Bearnes Hampton & Littlewood

Quarterly Fine Sale - 14th - 16th April (postponed from 26thJanuary)

Started 14 Apr 2021 10:00 BST

St. Edmund's Court

Okehampton Street

Exeter

EX4 1DU

United Kingdom

Lot Description

600A 19th century Sheffield plate teapot stand: crested and initialled, of oval outline with a reeded border, raised on four swept feet, 17cm.

long.

601A Georgian Sheffield plate wine ewer: initialled, of baluster outline, the hinged lid with beaded finial, having husk and paterae banded

decoration to the girdle, raised on a domed circular foot, 30.5cm high.

602An electroplated four branch candelabra: with urn-shaped nozzles on swept reeded branches, on a plain tapering stem and weighted

square base with foliate and scroll decoration, 50cm high, together with a pair of matching candlesticks.

603A plated turn-over breakfast dish and cover: with foliate decorated handles to the side, raised on four swept and reeded legs, 40cm wide

together with a plated oval entree dish and cover.

604A late Victorian/ Edwardian silver plated serving tray: of rectangular outline with canted corners and galleried sides with garland

decoration and beaded borders, 61cm wide.

605A Victorian silver plated three-division tantalus: inscribed, of rectangular outline with beaded borders and handle, raised on four ball feet,

containing three cut glass decanters and stoppers with two silver and one plated spirit labels, 32cm high.

606A George V silver sugar caster, maker C S Harris & Sons Ltd, London, 1917: of baluster outline, with pierced domed pull-off lid with

spire finial, raised on a circular spreading foot, 23cm high, 300gms, 9.66ozs.

607A George V silver sugar caster, maker Manoah Rhodes & Sons Ltd, London, 1930: of baluster form with Celtic knot decorated girdle, on

a spreading circular foot, 17.5cm high, 258gms, 8.30ozs.

608An Elizabeth II silver sugar caster, maker Barker Ellis Silver Co, Birmingham, 1967: of baluster outline with domed and pierced lift-off lid,

the body with ribbed girdle raised on a circular spreading foot, 17cm high, 130gms, 4.20ozs.

609A George V silver sugar caster, maker Atkin Brothers, Sheffield, 1938: of urn shaped outline, the pierced screw top lid with finial, raised

on a circular spreading foot, 17.2cm high, 220gms, 7.09ozs.

610A 19th century silver circular five bottle cruet: the stand with indistinct maker's marks, no date letter, crested, with pierced galleried

sides, central loop carrying handle, three silver mounted cruets and two clear glass cruets and a non matching silver spoon.

611A pair of Edwardian silver vases, maker William Davenport, Birmingham, 1902: each of ovoid tapering form with pierced rim, on a short

knopped stem and circular spreading weighted foot, 21cm high.

612An Elizabeth II three-piece cruet set, maker Mappin & Webb, London, 1966: in neo-classical taste, includes mustard, salt and pepper

pot all with blue glass liners, total weight of silver 197gms, 6.34ozs.

613Four assorted silver butter dishes, various makers and dates: of shell-shaped outline, raised on ball or shell feet, total weight of silver

244gms, 7.87ozs

614A pair of Elizabeth II silver pepper and salt mills, maker M C Hersey & Sons Ltd, London, 1965: of traditional waisted design, 7cm high,

overall weight 198gms, 6.37ozs.

615

A late Victorian silver sugar caster, maker William Comyns & Sons, London, 1900: of baluster form, with pierced domed lid and reeded

girdle, raised on a circular spreading foot, 15cm high, a Victorian silver christening mug, 8cm high and a silver sauce boat, 12cm long,

total weight of silver 314gms, ...[more]

616A Victorian silver sugar caster, maker George Nathan & Ridley Hayes, Chester 1899/1900: of octagonal baluster form, 14.5cm high,

together with two silver compacts, weighable silver 170gms, 5.47ozs.

617

An Edward VII silver part tea service, maker Josiah Williams & Co, London, 1907: of oval outline with reeded borders, on oval bases,

includes swing handled sugar basin and cream jug, together with a circular silver lobed dish raised on three swept legs, 15cm wide, total

weight of silver 325gms, ...[more]

618An Elizabeth II silver five-piece condiment set, maker Sanders & Mackenzie, Birmingham, 1968: includes mustard pot, salt, pepperette

and two spoons, cased, 109gms, 3.52ozs.

619Three Victorian silver salts, maker Henry Wilkinson & Co, Sheffield, 1879: a near matching salt by the same maker London, 1878, and

two salt spoons and mustard spoons, various dates, by the same maker, cased, total weight of silver 253gms, 8.14ozs.

620

A George V silver three piece condiment set, maker J Sherwood & Sons, Birmingham, 1918/19: includes mustard pot and cover,

pepperette and pedestal salt, together with a non matching salt spoon and a plated mustard spoon, cased, weighable silver 159gms,

5.11ozs.

621A George V silver butter dish and knife, maker Pearce & Sons, Sheffield, 1911: of shell-shaped outline, 22.5cm wide, with matching

butter knife, total weight of silver 76gms, 2.44ozs. cased.

622An Edward VII silver four-division toast rack, maker Williams (Birmingham) Ltd, Birmingham, 1906: on swept feet, 12cm long, together

with a smaller silver four-division toast rack 9.5cm long, total weight of silver 221gms, 7.11ozs.

623WITHDRAWN A George III silver circular sugar basin, maker I*L, Dublin, 1798: of circular outline with ribbed decoration raised on three

lions' paw feet, 14cm diameter, together with a plated sifting spoon, 260gms, 8.37ozs.

624

A Continental silver box: of rectangular outline, the hinged lid decorated with Abraham offering his son Isaac for sacrifice, the sides

decorated with rustic figures, 8cm wide, together with a Continental silver circular box, the hinged lid with embossed portrait of a lady,

with bacchanalian panels ...[more]

625An Edwardian silver two-division cigar holder, maker Charles Lyster & Son, Birmingham, 1908: with engraved foliate decoration, 13cm

long, a silver cigarette case, 8.5cm and a silver oval snuff box, initialled and dated, 8.5cm wide, total weight of silver 217gms, 6.97ozs

626A set of six Elizabeth II novelty name place holders, maker WJH, London, 1970: modelled as cries and characters of London in fitted

Harrods box, total weight of silver 333gms, 10.72ozs.

627

A Victorian coromandel and brass strung travelling toiletry box: the hinged lid enclosing a fitted interior of silver mounted bottles and

jars, maker William Neal, London, 1856, with lift-out tray and sprung loaded front frieze drawer, having a mirror plate and stationery

pouch to the lid interior, ...[more]

628A pair of George V silver twin-branch candelabra, maker Joseph Rodgers & Sons, Sheffield, 1935: initialled, the urn-shaped nozzles

with foliate sconces on swept branches, raised on knopped columns and weighted stepped square bases, 44cm high.

629A pair of Edward VII silver Corinthian column candlesticks, maker Thomas A Scott, Sheffield, 1904: with fluted columns, on square

weighted bases, now converted to electricity, 30cm high.

630A George III silver column candlestick, maker's mark worn, London, 1770: with acanthus decorated capital, on a fluted column and

square weighted base with gadrooned border, (now converted to electricity) 35cm high.

631A pair of Victorian silver desk candlesticks, maker Harrison Brothers & Howson, Sheffield, 1876: with neo-classical urn-shaped nozzles

and garland decoration, raised on square weighted bases with beaded borders, 12cm high.

632A George V silver rose bowl, maker Mappin & Webb, Sheffield, 1911: of circular outline, with embossed writhen and foliate decoration,

raised on a spreading circular foot and on an ebonised plinth, 21cm diameter, 575gms, 18.48ozs.

633An Edwardian silver bowl, maker William Hutton & Sons Ltd, London, 1905: of circular outline with embossed half writhen decoration

raised on a spreading circular foot, 21cm diameter, 535gms, 17.20ozs

634A Victorian silver rose bowl, maker William Hutton & Sons Ltd, London, 1897: of circular form with a reeded rim, ribbon tied garland and

half reeded decoration raised on a circular domed foot, mounted on a ebonised plinth, 16cm diameter 323gms, 10.38ozs.

635A George V silver punch bowl, maker William Henry Sparrow, Birmingham, 1911: the circular bowl with shell and scroll border, raised on

a spreading circular foot, 20.5cm diameter, 727gms, 23.37ozs.

636An Edward VII silver pedestal swing-handled basket, maker Barker Brothers, Chester, 1908: inscribed, of oval outline with wavy-edge

border, loop handle raised on an oval spreading foot, 28.5cm long, 654gms, 21.02ozs.

637An Edward VII silver bon bon dish and stand, maker Goldsmiths & Silversmiths Co Ltd, London, 1902: the circular bowl with embossed

floral decoration mounted on a stand with four swept legs linked by garlands, 10cm diameter, 145gms, 4.66ozs

638A George V silver pedestal fruit dish, maker S Blanckensee & Son Ltd, Chester, 1911: of circular outline, with pierced and foliate

decorated border, raised on a circular domed foot, 25.5cm diameter, 396gms, 12.73ozs.

639A George V silver shallow bowl, maker Carrington & Co, London, 1913: of circular panelled outline, with chased shell and scroll

decoration, raised on a circular spreading foot, 21cm diameter, 586gms, 18.84ozs.

640An Elizabeth II silver fruit bowl, maker Barker Brothers Silver Ltd, Birmingham, 1964: of lobed circular outline, 23.5cm diameter,

462gms, 14.85ozs.

641A 19th century French provincial silver pedestal sauceboat, stamped marks: of boat-shaped outline with curved handle in the form of a

dragon's head, with gilded interior raised on an oval pedestal foot, 20cm long, 395gms, 12.72ozs.

642A George IV silver pedestal dish, maker Barker Brothers, Chester, 1924: of oval outline with foliate banded border, raised on an oval

spreading base, 30.5cm wide, 364gms, 11.71ozs.

643A George V silver pedestal twin handled oval comport, maker Walker & Hall, Sheffield 1921: inscribed, of Art Nouveau influence, the

oval shaped bowl with swept handles to the sides, on a plain stem and domed oval base, 27cm wide, 525gms, 16.88ozs.

644An Edward VII silver waiter, maker William Hutton & Sons Ltd, London, 1909: with engraved foliate cartouche and pie-crust foliate

border, 16.5cm diameter, 173gms, 5.58ozs.

645An Edwardian silver waiter, maker Thomas Bradbury & Sons, London, 1904: of circular outline with moulded wavy edge border, raised

on three scroll feet, 16cm diameter, 197gms, 6.36ozs.

646A George III silver waiter, maker I.C possibly John Cox, London, 1771: crested, of circular outline, with shell and scroll border, raised on

three swept feet, 17cm diameter, 230gms, 7.40ozs.

647A George III silver waiter, maker R.R possibly Richard Rugg I, London 1761: crested, of circular outline with shell and scroll border,

raised on three swept feet, 19cm diameter, 311gms, 10.01ozs.

648A pair of George II silver waiters, maker William Peaston, London, 1751: crested and initialled, of circular outline with shell and scroll

border, raised on three swept feet, 18cm. diameter, total weight of silver 534gms, 17.17ozs.

649A Victorian silver waiter, maker Robert Garrard II, London, 1868: crested, of circular outline with beaded border, raised on three foliate

decorated swept feet, 20cm diameter, 331gms, 10.65ozs.

650A late Victorian silver waiter, maker Goldsmiths & Silversmiths Co, London, 1899: of circular outline with beaded and scroll border, with

engraved foliate decoration raised on three talon and ball feet, 21cm diameter, 269gms, 8.67ozs.

651A Victorian silver salver, maker Edward & John Barnard, London, 1854: with moulded pie-crust and foliate scroll border, raised on three

swept feet, 23cm diameter, 385gms, 12.37ozs.

652A George III silver salver, maker Paul Storr, London, 1815: crested and inscribed to the reverse, with gadrooned border and raised on

four acanthus decorated feet, 26cm diameter, 712gms, 22.89ozs.

653A George III silver salver, maker Elizabeth Jones, London, 1786: initialled, of circular outline, with husk and beaded border, raised on

four swept feet, 36cm diameter, 1170gms, 37.62ozs.

654A George III silver salver, maker Elizabeth Cooke, London, 1763: crested, inscribed to the reverse, of circular outline with shell and

gadrooned border, raised on four talon and ball feet, 36cm diameter, 1173gms, 37.71ozs.

655A George V silver salver, maker Thomas Bradbury & Sons Ltd, London, 1911: of circular outline with a pie-crust border, on three foliate

and scroll legs, 46cm diameter, 2826gms, 90.86ozs.

656A George V silver presentation salver, maker G.H possibly Harrison Brothers & Howson, London, 1922: inscribed, of circular outline with

shell and gadrooned border, raised on four scroll feet, 46cm diameter, 2140gms, 68.81ozs

657An Edwardian silver salver, maker Atkin Brothers, Sheffield, 1905: inscribed to the underside, with moulded piecrust edge, raised on

four scroll feet, 21cm diameter, 305gms, 9.83ozs.

657AA George III silver waiter, maker John Crouch I, London, 1780: of circular outline with beaded edge, raised on three talon and ball feet,

14cm. diameter, 163gms, 5.25ozs.

658A George V silver mounted' Bristol' blue glass rest, maker Padgett & Barham Ltd, London, 1927: of cylindrical form with engine turned

decorated ends, 32cm long.

659

A set of ten commemorative medallions 'Cathedrals and Abbeys of England' - Birmingham 1975: contained in a fitted case - total weight

33.75ozs - cased.* Notes The medallions were apparently modelled by J.D. Davis whilst working for F. Fatorini & Son, as a one off silver

set to exhibit to foreign b ...[more]

666A Victorian silver cream jug, stamped maker's mark J.W, Sheffield, 1855: crested, of baluster form with embossed foliate and scroll

decoration, S-shaped scroll handle, raised on four swept feet, 14.5cm high, 290gms, 9.33ozs.

667A George III silver cream and jug, unknown maker, London, 1801: of barge-shaped outline, with reeded and banded decoration, 11cm

wide, repaired, 141gms, 4.53ozs,

668A George III silver cream jug, maker Thomas Hayter, London, 1806: initialled, of barge-shaped outline with banded bright cut

decoration, 10cm high, 108gms, 3.49ozs.

669A late Georgian silver cream jug, all marks worn: crested, of barge-shaped outline with beaded rim and raised on four ball feet, 15cm

long, 156gms, 5.02ozs.

670

A Victorian silver mustard pot and cover, maker Joseph, Albert, Horace and Ethelbert Savory, London, 1879: initialled, of oval outline,

the domed hinged lid surmounted by an acanthus decorated finial, with half reeded decoration to the lower body, S-shaped handle and

blue glass liner, 11cm high, 208 ...[more]

671A George V Scottish silver tea caddy and cover, maker Hamilton & Inches, Edinburgh, 1926: of oval outline with shallow domed lift-off

lid with ivory finial, 8.5cm wide, 148gms, 4.77ozs

672A George V silver tea caddy, maker Atkin Brothers, Sheffield, 1915: of oval outline with hinged lid and half reeded decoration, 12cm

wide, 300gms, 9.65ozs.

673A late Victorian silver pedestal cream jug, maker Haseler Brothers, London, 1899: of baluster form with beaded borders, raised on a

square base, 18cm high, 200gms, 6.45ozs.

674A George V silver batchelor's coffee pot, maker Crichton Brothers, London, 1916: crested, of ovoid form with ribbed girdle, on a

spreading circular foot, 19cm high, 499gms, 16.04ozs.

675 An Edward VII Silver hot water jug, maker Sibray hall & Co, London 1904: of oval form with fluted angles, 18cm high, 370gms, 11.92ozs

676A Victorian silver hot water jug and cover, maker James Deakin & Sons, Sheffield, 1896: initialled, of ovoid form with domed hinged lid

and leather bound handle, 17cm high, 410gms, 13.19ozs

677A Sheffield plate cream jug: of barge-shaped outline, with banded scroll and foliate decoration, 15.5cm wide, together with a near

matching sugar basin, raised on four ball feet, 20cm wide.

678A George III silver teapot, maker Thomas Daniell, London, 1786: of oval outline with shallow domed hinged lid, having chased banded

decoration, 27cm long, 490gms, 15.76ozs.

679A Victorian silver pedestal cream jug, maker James Deakin & Sons, Sheffield, 1895: with reeded border and handle raised on a square

base, 14.5cm high, together with a silver tea caddy, 11cm high, total weight of silver 249gms, 8.00ozs and a tea caddy (2).

680A Victorian silver three-piece batchelor's tea service maker Plante & Co, Birmingham, 1894: of oval form with half reeded decoration,

total weight of silver 278gms, 8.96ozs.

681A matched 19th Century silver three-piece tea service, various makers, London, 1829, 1834 and 1845: of squat circular form, raised on

anthemion decorated quadruple feet, total weight of silver 1268gms, 40.77ozs.

682A George V silver four- piece tea service, maker Harrods, Birmingham, 1935: of barge-shaped outline, with gadrooned rims and raised

on squat bun feet, includes teapot, hot water jug, sugar basin and cream jug, total weight of silver 1416gms, 45.53ozs.

683An Edwardian matched silver three-piece batchelor's tea service maker Harrison Brothers & Howson, Sheffield, 1901 and London 1908:

initialled, of oval form with half reeded decoration, total weight of silver 698gms, 22.44ozs.

684

A George V silver teapot, maker Manoah Rhodes& Sons Ltd, London, 1918: inscribed, of squat globular form with domed hinged lid, on

a spreading circular foot, 17cm high, together with a near matching hot water jug, maker Manoah Rhodes & Sons Ltd, London, 1918,

initialled, 21cm high, total wei ...[more]

685A pair of Edward VII silver café au lait pots, maker Wakely & Wheeler, London, 1908/09: in the George I style with wood scroll handles,

20cm high, 676gms, 21.73ozs.

686An Edwardian silver four- piece tea and coffee service, maker Martin, Hall & Co, Sheffield, 1904/1905: of oval outline, with scrolling

sinuous lines, includes coffee pot, teapot, cream jug and sugar basin, total weight of silver 1508gms, 48.48ozs.

687A George V silver four-piece tea and coffee service, maker Ollivant & Botsford, London, 1915: of barge-shaped outline, includes tea and

coffee pot, sugar basin and cream jug, total weight of silver 1896gms, 60.96ozs.

688A George III silver coffee pot, maker WT possibly William Turton, London, 1772: of baluster outline, the domed hinged lid with flower

head finial, wood scroll handle, raised on a circular stepped spreading foot, 28cm high, 798gms, 25.65ozs.

689A George III silver teapot, maker Thomas Holland, London, 1806: of barge-shaped outline, with banded foliate decoration, raised on four

ball feet, 30cm long, 587gms, 18.87ozs.

690A Victorian silver teapot, maker Hukin & Heath, London, 1894: of plain circular form, raised on a circular foot, 26cm long, 624gms,

20.06ozs.

691A Victorian silver christening jug, maker Charles Lias, London, 1846: of cylindrical outline with acanthus capped scroll handle, on a

circular foot, 8.5cm high, 166gms, 5.34ozs

692A George V silver mug, maker Harrison Brothers and Howson, Sheffield, 1935: of cylindrical tapering form, with C-shaped handle on a

spreading circular foot, 10.5cm high, 264gms, 8.51ozs

693A George V silver mug, maker Stokes & Ireland, Chester, 1925: of plain cylindrical tapering outline, with scroll handle on a spreading

circular foot, 10cm high, 251gms, 8.10ozs.

694A George V silver lidded tankard, maker James Ramsey, Sheffield, 1931: in George I style, of plain cylindrical tapering form with shallow

domed hinged lid, S-shaped scroll handle with pierced thumbpiece, 17cm high, 862gms, 27.71ozs.

695A George V silver half-pint mug, maker William Hutton & Sons Ltd, Birmingham, 1926: inscribed, of cylindrical form with reeded girdle

and scroll handle on a stepped circular foot, 9.5cm high, 209gms, 6.72ozs.

696A George II silver sauceboat, maker Fuller White, London, 1748: of traditional design, with wavy edge border, acanthus capped scroll

handle raised on three swept feet, 15cm long, 161gms, 5.18ozs.

697An Edwardian silver sauceboat, maker Lambert & Co, London, 1908: of traditional design with wavy edge border, acanthus capped

scroll handle raised on three swept feet, 14cm long, 163gms, 5.24ozs.

698A pair of Elizabeth II silver sauceboats, maker Adie Brothers, Birmingham, 1961: of traditional design with beaded rims, scroll handle

and raised on three swept feet, 16cm long, 247gms, 7.94ozs.

699A George III silver oval butter dish. and cover, maker's mark worn, London, 1806: crested, the shallow domed cover with loop handle,

having a gadrooned border and loop carrying handles to the sides, 14.5cm wide, 417gms, 13.41ozs.

700A pair of Edward VII silver sauceboats, maker Martin, Hall & Co, Sheffield, 1908: of traditional design with wavy edge borders, scroll

handles raised on three swept feet, 14cm long, 184gms, 5.92ozs

701

A Victorian silver mustard pot, maker Lambert & Co, London, 1896:, crested, with shallow domed hinged lid and blue glass liner 9cm

high, together with a George IV clear glass and silver mounted mustard pot, maker Waterhouse, Hodson & Co, Sheffield, 1820 and a

silver mustard spoon, marks worn, total ...[more]

702

A pair of 19th century provincial silver salts, maker Thomas Wheatley, Newcastle, C1830: initialled, of oval outline with reeded borders

on an oval foot, a matched salt by George Murray, Newcastle, C1830, initialled, another salt by Richard Morton & Co, Sheffield and

three plated and one silver salt ...[more]

703An Edwardian silver swing handled cream pail, maker Thomas Bradbury & Sons Ltd: monogrammed, of traditional design, with pierced

sides decorated with paterae and garlands, on a spreading circular foot, with damaged blue glass liner, 18cm high, 187gms, 6.03ozs,

704A pair of early 20th century clear cut glass and silver mounted scent bottles, maker William Vale & Sons, Chester, date letters rubbed:

16cm high, a clear glass and sterling silver mounted atomiser and a silver topped glass dressing table jar and cover (4).

705A Victorian silver casket and cover, maker's marks worn, London, 1888: of slim cartouche-shaped outline, the lift-off lid with embossed

floral decoration, similar decoration to the sides, 18cm long, 229gms, 7.731ozs.

706 Six various clear cut glass and silver mounted scent bottles: various makers and dates, from 11cm to 15cm high, (6).

707

A late Victorian silver pin tray, maker Henry Matthews, Birmingham, 1899: of rectangular outline with embossed and pierced decoration,

18cm wide, a ruby glass and silver mounted scent bottle, a silver book holder containing the Finger Prayer Book, two plated bottle

stoppers and a metal scent bottle ...[more]

708

A Victorian silver circular casket and cover, maker William Comyns & Sons, London, 1884: with shallow domed lift-off lid with embossed

figure and floral decoration, 6cm high and three silver mounted and clear glass dressing table jars, various makers and dates, weighable

silver 241gms, 7.76ozs.

709

A George V silver stirrup cup and case, maker S Blanckensee & Son Ltd, Birmingham, 1922/23: initialled, the cup of cylindrical tapering

form with gilded interior contained within a velvet lined cylindrical case, 7cm high, a Victorian silver cream jug, 9cm high, 7.5cm long and

a silver vesta case, to ...[more]

710An early George II silver candle snuffers tray, maker James Gould, London, 1733: crested, of cartouche-shaped outline, with scroll

handle and raised on four swept feet, 17cm wide, 258gms, 8.30ozs.

711

A George V silver double-sided silver ink stand, maker walker & Hall, Sheffield, 1911: of rectangular outline with scrolling borders,

having two clear glass and silver mounted inkwells and two pen trays, raised on swept feet, 30cm wide, weighable silver 470gms,

15.11ozs.

712An Elizabeth II silver hip flask, maker Joseph Gloster Ltd, Birmingham, 1959: of rectangular outline with engine turned decoration and

turn-off hinged cap, 10.5cm high, 130gms, 4.20ozs.

713A George V silver three-handled trophy, maker William Neale & Son, Birmingham, 1928: of cylindrical tapering form raised on a

spreading circular foot, 15.5cm. high, 352gms, 11.33ozs.

