 21, 142Jason Bourne series, 231Jaws 2, 248Jeffords, Susan, 286Jenkins, Henry, 139, 158Jennings, John, 6Jigsaw (Billy “The Beaut” Russotti), 145Johnson, Derek, 284Johnson, Vilja, 159Joker, The, 87, 90–94, 111–116, 145,

    147, 159Jones, Jessica, 274, 276, 279, 281, 282Jordan, John J., 77

  • INDEX 315

    Jor-El, 167, 170–175, 177, 185, 187–189, 190, 191, 193

    Joye, Stijn, and Tanneke Van de Walle, 159

    Jungle Book, The, 77Jurassic Park, 2, 137

    KKakoudaki, Despina, 234Kaplan, Richard, 161Kellner, Douglas, 286Kent, Eben, 167Kent, Eben and Martha, 168Kent, Jonathan and Martha, 174Kilgrave (Kevin Thompson), 274–279Killian, Aldrich, 264, 265King, Geoff, 207King Kong, 128, 167, 251Kingpin, The (Wilson Fisk), 43Kingsman: The Secret Service, 22Kinkou, 53Kipnis, Laura, 51Kirigi, 53, 54Kitses, Jim, 161Klock, Geoff, 97Knight, Misty, 282Koh, Wilson, 161Kryptonite, 119, 120, 168, 169, 173,

    174, 179–181, 187, 188, 191, 192, 208

    LLady Snowblood, 238La Femme Nikita, 219Lane, Lois, 119, 166, 168, 170, 171,

    185, 188, 208, 215L'arrivée d'un train en gare de La Ciotat,

    25Lassie Come Home, 251Last Boy Scout, The, 265Leslie, Esther, 26Lethal Weapon, 22, 81, 265Lévy, Pierre, 231Lichtenfeld, Eric, 22Little Mermaid, The, 300Lizard, The (Curt Connors), 136

    Loki, 56, 57, 60, 61, 64–66, 76, 78, 150, 151, 252, 253

    London Has Fallen, 286Lone Wolf and Cub, 238Long Kiss Goodnight, The, 265Lord of the Rings: The Fellowship of the

    Ring, The, 2Love’s Labour’s Lost, 57Luthor, Lex, 5, 119, 167, 169, 173, 177,

    182, 185, 192

    MMachete, 142Mad Max: Fury Road, 209Madrid, Mike, 55Magneto (Erik Lehnsherr), 195,

    197–203, 222Man About Town, A, 165–168, 172Mandarin, The (Trevor Slattery), 265Man of Steel, 119, 120, 166, 168, 171,

    188–192, 228, 230Man Who Shot Liberty Valance, The, 142,

    161Marks, Laura U., 24Marshall, Sarah., 274Martin, Emily, 281Martin, Reinhold, 159Marvel Cinematic Universe, 60, 61, 64,

    67, 71, 123, 141, 156, 162, 219, 252, 267, 280

    Marvel’s Daredevil Netflix series, 43, 147Marvel’s Jessica Jones Netflix series, 274Marvel’s Luke Cage Netflix series, 279Mary Shelley’s Frankenstein, 138Masked Marvel, The, 67Massumi, Brian, 40, 42, 66, 78Master Mystery, The, 233, 234Matrix, The, 222McGowan, Todd, 108McKenna, Tony, 21Mechanical Monsters, The, 166, 168Mechanic, The (1972), 265Mechanic, The (2011), 265Medhurst, Andy, 99Meehan, Eileen R., 158Meillassoux, Quentin, 85, 173Men in Black, 21

  • 316 INDEX

    Mephistopheles (Roarke), 210Merleau-Ponty, Maurice, 7–9, 23, 40,

    41, 121, 122, 149, 175Metropolis, 71, 72, 119, 166, 167, 169,

    171, 177, 178, 182, 184, 187, 189, 191

    Microchip (Linus Lieberman), 146Mission: Impossible series, 6, 81Mister Fantastic (Reed Richards), 13,

    290, 294Mjölnir, 12, 39, 56, 58–62, 64, 65, 223Moore, Jesse T., 231Morton, Timothy, 9, 23, 86, 99, 214Mothra, 250, 251Much Ado About Nothing, 57Mystique (Raven Darkhölme), 193,

    195–199, 201

    NNagel, Thomas, 43Nair, Kartik, 126Nama, Adilifu, 280New Goblin (Harry Osborn), 130, 134Nietzsche, Friedrich, 93, 167Nightcrawler, 200, 203, 205Night Stalker, The, 33, 34Ninja Assassin, 44, 51Non, 175, 176, 178Nosferatu, 108Nuclear Man, 169, 182–184, 188Nutall, Alice, 78

    OO’Brien, Harvey, 162Octagon, The, 44Odin, 56, 58, 59, 63, 65, 66Oehlert, Mark, 73Oldboy, 113Olson, Jimmy, 179Orr, Christopher, 160

    PPalmer, Lorrie, 142Parallax, 213–217Parikka, Jussi, 272

    Parker, Ben, 121–123, 131, 135, 136, 139

    Parker, May, 121, 127, 128, 132, 133Pas de Deux, 269, 270Penguin, The (Oswald Cobblepot), 87,

    88, 94–98Peppard, Anna F., 284Phantom from 10,000 Leagues, The, 247Phantom of the Opera, 247Phoenix (Jean Grey), 197, 201, 202, 235Point of No Return, 219Poison Ivy (Pamela Isley), 106Poltergeist, 202Potts, Pepper, 255, 262Prater, Louise, 202Prince, Stephen, 2, 200, 285Proctor, William, 230Professor X (Charles Xavier), 195Psycho, 91Punisher, The, 5, 28, 47, 48, 49, 73,

    142–149, 162Punisher: War Zone, 145Purse, Lisa, 6, 7, 19, 24, 56, 126Push, 21Pym, Henry, 268Pyro, 199, 203

    QQuicksilver (Pietro Maximoff), 198, 199,

    218, 222, 224

    RRa’s al Ghul, 108–110, 118Red, 154Red Barry, 79Red-Headed Woman, 221Red Skull, The, 67, 68, 70–72Reynolds, Richard, 6, 59Riddler, The (Edward Nygma), 87, 90,

    102, 103Road to Perdition, 21Robin (Dick Grayson), 99, 101Robinson, Lillian S., 17Roblou, Yann, 22Roh, David S., Betsy Huang, and Greta

    A. Niu, 158

  • INDEX 317

    Rogers, Ariel, 23Rogue, 193, 199, 200, 235, 236Rosen, Philip, 63Rosewarne, Lauren, 51Ross, Betty, 243, 249Ross, General Thaddeus “Thunderbolt”,

    243–245, 248–250Russell, Patrick Kent, 159Russian, The, 43, 145, 182, 261

    SSabretooth, 202, 235–238Saint, Howard, 142, 144, 147Sandifer, Philip, 162Sandman, The (Flint Marko), 131, 133,

    134Sanjuro, 238Santo, Avi, 158Saunders, Ben, 267Scanners, 298Scarecrow, The (Jonathan Crane),

    109–111, 116, 118Scarlet Witch, The (Wanda Maximoff),

    75, 150, 218–221, 225, 253Scott, Cord A., 162Scully, Tyler, and Kenneth Moorman,

    162Searchers, The, 161Selvig, Erik, 56, 65, 66Serpentine Dance, 27Serres, Michel, 258Shane, 161Shaviro, Steven, 19, 210, 217Sheldon, Rebekah, 219, 220, 224Sherlock Holmes, 1S.H.I.E.L.D., 59, 62, 68, 71–74, 149,

    150, 221, 252, 260, 268Shining, The, 112Siege, The, 265Sif, 56, 57, 62Silver Samurai, The (Ichirō Yashida),

    241, 242Silver Surfer, The, 16, 20Simpson, Will, 274Sims, David, 274Skeleton Dance, The, 207Sky Captain and the World of Tomorrow,

    126Snowden, 286

    Soares, Michael, 230Sobchack, Vivian, 78, 149Sontag, Susan, 87Speculative realism, 9, 86, 99, 173Spider Lady, The, 168Spider-Man, 7, 8Spider-Man (Peter Parker), 3, 8, 9, 12,

    75, 81, 121, 123–132, 136, 138Spider-Man 2, 126, 127Spider-Man 3, 130, 131Spigel, Lynn, 158Spinoza, Baruch, 4, 9Spross, Jeff, and Zack Beauchamp, 160Spy Game, 79Spy Smasher, 67Stabile, Carole A., 22Stacy, Captain George, 136, 137Stacy, Gwen, 133, 135, 139, 141, 162St. Clair, Robert, 160Stevens, J. Richard, 79Stick, 7–9, 38, 43, 50, 51, 119, 150,

    187, 202, 214, 216Stoddart, Scott F., 160Stone, 204, 218, 246, 286Storm (Ororo Munroe), 32, 58, 118,

    139, 150, 202, 230, 248Street Trash, 23Strucker, Wolfgang Von, 252Stryker, William, 196, 203, 235Stuller, Jennifer K., 50Suicide Squad, 162Superman and the Mole Men, 170, 175Superman cartoon series (1941-1943), 3,