714

An Edwardian clear glass and silver mounted whisky noggin, maker S Blanckensee & Son Ltd, Birmingham, 1908: of traditional design

with matching silver label, together with another example by Hukin & Heath, Birmingham, 1909 and label by the same maker for 1912,

(2).

715 A George V silver easel photograph frame, maker E Mander & Son, Birmingham, 1917: 21 x 14.5cm.

716A large Victorian embossed silver mounted easel dressing table mirror, maker Henry Matthews, Birmingham, 1897: monogrammed, of

arched outline with foliate and scroll decorated frame enclosing a rectangular bevelled edge mirror plate, 60 x 45cm

717A pair of late 19th/early 20th century Chinese silver bon bon dishes, maker Wang Hing & Co, Hong Kong: of oval outline, with pierced

prunus decoration, raised on four peg feet, 16cm wide, 202gms, , 6.52ozs.(2).

718A Continental sugar bowl, stamped 835: with panels embossed with flowers and foliage, 12.5cm diameter, a Continental flowerhead

bon-bon dish, 14.5cm diameter and a silver wine taster, total weight of silver 309gms, 9.94ozs.

719A Chinese silver bowl, bear stamped finesse mark: of circular outline with low relief decoration of water iris, raised on a circular

spreading foot, 19cm diameter, damaged, 576gms, 18.52ozs.

720A pair of Indian silver bowls: of lobed polygonal form, with embossed decoration of figures, animals and village scenes, raised on domed

polygonal bases, 12.5cm wide 307gms, 9.88ozs

721An Indian silver bowl: of lobed circular outline, with embossed decoration of figures, fish and animals, on a domed circular foot, 17cm

diameter, 326gms, 10.49ozs

722

An early 20th Century Chinese silver sardine dish and cover, maker Luen Hing, Shanghai: the lid inscribed with Chinese characters, of

rectangular outline with applied low relief prunus blossom decoration to the sides, with swept handle and raised on ball feet, glass liner

missing 18cm wide, 352gms, ...[more]

723A pair of Continental silver dishes, stamped 900: of circular outline with wavy edge border, the centres embossed with a double headed

eagle supporting a shield, 13cm diameter, 208gms, 6.69ozs.

724

An oriental sterling silver square bowl, stamped Sterling and other metals 250: initialled to base, of square tapering outline with re-

entrant corners, decorated in the Japanese taste with applied copper and metal low relief figures and flowers, on a circular foot, 12.5cm

wide, overall weight 335gms ...[more]

725 A George III silver pap boat, maker's mark worn, London, 1818: initialled, of traditional design, 11cm long, 56gms, 1.80ozs.

726An Imperial Russian silver offering/wafer box, assay master A.K, Moscow, 1881: with arched and pierced back, the hinged lid with

cyrillic script, on a box base and bracket feet, 14cm high, 165gms, 5.30ozs

727A Continental silver hand mirror, bears import marks for London, 1880: with quatrefoil bevelled mirror plate, enclosed within a foliate and

scroll decorated frame 28cm long.

728WITHDRAWN Georg Jensen, a Danish sterling silver Orchid Bud vase, No 757, stamped marks to the base: after the design by Harald

Nielson of tapering cylindrical form and raised on a circular base, 23cm high, 195gms, 6.29ozs.

729Two pairs of Burmese silver salts: of circular outline with foliate banded decoration, 5.2cm diameter, and a silver octagonal box

decorated with an elephant and dog amongst flowering shrubs, 9cm wide. total weight of silver 189gms, 6.10ozs.

730

A large Burmese presentation silver bowl: inscribed and presented to Frank Wood OBE, of circular form, with embossed and banded

decoration of animals, figures, scrolls and foliage, raised on a spreading circular foot, 28cm diameter, mounted on an ebonised base of

cruciform shape and mounted with f ...[more]

731A George V silver serving tray, maker John Hunt, London, 1913: inscribed, of plain rectangular outline with gadrooned border and scroll

decorated loop handles to the sides, 62cm wide, 2421gms, 77.84ozs.

736A set of six Victorian provincial silver Fiddle pattern table forks, maker William Rawlings Sobey, Exeter, 1849: initialled, 389gms,

12.52ozs.

737 Eight assorted Victorian Fiddle pattern dessert forks, various makers and dates: most initialled, 370gms, 11.91ozs.

738 Six assorted Georgian and later Fiddle pattern table forks, various makers and dates: initialled, 456gms, 14.68ozs.

739 Seven assorted Georgian and later Fiddle pattern table forks, various makers and dates: initialled, 524gms, 16.84ozs.

740 A set of six Victorian silver Fiddle pattern dessert forks, maker Josiah Williams & Co, London, 1899: initialled, 305gms, 9.82ozs

741 Six assorted Georgian and later Fiddle pattern table forks, various makers and dates: initialled, 472gms, 15.19ozs.

742A pair of George III silver Old English pattern table spoons, maker's mark worn, London 1788: initialled, with bright cut decoration,

together with two Victorian silver fiddle pattern sauce ladles, various makers and dates, total weight of silver 251gms, 8.09ozs.

743A George III silver Old English pattern sifting spoon, maker Solomon Hougham, London 1813: crested, later decorated, together with a

Continental silver sifting spoon and two other sifting spoons, total weight of silver 132gms, 4.24ozs

744A Victorian silver folding fruit knife and matching fork, maker Hilliard & Thomason, Birmingham, 1863: with mother-of-pearl handles, a

Georgian silver mote spoon, unmarked and an Edwardian silver gilt anointing spoon, weighable silver 37gms, 1.19ozs.

745A George IV silver and mother of pearl folding pocket fruit fork, maker John Nowill, Sheffield, 1827: a near matching fruit knife by the

same maker, Sheffield, 1831 and a William IV silver christening knife and fork.

746A Continental silver gilt Fiddle and Thread serving spoon, stamped marks: crested, a silver handled cheese knife, butter knife and pickle

fork,weighable silver 159gms, 5.12ozs.

747A set of four Victorian silver gilt apostle top spoons, maker Charles Stuart Harris, London, 1882: with pear-shaped bowls and knopped

stems with apostle terminals, 17.5cm long, 252gms, 8.12ozs.

748 Five assorted Georgian and later Old English pattern table spoons, various makers and dates: initialled, 305gms, 9.80ozs.

748A Five assorted Georgian and later Fiddle pattern table spoons, various makers and dates: initialled, 313gms, 10.09ozs.

749 Four George III silver Old English pattern table spoons, various makers and dates: initialled, total weight of silver 249gms, 8.00ozs.

750 Twelve assorted William IV and later Fiddle pattern dessert spoons, various makers and dates: initialled, 439gms, 14.13ozs.

751 A set of six Victorian silver Fiddle pattern dessert spoons, maker Henry Holland, London, 1875: initialled, 264gms, 8.48ozs

752 A set of six Victorian Fiddle and Thread pattern table spoons, maker William Eaton, London, 1842: initialled, 610gms, 19.61ozs.

753A set of six George III silver Fiddle pattern tablespoons, maker William Eley, William Fearn & William Chawner, London, 1812: initialled,

22.5cm long, 419gms, 13.48ozs

754 Six George IV and later Exeter silver Fiddle pattern table spoons, various makers and dates: all initialled, 417gms, 13.40ozs.

755 A set of six Victorian silver fiddle pattern teaspoons, maker Thomas Robinson I, Newcastle, 1840: 110gms, 3.55ozs.

756 A set of six Victorian silver Fiddle pattern dessert spoons, maker Charles Boyton I, London, 1852: initialled, 322gms, 10.35ozs

757 A set of six Victorian silver Fiddle pattern dessert spoons, maker Metcalf Hopgood, London, 1839: initialled, 336gms, 10.82ozs.

758A pair of Victorian Continental serving spoons, bears import marks for E.J.W, London, 1889: with gilt bowls and cartouche

handles,131gms, 4.23ozs.

759A George III silver soup ladle, maker William Eley & William Fearn, London, 1803: initialled, 32.5cm long, together with a George IV

silver Fiddle pattern serving spoon by the same maker, London, 1823, crested, 28.5cm long, total weight of silver 293gms, 9.42ozs.

760A pair of George V silver Old English pattern gravy spoons, maker Walker & Hall, Sheffield 1915: initialled, 28cm long, 282gms,

9.09ozs.

761Two George III provincial silver Old English pattern tablespoons, maker Richard Ferris, Exeter 1798 and 1801: initialled, all with bright-

cut decoration, total weight of silver 112gms, 3.62ozs (2).

762A George III provincial silver Old English pattern tablespoon, maker, Joseph Hicks, Exeter, 1802: initialled, together with another George

III Old English pattern tablespoon, maker Joseph Hicks, Exeter, 1810, initialled, total weight of silver 112gms, 3.62ozs. (2).

763A George III provincial silver Old English pattern tablespoon, maker Richard Jenkins, Exeter 1796: initialled and another similar

tablespoon maker Richard Ferris, Exeter, 1796, crested, both with bright-cut decoration, total weight of silver 111gms, 3.58ozs (2).

764

A George III silver Old English pattern tablespoon, maker George Smith & Thomas Hayter, London, 1801: initialled, with bright cut

decoration, together with a George III Old English pattern tablespoon, maker's mark worn, London 1799, initialled, with bright cut

decoration total weight of silver 85gms ...[more]

765

A George III provincial silver Old English pattern tablespoon, maker Francis Parsons & Stephen Crees, Exeter, 1797: initialled, together

with another George III Old English pattern tablespoon, maker George Ferris, Exeter, 1815, initialled, total weight of silver 110gms,

3.55ozs. (2).

766A George IV provincial silver Fiddle pattern tablespoon, maker William Welch II, Exeter, 1803: initialled, 23cm. long, together with two

other Fiddle pattern tablespoons by John Stone, Exeter, 1849/50, total weight of silver 183gms, 5.60ozs.

767

A George III provincial silver Old English pattern tablespoon, maker, William Welch, Exeter, 1811: initialled, together with another

George III Old English pattern tablespoon, maker William Welch, Exeter, 1809, initialled, and a George III Old English pattern

tablespoon maker R.S possibly Richard ...[more]

768Three George III provincial silver Old English pattern tablespoons, maker Jason Holt, Exeter 1783/84/87: one crested, one initialled, all

with bright-cut decoration, total weight of silver 155gms, 5.01ozs (3).

769A George III provincial silver Old English pattern tablespoon, maker, Richard Ferris, Exeter, 1802: initialled, together with another

George III Old English pattern tablespoon, maker Richard Ferris, Exeter, 1806, initialled, total weight of silver 96gms, 3.10ozs. (2).

770A pair of George III Provincial silver Old English pattern tablespoon, maker Joseph Hicks, Exeter, 1798: initialled, 21.5cm long, 116gms,

3.73ozs. (2).

771A George III provincial silver Old English pattern tablespoon, maker William Welch II, Exeter 1801: initialled, together with another

similar tablespoon maker Francis Parsons, Exeter, 1800, both with bright-cut decoration, total weight of silver 100gms, 3.23ozs (2).

772A pair of George III provincial silver Old English pattern tablespoon, maker Richard Ferris, Exeter, 1803: initialled, 21.5cm long, 107gms,

3.44ozs. (2).

773A George III silver Fiddle pattern tablespoon, maker William Eley & William Fearn, London, 1816: initialled, together with a Victorian Old

English pattern tablespoon, maker Joshiah Williams & Co, London, 1897, initialled, total weight of silver 143gms, 4.61ozs. (2).

774

A George III silver Old English pattern tablespoon, maker Hester Bateman London, 1783: initialled, together with a George III Old

English pattern tablespoon, maker's mark worn possibly Peter, Ann & William Bateman, London 1807, initialled, total weight of silver

104gms, 3.36ozs. (2).

775A pair of George III silver fiddle pattern tablespoons, maker George Murray, Newcastle, 1805: crested, 24cm long, total weight of silver

134gms, 4.32ozs.

776A George III provincial silver Old English pattern tablespoon, maker, Joseph Hicks, Exeter, 1809: initialled, together with another George

IV Old English pattern tablespoon, maker Joseph Hicks, Exeter, 1822, initialled, total weight of silver 103gms, 3.32ozs. (2).

777A George III provincial silver Old English pattern tablespoon, maker Joseph Hicks, Exeter 1809: initialled, together with another similar

tablespoon maker's mark worn, Exeter, 1799, both with bright-cut decoration, total weight of silver 85gms, 2.75ozs (2).

778A George III silver Old English pattern straining spoon, maker George Smith III & William Fearn, London, 1796: crested, together with a

matching basting spoon, also crested, total weight of silver 248gms, 7.98ozs.

779A pair of William IV silver Fiddle and Thread pattern salad servers, maker William Theobalds, London, 1834: crested, each 28cm long,

371gms, 11.94ozs.

780A George III silver Fiddle pattern gravy spoon, maker James Ede & Alexander Hewat, London, 1809: crested, 31cm long, 122gms,

3.94ozs.

781 A pair of silver plated fish servers: with engraved leaping salmon decoration, cased.

782A pair of Victorian silver fish servers, maker Thomas Sansom, Sheffield, 1848: with pierced blade engraved with a mermaid, having a

filled handle and matching fork.

783A pair of George III silver and later decorated Old English pattern berry spoons, maker Thomas Wallis II, London, 1803,: 22.5cm long,

cased, 108gms, 3.48ozs.

784A silver Kings pattern matched part flatware service, various makers and dates: includes, four table spoons, six dessert spoons, six

teaspoons, eight table forks, six dessert forks, total 2204gms, 70.86ozs.

785

A matched silver Kings pattern flatware service, various makers and dates, predominantly John Round & Sons Ltd, Sheffield, 1899:

includes, ten table forks, ten dessert forks, ten dessert spoons, eight soup spoons, ten teaspoons, ten silver handled table knives and

ten silver handled dessert kniv ...[more]

786Eleven silver Hourglass pattern teaspoons, various makers and dates: crested, a Kings pattern teaspoon and one other, total weight of

silver 426gms, 13.72ozs

787A George III silver Old English pattern basting spoon, maker Richard Crossley, London, 1784: 29cm long, together with a George III

silver meat skewer, maker W.T probably William Turton , London, 1775, crested, 27cm long

788A small collection of George III and later Fiddle and Thread pattern flatwares, various makers and dates: includes two tablespoons, two

table forks, two dessert forks, two dessert spoons and two teaspoons, 636gms, 20.45ozs.

789A set of six George III Irish fiddle pattern table forks, maker W. Hammy & Thomas Farnett, Dublin, 1815: crested, together with four

matching tablespoons, total weight of silver 781gms, 25.11ozs.

790 A George III Old English pattern soup ladle, maker Richard Redrick, London, 1771 : crested, 33cm long, 143gms, 4.59ozs.

791

A Victorian silver Fiddle Thread and Shell pattern part flatware service, maker John Round & Son Ltd, Sheffield, 1897: crested, includes

twelve table forks, twelve dessert forks, twelve tablespoons, eleven dessert spoons and one other dessert spoon, eleven teaspoons and

one other teaspoon, soup ...[more]

792

A Victorian silver Fiddle, Thread and Shell pattern part flatware service, maker CB possibly Charles Boyton III, London, 1899: crested,

comprising twenty three dessert forks, thirty table forks, twelve table spoons, twelve dessert spoons and a near matching plated dessert

fork, total weight of si ...[more]

793A set of three Victorian Scottish silver fiddle pattern table forks, maker John Murray & John Muir, Glasgow, 1840: a Victorian silver

christening spoon, preserve spoon and a silver cigarette case, total weight of silver 422gms, 13.56ozs.

794

A German silver gilt flatware service, stamped marks: crested, includes twenty four dessert forks, twenty four dessert spoons, twenty

four teaspoons, two tablespoons, sifting spoon, serving spoon, and twenty four steel bladed dessert knives, contained in an oak and

brass bound canteen, weighable sil ...[more]

795A set of twelve George V silver handled dessert knives and twelve matching forks, maker Thomas Bradbury & Sons Ltd, Sheffield, 1912:

fitted with steel blades and tines, contained in a fitted case with lift-out tray.

796A set of twelve silver plated fish knives with twelve matching forks, maker Walker & Hall: contained in a mahogany and boxwood strung

canteen with velvet lined interior.

797A set of twelve George V silver Hanoverian pattern teaspoons, maker Joseph Rogers & Sons, Sheffield, 1915: contained in a fitted

case, 178gms, 5.73ozs

798A Victorian silver Old English soup ladle, maker John Round & Sons Ltd, Sheffield, 1897: crested, together with a pair of matching silver

sauce ladles, total weight of silver 388gms, 12.47ozs.

799

A set of six George V silver novelty cocktail sticks, maker James Dixon & Sons Ltd, Sheffield, 1928: with tapering stems, the terminals in

the form of cockerels heads, 8cm. long, cased, together with another set of six silver and enamel cocktail sticks with cockerel terminals

on tapering stems, case ...[more]

800A set of six Elizabeth II silver gilt and enamel coffee spoons, maker Turner & Simpson, Birmingham, 1962: contained in a fitted case,

41gms, 1.32ozs. (cased)

801A George III meat skewer, maker George Smith III & William Fearn, London, 1796: crested, 33cm long and a matching smaller skewer,

28cm long total weight of silver 177gms, 5.71ozs.

802A pair of George III silver grape shears, maker Rebecca Emes & Edward Barnard I, London, 1818: with foliate and reeded decorated

handles, 14.5cm long, 91gms, 2.94ozs.

803A Victorian silver marrow scoop, maker William Cunningham, Edinburgh, 1840: crested, inscribed and dated, 23.5cm long, 107gms,

3.46ozs.

804A pair of Georgian Irish silver sugar tongs, maker Samuel Neville, Dublin, no date letter: 15cm long, together with four other pairs of

silver sugar tongs, various makers and dates, total weight of silver 185gms, 5.95ozs.

805A pair of Victorian provincial silver sugar tongs, maker Thomas Stone, Exeter, 1866: 14.5cm long, together with three other pairs of

silver sugar tongs, various makers and dates, total weight of silver 180gms, 5.79ozs.

806

A pair of Victorian silver sugar tongs, maker John Millward Banks, Chester, 1898: with pierced stems and shell shaped bowls, 12cm

long, together with another pair of silver sugar tongs, maker CH, with similar pierced decoration and two small pairs of sugar tongs, total

weight of silver 105gms, 3.37o ...[more]

807A pair of George III silver sugar tongs, maker Solomon Hougham, London, 1794: initialled, 14.5cm long, together with another pair of

silver sugar tongs, marks worn 15.5cm long, total weight of silver 64gms, 2.07ozs

808

OF CYCLING INTERESTA Victorian silver trophy cup, maker William Hutton & Sons , London, 1883: inscribed for the Church Institute

Bicycling Club, and engraved with a penny farthing (ordinary) bicycle flanked by trees, on a beaded and knopped stem and circular

spreading foot, 21cm high, 315gms, 10.14o ...[more]

809An Indian silver cup: the bowl with embossed hunting scene and half reeded decoration, on a knopped stem and domed spreading

circular foot, 12cm high, 127gms, 4.08ozs.

811A George VI silver three-piece christening set, maker Adie Brothers, Birmingham, 1938: the egg cup on sea lion support, with napkin

ring and spoon, cased, 114gms, 3.69ozs.

812A set of four Edwardian silver napkin rings, maker Kemp Brothers, Birmingham, 1904: with scroll and flowerhead borders and engraved

foliate decoration, in original fitted case, total weight of silver 153gms, 4.92ozs.

816

The following 70 lots form a single-owner private collection of pincushions, vesta cases and matchbox holdersAn Edwardian silver

mounted matchbox holder, maker's mark worn, Birmingham, 1903: of rectangular outline with embossed decoration 4.5cm wide, two

metal table top matchbox holders and an embo ...[more]

817A George V silver vesta case, maker John Rose, Birmingham, 1924: initialled, with foliate engraved decoration 5.7cm high, together with

three other silver vesta cases, various makers and dates, 6cm, 4cm and 3.5cm high, total weight of silver 101gms, 3.27ozs. (4).

818A Victorian silver vesta case, maker's mark worn possibly RM Birmingham, 1876: with engine turned decoration, 5cm high, together with

three other silver vesta cases, various makers and dates, 5cm, 4.5cm and 4.5cm high, total weight of silver 84gms, 2.73ozs (4).

819An early 20th century silver plated vesta case/stamp holder in the form of a book: bears enamelled coat-of-arms for Ilfracombe, 4.7cm

high, another similar vesta/ stamp case in the form of a book, initialled, and two other book-shaped vesta cases. (4).

820An Edwardian silver vesta case, maker A & J Zimmerman Ltd, Birmingham, 1907: of circular outline, 4.5cm diameter and three smaller

silver vesta cases, total weight of silver 56gms, 1.82ozs. (4).

821A Victorian silver vesta case with cigar cutter, maker William Richard Corke, London, 1893: monogrammed, 6cm high, together with

three other silver vesta cases, various makers and dates, 5cm, 4cm, 4.5cm high, total weight of silver 109gms, 3.50ozs(4).

822An Edwardian silver combination vesta /sovereign case, maker Walker & Hall, Sheffield,1906?: monogrammed, of rectangular outline

with hinged flip end for vestas and hinged lid enclosing sovereign and half sovereign holders, 6cm high, 59gms, 1.92ozs.

823A George V silver novelty vesta case, maker Payton, Pepper and Sons Ltd, Birmingham, 1913: in the form of a miniature four division

cigar case, 5cm long, 21gms, 0.70ozs.

824 A late Victorian polished banded agate vesta case: of rectangular outline, with hinged lid and agate strike pad, 7cm long.

825An Edwardian silver novelty vesta case, maker Charles Lyster & Son, Birmingham, 1908: in the form of a muscle shell with engraved

foliate and scroll decoration, 6.5cm long, 24gms, 0.77ozs.

826A George V silver and inlaid tortoiseshell matchbox holder, maker William Neale & Son, Birmingham, 1924: of rectangular outline with

garland decoration within a rope twist border, 6cm long, overall weight 44gms, 1.44ozs.

827An Imperial Russian silver and enamel matchbox holder, stamped Kokoshnik mark and maker's mark: of rectangular outline, with raised

foliate and scroll decoration, 6cm long, 42gms, 1.36ozs.

828

An Elizabeth II cast silver novelty vesta case, maker David A Bowles, London, 1990: in the form of Mr Punch, 5.5cm high, together with

another novelty silver vesta case in the form of Mr Punch's dog, stamped silver to the hinged base, 6cm high, total weight of silver

73gms, 2.36ozs.

829A novelty plated vesta case: modelled as a champagne bottle, 7cm high, together with a brass vesta case in the form of a tiger's claw

with pig finial to the hinged lid, 7cm high.

830A novelty plated vesta case: modelled as Mr Ally Sloper, 6cm high, together with another vesta case in the form of a violin, 6.5cm long.

(2).

831A 20th century American sterling silver vesta case, stamped 925 sterling: both sides with embossed decoration of a native North

American Indian with full headdress, 5.2cm high,

832 A Japanese gilt metal vesta case: decorated to either side with a finch in a cage and floral decoration, 5.5cm high Meiji period.

833

An Edwardian silver matchbox holder, maker Levi & Salaman, Birmingham, 1902: of rectangular outline with embossed foliate and scroll

decoration raised on ball feet, 6.2cm wide, together with another similar matchbox holder with putti decoration, 8cm long, total weight of

silver, 53gms, 1.70ozs.

834A collection of five metal advertising vesta cases: including 'The State Fire Office', Bryant & May, 'Cerebros Table Salt', Perry & Co Ltd

Jubilee box and Drogheda vesta case, (5).

835A Victorian silver vesta case, maker Deakin & Francis Ltd, Birmingham, 1898: initialled, of plain rectangular outline, 5cm high, together

with three other silver vesta cases, various makers and dates, 5cm, 4.5cm and 4.5cm high, total weight of silver 90gms, 2.89ozs (4).

836 A collection of seven assorted book-shaped vesta cases: including ivory and horn examples (7).

837

A World War One period advertising matchbox holder: for A. J. Guy, General Refreshments & Army Contractor, the reverse decorated

with the allied flags, 6cm. wide, another advertising matchbox holder for the "Windsor Arms", Cardiff, two brass matchbox holders and

two other matchboxes. (6).

838A collection of six assorted vesta cases and boxes: including leather bound examples, plate mounted nut vesta and three treen vestas

cases, (6).

839 Five silver plated vesta cases of traditional design: one incorporating a pencil and sovereign holder (5).

840A novelty vesta case in the form of a horse's hoof: a white metal vesta/snuff case in the form of a shoe and brass ashtray in the form of

a shoe.(3)

841An Edward VII silver matchbox holder, maker Crisford & Norris Ltd, Birmingham, 1904: of rectangular outline with embossed stag and

doe decoration, raised on ball feet, 4.5cm wide, together with a silver matchbox holder, 4.25cm long, 26gms, 0.95ozs.(2)

842An Edwardian silver vesta case, maker A C Jackson & Co, Birmingham, 1909: of heart-shaped outline together with four other silver

vesta cases, various makers and dates, total weight of silver 129gms, 4.16ozs. (5)

843Two silver plated vesta cases: of rectangular outline bearing enamel coats-of-arms and another vesta case decorated with the face of a

bloodhound (3).

844 An Elizabeth II silver vesta case, maker David A Bowles, London, 1990: in the form of a pig, 6.5cm long. 53gms, 1.72ozs.

845A Japanese damascened vesta case: each side decorated with exotic birds amongst flowerheads and foliage, 5cm high and a Japanese

bronzed metal book-shaped vesta case one side decorated with a Samurai warrior, the other with a lion, 6.5cm high. Meiji Period (2).

846A George V 9ct gold vesta case, maker W& Co Ltd, Birmingham, 1913: initialled, of traditional rectangular outline, 4.7cm high,

20.47gms.

848 A George V 9ct gold vesta case, maker C & C??, Birmingham, 1919: of traditional rectangular outline, 4.7cm high, 21.13gms.

849A late Victorian silver and enamel risque vesta case, maker George Heath, London, 1892: crested and initialled, the cover decorated

with a seated ballerina, bears monogram SL ?, 6cm wide.

850An Edwardian novelty silver pin cushion, maker Adie & Lovekin Ltd, Birmingham, 1907: in the form of a swan, 6cm long, together with a

similar pincushion in the form of a duck with inset turquoise eyes, 6cm long, (2).

851An Edwardian novelty silver pin cushion, maker Sampson Mordan & Co, Chester, 1908: of circular outline, the domed cushion

surmounted with a silver chick emerging from an egg, 6.5cm diameter, together with another similar pin cushion 6cm diameter. (2).

852An Edwardian novelty silver pin cushion, maker Sampson Mordan & Co, Chester, 1906: in the form of a miniature duck, 3cm long

together with four metal miniature pin cushions modelled as a teddy bear, frog, hare and duck, (5).

853A silver mounted pin cushion, marks worn: of heart-shaped outline, with scroll and foliate decoration, a similar rectangular example and

a gilt brass pincushion in the form of a cockerel. (3)

854A Victorian silver pin cushion, maker Henry Williamson Ltd, Birmingham, 1900: of trefoil outline with domed cushion, the sides with

embossed foliate and scroll decoration 6.5cm wide, together with a metal pin cushion in the form of a vase, 7cm long. (2)

855 Five novelty metal pin cushions: in the form of an owl, turtle, hedgehog, hare and a dachshund (5).

856A George V novelty silver pin cushion, maker Henry Matthews, Birmingham, 1910: in the form of a seated bird, 5cm long, together with

a similar pincushion in the form of a chick 4cm long (2).

857An Edwardian novelty silver pin cushion, maker Britton, Gould & Co, Birmingham, 1908: in the form of an elephant, 4.75cm long,

together with an Edwardian silver pin cushion, maker Adie & Lovekin Ltd, Birmingham, 1906, modelled as a pig, 4.5cm. long (2).

858An Edwardian clear glass and silver mounted pin jar, maker Arthur Johnson Smith, Birmingham, 1909: of rectangular outline, the lid with

a finial in the form of a mongoose, 10.5cm long, weighable silver 15gms, 0.51ozs

859A George V novelty silver pin cushion, maker Adie & Lovekin Ltd, Birmingham, 1921: in the form of a lamb pulling a mother-of-pearl two-

wheel cart,12cm long

860An Edwardian novelty silver pin cushion, maker Tozer, Kernsley & Fisher, Birmingham, 1907: in the form of a pig with a trough, 8cm

long

861An Edwardian silver mounted jewellery casket, maker's mark worn, Birmingham, 1904: of rectangular outline with domed pin cushion

and single frieze drawer to the front, 14.5cm wide, weighable silver 221gms, 7.12ozs.

862A George V novelty silver pin cushion, maker Samuel Mordan & Co, Chester, 1912: in the form of a chic emerging from an egg, 7.5cm

long

863 A large novelty metal pin cushion: modelled in the form of a seated pig, 11cm high.

864 An Edwardian novelty silver pin cushion, maker Levi & Salaman, Birmingham, 1905: in the form of a cat with arched back, 5.5cm long.

865An Edward VII silver novelty pin cushion, maker Levi & Salaman, Birmingham, 1901: in the form of a throne, 4cm high, together with a

set of six silver coffee spoons, maker Henry Clifford Davis, various assay offices, cased, weighable silver 46gms, 1.49ozs.

866An Edwardian novelty silver pin cushion, maker Hilliard & Thomason, Birmingham, 1902: in the form of a double swan on oval base

7.2cm wide

867An Edwardian silver pin tray, maker Sampson Mordan & Co, London, 1909: of circular outline, the centre mounted with an owl's head

with glass inset eyes, 9cm diameter, 47gms, 1.52ozs.

868 An Edward VII silver novelty pin cushion, maker Sydney & Co, Birmingham, 1906: in the form of a shoe, 9cm long.

869 An Edward VII silver novelty pin cushion, maker Levi & Salaman, Birmingham, 1907: in the form of a bell, 7cm high.

870 An Edwardian novelty silver pin cushion, maker S & Co, Birmingham, 1907: in the form of a swan, 7.5cm long.

871 A large Edward VII silver novelty pin cushion, maker Levi & Salaman, Birmingham, 1905: in the form of a pig, 9cm long, 11cm long.

872An Edwardian novelty silver pin cushion, maker Crisford & Norris Ltd, Birmingham, 1908: in the form of a swan with inset turquoise

eyes, 7.5cm long.

873 An Edwardian novelty silver pin cushion, maker Adie & Lovekin Ltd, Birmingham, 1907: in the form of an elephant, 6cm long

874 A George V novelty silver pin cushion, maker's mark rubbed, Birmingham, 1920: in the form of a pig, with spiral tail, 9cm long

875A Victorian novelty silver pin cushion, maker Hilliard & Thomason, Birmingham, 1887: in the form of a double swan on oval base 7cm

wide

876An Edward VII silver novelty pin cushion, maker Cornelius Desormeaux Saunders & James Hollings, Birmingham, 1906: in the form of a

camel, 7cm high.

877 A George V novelty silver pin cushion, maker, Henry Matthews, Birmingham, 1910: in the form of a pig, 7cm long.

878 An Edwardian novelty silver pin cushion, maker Levi & Salaman, Birmingham, 1903: in the form of a hedgehog, 4.2cm long.

879An Edwardian novelty silver pin cushion, maker Levi & Salaman, Birmingham, 1907: in the form of a fox with inset green paste eyes,

6.3cm long.

880An Edwardian novelty silver hat pin cushion, maker Adie & Lovekin Ltd, Birmingham, 1905: in the form of a pig, with wire work mount,

10cm high.

881A Victorian novelty silver pin cushion, maker Cornelius Saunders & James Francis Hollings, Birmingham, 1891: in the form of a jockey's

cap with reeded decoration, 6cm wide.

882A George V silver novelty pin cushion, maker S Blanckensee & Son Ltd, Chester, 1910: in the form of a Naval officer's peak cap, 8.5cm

long.

883An Edwardian Continental novelty silver pin cushion, maker's marks worn, stamped 925 and for Berthold Muller : in the form of a stag,

10cm high.

884 An Edwardian novelty silver pin cushion, maker Adie & Lovekin Ltd, Birmingham, 1908: in the form of a hare, 6.5cm long

885 An Edwardian novelty silver pin cushion, maker W J Myatt & Co, Birmingham, 1909: in the form of a frog, 6cm long

886An Edwardian novelty silver pin cushion, maker H V Pithey & Co, Birmingham, 1909: in the form of a muzzled bear, with articulated

limbs, 6cm high.

887A Victorian provincial silver Fiddle pattern caddy spoon, maker William Pope, Exeter, 1860: with shell-shaped bowl, together with two

other silver caddy spoons, total weight of silver 39gms, 1.27ozs. (3)

888A William IV silver Fiddle Thread and Shell pattern tea caddy, maker George Unite, Birmingham, 1834:, initialled, 9cm long, together

with two other silver caddy spoons various makers and dates, total weight of silver 28gms, 0.91ozs. (3)

889A George III silver caddy spoon, maker Samuel Pemberton, Birmingham, 1802: the oval bowl with pierced decoration, 7.5cm long,

together with two other silver caddy spoons, 27gms, 0.88ozs. (3)

890A George III silver caddy spoon, maker Thomas Wallis, London, 1788: with spade-shaped bowl 9.5cm long, together with another silver

caddy spoon, total weight of silver 29gms, 0.95ozs. (2)

891An Arts & Crafts silver caddy spoon, maker The Artificers' Guild Ltd, London, 1923: the hammered pear-shaped bowl, with tapering stem

with bezel set green hardstone below a pierced Tree of Life terminal, 10cm long, 23gms, 0.75ozs

892An Arts & Craft hammered silver and enamel caddy spoon, maker Ramsden & Carr, London, 1916: with pear-shaped bowl, knotted

handle with enamel shield,enamel damaged, 8.5cm long, 44gms, 1.44ozs.

893A Victorian silver scent flask, maker Sampson Mordan & Co, London, 1876: one side decorated with a swan, the other with a squirrel

enclosed with chased foliate decoration, having a screw stopper and suspension chain, 6cm high, 35gms, 1.13ozs.

894A Victorian silver double ended scent bottle, maker Sampson Mordan & Co, London, 1885: of cylindrical outline with chased foliate

decoration, 11.5cm long.

895An Edwardian silver scent bottle, maker G. Watts & Co, Chester, 1906: of cylindrical outline, with hinged lid, enclosing a glass stopper,

having engraved foliate and scroll decoration, 6cm high.

896A Victorian novelty silver scent bottle, maker Sampson Mordan & Co, London, 1882: of cylindrical outline, with engraved with a Kate

Greenaway child climbing a wall to scrump apples, the hinged lid enclosing a glass stopper, 5.2cm high.

897A Victorian silver scent bottle, maker Sampson Mordan & Co, London, 1890: of rectangular outline, with hinged lid enclosing a glass

stopper, having chased foliate decoration, 5.5cm high, contained in a fitted Morocco leather case.

898A Victorian novelty silver scent bottle, maker Sampson Mordan & Co, London, 1881 : of cylindrical outline, engraved with Kate

Greenaway children seated on a brick wall, the hinged lid enclosing a glass stopper, 5.2cm high.

899A late Victorian Continental silver box, bears import marks for Bethold Muller, Chester, 1900: of heart-shaped outline, the hinged lid

decorated with a scene from the Flight into Egypt, with embossed foliate and scroll decorated sides, 7.25cm wide, 84gms, 2.71ozs.

900 Tiffany & Co, a sterling silver box, stamped marks: in the form of a book, 4.5cm wide, 41gms, 1.32ozs.

901 A Continental model of two cherubs in a sailing boat, bears import marks for Berthold Muller, Chester, 1900: 8cm long, 57gms, 1.86ozs.

902A pair of Victorian silver novelty pepperettes, maker Hunt & Roskell, London, 1889: in the form of hares, both raised on their haunches,

9.5cm high, 284gms, 9.15ozs.

903A Victorian silver and silver plated chatalaine: with belt hook and suspensions, for miniature purse, pin cushion, thimble, pencils, coin

and miniature dagger in a sheath.

904A Victorian silver snuff box, maker Alfred Taylor, Birmingham, 1854: inscribed, of rectangular outline, with engine-turned decoration,

7.5cm wide, 112gms, 3.60ozs.

905A pair of George III silver sugar nips, maker Richard Mills, London, C1765: 13cm. long, together with another pair of sugar nips, two

pairs of silver framed spectacles and a silver model presentation oar, inscribed, 20cm long, total weight of silver 112gms, 3.61ozs.

906

A George V silver model of the coronation chair, maker Cornelius Desormeaux Saunders & James Francis Hollings Shepherd, London,

1910: a Continental model of a cherub musician on a rustic bench, a Continental model of a figure in a horse drawn chariot, a Chinese

sailing vessel, a Chinese ricksha ...[more]

907A Continental silver model of a Roman charioteer, bears import marks for Samuel Boyce Landeck, Sheffield, 1901: standing in a two

wheeled chariot, 8.5cm long, 115gms, 3.72ozs.

908

A George IV silver snuff box, maker Thomas Edwards, London, 1824: of rectangular outline with reeded decoration, 5.25cm long, also a

Georgian engraved vinaigrette with pierced grille and a Maltese white metal toothpick box with inset De Rohan coin by Michael Borg,

9cm. long, weighable silver 47gms, ...[more]

909A collection of eight various silver match book holders, various makers and dates: some initialled, one bearing a crest for Yorks Area

NUM, total weight of silver 261gms, 8.42ozs.

910A collection of eight assorted silver match book cases, various makers and dates: with engine turned decoration, total weight of silver

296gms, 9.52ozs.

911A Continental silver novelty pipe tamper, modeled as Mercury, bears import marks for Berthold Muller, London, 1915: on a circular

weighted base 8cm high.

912A silver and mother of pearl oblong box, unmarked: with cushioned sides, 7.5cm wide and a silver and mother of pearl oval box, with

engraved crest to the hinged lid,

913A 19th century silver gilt necessaire,: unmarked, of traditional tapering design, with hinged lid enclosing knife, scissors and other

accessories, having embossed scroll decoration to the exterior, 10.5cm long, 50gms, 1.61ozs.

914A French silver circular box and cover, stamped mark: with engraved central floral spray enclosed by scrolls, 6cm diameter, together

with .a silver shell-shaped box, unmarked, 7cm wide, total weight of silver 123gms, 3.95ozs

915A George V silver novelty child's rattle, maker Crisford & Norris Ltd, Birmingham, 1933: modelled as a young child holding a rattle in

each hand, suspended from an ivorine teething ring, 8gms, 0.29ozs.

916An Elizabeth II silver miniature tea and coffee service, maker A Marston & Co, Birmingham, 1968: with half reeded decoration, includes

coffee pot, tea pot, cream jug, sugar basin and tray, total weight of silver 64gms, 2.08ozs.

917A George V silver serving tray, maker John Round, Sheffield, 1935: initialled, of oval outline, with loop carrying handles, and wavy edge

border, 51.5cm wide, 2052gms, 65.98ozs.

918

A late 19th/early 20th century Chinese silver tray, maker Wang Hing and Co, Hong Kong: of oval outline decorated with prunus blossom

and chrysanthemums, enclosed by a pierced border with similar decoration and carrying handles to the sides, raised on four swept feet,

48.5cm wide. 1632gms, 52.47ozs.

919A George V silver dressing table tray, maker Daniel Manufacturing Company, Birmingham, 1915: of rectangular outline with wavy edge

border, 29.5cm. wide, 412gms, 13.24ozs.

920A George V silver fruit bowl, maker Joseph Rodgers & Sons, Sheffield 1933: initialled, of circular outline with garland and scroll

decoration, raised on a pierced and spreading circular foot, 23cm diameter, 675gms, 21.70ozs.

921A pair of George III silver entrée dish bases, maker's mark rubbed possibly WT or WJ, London, 1812: crested, of rectangular outline with

gadrooned borders, 28cm wide, total weight of silver 1876gms, 60.32ozs.

922A pair of Edward VII silver rectangular entrée dishes and covers, maker Goldsmiths & Silversmiths Co Ltd, London, 1905: of rectangular

outline with gadrooned borders and with detachable handles, 28.5cm. wide, 2937gms, 94.43ozs.

923

A George III oval table centrepiece, maker John Wakelin & Robert Garrard, London, 1795: crested, the oval basket with pierced sides

and ram's head and ring handles, on a replaced waisted stem, by Robert Hennell III, London, 1835, the base with pierced fluted

decoration, raised on four acanthus deco ...[more]

931

James McCabe, Royal Exchange London. A silver cased, half hunter pocket watch: the chain fusee movement having a three bar

balance to the lever escapement, the three quarter back plate engraved 'JAS.McCabe Royal Exchange London 17727' the white enamel

dial similarly signed and with subsidiary second ...[more]

932A lady's 18ct gold fob watch: the white enamel dial with Roman numerals, the case with opalescent guilloche enamel chapter ring (some

damage), monogram to case reverse, approximately 33mm diameter, 37gms gross weight.

933A gentleman's 9ct gold half hunter pocket watch: the white enamelled dial with Arabic numerals and subsidiary seconds dial, the 15

jewel movement numbered '150605', the dust cover hallmarked 9ct gold, approximately 49mm case diameter, 84gms gross weight.

934

W.M. Greenwood & Sons Leeds & Huddersfield. A gentleman's 9ct gold hunter pocket watch: the white enamelled dial with Arabic

numerals and subsidiary seconds dial, the movement numbered '24039490', the dust cover hallmarked 9ct gold, approximately 49mm

case diameter, 95gms weight of watch tog ...[more]

935

Dufalga, Geneve. An 18th Century gold and brass pair-cased open-face pocket watch: the circular white enamelled dial with Roman

numerals and Arabic outer minutes, scroll pierced hands and winding through the dial with a fusee verge movement, the backplate

inscribed 'Dufalga Geneve', in a three-colo ...[more]

936A World War One pair to 20650. Pte. E.B. Langdon, Lan. Fus: War and Victory medals, together with a postcard of the recipient and a

view of Wellington Barracks, Bury. * Notes In reference to lot 937.

937

Waltham U.S.A. A gentleman's 9ct gold hunter pocket watch: the white enamelled dial with Roman numerals and subsidiary seconds

dial, the 17 jewel movement numbered '2305734' and with 9ct gold dust cover, the monogrammed case approximately 49mm diameter,

91gms gross weight. Perspex dial cover is loos ...[more]

938Omega. A lady's 9ct gold manual wind wristwatch: the square dial with baton markers, the 17 jewel movement numbered '28631242' on

9ct gold mesh bracelet, the clasp with Omega emblem, approximately 19cm long, 35gms gross weight, together with 'Omega' case.

939

Omega. A lady's 9ct gold 'Omega' wristwatch: the rectangular dial with baton markers, the 17 jewel movement numbered '26056665',

the inside case back numbered '7115690' and on 9ct gold mesh-strap with Omega buckle, approximately 17.5cm long, 33gms gross

weight.

940Bueche-Girod. A lady's 18ct gold cased wristwatch: the rectangular dial with baton markers and on 9ct gold mesh-link bracelet,

approximately 42gms gross weight.

941Rotary. A lady's 9ct gold wristwatch: the rectangular dial with baton markers and Arabic numerals, on 9ct gold articulated strap of foliate

design, approximately 18.5cm long, 20gms gross weight.

942 Rotary. A lady's 9ct gold wristwatch: the circular dial with baton markers, on a 9ct gold bracelet strap.

943Rolex. A lady's stainless steel 'Rolex Oyster Perpetual Date' wristwatch: circa 1972 the circular dial with baton markers and date

aperture, numbered between the lugs '3112537' and '6919' on original Oyster bracelet.

944

A lady's diamond mounted cocktail wristwatch: the rectangular dial with Arabic numerals and blued steel hands within a border of mille-

grain-set round brilliant-cut diamonds, total diamond weight approximately 1.15cts, the case approximately 25mm long x 13mm wide

and stamped 'PLAT', on a 9ct gold me ...[more]

945

A lady's 9ct white gold and diamond cocktail wristwatch: the cushion-shaped dial with Arabic numerals and blued steel hands within a

border of mille-grain-set rose-cut diamonds, total diamond weight approximately 0.30ct, case approximately 20mm diameter and on

mesh-link strap stamped '9ct', approxim ...[more]

946WITHDRAWN A lady's Art Deco platinum and diamond cocktail wristwatch: the rectangular dial with Arabic numerals, within a surround

of single-cut diamonds, total diamond weight approximately 1.8cts and on black chord strap, approximately 13gms gross weight.

947Girard-Perregaux. A lady's silver manual-wind wristwatch: with rectangular plain blue enamelled dial, 17 jewel movement and on a silver

three-strand, curb-link bracelet approximately 18cm long, 83gms gross weight.

948

Omega. A gentleman's 18ct gold 'Omega Automatic Seamaster' wristwatch: the circular cream coloured dial with baton markers, gold

plated Omega crown and on non-original mesh-link bracelet stamped '750', the case back un-marked and unable to be removed at

present, together with an 'Omega' box.

949

Lip. A gentleman's gold cased 'Lip Chronometre' wristwatch: the satin-finish circular dial with kite markers and Arabic numerals the

movement with closed dust cover inscribed 'Don't touch me, take me to your watchmaker', approximately 34mm case diameter, the

inside case back numbered 'LIP 252737 18 ...[more]

950Omega. A gentleman's 9ct gold 'Omega Automatic Seamaster' wristwatch: the satin finish dial with baton markers and date aperture, the

twenty-four jewel movement numbered '26994205' the inside case back numbered '1665032', on mesh strap.

951

Piaget. A gentleman's 18ct gold 'Piaget' wristwatch: the octagonal textured dial with baton markers and on 18ct gold flexible mesh-link

bracelet, the screw back case numbered '9782 A 6 358832', approximately 19.5cm long, 94gms gross weight, together with 'Piaget'

certificate dated '22nd June 1976' a ...[more]

952

Bucherer. A gentleman's 18ct gold 'Bucherer' quartz wristwatch: the rectangular dial with Roman numerals, case measures

approximately 30mm long x 27mm wide, on integrated mesh strap stamped '750', approximately 67gms gross weight, together with

'Bucherer' box.

953

Breitling. A gentleman's stainless steel 'Super Ocean' chronometer, automatic wristwatch: reference A17345, the yellow dial with Arabic

numerals, inner twenty four hour numerals, date aperture, luminous hands, sweep centre seconds, rotating bezel and screw-down

crown, on black rubber bracelet togeth ...[more]

954

Rolex. A gentleman's 'Rolex Oyster Perpetual Date' stainless steel wristwatch 115200: the circular blue dial with luminescent baton

markers, magnified date aperture and centre seconds hand, in a steel case approximately 34.5mm diameter, numbered '115200' (model

number) and 'M414442' between lugs, th ...[more]

955

Rolex. A gentleman's stainless steel automatic Rolex GMT Master II 16710 'Pepsi' wristwatch: the black dial with luminous dot hour

markers, baton quarters and magnified date aperture at 3 'o clock, 31 jewel, calibre 3185, the movement numbered '3 0846170' the

inside case back numbered '2180' and on ...[more]

960A 9ct gold curb-link bracelet with twenty one various attached hallmarked and stamped charms: to include tankard and 9ct gold ingot

charm with attached 9ct gold heart-shaped padlock clasp, approximately 96gms gross weight.

961A 9ct gold curb-link bracelet: with eleven various attached 9ct gold charms to include squirrel, swan and policeman's helmet charms and

with attached 9ct gold heart-shaped padlock clasp, approximately 50gms gross weight.

962A 9ct gold charm bracelet: with various attached gold charms to include single stone ring and key, with attached heart-shaped padlock

clasp.

963 A 19th Century brazilian link bracelet: with attached globe charm.

964 A 9ct gold ten bar, gate-link bracelet: with heart-shaped padlock clasp and safety chain, approximately 18gms gross weight.

965 A yellow metal bracelet on bolt ring clasp with attached plated seal: approximately 13gms weight of bracelet only.

966A 9ct gold seven bar, gate-link bracelet: with attached heart-shaped padlock clasp and safety chain, approximately 11.5gms gross

weight.