    166, 189Superman (Kal-El, Clark Kent), 5, 24,

    119, 120, 166Superman (1948), 24, 161, 167–169Superman (1978), 167, 170, 172, 175,

    184, 187, 192, 215Superman II, 229Superman III, 178, 229Superman IV: The Quest for Peace, 169,

    181Superman Returns, 185–187Swamp Thing, 296

    TTaken, 11, 35, 58, 89, 90, 117, 140,

    142, 145, 172, 226

  • 318 INDEX

    UUltron, 150, 152, 218, 220, 225, 226,

    253United 93, 254Uricchio, William, and Roberta Pearson,

    159Ursa, 175, 176

    VVenom (Eddie Brock), 81, 106, 121,

    132, 134, 153, 239Verano, Frank, 197, 199Vernon, Matthew, 70Viper, The, 239–242Vision, The, 22, 26, 36, 39, 75, 90, 102,

    126, 149, 151, 166, 168, 178, 181, 187, 219, 226

    WWalker, Patsy “Trish”, 274–278Walton, Saige, 21, 125Warriors Three (Fandral, Hogun, and

    Volstagg), 56, 57, 62Watson, Mary Jane, 121Webster, Ross, 179–181Weiner, Robert, 79, 162Weinstein, Simcha, 79, 228Westerns, 161Whaley, Deborah Elizabeth, 230Whiplash (Ivan Vanko), 141, 260, 262Whissel, Kristen, 57, 248Whistler, Abigail, 33Whistler, Abraham, 28–30, 34, 35Whitehead, Alfred North, 19, 201Wininger, Kevin L., 229Winner, Langdon, 156, 158Winstead, Nick, 107Winterhalter, Benjamin, 160Winter Soldier, The (James “Bucky”

    Barnes), 68Wizard of Oz, The, 291, 292Wizard, The, 85, 86, 90The Wolverine, 238, 239, 241, 242Wolverine (Logan), 198, 199, 202,

    235–242, 284, 285

    Talbot, Glenn, 169, 243, 244Talia, 118Tasker, Yvonne, 68Tattoo, 53Taylor, Aaron, 22, 60, 121, 218, 253Television, 33, 64, 67, 85, 90, 102,

    144–146, 169, 177, 184, 192, 223, 244, 299

    Telotte, J.P., 2, 126Temple, Claire, 44, 280–282Ten Commandments, The, 96Terrill, Robert E., 101Tesseract, 67, 68, 218, 219Thacker, Eugene, 110–112, 118, 190,

    204, 231, 285Thieving Hand, The, 76Thing, The (Ben Grimm), 8, 12, 13, 19,

    48, 78, 143, 159, 171, 192, 204, 210, 214, 234, 241, 280, 290, 296, 297

    This Is the Army, 68Thompson, Flash, 125, 135Thor, 12, 27, 39, 56–62, 65–67, 219,

    223, 237, 252Three Days of the Condor, 793D Films, 23300, 21Three Musketeers, The, 178Titanic, 2, 12Toad, 193, 200Tombstone, 97, 142Tomorrow Never Dies, 265Topkapi, 268Toy Story, 2Transformers, 166Transporter, The, 249Transracialization, 290, 299Tron, 2True Lies, 265Trushell, John M., 284Tryon, Chuck, 23, 189Turan, Kenneth, 161Two-Face (Harvey Dent), 100–103,

    1152001: A Space Odyssey, 130, 186, 273Typhoid, 54, 55Tyree, J.M., 285

  • INDEX 319

    YYakuza, The, 43, 44, 48, 49, 238–241Yellowjacket (Darren Cross), 269,

    273Yockey, Matt, 185, 186, 244Young, Elizabeth, 139

    ZZehr, E. Paul, 158Zemo, Helmut, 74, 75Zero Dark Thirty, 286Zingsheim, Jason, 230, 284Žižek, Slavoj, 160, 161Zod, 175–178, 188–192, 230Zola, Arnim, 68, 72, 73

    Woman in Red, The, 221Wonder Woman, 119, 120, 192Wood, Aylish, 243

    XX-Men, 10, 154, 156, 193–205, 222,

    223, 235, 242X-Men: Apocalypse, 196, 197, 201–203,

    205, 235X-Men: Days of Future Past, 195, 221,

    242X-Men: First Class, 195, 197X-Men: The Last Stand, 198, 230, 235X-Men Origins: Wolverine, 156, 235X2: X-Men United, 195, 235

    BibliographyIndex