967 A 9ct gold 'Medic-Alert' identity bracelet: approximately 29gms gross weight.

968 A 9ct gold hinged bangle: with attached safety chain, approximately 19gms gross weight, Chester assay marks.

969 A 19th Century gold bracelet: with foliate engraved hook clasp, approximately 18.5cm overall length.

970 A 9ct gold curb-link bracelet on lobster clasp and a 9ct gold bracelet.:

971 A 9ct gold flat curb-link bracelet on lobster clasp.:

972 A Victorian sovereign dated 1887,: mounted as a pendant and on a 9ct gold curb-link chain.

973 A sapphire and diamond mounted oval pendant locket stamped '9ct': on a 9ct gold belcher-link chain.

974 A bloodstone boulder pendant approximately 42mm long x 34mm wide, on an oval-link guard chain.:

975A seed pearl mounted oval pendant/brooch of pierced wreath design: suspending a pearl two-stone drop, on belcher-link chain stamped

'9c'.

976 A 9ct gold heart-shaped pendant locket: on belcher-link chain stamped '9c', approximately 9.5gms gross weight.

977 A 9ct gold bead necklace, a 9ct gold belcher-link chain and three other chains: approximately 51gms gross weight.

978 A Victorian sovereign dated 1873 mounted as a brooch: within a circular-link chain design frame stamped '750'.

979 Two half sovereigns dated 1907 and 1915.:

980 A Dutch William III coin dated 1875: approximately 6.7gms gross weight.

981A rectangular citrine single-stone brooch: together with three other Victorian yellow metal brooches, two with glazed compartments,

approximately 25gms gross weight.

982A 19th Century gold oval locket: with engraved strapwork decoration, an oval brooch with thistle motif and a quartz crystal oval pendant

with turquoise enamelled initial 'C' motif.

983 An 18ct gold diamond-set 'gypsy' ring and an 18ct gold signet ring.:

984 An 18ct gold signet ring together with a 9ct gold thistle motif signet ring.:

985 A 22ct gold wedding band: approximately 5.5gms gross weight.

986A pair of 18ct gold torpedo cuff-links: of foliate design together with four dress studs stamped '18 CT', approximately 11gms gross

weight.

988 A 15ct gold thimble: with foliate decoration, stamped '7', approximately 5.5gms gross weight together with fitted case.

989A Victorian gold thimble 'Xmas 1891' in Harrods case: the thimble without holes and in good condition, inscribed with initials 'A.S' and

'Xmas 1891', approximately 7.0gms together with a fitted case 'Harrods London S.W'.

990Sampson Mordan & Co. A 9ct gold propelling pencil: stamped 'R.C. Frank 1939' approximately 20gms gross weight, together with

original case, the interior signed 'Mordan Everpoint'.

991Sampson Mordan & Co. An emerald and seed pearl mounted propelling pencil: the body floral decorated throughout and engraved

'S.Mordan & Co' the nib initialled 'M' approximately 7cm long, 7gms gross weight, mechanism requires attention.

992 A gold on brass propelling pen/pencil: inscribed 'Thos Jubb' together with fitted case.

993 A gold on brass propelling pen/pencil: with fleur-de-lys seal end stone.

994 An 18ct gold engine turned 'Sheaffer' fountain pen: initialled 'A.C.M' the nib stamped 'SHEAFFER 14K', together with case.

995 S Mordan & Co. A 9ct gold cigar cutter stamped 'SM & Co': approximately 19gms gross weight.

996 Cartier. A ball point pen No 205203: the lid stamped 'CARTIER' and with cabochon blue stone end, no box or papers with this lot.

997A cased set of Art Deco mother of pearl and seed pearl mounted octagonal cuff-links, dress studs and buttons: each stamped '9ct' to the

reverse, together with rectangular fitted case numbered '319 947'.

998 A cased set of mother-of-pearl mounted cuff-links and dress studs: stamped '9ct'.

999A cased set of Art Deco black onyx and seed pearl mounted octagonal cuff-links and buttons: each stamped '9ct' and '18ct' to the

reverse, together with rectangular fitted case stamped 'Ollivant & Botsford Manchester'.

1000 A pair of blue enamelled circular panel cuff-links with matching buttons, together with fitted case.:

1001A pair of Art Deco diamond-set, black onyx and rock crystal panel hexagonal cuff-links: the reverse stamped '18ct', approximately 8gms

gross weight.

1002A graduated amber bead three-string necklace: with oblong beads graduated from approximately 9mm to 21mm long, 80gms gross

weight and a similar, smaller amber bead two-string necklace approximately 44gms gross weight.

1003A graduated amber bead single-string necklace: composed of sixty oblong beads, graduated from 14mm x 10mm to 29mm x 22mm,

approximately 114cm long, 94gms gross weight.

1004A graduated amber bead single-string necklace: composed of forty-six oblong beads graduated from 13.5mm x 11mm to 28mm x

22mm, approximately 102cm long, 109gms gross weight.

1005 An amber bead single -string necklace: with twenty nine graduated oblong beads, approximately 29gms gross weight.

1006A graduated jade bead three-string necklace: the individually knotted beads graduate from 5mm to 10mm and on rectangular paste-set

clasp, approximately 40cm long, 96gms gross weight.

1007A banded agate bead single-string necklace: the beads graduated from 6mm to 16mm and on black velvet ribbon tied clasp,

approximately 62cm long x 132gms gross weight.

1007A

An 18ct gold, ruby and diamond mounted round garland brooch: with clover-leaf clusters of pear-shaped rubies, estimated to weigh a

total of 0.7cts, separated by single round diamonds, each approximately 0.05cts and estimated to weigh a total of 0.25cts, 27mm

diameter, London hallmarks, 4.8gms gross ...[more]

1008 A long coral bead single-string necklace: each bead approximately 4.5mm, 44gms gross weight.

1009

A mid 19th Century coral relief mounted necklace: the central coral panel 32mm long x 24mm wide carved in high relief within a

wirework decorated frame, suspending three drops and on a coral and gold bead necklace with two clasps, together with a similar

carved coral bead and coral relief mounted br ...[more]

1010A cultured pearl three-string necklace: the cultured pearls approximately 7mm diameter and on rectangular panel clasp, together with a

pair of cultured pearl, single-stone ear-studs, approximately 107gms gross weight.

1011A cultured pearl single-string necklace: the individually knotted pearls graduating from 4.5mm to 9mm diameter, on rose-diamond-set

clasp.

1012

A cultured pearl three-string necklace: the cultured pearls measure an average of 6.8mm diameter and on a hallmarked 18ct white gold

and diamond-set circular clasp, total diamond weight 0.80ct, approximately 37.5cm overall length, 84gms gross weight together with a

non-fitted 'Brufords of Exeter' gr ...[more]

1013A cultured pearl three strand choker necklace with attached 18ct gold, ruby and diamond circular clasp: the individually knotted cultured

pearls approximately 7.0mm diameter, 37cm length of necklace.

1014

A cultured pearl and diamond mounted pendant: the cultured pearl approximately 14.2mm diameter, suspended from a marquise

diamond quatrefoil cluster, total weight approximately 1.7cts, on an 18ct white gold byznatine link necklace and with adaptable bar

brooch, approximately 42cm overall length of n ...[more]

1015

An Art Nouveau gold and mother of pearl necklace: of openwork whiplash links inset with mother of pearl panels, joined by trace link

chains and set with seed-pearls, in the style of Archibold Knox (1864-1933) apparently unmarked, contained in a fitted leather case, the

hinged lid stamped in gilt 'Li ...[more]

1016An early 20th Century gold, amethyst and seed-pearl necklace: with graduated, oval amethysts separated by single seed-pearls in cut-

down collet settings, approximately 37.5cm long, 21.5gms gross weight.

1017 A 9ct gold rectangular panel necklace: on bolt ring clasp (some damage), together with fitted case.

1018An enamelled and green tourmaline mounted necklace: with openwork links each inset with a single oval green tourmaline within a black

and white enamel frame, stamped '585' and on chain necklace.

1019An early 19th Century gold and foiled garnet pendant cross: composed of eleven rosette circular clusters of small garnets,

approximately 54mm x 39mm with attached heavy gold chain necklace of granulated linking, 42gms gross weight.

1020A late 19th Century Cantonese carved ivory low relief pendant: depicting figures in a woodland landscape on a mount stamped 15ct,

approximately 38mm diameter, 10gms gross weight.

1021 A Cannetille gold and chrysolite pendant cross: approximately 42mm long, with attached gold chain.

1022A mid 19th Century gold and Roman micro-mosaic oval pendant: with oval panel depicting doves, the reverse with glazed compartment,

approximately 30mm wide x 55mm long including suspension loop, 15.5gms gross weight together with fitted case.

1023

An 18ct white gold, ruby and diamond mounted pendant: with central oval ruby approximately 6.3mm x 4.2mm estimated to weigh 1.0ct

in a four-claw setting within a surround of circular brilliant-cut diamonds and with baguette-cut diamond suspension bail, the diamonds

estimated to weigh 0.5cts London h ...[more]

1024An amethyst mounted three-stone lavalier: suspending a pear-shaped amethyst drop, the bolt ring clasp possibly stamped '9ct',

approximately 6gms gross weight.

1025An 18ct white gold, blue topaz and diamond pendant on fine-link chain together with matching earrings: approximately 8gms gross

weight and with fitted case.

1026An 18ct white gold and 8ct diamond line tennis bracelet: with forty-eight circular brilliant-cut diamonds each approximately 3.6mm

diameter in a four-claw setting and estimated to weigh a total of 8.0cts, 190mm 7.5 long, 14.5gms gross weight.

1026A A platinum, emerald and diamond rectangular cluster ring in the Art Deco style.:

1027

A diamond mounted wavy bangle set with five round, brilliant cut diamonds: total diamond weight 0.25ct, bangle measures

approximately 61mm diameter at widest point, 27gms gross weight, bangle is not stamped or hallmarked, together with black fitted case

and outer box.

1028A faceted coral bead four-string bracelet: with gold and coral relief portrait mounted clasp, the coral portrait approximately 15mm x

10mm with a similar four-string coral bead bracelet, the clasp with French control marks.

1029An Art Deco-style emerald and white gem-set bracelet: set with rectangular emeralds and circular white stones, the bracelet tested as

silver, approximately 18.5cm long.

1030An aquamarine and diamond-set bar brooch: set with a single oval aquamarine and six round old, brilliant-cut diamonds, together with a

pair of blue stone ear studs.

1031A rose diamond mounted bar brooch: with seven graduated stones to include a heart-shaped rose diamond, in millegrain settings and

stamped '15ct', approximately 50mm overall length.

1032Georg Jensen. A pin of foliate detail, design number 287,:maker's stamp to the reverse, approximately 7.5cm overall length, 9gms gross

weight.

1033A moonstone mounted bar brooch: set with a single row of circular moonstones, suspending three oval moonstone drops, approximately

47mm long, 5.5gms gross weight.

1034

A ruby, diamond and gem-set butterfly bar brooch: designed as a small butterfly with outstretched wings 21mm wingspan, pave-set with

rose diamonds, ruby thorax, blister pearl abdomen and cabochon ruby eyes, on a knife-wire bar with single oval sapphire, 48.5mm long

and safety chain, 4.9gms gross we ...[more]

1035 An early 20th Century gold, aquamarine and diamond bar brooch: in platinum setting approximately 7cm long overall.

1040

A late 19th Century gold, silver, diamond and button pearl circular brooch/pendant: with central button pearl approximately 7mm

diameter within a pierced foliate surround of smaller pearls, round old brilliant brilliant and rose-cut diamonds, the diamonds estimated to

weigh a total of 5.0cts, 42mm d ...[more]

1041A cushion-cut yellow sapphire single-stone stick pin: together with a report from 'GCS' stating the sapphire measures approximately

18.4mm x 17.5mm x 14.2mm, estimated to weigh 42.5cts and with no indications of heating, together with fitted 'Garrards' case.

1042

An early 20th Century enamelled gold, diamond and seed-pearl oval brooch: with central rose diamond double heart motif on a blue

enamel ground within a frame of white enamel and seed-pearls approximately 31mm x 19mm, 6gms gross weight together with fitted

case.

1043An early 19th Century gold and rose diamond marquise-shaped miniature portrait brooch: depicting a woman with blue eyes within a

rose-diamond surround, approximately 28mm x 12mm overall, 4.6gms gross weight, together with fitted case.

1044An early 20th Century oval miniature: depicting an angelic female figure holding a butterfly, approximately 52mm x 42mm within a rope-

twist frame.

1045An early 19th Century oval portrait miniature portrait brooch: depicting a young girl with blonde hair wearing a lace trimmed dress with

blue bodice and ribbons in a glazed gold frame approximately 49mm x 42mm overall, 19.3gms gross weight.

1046An oval shell cameo mounted brooch: depicting Cupid riding an eagle in flight, the cameo approximately 52mm x 41mm within a foliate

chased gold frame.

1047A Victorian yellow metal and agate mounted brooch: of circular buckle form, approximately 53mm diameter at widest point, 21gms gross

weight.

1048A Victorian cabochon garnet and seed pearl mounted oval pendant/brooch: the reverse with glazed compartment, approximately 44mm

diameter, 16.5gms gross weight.

1049A mid 19th Century gold and Roman micro-mosaic oval brooch: depicting two white doves, approximately 42mm x 36mm overall and a

similar circular brooch depicting a single dove, approximately 33mm diameter.

1050 A rose diamond-set 'music' bar brooch: approximately 44mm long overall.

1055A topaz and diamond oval brooch: the oval topaz approximately 20mm long x 16mm wide x 8.2mm deep, estimated weight 20cts, within

a surround of round old brilliant-cut diamonds, total diamond weight approximately 1.0cts, 27mm overall length, 9.5gms gross weight.

1056A pink topaz single-stone bar brooch: the cushion-shaped pink topaz approximately 12mm long x 12mm wide x 6.4mm deep in a claw

setting on a plain bar.

1057A mid 19th Century gold and foiled amethyst oval brooch: with three drops, the reverse of the brooch and each drop with glazed hair

compartments and monograms, approximately 41mm wide x 70mm long overall, 22gms gross weight.

1058

A late 19th Century gold, amethyst, diamond and split pearl lozenge-shaped brooch: with four lozenge-shaped amethysts centring in a

single round old brilliant-cut diamond within a frame of smaller amethysts and split pearls, brooch is close-backed, approximately 54mm

long, 25.5gms gross weight.

1059

A sapphire and diamond brooch: with central shaped oval sapphire approximately 11mm long x 7.8mm wide x 5.6mm deep, estimated

to weigh 3.5cts in rub-over setting within a platinum and diamond-set foliate garland frame of old brilliant-cut diamonds estimated to

weigh a total of 1.3cts, approximately ...[more]

1060

A pair of Wedgwood blue and white jasper ware mounted drop earrings: each earring with a jasper ware drop 30.2mm long, one

decorated with classical female figures, the other with classical female and male figures above beaded festoons, secured by a single

seed-pearl and suspended from a smaller jasp ...[more]

1061A pair of cultured pearl and diamond ear studs: each set with a single cultured pearl approximately 7.3mm diameter and a diamond

trefoil cluster, total diamond weight approximately 0.25ct, 15mm overall length, 3.2gms gross weight including butterfly backs.

1062

A pair of Art Deco diamond ear clips: each with an open work scroll design mille-grain-set with round brilliant-cut and single-cut

diamonds suspending two articulated drops, total diamond weight approximately 3.2cts, earrings are not stamped or hallmarked,

approximately 38mm overall length, 11.5gms ...[more]

1063

A pair of hallmarked 18ct white gold and diamond drop earrings: each set with a single round brilliant-cut diamond suspending a

diamond six-stone bar above a graduated diamond three-stone drop, total diamond weight approximately 0.90ct, drop measures 22mm

long overall, 2.2gms gross weight including ...[more]

1064

A pair of hallmarked 18ct white gold and pear-shaped diamond single-stone ear studs: each diamond measures approximately 8mm

long x 5mm wide x 2.7mm deep, total diamond weight approximately 1.3cts, earrings weigh 1.5gms gross weight including butterfly

backs, together with fitted black box.

1065A pair of 18ct white gold and diamond ear-studs: each with a circular brilliant-cut diamond approximately 4.9mm diameter and estimated

to weigh a total of 0.95cts the pair.

1066

A collection of antique jewellery: including a 9ct gold chain with key-ring attached suspending four various charms including a tiger's-eye

propelling pencil, a gate-link bracelet, a silver pendant with central enamelled heart-shaped panel, a 9ct gold signet ring, a filigree gold

and malachite brooc ...[more]

1067A banded agate and faceted crystal bead single-string necklace,: a cornelian bead single-string necklace, an amethyst bead single-

string necklace and three other bead necklaces.

1068

A collection of antique jewellery items: to include an enamelled gold, ruby and moonstone pendant with ultramarine enamel and central

moonstone drop, a gold mounted tortoiseshell cheroot holder in case, an Etruscan-style silver brooch, three various gem-set rings,

fifteen various brooches, two stick ...[more]

1069

A collection of antique jewellery items to include: a pair of citrine mounted single-stone pins in original fitted case, a pair of turquoise

mounted cuff-links in 'Asprey' case, an Austro-Hungarian multi-gem-set pendant and similar brooch, a turquoise bead necklace, a

carved coral oval brooch and a ...[more]

1070A collection of jewellery and gold jewellery items: to include a pair of 18ct gold oval panel cuff-links, various bar brooches, miscellaneous

earrings, a lady's 9ct gold 'Astral' wristwatch, etc.

1071

A Mary II of England memorial brooch: with miniature transcript dated 'Dec.br 28 .94' beneath a glazed panel, a ruby and seed-pearl

mounted small butterfly brooch with spring-opening wings, an enamelled gold oval brooch decorated with blue and white enamelled disc

motifs, a gold and seed-pearl vine ...[more]

1072 A silver graduated curb-link watch chain, a similar smaller watch chain, seven silver medallions, three seals and a small group of items.:

1073A collection of natural and simulated loose gemstones to include an oval star sapphire: approximately 16mm long x 14.3mm wide x

6.4mm deep, a similar smaller star sapphire and natural and synthetic loose rubies, together with box.

1074 A 19th Century gold heart-shaped locket, four fob seals, a Russian five roubles gold coin, two fine gold chains and five small items.:

1075 A collection of various gold and other earrings: to include a pair of three colour earrings stamped '585'.

1076

A late 19th Century gold handkerchief or napkin holder with scallop shell clasp and small finger ring attached, an amethyst and citrine

miniature gavel seal: with thistle and butterfly intaglio's, a snake-like hook, a propelling pencil, a lapis lazuli and split pearl bangle fitting

and an enamelled ...[more]

1077A selection of gold jewellery items: to include various hoop earrings, other earrings, a 9ct gold rope-twist necklace, a figaro-link necklet,

scrap gold, etc.

1078 A collection of charms, pins, gold jewellery items, an amethyst single-stone ring, pendants and miscellaneous earrings.:

1079An aquamarine and seed pearl bar brooch: together with a seed pearl and 'nugget' set bar brooch, three other bar brooches and a stick

pin.

1080

A 9ct gold, ruby and diamond bar brooch, a pair of amethyst and diamond pear-shaped ear studs, a diamond and gem-set three-stone

part ring setting:, a rectangular blue glass single stone pendant, a 9ct gold ring, a pair of citrine coloured, paste-set earrings and a pair

of simulated pearl earrings.

1081 A diamond mounted stick-pin with fly motif, a stick-pin with butterfly motif, a diamond-mounted horseshoe stick-pin and three stick-pins:.

1082A turquoise enamelled gold heart-shaped pendant suspended from a seed-pearl necklace, a tear-drop cameo pendant on gilt chain, a

cameo brooch and three loose cameos.:

1083 A pair of 9ct gold rope pattern hoop earrings and a pair of crescent-shaped ear studs.:

1084An Art Nouveau seed pearl and mother of pearl mounted enamelled pendant: approximately 33mm long x 36mm wide (some damage)

together with two paste-set stick pins, an Edwardian seed pearl mounted bar brooch and a gold plated pin brooch.

1085 An Austro-Hungarian enamelled silver St George and the Dragon pendant: and a similar lion rampant pendant.

1086 Tiffany & Co. A keyring in the form of a globe: stamped '2000 Tiffany & Co 925' together with original pouch and box.

1088 A 22ct gold wedding band, an 18ct gold wedding band and two 9ct gold bands.:

1089 Five various stone-set rings: to include a 9ct gold illusion-set diamond cluster ring and a rectangular smoky quartz single-stone ring.

1090 A 9ct gold and garnet mounted nine-stone ring: and a similar smaller seven-stone ring.

1091 A 9ct white gold and blue and white stone-set band,: a 9ct gold buckle ring and an 9ct gold band.

1091AA 9ct gold, sapphire and opal circular cluster ring, a 9ct gold ruby-set 'gypsy' ring, a 9ct gold cubic zirconia three-stone ring and a citrine

coloured four-stone ring,: the shank stamped '9ct'.

1092 An 18ct white gold and diamond five-stone band: approximately 3.5gms gross weight, ring size L.

1093 A diamond three-stone cross-over ring: the shank stamped '18ct PLAT', ring size M.

1094A mid 19th Century gold and diamond single-stone ring: the round old brilliant-cut diamond approximately 0.35ct on a shank with traces

of blue enamel approximately 4gms gross weight, ring size M.

1095 An 18ct gold and diamond four-stone band: set with round brilliant-cut diamonds, ring size Q

1096 An 18ct gold, ruby doublet and seed pearl five-stone ring: Chester assay marks to shank, ring size M.

1097 A 19th Century ruby and seed pearl eight-stone ring: approximately 3.5gms gross weight, ring size N.

1098 An 18ct gold, opal and diamond seven-stone ring: Chester assay marks to shank, ring size K 1/2.

1099 An 18ct gold and diamond five-stone ring: set with round, brilliant-cut diamonds estimated to weigh a total of 1.0cts, ring size N.

1100 A blue and white spinel mounted eternity ring: stamped '18ct', approximately 4gms gross weight, ring size S.

1101A sapphire and diamond triple cluster ring: the graduated circular sapphires within a surround of single-cut diamonds, total diamond

weight approximately 0.45ct, the shank stamped '18ct PLAT' approximately 2.9gms gross weight, ring size R.

1102 A single cultured pearl ring: the cultured pearl approximately 10mm diameter, the shank stamped '750', 10gms gross weight, ring size N.

1103

An 18ct white gold cultured pearl and diamond cluster ring: the central cultured pearl approximately 13mm diameter, within a surround

of round brilliant-cut diamonds and between marquise diamond three-stone shoulders, total diamond weight approximately 1.7cts, ring

size O.

1104A gold, platinum and diamond three-stone ring: with central round old brilliant-cut diamond approximately 0.5cts between circular

diamonds each approximately 0.25cts in a rex claw setting, ring size Q.

1105 A 9ct gold and cubic zirconia three-stone ring: the shank with Sheffield assay marks, ring size R.

1106A gentleman's 18ct gold and diamond three-stone gypsy-set ring: set with round old, brilliant-cut diamonds estimated to weigh a total of

0.65ct, ring size Q.

1107

A platinum and diamond three-stone ring: with central cushion-shaped old brilliant-cut diamond approximately 6.8mm long x 6.2mm

wide x 4.7mm deep, estimated to weight 1.25cts in a four-claw setting between pear-shaped diamonds, each approximately 0.27cts,

ring size P.

1108A diamond single-stone ring: the round old, brilliant-cut diamond approximately 5mm diameter x 3.2mm deep, estimated to weigh 0.50ct,

in a curtain claw setting, 1.9gms gross weight, the shank stamped '18', ring size E 1/2.

1109A diamond single-stone ring: the round brilliant-cut diamond estimated to weigh 0.30ct, in four-claw illusion setting, between splayed

shoulders, the shank stamped '18K', ring size M together with box.

1110A marquise-cut diamond single-stone ring: the marquise-cut diamond approximately 7mm x 3.8mm in claw setting between marquise-

cut diamond single-stone shoulders, ring size K 1/2.

1111A diamond mounted two-row half-hoop ring: with graduated 'Peruzzi'-cut diamonds estimated to weigh a total of 1.2cts in cut-down collet

settings in late 18th Century style, ring size P.

1112An 18ct white gold and diamond antique-style, floral cluster ring: set with round old brilliant-cut diamonds estimated to weigh a total of

0.90ct, the shank with London hallmarks for 1999, ring size K 1/2.

1113An Art Deco platinum and diamond rectangular cluster ring: mille-grain-set with round old brilliant-cut diamonds estimated to weigh a

total of 2.0cts, panel measures approximately 20.9mm long x 13mm wide, ring size P.

1114A sapphire and diamond circular cluster ring: set with round brilliant-cut diamonds within a border of circular blue sapphires, total

diamond weight approximately 0.70ct, the shank stamped '18ct', ring size P.

1115A diamond bombe cluster ring: with central cluster of round old brilliant-cut diamonds estimated to weigh a total of 2.5cts, the shank un-

marked, 15.5gms gross weight, ring size N.

1116A sapphire and diamond oval cluster ring: the central oval sapphire approximately 10mm long x 8mm wide x 5mm deep, within a

surround of ten round brilliant-cut diamonds estimated to weigh a total of 1.0cts, the shank stamped '18ct', ring size S.

1117A green tourmaline mounted single-stone dress ring: with central rectangular green tourmaline, 9mm x 5.5mm within a plain oval panel,

ring size H 1/2 with gaps on mandrel.

1118A Roman cornelian intaglio mounted seal ring: the intaglio possibly depicting the Roman god Cupid within a plain setting on tapering

shank, approximately 3.5gms gross weight, ring size R.

1119 A cabochon garnet single-stone ring: in closed-back setting and between splayed shoulders, ring size P 1/2.

1120A Roman cornelian intaglio mounted seal ring: the intaglio possibly depicting Ceres, the Roman goddess of fertility, within a plain setting

on tapering shank, ring size M.

1121A red spinel and diamond mounted three-stone ring: the rectangular red spinel within a silver cut-down collect setting, the shank with

Birmingham assay marks for 22ct gold, approximately 6gms gross weight.

1122 A 9ct gold and oval coral single-stone ring: the oval coral approximately 17mm long x 9mm wide within pierced frame, ring size O.

1123

A mid 19th Century black enamelled gold and diamond mourning ring: with rose diamond-set 'forget-me-not' motif on a rectangular black

enamel panel between splayed chased shoulders, on a shank inscribed and dated 1842, approximately 2.9gms gross weight, ring size

N 1/2.

1131A pair of English opaque twist wine glasses: each with ogee shaped bowl on a straight double series opaque twist comprising a pair of

narrow spiral tapes surrounding a lace twist, set on a conical foot, circa 1770, 14.5cm high.

1132 A clear glass ship's decanter: with simple mushroom stopper and silver mounted neck, J.A. Campbell, London 1996, 22cm high.

1133A pair of Bohemian engraved glass goblets and domed covers: in eighteenth century style, each engraved with a gallant and companion

dancing in a tree lined garden, on hexagonal stems and slice-cut bases, both signed 'J,Stauch? Nbg.', early 20th century, 26cm.

1134 A James Powell & Sons Whitefriars tangerine 'T.V.' vase: modelled after the original by Geoffrey Baxter, 18cm high.

1135A Bohemian ruby flashed decanter: of mallet shaped form with petal base and raised octagonal neck, the body cut with four rows of

printies, with matched mushroom stopper, 21cm high.

1136An extensive J.&L. Lobmeyr part suite of drinking glasses: in five sizes, each bowl engraved with arabesques, Lobmeyr seal mark, early

20th century, 11-16cm [56 pieces].

1137A set of six Lobmeyr Schwarzlot enamelled tot/liqueur glasses: each decorated in black with figures in gardens and lake landscapes, on

ball feet, Lobmeyr mark, circa 1920, 6cm.

1138

A suite of St Louis 'Cardagne' pattern glasses: comprising twelve water glasses, twelve Burgundy glasses and twelve Sherry glasses

together with ten tumblers, each with vertical flutes and gilt rims, acid etched St Louis Cristal France, 18, 16.5, 14 and 9cm high

respectively. [46].

1139A set of nine etched glass flutes: the mildly flaring bowls engraved with the initials K.S.D. flanked by flowers and fleur de lys above a

band of cut decoration and a knopped stem, 17.5cm high.

1140A set of twelve Edinburgh crystal flutes: of thistle shaped form with hob nail and slice cut bowls etched front and verso with thistles,

stencilled marks to base, 18cm high.

1141A Chinese famille noire millefleurs charger: painted with lotus, peony, chrysanthemum and other blooms on a black ground, the reverse

with five bats, iron-red six-character Qianlong mark but probably Guangxu, 36cm diameter.

1142A large Chinese pottery figure of a Bactrian or Mongolian camel: modelled standing four square with arched neck and raised head, on

rectangular base, Tang Dynasty, 46cm high, [some losses to base].

1143A Chinese famille rose peach dish: enamelled with branches of peaches, leaves and blossom on a turquoise ground, the reverse with

bats in flight, underglaze blue Qianlong seal mark, 25cm.

1144A Chinese pottery figure of a Mongolian camel: modelled in the Tang Dynasty manner standing four square with raised neck and

upturned head, under marbled amber and brown glazes, 36cm high, [glue repair to neck].,

1145Two Chinese blue and white dishes: one painted with a large phoenix, rockwork and peonies, late 19th century, 30cm diameter; the

other with two magpies perched on a rock, flowering peony branches to either side, 30.5cm diameter, frits to rim [2].

1146Two Chinese Imari chargers: both decorated in underglaze blue, iron-red and gilt with flowers and foliage within line borders, one with

artemisia leaf mark within double circles, Kangxi/early Qianlong, 35cm [one with rim chip].

1147A Chinese famille rose 'Tobacco Leaf' dish: of octagonal form, decorated in bright enamels, underglaze blue and gilt with overlapping

leaves, blossom and hibiscus, Qianlong, 29 x 22cm [minor wear and rim chips].

1148A pair of Chinese famille rose 'Tobacco Leaf' stands: of octagonal form, decorated in bright enamels, underglaze blue and gilt with

overlapping leaves, blossom and hibiscus, Qianlong, 37.5 x 29.5 and 38.5 x 29.5cm [some wear and rim chips].

1149A pair of Chinese famille rose 'Tobacco Leaf' dishes: of octagonal form, decorated in bright enamels, underglaze blue and gilt with

overlapping leaves, blossom and hibiscus, Qianlong, 38 x 30cm [some wear and rim chips].

1150

A pair of Chinese Canton famille rose vases: each with cylindrical body and waisted neck with gilt lion dog ring handles, painted with

panels of court and terrace scenes on a profuse ground of auspicious objects, fruit, flowers and foliage, 19th century, 43cm [one with

damage to rim].

1151

A pair of Chinese famille verte vases: of square baluster section with dragon handles, painted variously to each side with birds perched

amongst prunus and in a water landscape, pierced rockwork, peony and crysanthemum, late Qing, 30cm [glue repair to one handle,

some chips].

1152

A pair of Chinese porcelain vases: of archaic form probably for the Straits market decorated with panels of figures in a pavilion and

verso with an equestrian figure and escorts reserved on a ground of flowers and foliage, between ruyi and lappet bands, indistinct seal

marks, 28cm high.

1153

A pair of Chinese famille rose vases and covers for the Straits market: of oviform with lotus bud knops, painted in bright enamels with

cockerels and moths amongst peonies, peaches and rockwork within ruyi, lappet and stylised lotus petal borders, circa 1900, 31cm [chip

to each cover].

1154A pair of Chinese clair-de-lune glazed vases: moulded with a wide band of scrolling lotus within ruyi-head, lappet and diaper borders,

underglaze blue Guangxu marks [drilled through], 24cm together with table lamp fittings and shades.

1155A Chinese green monochrome porcelain vase: of flattened baluster form, moulded with Buddhist emblems and hawks perched on

rockwork between lappet, ruyi-head and foliate borders, impressed seal mark, 30cm.

1156A Chinese copper red jarlet: of globular form with cylindrical neck, painted overall with mythical beasts, underglaze blue six-character

Kangxi mark, 7cm.

1157A Chinese underglaze copper-red decorated quadrilobed vase: with grotesque mask ring handles, painted with peonies and scrolling

foliage, a pendant band to the neck, a lappet band to the base, apocryphal Qianlong six-character seal mark, 26cm high.

1158A small Chinese celadon vase: of pear shape with mask head handles and on cylindrical foot, underglaze blue six-character Qianlong

seal mark and of the period, 8cm [broken in three pieces and re-stuck].

1159A Chinese famille rose vase: of oviform with raised neck decorated with two scholars playing a board game attended by two female

musicians, oval seal mark verso, below decorative black bands, red seal mark to base, 20th Century, 24cm high.

1160A Chinese famille jeune double gourd vase: painted with Shou and bird medallions between wave, lappet, bat and ruyi-head borders on

a yellow ground, late Qing, 34cm [rim with flat chip and minor fritting].

1161A Chinese porcelain wine pot and cover: of barrel shaped form with flat cover and wire handles, enamelled in the famille rose palette

with scholars variously engaged at a desk, drinking wine or mounted on a horse, 9.5cm high.

1162

A mixed lot of Oriental porcelain: including a pair of Chinese blue and white soft paste small circular boxes and covers, six-character

Kangxi marks, 7cm diameter; a Chinese famille rose hexagonal lantern base painted with peonies, 12cm wide; a Chinese square box

and cover painted with a lady in a g ...[more]

1163A Chinese Yixing stoneware teapot: of dark brown burnished finish and of canted square profile, the domed cover with cockerel knop,

impressed seal mark, 13cm high.

1164

A small Chinese Yixing stoneware teapot: of light brown hue with squat body, simple handle and spout and domed cover, the shoulders

enamelled in blue and turquoise with stylised scrolls and flower heads on a gold honeycomb ground, impressed seal, 7cm high, [small

loss to tip of spout]

1165

A Chinese Yixing teapot and bitong: the former of buff colour and of tapering lobed form with pierced dome cover, the body incised with

texts, seal mark to base, the bitong of reddish brown tone incised with a Magpie amongst foliage and verso with texts, both with

impressed seal marks, 11.5 and 13cm ...[more]

1166

Two Chinese Yixing stoneware teapots: one of dark brown hue with rustic handle, spout extending into the body as flowering branches,

with interior strainer and domed cover with flower knop, the companion of mid brown hue and modelled as a section of trunk with rustic

handle and spout and flat cover ...[more]

1167

Two Chinese Yixing stoneware teapots: both of light brown hue, one of melon shaped form with simple handle and spout, the flat cover

with lion dog knop, the companion of cylindrical form with ear shaped handle and simple spout, with liner and flat cover with lug handle,

the body impressed with Shou ...[more]

1168

Two Chinese Yixing stoneware teapots: one of dark brown hue and with bamboo moulded decoration and bamboo moulded handle and

spout and hexagonal cover, impressed seal to base and cover, the companion of mid brown hue of hexagonal vertically banded form

with rustic bamboo handle and spout, with flat ...[more]

1169

Two Chinese Yixing stoneware teapots: one of mid brown hue of squat and banded cylinder form with grotesque mask spout, the cover

with lug and ring knop, the body incised with calligraphy, impressed seal mark, the companion of dark brown hue modelled as a double

cylinder bound by a ribbon, the flat ...[more]

1170Three Chinese Yixing stoneware teapots: of various hues and of globular form with domed covers, one of which imitates a lotus seed

pod, each decorated with lines of text, with impressed seal marks, 9 - 10cm high.

1171

Two small Chinese Yixing stoneware teapots: of dark brown hue and of circular and rectangular bamboo moulded profile with rustic

handles and spouts and flat covers embossed with bamboo leaves, impressed seal marks, 9cm high, together with a pottery 'agate

ware' teapot of globular form, 8cm high. [3]

1172

Three Chinese Yixing stoneware teapots: of various hues comprising a banded cylindrical example with green glazed bamboo handle

and spout and polychrome decoration to the body, a globular example embossed with a dragon and phoenix on a blue and grey banded

body and a squat example applied with six m ...[more]

1173A large Chinese flambe baluster vase: covered overall in a mottled ox-blood and lavender glaze, 58cm together with table lamp fittings

and shade.

1174A Chinese blue and white double gourd 'Dragon' vase: painted overall with dragons chased flaming pearls amongst cloud scrolls and

above a wave border, six-character Qianlong seal mark, 21.5cm with wooden stand.

1175

Two Chinese blue and white rosewater sprinklers: both of globular form with slender neck, one painted with a phoenix amongst clouds

and flames, metal mount, longevity mark to base, Kangxi, 21cm [crack to neck]; the other with two opposing dragons chasing the sacred

pearl, 16cm [2].

1176A Chinese green and flambe glazed bottle vase: decorated overall with lavender splashes on a mottled olive green ground, Qing

Dynasty, 23cm.

1177A Chinese blue and white beaker vase: of Gu form painted with shou symbols on a scrolling peony ground, apocryphal four-character

Chenghua mark, 39cm [crack to rim].

1178A Chinese blue and white ginger jar and cover: painted with two foliate panels of auspicious objects on a prunus blossom blue ground,

apocryphal four-character Qianlong mark within double circles, 20cm high [minor star crack to base].

1179A Chinese celadon glazed vase: of tear drop form with slender mildly waisted neck, the body incised with flowers and foliage, 33cm

high, [small rim chip, misfired].

1180 A Korean blue and white dish: painted with stylised flowers and foliage, 23.5cm [some discolouration, two firing cracks to rim].

1181A Chinese blue and white tea caddy and cover: of ovoid form with domed cover, painted with two ladies on a terrace playing a board

game, Kangxi, 11cm [some damage].

1182A Chinese celadon glazed Cong vase: with short waisted neck, the square section body moulded on each side with the Eight Trigrams,

underglaze blue six-character Guangxu mark, 27cm high [base drilled].

1184

A Chinese blue and white vase and a similar small ginger jar: the first painted with scrolling lotus, Kangxi, 24cm [neck reduced, base

drilled and cracked] with wood cover and stand; the second painted with prunus on a cracked ice ground, Kangxi, 13cm with wood cover

and stand.[2]

1185

A Chinese porcelain panel: of rectangular form decorated in famille verte enamels with figures in an extensive lakeside landscape with

mountains beyond, circular iron red seal 'Puye-ting zhi hua' and inscribed verso 'Liuyin chuidiao' (Fishing with a rod in the shade of

willow trees), Republican, 35. ...[more]

1186A small Chinese famille rose bowl: with flaring rim, painted with two peacocks amongst peony, an inscription and two seals, four-

character mark for the 'Hall for the Cultivation of Virtue', 9cm diameter.

1187A Chinese cranes bowl: of rounded form with flaring rim, the exterior enamelled with six cranes flying above blue rockwork, lingzhi and

waves, a key pattern border to the rim, underglaze blue six-character Guangxu mark, 10.5cm diameter.

1188A large Vietnamese stoneware storage jar: of oviform with raised flaring neck, the shoulders with four lug handles, under a dark brown

glaze with unglazed neck and base, 63cm high.

1190Two Chinese blue and white bowls and a lamp: the bowls painted with birds, foliage and rockwork, character and seal marks, late Ming,

14 and 15cm [glaze cracks and flaws]; the lamp painted with auspicious objects, longevity mark, metal mounts, 11cm high [adapted] 3.

1191

A Chinese famille rose spoon and a Chinese porcelain snuff bottle: the first painted with fruits and floral sprays, the reverse with three

bats, Daoguang seal mark, 14cm [some frits]; the globular snuff bottle painted in iron-red with dragons chasing sacred pearls amongst

clouds and flame scrolls, d ...[more]

1192A pair of Chinese doucai circular boxes and covers: each decorated with three dragon and phoenix medallions on a ground of flowering

and fruiting pear, iron-red six-character Hall marks, 19th/20th century, 9cm [one cover with glue repairs] with wood stands.

1193A Chinese tea-dust and imitation bronze glazed tripod censer: in archaistic style with dragon handles, decorated with a band of

opposing taotie masks on an olive green tea-dust ground, six-character Qianlong seal mark, 12cm.

1194A Chinese Jian Ware 'Hares Fur' bowl:of circular form glazed with a deep brown and choclate brown speckled glaze gathering at the

base, 9cm diameter.

1195A Chinese Guan type two-handled bowl: of bombe form with dragon head handles, decorated with a crackled greyish celadon glaze,

15cm wide [one handle with glue repair].

1196

A Chinese porcelain bowl: of circular form with everted rim painted in the famille verte palette with prunus, pine, peony, finger citron and

peaches, the interior with a pair of peach within a narrow seeded border, six character mark for Kangxi within concentric circles, 15cm

diameter.

1197

A group of Chinese porcelain: comprising a teabowl and pewter stand, the exterior painted with chrysanthemum and poetic texts on a

celadon ground, six character Qianlong seal mark to base, a tear drop shaped vase under sang-de-boeuf glazes, a Ge ware bowl under

glazed celadon glaze and an oviform ja ...[more]

1198A Chinese porcelain figure of an elegant lady: dressed in flowing robes, a deer skin cape and a band of leaves, holding a lingzhi fungus

in one hand under famille rose enamels, 36cm high.

1199A Japanese Imari porcelain figure: of a laughing Hotei carrying a child on his back and wearing coloured robes and shawl, Meiji, 24cm

high.

1200A Chinese Dehua blanc de chine figure group: of a Bodhisattva seated on the back of a Buddhist lion dog, impressed four character

'fisherman mark' pu zi yu ren, late 19th century/early 20th century, 28cm high.

1201

A Chinese Export famille rose part tea service: painted with the initials 'GW' contained within a ribbon tied cartouche, the rims with a

wide floral garland band, late Qianlong, twenty pieces [damages]; and two similar teabowls and one saucer painted with a shield-shaped

cartouche and the initials ...[more]

1202A Japanese blue and white trumpet-shaped vase: in Fukagawa style, painted with a large pine tree, underglaze blue three-character

mark, late Meiji/Taisho, 15.5cm.

1203A set of six Japanese porcelain plates: painted with irises, Mount Fuji and cranes flying in a moonlit sky, waves below, various marks,

early 20th century, 24cm [minor damage].

1204A Japanese porcelain baluster vase: painted predominantly in grey monochrome with a large bird perched on a knarled tree branch with

rocks beyond, underglaze blue six-character mark, late Meiji/Taisho, 18cm.

1205An Islamic pottery bowl of Sultanabad type: painted in black and blue with a pair of cranes on a profuse foliate ground within two narrow

bands, 30cm diameter, [broken and re-stuck].

1206An Islamic pottery tile of Kashan type: of moulded rectangular form decorated in high relief with calligraphy under turquoise glazes, 24 x

29cm, [broken and re-stuck].

1207A Safavid pottery dish: of shallow circular form decorated in underglaze blue with rocks and foliage within a narrow band, the underside

of the rim with pendant shaped panels, 33cm diameter, [rim crack]

1208An Iranian pottery bowl: of deep circular form with lobed rim, the interior painted in brown and blue with four oval panels containing a

seated female figure flanked by smaller diamond shaped panels, the exterior with panels containing scrolling motifs, 21cm wide.

1209An Islamic bowl of Aghkand type: of deep conical form, the interior with incised decoration with splashed green and brown decoration on

a cream ground, 25cm diameter, [broken and re-stuck

1210

An extensive one owner collection of Staffordshire and other pottery and porcelain animals and figure groups.A canary yellow glazed

figure of a ewe and lamb and a treacle glazed figure of a ewe and suckling lamb: the first with sponged grey markings, on shaped

rectangular base, early 19th century, 1 ...[more]

1211A pair of buff coloured pottery figures of a recumbent ram and ewe, probably Yorkshire: each decorated with splashes of brown, black

and cream slip, early 19th century, 12 and 13cm.

1212A creamware figure of a reclining ram of Yorkshire type and one similar: the first on mound base decorated in Pratt colours, early 19th

century, 14cm [restoration to horns, crack to base]; the second with brown markings and horns, 15cm [minor damage].

1213

A group of 19th century porcelain and porcelainious sheep models and groups with naturalistic fleeces: including three with yellow

mound bases, probably Samuel Alcock & Co., 6-9cm wide; a pair on mound bases applied with flowers, 11cm wide; two groups

depicting a shepherd and shepherdess with th ...[more]

1214A group of five small Derby porcelain models of sheep: including two with bocage backgrounds, two black sheep and one other, circa

1770-90, 4-7cm high [minor losses to bocage].

1215Two Staffordshire models of reclining sheep: decorated in green and brown glazes, circa 1800, 14cm wide [one with firing crack and

restored ears].

1216Two Staffordshire pearlware sheep and tree trunk spill groups: each mound base applied with sheep, flowers and foliage, mid 19th

century, one inscribed H3 to the underside, 16cm [some restoration].

1217A group of six pearlware and other earthenware models of sheep: three standing, three reclining and decorated in brown, green, ochre

and black, early 19th century, 5-9cm [damages and restoration].

1218A large early 19th century Staffordshire sheep and tree trunk spill group and one similar: the first of Walton type, the mound base with a

ram, ewe and lamb, 23cm [damaged, one branch lacking]; the second decorated in Pratt colours, 15cm [2].

1219

A pair of 19th century English porcelain models of sheep, a similar bocage group and a Derby figure of a shepherdess: the pair with

applied fleeces and on green mound bases, numbered 24, possibly Charles Bourne, 10cm [some damage and repair]; the standing

bocage sheep with applied flowers to the bas ...[more]

1220Two Walton pearlware ram and ewe bocage groups and two similar: each with a lamb lying amongst grasses on the mound base, two

marked, circa 1830, 12-18cm [damages and losses] [4].

1221A Bovey Tracey creamware figure of a recumbent lamb and a similar Prattware figure: the first decorated with brown and black details

and spashes, circa 1790-1800, 11cm; the second on oval mound base, circa 1800-20, 10cm [some damage and restoration to both].

1222A group of seven Derby porcelain models of sheep: including a pair, all with bocage backgrounds [losses], late 18th/early 19th century,

7-9cm.

1223A group of five Derby and other white and gilt porcelain models of sheep: the largest of a ewe suckling her lamb, two on scrollwork

mound bases, early 19th century, 7-13cm [some damage/restoration].

1224A group of six early 19th century Newcastle/Portobello small models of sheep: decorated in pink, green, ochre and blue colours, approx.

7cm high [some damage].

1225A pair of Dutch polychrome delftware models of horses: each with one foreleg raised and sporting brightly coloured bridle, saddle cloth

and saddle, on canted rectangular bases,19th century, 21cm high, [one with restored legs]

1226A Dutch polychrome delftware two-handled posset pot and cover: with mushroom finial, painted in iron-red and green with birds, floral

sprays and insects, late 18th century, 23cm wide [minor damage].

1227A pair of French faience trompe l'oeil wall pockets: in Moustiers style, each containing faux fruit and painted with birds, cornucopia,

shells and foliage, 20cm wide [some chips and losses].

1228A child's pottery jug and two small pearlware mugs, mid 19th century: the jug inscribed 'Present for Sewing well' within pink line borders,

11cm; the mugs inscribed 'Present for going to School' and 'Thrasher/Progrefs of the Loaf' [latter restored] 3.

1229A group of six Staffordshire pearlware figures: comprising Neptune, Venus, Andromache, Peace, Plenty and Hope each modelled with

attributes on square bases under polychrome enamels, circa 1800-1820, 18 - 24.5cm high [one base cracked, some repair].

1230

Of Railway Interest - An early 19th century English blue and white commemorative pottery jug: transfer printed on one side with the

Moorish Arch inscribed 'Entrance To The Liverpool & Manchester Railway', the other with an early locomotive pulling a carriage and a

wagon loaded with barrels, circa 18 ...[more]

1231 A English delftware charger, probably Bristol: painted in blue with trailing peony and chrysanthemum, circa 1760, 33cm diameter.

1232A mid 18th century delftware deep plate: painted in iron-red with a basket of flowers, carnations and fleur-de-lys reserved on a

powdered manganese ground, Wincanton or Vauxhall, circa 1750, 29cm [riveted].

1233A large Mortlake [Thomas Abbot] slipware baking dish: with pie crust rim, the cream ground with combed decoration, impressed mark,

mid 19th century, 50 x 40cm [cracked].

1234A Cantagalli plaque in the Della Robbia manner: of rectangular form and modelled in high relief with the profile of a young saint, blue

cockerel mark verso, 48 x 24cm.

1235

A Doulton Lambeth stoneware oil lamp: the base and reservoir decorated by Mark V. Marshall with panels containing fairy folk,

butterflies and owls amongst foliage picked out in green, blue and brown and set on an ornate brass stand and quatrefoil base,

impressed rosette and dated 1882 with monogra ...[more]

1236

A Single Owner Collection of 19th Century Childrens' 'Nursery' Plates A group of three pearlware nursery plates and a small Pratt

decorated moulded pearlware jug: the plates 'Cries of London', 'The Miller' and 'My Noble Pony' printed in blue within relief moulded

borders painted in Pratt and other c ...[more]

1237A group of four nursery plates: 'The Bird Catcher' by Davenport, 'Returning From School', 'My Pretty Pony' and a sportsman, all printed

in black and heightened in enamels within relief moulded borders, mid 19th century, 13-14cm [some damage].

1238A rare 'performing bear' nursery plate: with floral moulded rim, painted and printed with a street scene depicting a performing bear and

dog with their handler, inscribed 'For a good Boy', circa 1830, 14cm [faint hair crack].

1239A group of five 'alphabet' nursery plates: enamelled and printed, including a set of three depicting fox hunting, one similar and one 'He

That Hath A Trade Hath An Estate', mid 19th century, 17-19cm [some damage].

1240A group of three pearlware nursery plates: 'The Baker', 'My Childhood' and 'My father' printed in black within relief moulded borders

painted in Pratt colours, one impressed crown and 'A.Stevenson/Warranted' mark, circa 1820-30, 17cm [two with minor restoration].

1241A pair of pearlware plates: of octagonal form with feather edging, printed in black and heightened in Pratt colours with 'My Tippoo' and

'My Pretty Pony', 13cm [hair crack to one].

1242A group seven nursery plates: printed and enamelled, including children 'playing schools', 'blind man's buff', 'Poor Richard's Maxim', 'Dr

Franklin's Maxims' etc, mid 19th century, 13-19cm [damages].

1243Two large James and Ralph Clews pearlware plates: 'He Returns' and 'At College', printed in black within relief moulded borders painted

in Pratt colours, impressed crown and 'Warranted' marks, circa 1820-30, 20cm.

1244A pair of James and Ralph Clews pearlware plates: 'The Horn-Book' and 'Going To School' printed in black within relief moulded borders

painted in Pratt colours, impressed crown and 'Warranted' marks, circa 1820-30, 20cm.

1245A group of six nursery plates: all with moulded borders, including three printed and enamelled with 'Robinson Crusoe', two with 'Charity'

and 'The Punishment of Adam' and one with 'Female Schoolfellows', mid 19th century, 16-18cm [one with minor staining].

1246

A group of four blue and white pearlware nursery plates and a set of four similar saucers: printed in blue within relief moulded borders

and comprising 'The Sower', 'My Gratitude!' and a pair 'The Reaper', 'The Ploughman' circa 1820-30, 12-17cm; the saucers decorated

with the 'Progress of the Loaf', ...[more]

1248A 'Wedgwood' blue and white jasperware urn and pierced cover: with relief ribbon-tied drapery swag, anthemion and lappet decoration,

metal liner and mounts, 19th century, mark inaccessible, 32cm [chip to column, composite].

1249A pair of Villeroy Boch pottery vases: of footed oviform with raised neck and four handles decorated with blue and brown stylised art

nouveau blooms and pendants on a cream ground, one with sepia backstamp impressed 1256 and gilt pattern no. 2231, 24cm high.

1250

A pair of William Brownfield & Co. Aesthetic Movement porcelain vases designed by Christopher Dresser: of Chinese-style 'cong' form

with mythical beast head ring handles, decorated in turquoise enamels and gilt with panels of butterflies amongst bamboo, on integral

faux hardwood stands, impresse ...[more]

1251A Worcester porcelain 'Patent Metallic' two handled vase: of footed globular form with slender waisted neck, the body decorated with an

exotic bird, green backstamp and datecode for 1884, 30cm high.

1252A Pierrefonds stoneware vase: of shouldered form and mildly flaring neck glazed in flown pink and lavender glazes over blue, impressed

marks and 396, 28cm high, [minor flake on foot rim]

1253A Wedgwood ordinary lustre jar and cover: designed by Daisy Makeig-Jones, decorated with a sinuous dragon guarding a flaming pearl

on a blue lustre ground, Portland vase factory mark and pat.no.Z.4829, 24cm and wood stand.

1254Two Wemyss pottery mugs: comprising a Robert Heron & Sons example painted with cockerels together with a Bovey Wemyss mug

painted with apples, impressed marks and retailer's mark for Thomas Goode & Sons, 15cm high, [latter with chipped foot rim].

1255An Exon Ware Wemyss pottery cat: modelled seated with inset blue glass eyes and painted with sweet pea like blooms and a bee,

impressed and painted Wemyss, B. Adams and No. 1 of 20 from an original Bovey Pottery mould, 27cm high.

1256An Exon Ware Wemyss pottery cat: modelled seated with turned head curled tail sporting a bee on its back and with inset green glass

eyes, painted with pink cabbage roses, impressed Exon, Wemyss Ware and painted B. Adams, 32cm high.

1257A large Bovey Wemyss pig: modelled seated and decorated with flowering clover, painted Wemyss Ware, Made in England and 28,

44cm long, [hair crack to underside].

1258 A Robert Heron & Sons Wemyss Ware pottery pig: modelled seated under a burgundy glaze, impressed marks, 18cm long.

1259A William Goebels Art Deco figurine: modelled as an elegant balalaika player on a domed circular base, impressed marks and FF.31,

26cm high.

1260A large 19th Century Copeland porcelain rectangular plaque: finely painted in the manner of Charles Ferdinand.Hürten with a formal

display of flowers in a marble urn, a small butterfly to one side, impressed mark, 67 x 36cm.

1261A Royal Worcester porcelain Bonzo dog figure: the cartoon character modelled in seated posture, puce backstamp and datecode for

1929, 7cm high.

1262A Royal Worcester porcelain cabinet plate: the centre painted by Walter Austin with exotic garden flowers, signed lower left, within an

ornately gilt ivory and pea green borders, puce backstamp and datecode for 1929, 27cm diameter.

1263Three Royal Worcester porcelain figures: modelled after originals by James Hadley and comprising a pair of Eastern Water Carriers and

Strephon, the former with black backstamps, the latter with puce backstamp and datecode for 1932, 20 and 16cm high.

1264Four Royal Worcester porcelain candle extinguishers: comprising The Abbess, Japanese Girl, Diffidence and Granny Snow, various

backstamps and datecodes, 8 - 10cm high, [the latter restored].

1265Three Graingers & Co. (Worcester) porcelain candle extinguishers: three versions of the Tyrolean Hat, green and brown backstamps

and datecodes for 1893, 1897 and 1898, 6.5cm high.

1266

A small group of Royal Worcester miniature bird painted pieces: comprising four thimbles and a small barrel shaped cream jug each

signed by William Powell, various backstamps and datecodes 1932-40, together with a small jug painted with a pheasant, green

backstamp and datecode for 1906. [6]

1267

A fine Royal Worcester ewer painted by John Stinton: with foliate scroll handle and neck, the body painted overall with Highland cattle in

a mountainous loch landscape on a green and salmon pink ground, signed, puce factory mark with date code for 1908 and shape

no.1309, 33.5cm.

1268A Royal Worcester porcelain pin tray: of oval form the interior painted by John Stinton with Highland cattle in an upland landscape,

signed lower left, green backstamp and datecode for 1923, 12cm long.

1269A Clarice Cliff pottery vase: of ribbed globular form with raised neck painted in the Viscaria pattern in pink, yellow and green, printed

marks, circa 1934-36, 14cm high, [star crack under base].

1270A Royal Worcester Ltd.Ed. figure of 'Sister/Nightingale Training School, St.Thomas' Hospital [London]': modelled by Ruth Van

Ruychevett, no.124 of 500, 16cm high in fitted box with certificate.

1271

A Poole Pottery fish and sandwich set: modelled after a design by Truda Carter and comprising a rectangular serving tray and eight

various circular plates painted in green, brown and grey wash with fish, sea horses or crustaceans, printed and impressed marks, circa

1950-55, plates 21.5cm diameter

1272

Three Poole Pottery dishes: decorated after a design by Truda Carter comprising two painted in the LE pattern with blue birds amongst

flowers and foliage and another painted in the SK pattern with a spotted deer amongst flowers and foliage, printed, impressed and

painted marks, 33, 28 and 25cm diam ...[more]

1273

A Poole Pottery vase and jug and a further jug: decorated after a design by Truda Carter, the former painted in the LE pattern with blue

birds amongst flowers and foliage, the latter in the BN pattern with flowers, printed, impressed and painted marks, 21, 12 and 15cm

high.

1274

A Royal Worcester fruit painted blush ivory porcelain dessert service: of leaf form painted and gilded with branches of fruit, puce factory

mark and shape no.1427 introduced in 1889, twelve plates, three circular comports and one oval comport,16 pieces [chips to one

circular comport].

1275A New Hall part tea service: decorated with floral sprays and sprigs within magenta scale borders, pattern.no.273, circa 1790-95,

fourteen pieces [damages].

1276A group of twelve early 19th Century English porcelain coffee cans: predominantly Spode, painted and printed, including a set of three in

pat.984 'Orange Rose Border'; one in pat.498 'Imari style'; another in pat.624 'Violets' etc [12].

1277

A small group of early 19th century teawares: comprising an H. & R. Daniel trio in the 'C' scroll shape the cups set on flower head feet

and decorated with floral swags on a yellow ground, pattern no. 4364, circa 1830, together with a pair of John & William Ridgway cups

and saucers moulded with foli ...[more]

1278

A complete Coalport tea and coffee service: of London shape, painted with birds and floral bouquets reserved on a gilded cobalt blue

ground, circa 1815-20, pattern no.759, comprising; teapot, cover and stand, sucrier and cover, slop bowl, milk jug, two dishes, twelve

tea cups, twelve coffee cups an ...[more]

1279

Five French porcelain oval plaques: in the Sèvres manner, two decorated with head and shoulder portraits of Mme. Antoinette and

Mme. Louise, two of female figures in a pastoral setting and a larger plaque with a courting couple within gilt and turquoise borders, all

within brass easel frames, 19th c ...[more]

1280

A Worcester [Flight, Barr & Barr] 'Warwick' vase and one similar: both with entwined branch handles, painted with 'The Morning Walk'

and 'The Gypsey [sic] Girl' within foliate cartouches on an apple green ground, script titles and factory marks with 'London House,

Coventry St.' address, circa 1815-2 ...[more]

1281

A First Period Worcester 'scratch cross' cider jug: of baluster form with scroll handle, painted in Chinese famille rose style with two

ladies at a table, a parrot on a perch to one side, the reverse with a lady holding a fan, incised scratch mark, circa 1753-55, 18cm [three

chips to rim, minor stre ...[more]

1282

An early 19th century Coalport porcelain dessert plate, the painting attributed David Evans; together with one other: the first finely

painted with a continuous band of flowers outside an inner 'hockey stick' moulded border, pattern no.2/61, circa 1825, 24cm; the second

painted with flowers and frui ...[more]

1283A Coalport [John Rose] boat-shaped sucrier and cover: with 'demon' head ring handles, painted with butterflies and exotic birds perched

on branches, circa 1810-15, 17cm [minor restoration to finial].

1284A Plymouth leaf shaped pickle dish: painted in underglaze blue and iron-red with narcissus and other flower sprays within a feather

border, circa 1768-70, 9cm [some restoration].

1285A Plymouth blue and white leaf shaped pickle dish: with serrated edge, painted with five floral sprays within a feather border, circa 1768-

70, 9.5cm [section re-stuck, minor restoration].

1286A rare Champion Bristol guglet: of typical bulbous form with slender neck, painted overall with scattered floral sprays and sprigs, the

neck with a pendant border, blue enamel cross mark with numeral 6, circa 1770-75, 24cm.* Provenance Mercury Antiques 1998 £2000.

1287A rare Plymouth coffee pot and cover: of baluster form with scroll handle, the domed cover with pointed finial, painted overall with floral

sprays and sprigs within iron-red loop and line borders, circa 1768-70, 24cm [cover restored, pot cracked].

1288A large Plymouth cylindrical mug: with lobed loop handle, painted with floral sprays and sprigs, circa 1768-70, 13.5cm [restored crack to

upper handle terminal, minor star crack to base].

1289A Plymouth blue and white hors d'oeuvres dish: of hexagonal form, each of the tapering sides painted with an alternating floral spray

below a pendant border, circa 1768-70, 10cm [kiln adhesion with related chip].

1290A Derby figural group of the 'Shoeblack': modelled as a gentleman having his shoe polished by a kneeling lady, on tree stump mound

base, incised model no.81, circa 1780-90, 17cm.

1291A pair of Derby figures of children emblematic of Spring and Summer: the boy holding a posy in one hand and flowers in his hat in the

other, the girl holding a sheaf of corn, the mound bases applied with flowers, patch marks, late 18th century, 16cm [minor losses].

1292

A pair of Chelsea-Derby figures of a shepherd and shepherdess: she wearing a green bodice and floral striped skirt, a garlanded sheep

at her side, he wearing a puce jacket, his dog at his feet, on tree stump mound bases applied with flowers and foliage, gold anchor

marks, circa 1770-75, 15cm [minor ...[more]

1293A Derby figure of a boy musician: wearing a puce jacket and floral breeches, his dog seated to one side, on scrollwork mound base,

patch marks, circa 1770, 16cm [minor damage and losses].

1294A pair of Derby figural candlesticks: in the form of a seated boy and girl, he with a dog at his feet, she with a lamb, on pierced rocaille

mound bases, patch marks, circa 1770-75, 16cm [minor losses, restoration to nozzles and one base].

1295A pair of Derby 'birds in branches' candlesticks: the birds perched amongst floral bocage, on gilt heightened rocaille bases, patch marks,

circa 1765-70, 24cm [minor losses to bocage].

1296A Plymouth figure of a putto: playing a lyre and seated on a tree stump mound base with flowering bocage, circa 1768-70, 11cm [some

restoration].

1297A Derby figural group emblematic of 'Liberty': modelled as a gallant and lady, she with one hand resting on an open birdcage, on rocky

tree stump base, patch marks, circa 1780, 16cm.

1298

A matched pair of Bow figures of a gallant and lady emblematic of Liberty and Matrimony: the lady holding an open birdcage, the man

holding a bird's nest with another at his feet, on tree stump mound bases applied with flowers and foliage, circa 1760-65, 19cm [some

restoration].*Notes Cf. Peter Br ...[more]

1299A Paris porcelain mythological group: depicting Venus and Adonis, on rocky mound base, faux Derby and crossed swords marks,

probably Samson, 31cm [some repair].

1300

A Derby figural group of 'Gardeners': the seated man with a mask resting on his knee, a spade to his side, his companion holding a

basket of flowers and a posy, patch marks, circa 1775-80, 16cm [minor losses].44936*Notes Illustrated John Twitchett 'Derby Porcelain'

page 146.

1301A matched pair of Bloor Derby figures of musicians: wearing brightly coloured costume, on pierced scrollwork bases, one with iron-red

factory mark, both with incised model no.311, 20cm [damage and restoration].

1302

A single owner collection of early Worcester blue and white porcelain acquired from specialist dealers including Steppes Hill Farm

Antiques and Albert Amor Ltd. The collection was formed over a twenty five year period from the late 1980s with the focus on rare

patterns and fine unrestored condition. ...[more]

1303

A rare First Period Worcester miniature or toy coffee cup and saucer: the cup with grooved strap handle, saucer of ogee form, painted in

the 'Prunus Root' pattern [I.D.27], workman's marks, circa 1758-60, saucer 8.5cm, cup 4.5cm.*Provenance Paper label for Steppes Hill

Farm Antiques.

1304A First Period Worcester teapot and cover: of reeded globular form with pointed mushroom finial, painted with a lambrequin border in

French style, crescent mark, circa 1765, 14cm high [the cover possibly matched].

1305A First Period Worcester teabowl and saucer: of small size, painted in the 'Arcade' pattern [I.A.7] with alternating fan shaped panels of

Long Elizas and flowering plants, pseudo Chinese marks within double circles, circa 1765. * Provenance Paul Zeisler Collection, U.S.A.

1306

A rare First Period Worcester oval spoon tray: painted in the 'Arcade' pattern [I.A.7] with alternating fan shaped panels of Long Eliza

figures and flowering plants, psuedo Chinese mark within double lines, circa 1765, 13 x 11cm.* Provenance Collection of Zaki Ades.A

similar example exhibited by A ...[more]

1307A First Period Worcester teabowl and saucer: printed in the 'Three Flowers' pattern [I.I.C19] within double line borders, hatched crescent

marks [the saucer with added initials], circa 1770-80, diameter of saucer 13cm. *Provenance Paper label for the McWilliams Collection.

1308A rare First Period Worcester high-footed sauceboat: of rococo silver shape moulded with floral sprays, scrollwork panels and drapery,

painted in the 'Bandit' pattern [I.A.22A], circa 1753-55, 16.5cm. * Provenance Zaki Ades Collection.

1309

A rare First Period Worcester sauceboat: of deep quatrelobed form with angular handle and moulded scroll and foliate cartouches,

painted in the 'Boatman' pattern [I.B.22B] with on one side a Chinese lake scene with boatman and willow tree, a two-storied building to

the other, workman's mark, circa 1 ...[more]

1310A rare First Period Worcester low-footed sauceboat: press-moulded with foliate and scroll cartouches, painted in the 'Boatman' pattern

[I.B.22B], the interior with trailing floral sprays and an insect, workman's mark, circa 1755, 15.5cm.

1311

A First Period Worcester dolphin ewer creamboat: of rococo shell moulded form with lamprey handle, painted with a large butterfly and

scattered floral sprays [probably the 'Buttertub Sprays' pattern [I.E.40], open crescent mark, circa 1760-65, 8cm high.* Provenance

Phillips March 1995 lot 277 'Col ...[more]

1312A First Period Worcester creamboat: of rounded hexagonal form moulded with panels of fruiting branches, scrollwork and a ribbon

garland below the spout, painted in the 'Bare Tree Pagoda' pattern [I.D.4], workman's mark, circa 1758, 11cm long.

1313

A rare First Period Worcester sparrow beak cream jug: of baluster form with rounded footrim and grooved strap handle, painted in the

'Prunus Root' pattern [I.D.27], workman's mark, circa 1756-58, 7.5cm. * Provenance Phillips December 2000 lot 165 'The Gerald

Newton Collection'.

1314A rare First Period Worcester coffee cup: of plain shape with scroll handle, painted in the 'Blue Valentine' pattern [I.C.30] after the

Chinese original, a cell border inside the rim, circa 1760-65, 6.5cm.

1315

A First Period Worcester coffee can: of waisted cylindrical form with grooved strap handle, painted in the 'Tambourine' pattern [I.A.18],

workman's mark below lower handle terminal, circa 1755-57, 6.5cm. * Provenance Sotheby's November 1995 lot 228 'The Stephen

Unwin Collection'.

1316

A rare First Period Worcester sucrier and cover: the domed ogee cover with pointed finial, painted in the 'Eloping Bride' pattern [I.A.20]

in Kangxi style, pseudo Chinese mark within double circles, circa 1765-70, 13cm.* Provenance Sotheby's February 1993 lot 297 'The

late Alison Bremner Collectio ...[more]

1317A First Period Worcester scallop shell pickle dish: painted with the 'Rose and Floral Sprays' pattern [I.E.30], workman's mark, circa

1756-58, 9 x 8.5cm.* Provenance Paper label for Steppes Hill Farm Antiques.

1318

A very rare First Period Worcester chamber chamberstick: with leaf moulded socket, scroll handle with mask terminal, shell and scroll

moulded pierced rim, painted with the 'Chamber Candlestick Floral Sprays' pattern [I.E.34] circa 1765-75, 15cm.* Provenance Zaki Ades

Collection. *Notes see The ...[more]

1319A fine First Period Worcester saucer dish: of slender shape with ogee rim, painted in the 'Romantic Rocks' pattern [I.B.8], workman's

mark, circa 1755, 17cm.

1320

A very rare First Period Worcester pickle dish: of clam shell form, painted in the 'Pickle Shell Floral' pattern [I.E.11A] of a trailing foliate

spray with feather borders, workman's mark, circa 1758-60, 8cm.*Notes It appears that only one other example of this model, formerly in

the Godden Refere ...[more]

1321A First Period Worcester slop bowl: painted in the 'Dragon' pattern [I.C.31], painted W mark, circa 1770, 12cm diameter.* Provenance

Paper label for Steppes Hill Farm Antiques.

1321AA First Period Worcester coffee can: of waisted cylindrical form with grooved strap handle, painted in the 'Prunus Fence' pattern [I.D.16]

circa 1756-58, 6cm.Provenance Sotheby's 14th November 1995 lot 231.

1322A First Period Worcester coffee cup: with slightly everted rim and grooved strap handle, painted in the 'Gazebo' pattern [I.B.7],

workman's and yellow cross marks, circa 1756-58, 6.5cm.

1322ATwo First Period Worcester geranium moulded butterboats: painted in the 'Pickle Leaf Daisy' pattern [I.E.41], workman's marks, circa

1758-60, 8.5cm.* Provenance Christie's December 1994 lot 61. One with paper label for Steppes Hill Farm Antiques.

1323

A rare Liverpool [Richard Chaffers & Co.] 'Jesuit' teabowl: in Chinese export style, finely painted en grisaille and gilt with two panels of

oxen in landscapes within bat and peony borders on a ground of gilt scrollwork, circa 1760-65, 8cm diameter.*Notes Cf. Maurice Hillis

'Liverpool Porcelain ...[more]

1324

A First Period Worcester polychrome 'Dolphin Ewer' creamboat and a blue and white creamboat: the first with lamprey handle and

moulded with shells, circa 1765-68, 8cm high; the second of flared hexagonal form with angular handle painted with a fisherman in a

sanpan, the reverse with a fisherman on a ...[more]

1325A Champion Bristol porcelain sparrow beak cream jug: enamelled with a rose centred bouquet and scattered blooms below a brown rim,

blue enamel cross mark, circa 1770-75, 9cm high.

1326

A Bow blue and white 'Golfer and Caddy' pattern plate and a pair of 'lotus and bamboo' octagonal plates: the first painted with a Chinese

figure holding a ruyi sceptre and a boy carrying scrolls, circa 1760, 23.5cm [cracked]; the pair painted with lotus and bamboo within a

floral and lattice border, ...[more]

1327

Three pieces of Lowestoft blue and white porcelain and a First Period Worcester teabowl and saucer: including a coffee cup painted in

the 'Rock, Peony and Fence' pattern; a teabowl in the 'Robert Browne' pattern [hair crack]; a small bowl painted with a pagoda river

landscape; and a Worcester polych ...[more]

1328

A mixed lot of First Period Worcester blue and white porcelain: including an early coffee cup in the 'Prunus Root' pattern, workman's

mark, circa 1755; a 'Cannonball' pattern matched coffee cup and saucer [rim chip], workman's and open crescent marks; a 'Mansfield'

pattern teabowl and saucer, workma ...[more]

1329

A mixed lot of Liverpool blue and white porcelain: including a Philip Christian reeded coffee cup moulded with flowering branches, the

rim with foliate and lattice borders; a pair of saucers and a teabowl [hair crack] painted in the 'Liver Bird' pattern; a saucer painted with a

pagoda landscape and ...[more]

1330

A mixed lot of 18th century English blue and white porcelain: including a rare First Period Worcester low-footed sauceboat painted in

'The Boatman' pattern, workman's mark, circa 1755, 15cm long [hair crack]; a globular tea caddy printed in 'The Fence' pattern, hatched

crescent mark, circa 1780, 13c ...[more]

1331A pair of bisque porcelain busts: of Louis XVI and Marie Antoinette modelled in the white set on captioned and waisted royal blue and

gilt socles, incised monogram verso and faux Sèvres marks to one socle.

1332A pair of Continental figures of jester musicians in Cozzi style: one playing bagpipes in the form of a pig, the other a violin in the form of

a cat, on champfered square bases, iron-red anchor marks, one impressed 'PRAC', 17cm.

1333

A pair of Dresden neo-classical urns and covers: each of spiral fluted form applied with putti and garlands, the cover finials formed by

floral bouquets, on stepped octagonal bases, underglaze blue crossed swords marks, 43cm [some losses to applied flowers, minor

chips].

1334

A Continental porcelain teapot and cover: the circular lobed body with bird's head spout and scroll handle with thumb rest, painted with

vignettes depicting on one side a rustic couple with the man holding a goose, the reverse with two birds in a landscape, probably

German, 18th century, 9cm high [d ...[more]

1335A Sèvres-style vase and cover: with gilt ring handles, painted with panels of a bouquet of flowers and lovers in a romantic garden

reserved on a turquoise ground, faux interlaced Ls mark, 40cm [cover cracked].

1336

A Sèvres-style bottle cooler: with shell and scroll handles, finely painted on each side with shaped panels of flowers and fruit reserved

on a richly gilded deep blue ground, outline of an interlaced Ls mark, the porcelain possibly 18th century, the decoration later, 12.5cm

high.

1337A K.P.M. Berlin porcelain cup and saucer: the cup decorated with a circular panel containing embracing putti on a gold embellished

royal blue ground, red sceptre mark and under glaze blue mace, late 19th century, saucer 14cm diameter.

1338A German porcelain oval snuff box: the cover, sides and base decorated with equestrian hunting vignettes, the underside of the cover

with figures at a masquerade, silver-gilt mounts, late 18th/early 19th century, 8 x 6cm.

1339A late 19th century Dresden porcelain 'Musical' group: in the form of a standing gallant playing the flute, three companion figures below,

on pierced shell and scroll base, crossed swords and incised marks, 42cm [some damage].

1340A small Meissen figure of a boy holding a garland: on rocaille moulded tree stump base, crossed swords mark, 13cm [repair to coat,

minor losses].

1341A Meissen porcelain figure of a shepherd after M.V.Acier: holding a dove and love letter, a lamb at his feet, on key-pattern mound base,

crossed swords mark, 19cm [some damage and losses].

1342

Two Meissen figures: the first of a shepherdess, wearing a yellow bodice, with flowers in her apron and a ewe at her feet, on mound

base, crossed swords mark, circa 1750-60, 16cm high; the second of a girl street trader holding a basket of pastries, circa 1750-60,

14cm high [both with damage and lo ...[more]

1343Two Meissen figures from the Cris de Paris series modelled by Reinicke: of a girl vegetable seller and a youth poultry seller, on gilt

scrollwork mound bases, 20th century, crossed swords marks and impressed model nos.25 and 27, 14cm high.

1352 A boxwood and ebonised Staunton pattern competition chess set: with weighted bases, the king, 9.5cm. high, the pawn 4.2cm high.

1353A late 19th/early 20th Century German carved briar pipe: the bowl decorated with a stag and doe, the stem having a terminal of a stag

with glass inset eyes, overall length 25cm.

1354A late 19th Century German porcelain pipe: the bowl with transfer print decoration of a deer hunt, with metal cover and long wooden

stem, 108cm long.

1355A 19th Century Meerschaum pipe carved in the form of a female head: wearing earrings and head bands, with amber mouthpiece,

13.5cm long.

1356 A late 19th Century carved wooden pipe bowl: in the form of a woman's head with a large ribbon bow in her hair, 8cm wide.

1357 A small 19th Century carved wood pipe: the bowl in the form of a lady's head, 12cm long.

1358A late 19th Century carved Meerschaum pipe: the bowl in the form of an elegant woman wearing a stylish hat, with amber mouthpiece,

13cm long.

1359 A late 19th century Chinese porcelain pipe bowl: in the form of a Chinese man riding the moon, with polychrome decoration, 8cm. long.

1360 A German pottery smoker's pipe,: the bowl modelled as Paul Von Hindenburg with wood stem and horn mouthpiece 21cm long.

1361 A late 19th century carved Meerschaum pipe: decorated with two prancing horses, with amber mouthpiece, 13cm. long cased.

1362A Victorian needlework sampler: centred with religious verse, enclosed by alphabet, trees, flowers, birds, house and cherubs, with

foliate meander border, worked in coloured silks by Mary Frodsham aged 12, and dated 1866, 65 x 65cm.

1363

A 19th century woolwork sampler: with central verse and figures beside a mansion house with a field of sheep in the foreground,

enclosed by flowering shrubs and plants within a floral border, worked in coloured wools of greens, reds, browns, and blues by Jane

Carter, aged 16, 1857, 62 x 62cm.

1364A pair of 19th century silkwork pictures: depicting hanging baskets of flowers, worked in coloured silks of greens, browns, creams, reds,

pinks and yellows, contained in gilt and glazed frames, 48 x 41cm (2)

1365 A 19th century musical box: with lever wound 28cm cylinder No 8074, contained in a rosewood and simulated case, 52cm wide.

1366

A late Victorian/Edwardian burr walnut games compendium: of rectangular outline, the hinged lid enclosing fitted compartments, with

cribbage board, draughts, chess pieces, dice and tumbler, having a single frieze drawer to the front containing bezique markers, whist

markers, gaming dice and counters ...[more]

1367A Regency mahogany and boxwood strung tea caddy: of sarcophagus outline, the shallow domed hinged lid enclosing two lidded

canisters and central glass blender, with lion mask ring handles to the sides, raised on ball feet, 33.5cm wide.

1368A Regency rosewood tea caddy: of sarcophagus outline, the domed hinged lid enclosing two lidded canisters and central glass blender

(damaged), raised on turned bun feet, 38cm wide.

1369A 19th century mahogany and satinwood banded tea caddy: of rectangular outline, the hinged lid enclosing three lidded compartments

25.5cm wide, together with a mahogany and boxwood strung two-division tea caddy, 19.5cm wide.(2).

1370A Tunbridgeware tea caddy: of rectangular outline, the domed hinged lid decorated with a view of Eridge Castle, enclosed by a

geometric border, the sides with Berlin work decorated panels, 25.5cm wide,

1371A 19th Century French kingwood crossbanded and brass strung glove box: of rectangular outline, the hinged lid inset with a Sèvres style

porcelain plaque, enclosing a velvet lined interior, the fall front named to the lock plate Alp. Giroux a Paris, 26cm wide.

1373A 19th Century rosewood book trough: of rectangular outline, with three-quarter galleried back and sides with ring turned carrying

handles, 46cm wide.

1374 An 18th century mahogany candle box: of rectangular tapering form with hinged lid, 48cm high.

1375A 19th century rosewood and brass bound campaign writing box: the hinged lid enclosing fitted pen tray, compartments and double-

sided tooled leather writing surfaces, with recessed brass handles to the sides, 51cm wide.

1376A Victorian coromandel and brass mounted lap desk: the hinged lid enclosing a velvet lined writing surface, fitted lidded compartments

and pen tray, 35.5cm wide and a marquetry picture frame with print of Napoleon.

1381 A Chinese jade carving of Budai: the stone of pale celadon colour with white and russet inclusions to the base, 5.5cm high.

1382

A small quantity of Chinese carved jade, malacite and hardstone items: comprising a 'Gu' vase of archaic bronze form, carved with four

rows of blades, the stone of greyish celadon colour, 13cm high, a circular pale celadon pendant carved with gourds, in a white metal

mount, 4.5cm diameter, a malach ...[more]

1383 A Chinese jade carving of a water buffalo: the stone of mottled celadon, russet and grey colour, 7cm.

1384 A Chinese pale celedon and russet jade carving of baicai: 8.5cm long.

1385 A Chinese red cinnabar lacquer box and cover: of rectangular outline, the lid decorated with figures in a pagoda landscape, 10cm wide.

1386 A group of four large Chinese carved hardwood and other stands: 18-26cm wide [4].

1387 A mixed lot of Chinese wood stands: including a cover and an upright plaque stand [a lot].

1388A collection of eight Chinese carved hardwood and other stands: including a graduated pair of square stands with foliate sides and feet,

18 and 24cm [8].

1389A Chinese bronze sword (Jian): having a 44cm double-edged blade, with double knopped cylindrical grip and flattened pommel, overall

length 56cm.

1390A carved hardstone head of an oxen: 8cm long on a wooden scrolled base, a carved soapstone box of square outline, the lid

surmounted by a temple dog, 9cm high and a Chinese carved hardstone seal 12cm long.

1391A large Chinese ancestral portrait: depicting a seated scholar wearing a red robe with stalk decoration, his assistant standing in the

background, 144 x 105cm, within a silk border.

1392A collection of nine late 19th century Chinese ornithological paintings on rice paper: each pair of birds depicted amongst flowering

shrubs or plants, each 13 x 20cm.

1393A late 17th/early 18th Century Chinese bronze figure of Lao-Tze: dressed in robes and riding on an oxen, 28cm high, on a polished

wood stand, overall height, 31cm.

1394A Chinese gold-thread embroidered blue 'Dragon' robe [part]: worked with ferocious dragons persuing flaming pearls amongst cloud and

flame scrolls and above waves [cut into three sections].

1395A 19th century Tibetan bronze ceremonial ladle: the shallow circular bowl with inscription to leading edge, with a foliate handle, 25cm

long

1396 A Chinese polished bronze water ladle,: the handle with jadeite collar [a/f], 19cm.

1397A pair of Chinese cast bronze bronze pricket candlesticks: of archaic design, the square nozzles on a tapering square stem with broad

square drip tray raised on a stepped square base the panels decorated with taoti masks, 42cm. high.

1398A Chinese celadon jade and enamel ear wax spoon: carved and pierced with two figures amongst foliage, the pick in green enamel and

gold, 15cm.

1399A late 19th/early 20th century Cantonese carved ivory card case: of rectangular outline, decorated overall with figures in a pagoda

landscape, 11.5cm wide.

1400

A late 19th/early 20th Century Cantonese carved ivory concentric puzzle ball and stand: of traditional design, the ball on a stand with

knopped slender stem and pierced cylindrical column on a foliate decorated plinth base, the puzzle ball diameter 7.5cm overall height

34cm.

1402A small Chinese silver wire-inlaid bronze censer: of bombe form with dragon mask loop handles, inlaid with scrolling flowers and foliage,

six-character Xuande mark, 13cm.

1403A small Chinese silver wire-inlaid bronze tripod censer: of globular form with waisted neck and mythical beast mask handles, inlaid with

phoenix amongst flowers and foliage, six-character Xuande mark, 13cm.

1404 A Japanese bronze koro and cover: in the form of a lotus pad, Meiji period, 16cm.

1405A Japanese bronze koro and cover: of squat circular outline, with pierced domed lift-off cover, raised on three moulded feet, signed

Seiho Saku, 11cm diameter, Meiji period.

1406A pair of Japanese cloisonne vases: of ovoid form, decorated with finches and butterflies amongst flowering plants and shrubs, to a

powder blue ground, 31cm high,

1407A small Japanese cloisonne vase: of hexagonal tapering outline decorated with flying cranes above flowering shrubs, to a dark blue

ground, unsigned, 11.5cm high, Meiji period.

1408A pair of Chinese cloisonne models of pheasants: decorated with naturalistic plumage on a turquoise ground, each standing on a floral

decorated tree stump base, 20th century, 23cm.

1409A pair of Chinese cloisonne models of ducks: each seated with wings slightly outstretched and decorated with a taotie mask, birds and

scrolling foliage on a turquoise ground, on raised triform bases, 20th century, 17cm high.

1410A Chinese bronze openwork brush pot, Bitong: of cylindrical form cast with two female dieties and symbols amongst cloud scrolls, three-

character mark, dark brown patination, 18th/19th century, 14cm.

1411A Chinese bronze tripod wine vessel, Jue: with long spout, the body with single handle and cast with taotie masks and upright flanges,

on blade-like legs, probably 17th/18th century, 18cm.

1412A pair of late 19th Century Chinese bronze and cloisonne vases: of ovoid form, with banded enamel decoration of Taoist symbols, with

elephant head handles, 31cm high.

1413A Japanese patinated bronze okimono, attributed to Sano Takachika: in the form of two oni wearing decorated loin cloths and wrestling

a crystal ball, Meiji, 14cm high.

1414Hokusai, two woodblock prints: parody of the gods Daikoku, Benten and Ebisu, 20 x 17.5cm, Family by Brazier 20 x 17.5cm, and after

Yanagana Shigenobu, Pufferfish courtesan with Her Jellyfish Companion, 20 x 17.5cm, (3).

1415Eisen, woodblock print of a courtesan: 34 x 23cm, together with another woodblock print by the same artist of a Geisha girl, 34 x 24cm.

(2).

1416

Kunyoshi, Yoshinin-ni, The Widow of Enya standing by a screen: from the series Stories of Faithful Hearts & True Loyalty, 34 x 23cm

together with another print after Kuniyoshi, actor Arashi Kichisaburo III as Inukai Kenpachi, from the series 'The Loyal Heroes of Bakin's

Hakkenden', 35 x 23cm. (2 ...[more]

1417 An Indo-Persian polished stoneware bowl: of oval outline, 27cm wide.

1417A A Chinese gilt bronze dragon belt-hook: cast in relief with a sinuous dragon amongst flame scrolls, Qing Dynasty, 9cm wide.

1418 A late 19th century Aboriginal boomerang: of traditional design with incised decoration to one side, 64cm wide.

1419A Polynesian Tongan Apa'Apai ironwood war club: with lozenge-shaped head on a tapering stem with geometric zig-zag pattern

decoration, with suspension lug, 70cm long.

1420A 19th century Indian carved wood figure: of a dancing girl with ball at her feet, 45cm high mounted on a linen covered backboard, 54cm

high.

1421A 19th century bronze Indian bronze figure: possibly Krishna Gopala, on a circular base, lacks flute 22cm high, together with another

Indian bronze figure of a female attendant 18cm high.

1422A collection of twenty four Indian plaster educational figures: including various officials, servants, musicians and castes, each 11cm

high.

1423A large Indo- Persian brass brassier/bowl: of circular form, with a moulded edge, fluted loop carrying handles to the sides, raised on four

short peg feet, 67cm diameter.

1424 A Soloman Islands hardwood bowl: the rim inlaid with pearl shell, on a circular foot, 23cm wide.

1425A collection of fossils and antiquarian pot sherds: including a woolly mammoth tooth, Samian wares, Indian sacred stone, ammonite

fossil, etc (a lot).

1426A group of 19th and early 20th Century ivory sewing accoutrements: includes bodkin cases, pin cushions, cotton reel holders, tangram,

netsuke and clamps

1427 A late Victorian ivory necessaire: of rectangular outline, fitted with scissors, thimble, needle case, and bodkin, 10.5cm wide.

1428An early 20th Century abalone fan:, the paper leaf decorated with 18th century figures painting in a woodland glade, edged with lace,

with abalone sticks and guards, 25cm long.

1429 A 19th Century Continental carved ivory and ebony crucifix: 25cm high.

1430Callaghan, London, a 19th Century ivory single draw spy glass: signed Callaghan, London, 8cm extended, together with a similar

stained ivory spy glass 8.25cm extended.

1431

A 19th Century Prussian/German gilt metal and brown leather wallet:, one side with a crowned eagle atop a crowned armour helmet

with scrolls to either side, the other with a gilt crown over initial, the clasp in the form of a sheathed dagger, red silk lined interior,

together with a manuscript not ...[more]

1432An Arts & Craft embossed copper mug: decorated with crested birds, crown, sun and Greek letters, with swept handle to the side,

22.5cm high.

1433A malachite and gilt metal mounted obelisk: on a square marble base 22cm high, together with three smaller obelisks of rose quartz,

lapis lazuli and tiger's eye.

1434A 19th century boulle work and brass taperstick: the urn-shaped nozzle with foliate decorated drip tray supported by a putto on a

rectangular plinth, the boulle work bases, with cushion frieze and single drawer, 20cm high

1435A Victorian ornamental wirework flower arrangement: with dried grasses, contained in a white bisque porcelain vase contained under a

glass dome, 52cm high.

1436An 18th century Continental enamel dish: of lobed outline with central portrait cartouche of a lady, with pierced sides, 13.5cm wide

[some damage].

1437 After the Antique; a bronze Reliquary Cross: with hinged suspension, with incised depiction of Christ 11cm long.

1438A 19th Century Scottish horn snuff mull: of traditional design, the hinged lid inset with a cairngorm, 8.5cm high, together with a smaller

Scottish horn snuff mull, 6.25cm high. (2).

1439A Scottish horn and silver mounted snuff mull: with crested applied panel, the hinged lid with initials and applied thistle decoration,

8.5cm high.

1440A 19th Century pressed metal and gilt decorated metal four wheeled carriage: the pierced foliate and scroll decoration to the sides and

back, overall length 74cm.

1441

A 19th Century oval miniature on porcelain of Count Alexander Nevsky: half length, wearing armour and ermine trimmed robe,

contained in a silver backed and paste set frame, 7cm x 6cm. some damage.*Notes Alexander Yaroslavich Nevsky (1221-1263) held

several titles including Prince of Novgorod, Gr ...[more]

1442A Victorian papier mache tray: decorated with a scene of 'The Sailors Return' by a follower of George Morland, on a later simulated

bamboo stand, 48 x 59.5cm.

1443A 19th Century toleware tray: of oval outline with painted decoration of a Napoleonic naval engagement, enclosed by a foliate and scroll

border, mounted on a rosewood stand, 75cm wide.

1444An Edwardian inlaid mahogany and sterling silver mounted galleried serving tray: of oval outline, with central inlaid oval medallion

enclosed by boxwood lines, the pierced galleried sides stamped Sterling, with loop carrying handles, 71cm wide.

1445A miniature armoire: with arched moulded cornice and incised frieze, with two arched parquetry tumbling cube inlaid doors, with similar

single long drawer below, raised on swept feet, 49.5cm high.

1446 An antique miniature oak chest: of rectangular outline containing two short and two long drawers on bracket feet, 23cm wide.

1447 An apprentice's style mahogany dining chair in the Georgian taste: with rail back above a solid seat on ring turned front legs, 44cm high.

1448 A pair of late 17th/early 18th century carved oak corbels: carved as angel's faces, mounted on later backplates, 22cm high

1449A George III mahogany and brass bound oval wine cooler: of coopered construction with zinc liner and brass loop carrying handles to

the sides, 44cm wide.

1450 A pair of late 17th/early 18th century carved oak corbels: carved as angel's faces, mounted on later backplates, 22cm high.

1451A Georgian mahogany and inlaid bird cage: of pagoda design, with swept roof and canted corners and bell shaped suspensions to the

cage, the rectangular base with sliding tray, raised on talon and ball feet, 34cm wide, 54cm high.

1452A 19th Century Indian lacquered and ivory applied platform toilet mirror: with triple mirror plate of arched outline, with applied ivory

roundels, raised on turned and knopped supports on a lozenge-shaped base with single frieze drawer, 61cm high.

1453 A small Chinese hardwood table screen on stand: inlaid with an inscription, lingzhi, prunus and flowering branches, signed, 21.5cm high.

1454A pair of 19th Century brass chenets: the Roman style lamp with acorn finial mounted on a fluted column and vase base on scroll

supports and stepped plinth base, with matching fluted fender rail, 85cm wide and fender.

1455A pair of 19th century gilt brass London Griffon wall appliques: open mouthed with tongue, the tails transforming into acanthus scrolls,

28cm high (2)

1456 Two pairs of 19th century brass and iron eagle appliques: 8.5 and 9cm high (4)

1457An early 19th Century brass door stop: in the form of a wheat-sheaf, 41cm high, an urn-shaped door stop, 29cm high, a pair of brass

'Prince of Wales Feather' tiebacks and copper pot lid.

1458A Continental brass jardiniere: the circular bowl, with half reeded decoration, with embossed fleur d'lys and lion mask ring handles to the

sides, raised on swept dolphin tripod legs, 38cm high.

1459A pair of brass door stops of Punch and Judy: Mr Punch dressed as a Roman emperor, Mrs Punch wearing traditional costume and

holding a baby, on stepped brass bases, 30cm high.

1461After Antonio Canova, an alabaster model of a seated putto reading a book: the leaves of the book inscribed 'Putti di Canova', mounted

on a polished marble base, overall height 53cm high.

1462A late 19th Century bronze ewer of neo-classical form:, with low relief decoration of Bachannalian putti, the handle in the form of a diving

female, raised on a circular base, 33cm high.

1463 A Grand Tour bronze of Narcissus: raised on a circular base, after the antique found in Pompeii, overall height 27.5cm high.

1464An Art Nouveau period bronze paper knife: in the form of a semi nude female draped in robes, 33cm long and a pair of May & Padmore

cast bronze figures of Mr & Mrs Maymore, 9cm. high. (Mr Maymore's pipe is missing)

1466

A 19th century bronze inkwell in the form of a mythical sea snail: the lion's head with antennae on an elongated neck with snail shell

enclosing interior well, the scalloped base with four webbed feet and scroll tail/handle, indistinct maker's mark to the base of one foot in

the form of a man's por ...[more]

1467 A pair of cast brass bookends: in the form of a horse's head, mounted on polished black marble plinths, 36cm high.

1468 A bronze study of a prowling fox: mounted on an oval naturalistic base, unsigned, 57cm long.

1469After Parente, a bronze study of a street urchin: wearing a peaked cap and knotted scarf ,holding a walking stick, signed to the

naturalistic base, Parente, on a polished marble base, overall height, 36cm high.

1470After Henry Etienne Dumaige (1830-1888) a bronze study of draped woman seated on a cushion filled stool: signed to the gilt bronze

cushion H Dumaice, on a gilt metal rectangular base on ball feet, now fitted as a table lamp, 49cm high.

1471 A pair of French Restauration bronze candlesticks: with spiral reeded columns and hexagonal bases, circa 1830, 16cm.

1472A pair of 19th Century bronze candlesticks: with plain cylindrical nozzles, body with ring turned decoration, on a spreading circular foot,

24cm high.

1473A pair of 19th Century gilt metal table lamps: with fluted and wreath decorated columns, on circular bases, (converted to electricity),

overall height 32cm high.

1474A pair of Regency style brass and bronzed metal metal candlesticks: with urn -shaped nozzles, raised on dolphin supports and oval

stepped bases, 23cm high.

1475A pair of late Victorian gilt metal four-branch candelabra: with plain cylindrical nozzles on swept foliate and pine cone decorated

branches, issuing from a knopped stem and swept tripod base terminating in claw feet, 46cm. high.

1476A pair of 19th Century French gilt-metal and opaque turquoise twin-branch candlesticks: with foliate decorated nozzles on foliate

decorated swept branches, on a circular base with swept feet, 35cm high.

1477

A 19th Century gilt metal and overlay blue glass storm lantern: the floral decorated capital on a blue and white glass column with gilded

scroll decoration on a lobed and scroll decorated base, having a clear etched glass shade with vineleaf and grape decoration, overall

height 68cm.

1478 A pair of 20th Century brass column table lamps: of plain form raised on square bases with lion paw feet, 59cm high, with shades

1479An Art Deco style bronze lamp: surmounted by a bronze racing cyclist, beside an opaque glass shade mounted on black and pink two-

tone marble base, 40cm wide

1480After Emile-Louis Picault, a bronzed spelter figural lamp 'Victory': with flaming torch held aloft in his left hand, a sword in his right, on a

circular naturalistic base, signed E. Picault, 103cm high.

1481An early 20th Century plated table lamp: the circular reservoir with opaque glass flame shade, supported on four square columns linked

by cross-stretchers, raised on a stepped square base with lion paw feet, overall height including shade 66cm.

1482A pair of 19th Century French gilt brass three branch wall lights: with foliate -shaped nozzles, on acanthus decorated swept branches,

41cm high.

1483A brass oil fired storm lantern: the circular brass reservoir with large ruby glass shade, (converted to electricity), together with a smaller

example 60cm and 55cm high

1484A late Victorian alabaster table lamp: of ovoid outline with low relief decoration of grapes and vine leaves, on a knopped stem and

circular spreading foot, 42cm. high.

1485Three Japanese lacquere , ivory and mother-of-pearl inlaid panels: of rectangular outline , each depicting birds perched amongst

blossoming shrubs, each 123 x 53cm.

1486A large Chinese micaceous marble statue of Guanyin: in the Tang style, wearing traditional robes and headdress, holding a flower in her

right hand, 140cm high.

1491

Matthew Norman, a modern carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours

and half-hours on a bell with a push button to the top allowing a repeat of the last hour at will, the backplate stamped with the various

Matthew Norman markings and ser ...[more]

1492

Charles Frodsham London, a contemporary 20th century carriage clock: the eight-day duration, timepiece movement having a platform

lever escapement with the white enamel dial having black Roman numerals and signed Charles Frodsham, London, with an engraved

filigree gilded mask and blued steel spade h ...[more]

1493

A French quarter-striking carriage clock: the eight-day duration movement having a silvered platform lever escapement and striking the

hours and each quarter of an hour on two gongs with a push-button repeat sounding the last hour and quarter, the white enamel dial

having black Roman numerals and bl ...[more]

1494

A French Victorian carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-

hours on a gong with a push button to the top allowing a repeat of the last hour at will, with alarm, the backplate stamped with the serial

number 4217 and hand setti ...[more]

1495

An Edwardian French brass carriage clock: the eight-day duration timepiece movement having a later platform lever escapement, with

alarm on a bell, the white enamel dial having black Roman numerals, blued steel spade hands and a subsidiary alarm dial, the pillared

case having a three-bail handle, co ...[more]

1496

Hour Lavigne, Paris, a modern skeletonised mantel clock: the eight-day duration straight-line movement having a platform lever

escapement and engraved shaped plates with blued steel moon hands, the round chapter ring engraved with black Roman numerals

with the plinth engraved Hour Lavigne à Paris de ...[more]

1497

Japy Freres, Paris, an ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the

backplate stamped with the trademark, Japy Freres, Grande Medaille d'Honneur, Exposition 1855, the white enamel dial having black

Roman numerals and blued steel hands, the ...[more]

1498

A French ormolu figural mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside

countwheel and silk suspension, the backplate stamped with the serial number 56, the round ormolu dial having black Roman hour

numerals, blued steel moon hands and an eng ...[more]

1499

An Art Deco clock garniture: having an eight-day movement, the round varigrated grey and yellow marble dial having a skeletonised

chapter ring with Arabic hour numerals and steel hands, standing on a black marble base with a pair of fawns laying either side, with

matching side pieces each of circula ...[more]

1500An early Bulle electric clock: the movement connected to a battery set within the base, the round silvered dial having black Arabic

numerals and wording 800 Days, with blued steel spade hands, on a turned wooden base, dated circa 1830, height 25cm inc. dome.

1501

De Lisle à Paris, a large boulle bracket clock with matching bracket: the eight-day duration movement having vase shaped pillars, a silk-

suspension and striking the hours and half-hours on a bell situated within the pediment top with an outside countwheel, the backplate

engraved in large flowing scr ...[more]

1502

A French gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the

backplate stamped with the maker's trademark for Japy Freres et Cie, the round blue porcelain dial having black Roman numerals and

blued steel hands, the shaped gilt-metal ...[more]

1503

A French boulle mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate numbered

23180, the cast brass dial having individual white enamel plaques with blue Roman numerals and blued steel cruciform hands, the

waisted boulle case of brown tortoiesh ...[more]

1504

A French bronze and ormolu Pendule au Sauvage mantel clock: in the style of Jean-Simon Deverberie, having an eight-day duration

timepiece movement with a silk suspension, the round engine-turned gilded dial having a white enamel chapter ring with black Roman

numerals and blued steel moon hands, the ...[more]

1505

A Victorian American Blinking Eye automata clock: the cast iron case depicting a banjo player in typical dress with the lever escapement

to the movement providing the up-and-down motion of the eyes, the paper dial with black Roman numerals and spade hands, attributed

to Bradley and Hubbard, Meriden, ...[more]

1506

William Cribb, Southampton Row, London; a Regency mahogany bracket clock: the eight-day duration five-pillar double-fusee

movement striking the hours on a bell, the eight-inch round convex dial having black Roman numerals, blued-steel moon hands and

signed Wm. Cribb, Southampton Row, London, the ma ...[more]

1507

A late 19th Century English brass skeleton clock: the eight-day duration timepiece fusee movement having tapering plates and striking

one-at-the-hour on a bell, the silvered dial having black Roman numerals and blued-steel spade hands, standing on a round ebonised

base, height 35cm.

1508

A Victorian bronze Gothic bracket clock: the eight-day duration, double-fusee movement having shaped-plates and striking the hours on

a bell, the round convex silvered dial having black Roman numeral and blued-steel moon hands, the bronze case of Gothic form with a

castellated top, side columns, Got ...[more]

1509

Goldsmiths & Silversmiths' Company lancet shaped mantel clock: the eight-day duration, double-fusee movement striking the hours on

a gong and having a six-inch round silvered dial signed Goldsmiths & Silversmiths' Company, 117 Regent Street, London, with blued-

steel fleur-de-lys hands, the mahogany ...[more]

1510

John Moore & Sons, Clerkenwell, London, a mahogany library clock: the eight-day duration, single-fusee timepiece movement having

an anchor escapement with the backplate engraved John Moore & Sons, Clerkenwell, London, 10806, the five-inch round silvered dial

engraved with black Roman numerals and re ...[more]

1511

Francis Sinderby, a Regency mahogany pad-top bracket clock: the eight-day duration double-fusee movement striking the hours on a

bell with the shaped backplate having both border and central engraving, the pendulum with fine-regulation and engraved to the bob, the

round convex eight-inch painted dia ...[more]

1512

A decorated mahogany Regency bracket clock: the eight-day duration, double-fusee movement striking the hours on a bell with a fully

engraved backplate, the pendulum with fine-regulation and matching engraved decoration to the bob, the painted break-arch dial having

black Roman numerals and indistinc ...[more]

1513

George Danson, London a chiming moonphase bracket clock: the eight-day duration, triple-fusee movement having an anchor

escapement and chiming the quarters on eight bells and the hour on a further bell with a fully engraved backplate of c-scroll decoration,

the eight-inch break-arch dial having a mo ...[more]

1514

Geo. Margetts, London a mahogany longcase clock: the eight-day duration five-pillar movement striking the hours on a bell, the twelve-

inch break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and inner date aspect, the matted

centre having a subsidiary second ...[more]

1515

John Murch, Honiton a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch

square brass dial having a raised silvered chapter ring engraved with black Roman numerals, the silvered centre with a subsidiary

seconds dial, date aperture and engraved ...[more]

1516

William McCulloch, Belfast an unusual moonphase mahogany longcase clock: the eight-day duration movement striking the hours on a

bell, the twelve-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, flame half-hour

markings, and engraved either side of VI ...[more]

1517

Jno. Bishopp, Maidstone, an early 18th century oak longcase clock: the thirty-hour duration movement with finned pillars and striking the

hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman

numerals, fleur-de-lys half-h ...[more]

1518

P. Barbon, a mahogany wheel barometer: the round silvered eight-inch dial engraved with usual barometer markings and signed P.

Barbon, No.7 Fullwoods rents Holbn. London and having a blued steel hand and heavy cast-brass Georgian bezel, the round-topped

case having an inset silvered dial thermometer ...[more]

1519

J. Casertelli, Manchester, a mahogany stick barometer: the bone dials set aslant and signed J. Casertelli, 18 Market Str. Manchester

and having two vernier gauges set via bone knobs, the mahogany case having canted corners, a turned cistern to the base and

surmounted by a carved pediment with a bone ...[more]

1550 English School early 20th Century-Nude with Pekingese in boudoir interior,:-oil on canvas100 x 59cm.

1551* Francis Wynne Thomas [1907-1989]-Portrait of Moira Major, three-quarter length seated,:-with wavy fair hair, wearing a blue chiffon

dress, pearls, a sapphire engagement ring and gold wedding bandsigned top left, oil on canvas, 91 x 76cm.

1552* Paul Brason [b.1952] - Portrait of Sir Roy Strong, (Young Man Among Roses),:- signed and dated '88 bottom right oil on canvas, 100 x

70cm. *Notes Sir Roy Strong [b.1935], Art Historian & Museum Director.

1553* Konstantin Razumov [b.1974]-Girls in Summer dresses, in the shallows,:-signed bottom leftfurther signed and inscribed on the

reverseoil on canvas, 25.5 x 20.5cm.

1554* Konstantin Razumov [b.1974]-Girls in pink dresses sailing a pond yacht,:-signed bottom leftfurther signed and inscribed on the

reverseoil on canvas, 31 x 39.5cm.

1555* Konstantin Razumov [b.1974]-Children collecting shells on a beach,:-signed bottom leftfurther signed and inscribed on the reverseoil

on canvas, 22 x 31cm.

1556 * Jacob Alexander Elshin [1892-1976]- Head of a satyr.:- signed bottom right watercolour, 69 x 48cm.

1557

* Andre Minaux [1923-1986]- Jeune Femme,:- signed bottom right mixed media, 118 x 79cm. * Notes Andre Minaux was a French

painter and print maker who studied at the École des Arts Décoratifs under the artist Maurice Brianchon. He is known for depicting

scenes drawn from contemporary life and using s ...[more]

1559After Lancelot Percival Roberts [1883-1950] Young lady wearing a bonnet, seated in a tree,:- signed Henry bottom right oil on canvas

laid down on board, 53 x 38cm.

1560* Roland Wright Alston [1897-1958]- Woman combing her hair,:- signed with initials, inscribed and dated 1932 watercolour and pencil

drawing, 23 x 15.5cm. * Provenance. Abbott & Holder, Museum Street, London.

1561 Francis Edward Colthurst [1874-1945]-Seated boy, full-length,:-signed, sanguine drawing, 33 x 20cm.

1562

British School early 19th Century-Portrait of Pedro Rima Condor, full-length standing,:-inscribed and dated 'Pedro Rima Condo, a

Peruvian and regular descendant of the once illustrious Family of the Incas, at present a Servant in the House of Sr Abadia, Lima .

Drawn from nature, 1820.'watercolour dr ...[more]

1563Wybrant [1816-1894]-Portrait of a young lady, full-length standing,:-with dark hair in a black lace fringe, and wearing a long blue

dresssigned and dated 1852watercolour, 32 x 23cm.

1564 William Blake Richmond [1842-1921]-Hand studies,:- two, pencil drawings heightened with white14 x 25.5cm & 13 x 20cm. [2]

1565

Mark Lancelot Symons [1887-1935]-Portrait of Elizabeth Shuffrey, head and shoulders, in profile,:-signed, pencil drawing, 17 x

19.5cm.*Notes Elizabeth Shuffrey was the daughter of Kathleen Suffrey, a portrait painter and friends with Symons, Paul Nash, Eric Gill

and Garnet Wolseley.*Provenance. ...[more]

1567 British School 19th Century-Lighting-Up,:-watercolour and bodycolour36 x 27cm.

1568 James Drummond [1816-1877]-Study of a fisherman,:-signed and dated '86 bottom rightwatercolour, 45 x 34cm.

1569 English School 19th Century- Portrait of an elder with white beard, head and shoulders,:- oil on canvas, 34 x 24cm.

1570 * Eva Bagge [1871-1964]-Portrait study of an elder,:-signed top rightoil on canvas, 49 x 43cm.

1571 * Louis Noireaut [1890-1960]- Breton Fisherman,:- signed, oil on canvas, 34 x 26.5cm.

1573

English School 19th Century-Portrait of 'Great Grandfather' John Hewitt of Newlands, Frenchay, Bristol,:- half-length standing, with short

dark hair and mutton-chop beard, oil on canvas, 90 x 70cm, together with a 20th Century watercolour drawing of Newlands, prior to

demolition in 1975. [2]

1574English School 19th Century,-Portrait of John Waite, father of Lillian and Ellen, of Newlands, Frenchay, Bristol,:- half-length standing,

with short brown hair and wearing a red velvet waistcoat and black jacket,oil on canvas, 99 x 76cm.

1575English School 19th Century,-Portrait of a Mr Waite, father of John Waite of Newlands, Frenchay, Bristol,:- half-length standing, with

grey hair and mutton chop beard, holding a copy of Tait's Edinburgh Magazine,oil on canvas, 90 x 70cm.

1576Circle of Frederick Richard Say [1805-1878]-Portrait of Lillian Waite of Newlands, Frenchay, Bristol,:-three-quarter length seated, with

long auburn hair and blue eyes, wearing a blue velvet dress and gold braceletoil on canvas, 89 x 69cm.

1578 English School circa 1640 - Portrait of a Cromwellian soldier, bust-length,in breast-plate and armour,:-oil on canvas, 72 x 60cm.

1579

Attributed to George Francis Joseph [1764-1846]-Portrait of The Hon. Maria Frances Catherine Stapleton,:- 2nd Daughter of Lord Le

Despencer. Aged 9 Years. Married 1813 to Robert Viscount Jocelyn, half-length, wearing a coral bead necklace, white silk dress and

collecting acorns,signed and dated Jo ...[more]

1580 Circle of Joshua Reynolds [1723-1792]-Portrait of a young gentleman, possibly Laurence Sterne,:-oil on canvas, 51 x 44cm.

1582Heywood Hardy [1842-1933]-Lost on the Sands,:-signed bottom leftoil on canvas, 94.5 x 69.5cm.* Provenance. With Richard Green,

Dover Street, London.

1583Henry Robert Morland [1716-1797]-Churning butter,:-oil on canvas, 74 x 61cm.* Provenance. Bonhams Old Master Sale, 21.04.2004.

Lot 113, sold £6800.

1584 Attributed to Johann Freyberger [1591-1631]-Venus and Cupid,:-oil on panel48 x 35cm.

1585 * Dulcie Lambrick [1902-1981]- A Country Auction,:- signed, oil on board, 14 x 20cm.

1586German School 20th Century-Chinese workers in a foundry interior,:-indistinctly signed and inscribed Berlin on the backboardoil on

board, 33 x 47cm.

1587 Julia Gambardella [20th Century]after Charles J. Chaplin -Souvense,:-oil on panel, 15 x 11cm.

1589 Dutch School 19th Century-Tavern interior, young man with clay pipe,:-oil on panel, 20.5 x 15cm.

1590 Sir Joseph Noel Paton [1821-1901] - Foot Soldier with pike:-signed with a monogramwatercolour34 x 22cm.

1592 E. Solbrig [19/20th Century]-Exotic palace interior with dancing musician,:-signed bottom rightoil on board, 38.5 x 24cm.

1593 Manner of Cornelis van Poelenburgh [19th Century]-Lovers bathing in a secluded pool,:-oil on panel10 x 18cm.

1595* Gerald George Wynne Trevredyn Tait [1881-1954]- Indian temple doorways, designs for the Indian State Railway,:- two, both signed,

bodycolour, largest 29 x 23cm, unframed. [2]

1596Seven picture frames,: comprising a scroll and foliate carved mahogany frame,- aperture 100 x 78cm, together with five ornate carved

softwood frames and a pine frame. [7]* Notes Please refer to website for further images www.bhandl.co.uk

1597Circle of John Ramage [1748-1802]-A miniature portrait of a young man,: head and shoulders, with short dark hair, high fringe and

brown eyes, wearing a pale brown jacket and waistcoat, oval 3.4cm, in a yellow metal frame.

1598Circle of Richard Crosse [1742-1810]-A miniature portrait of a young man,:- head and shoulders, with powdered wig and blue eyes,

wearing a white linen necktie and blue coat, on ivory, oval 5.5cm, in a yellow metal frame.

1599

Circle of Nathaniel Plimer [1757-1822]-A miniature portrait of a gentleman,: head and shoulders, with wavy grey hair and blue eyes,

wearing a linen cravat and blue coat, sky background, oval, 8.5cm, on ivory, in a yellow metal frame with hair plait reverse and gilt metal

'RL' monogram, together with ...[more]

1601English School mid 17th Century-A miniature portrait of a fashionable lady said to be Mrs Russell,:-bust-length, with long powdered wig,

brown eyes and rosy cheeks, wearing an ornate lace collar and silk dress with blue sleevesoval, on ivory, 9cm.

1602

English School Circa 1880 - Portrait of a lady, three-quarter length seated,:- watercolour, 27 x 22cm, in a satinwood cushion frame,

together with one other contemporary silhouette portrait, a similar portrait of a Preacher, two miniature portraits after earlier originals,

each signed with initials ...[more]

1603Caroline Grosvenor [1858-1940] after Richard Cosway -A miniature portrait of Anne Duchess of Cumberland,:- head and shoulders,

oval, 4.5cm, in a yellow metal frame, together with one other early 19th Century miniature of a young lady. [2]

1605 Follower of Marmaduke Cradock [18th Century]-Exotic birds and ducks in a formal garden landscape,:-oil on canvas88.5 x 58cm.

1606Style of Melchior de Hondecoeter [20th Century] - Water fowl, ducks, parrots and other birds in upland landscapes,:- a pair, oils on

canvas, each 74 x 100cm. [2]

1607 Benjamin Blake [1770-1830]-Pheasants in a larder; Hare in a larder,:-a pair, oils on paneleach 15 x 11cm. [2]

1608 Van Der Strass [20th Century] - Chickens in a farmyard;Ducks in a pond,:- a pair, both signed, oils on panel, each 14.5 x 19.5cm. [2]

1609 * Boris O'Klein [1893-1985]- Dog cartoon,:- signed watercolour, 18 x 47.5cm.

1610 * Louis Icart [1888-1950] - Femme Fatale,:- etching with aquatint, signed in pencil, published Paris 1920, oval 24 x 18cm.

1611Hubert Von Herkomer [1849-1914]-Summer; a young woman on a garden path,:-etching, inscribed in pencil on the mount 'To Mrs Hill

from Hubert Herkomer Oct 11 1892', 27 x 20cm.

1612*Sidney Tushingham [1884-1968]- Figure group with goat on an Italianate plain,:- etching, signed in pencil bottom right, 28 x 31cm.

*Provenance With Thomas Agnew & Son.

1613

Horace Mann Livens [1862-1936]- Woman in a long coat and wide brimmed hat,:-etching, image size 23 x 17.5cm, together with two

smaller etchings of A Girl Reading, and A Girl Writing, the latter signed in pencil. [3]* Notes Please refer to website for further images

www.bhandl.co.uk

1614Horace Mann Livens [1862-1936]- Portrait studies,:-a group of four etchings, largest 12 x 9cm. [4]* Notes Please refer to website for

further images www.bhandl.co.uk

1617 Louis Wain [1860-1939]-Kitten on a keyboard,:-signed, pen and ink drawing, 29 x 22.5cm.

1618 Louis William Wain [1860-1939]-After dinner ... Before dinner ...,:-signed bottom right, pen and ink drawing, 36 x 26.5cm.

1619Ivan Keir [18/19th Century]-Lady, lion and mule in a clearing,:-signed and dated lower righten grisaille, oval, 32 x 25.5cm, in a verre

eglomisé frame.

1621 Edgar H Fischer [19/20th Century]- Collie dog resting,:-signed and dated 1907, oil on board, 34 x 52cm.

1622 European School late 19th Century -A Winter river scene with chapel and figures in the foreground,:-oil on canvas,28 x 42cm.

1624 * Guilio Falzoni [1900-1978]- St Pauls,:- signed, watercolour, 38 x 49cm.

1626 * Guilio Falzoni [1900-1978]- Capri; procession by a fortification,:- signed, inscribed and dated '46 watercolour, 48 x 67cm.

1627 * Guilio Falzoni [1900-1978] - Naples; figures loading a cart,:- signed, inscribed and dated '46 watercolour, 17.5 x 23cm.

1628

* Ferdinand Pamberger [1873-1956]-Udine Piazza, soldiers and civilians in a crowd:- signed, inscribed and dated 6 July

1918watercolour, 30 x 41.5cm, together with three pencil drawings of Udine. [4]* Notes Please refer to website for further images

www.bhandl.co.uk

1630 * Theodorus Van Oorschot [1910-1989]-Street market scenes,:-two, both signedoils on canvas, each 49 x 39cm. (2)

1631 * Theodorus Van Oorschot [1910-1989]- Winter town scene,:- signed, oil on canvas, 60 x 90cm.

1632 * Theodorus Van Oorschot [1910-1989]- Dutch town scene,:- signed, oil on canvas, 56 x 87cm.

1633* Fernand Claver [1918-1961]- Georges Vins, a French street scene,:- signed bottom right further signed and inscribed on the reverse

oil on canvas, 36 x 44cm.

1634Charles Eugene Cousin [19/20th Century]-Orange trees on The Riviera,:-signed bottom rightinscribed in pencil on the reverseoil on

board, 44 x 54cm.

1635 Bernard Walter Evans [1843-1922]-Evening,:- signedwatercolour, 51 x 34cm.

1636 Alexander James Mavrogardato [1869-1947]-The Roman Gate, Perugia:-signed and dated '94watercolour54 x 36cm.

1637Attributed to Charles Hodgson [1769-1856]-The Choir, Exeter Cathedral,:-signed, inscribed and dated 1851 on the reverseoil on mill-

board, 37 x 29.5cm.

1638 Charles Bentley [1806-1854]-Saved from the storm,:-signed bottom leftwatercolour and bodycolour, 18 x 23.5cm.

1640Circle of George Morland [18/19th Century]-Figure in a churchyard,:-engraving, 30 x 39cm.* PLEASE NOTE this is an engraving and not

a drawing.

1641 Jacobus Theodorus Abels [1803-1896]-Dutch wetland and windmill scene,:-signed and dated 1850 bottom leftwatercolour, 26.5 x 35cm.

1643 Thomas Rose Miles [c.1869-1906]- Fishing boats and coastal craft in a choppy sea,:-signed bottom leftoil on canvas, 74 x 125cm.

1644 Dutch School 20th Century - Fishing boats on a sand bank..:-, signed, oil on canvas, 59 x 79cm.

1645Henry King Taylor [1799-1869]-A coastal scene with fishing boats in a bay, fisherfolk and a fisherman's cottage in the foreground,:-

signed bottom right,oil on canvas, 60 x 105cm.

1647Frank Wasley [1848-1934]-Trawlers in choppy seas, Whitby:- a set of four, signed, mixed media drawings en grissaile, each 32 x 45cm.

[4]* Notes Please refer to website for further images www.bhandl.co.uk

1648

* Hester Frood [1882-1971]- A Thames Barge on The Exe,:- signed, inscribed and dated Dec 23rd 1946, pencil and watercolour

drawing, 22 x 31cm, together with three other watercolour drawings by the same hand. [4] * Notes Please refer to website for further

images www.bhandl.co.uk

1649

British School 18/19th Century-St Goar & Castle of Rheinfall,:- pen, ink and wash drawing, 16.5 x 24cm, together with a set of three pen

and ink drawings of Naples, the Riviera di Chiaia, Locanda della Vittoria and Marina di Santa Lucia, by a different hand.[4]* Notes

Please refer to website for fu ...[more]

1650

British School 19th Century-An album of 30 various landscape, interior and coastal watercolours and drawings,:- various hands

including Reverend G Green of Modbury, S.G.W Roscoe, W.H Pike, Elizabeth Dunsterville Andrews, Annie Louisa Rogers, Samuel

Cook, John Penson (Plymouth Hoe] and Henry Andrews ...[more]

1651Henry Barlow Carter [1795-1867]-The Rocks at Corbiere, Jersey, fisherfolk and a cottage in the foreground:-signed bottom

rightwatercolour, 16.5 x 23cm.

1652 Sarah Louise Kilpack [1840-1909]- Fisherfolk on a stormy beach,:- oil on board, 10 x 20cm.

1653D. Watts [19th Century] -Fisherfolk and the trawler fleet,:- signed, watercolour heightened with white, 34 x 50cm, together with two other

19th Century watercolours by different hands. [3]* Notes Please refer to website for further images www.bhandl.co.uk

1655

Alfred Wallis [1855-1942]-Three-masted schooner anchored off a lighthouse,:-oil and pencil drawing on card20.5 x 22.5cm.*

Provenance. Directly from Alfred Wallis to Jim Ede of Kettle's Yard. Gifted by Ede to his nephew as a wedding present, thence by family

descent.*Notes Between 1957 and 1973 Ket ...[more]

1658 Circle of Joseph Walter [1783-1856]-British frigates, a cutter and coastal vessels off a coastline,:-oil on canvas, 61 x 75cm.

1659John Callow [1822-1878]-A coastal town, possibly Hastings, fishing boats in the foreground, view across a bay beyond,:-signed bottom

rightoil on canvas, 34.5 x 50cm

1660British School 19th Century-A coastal harbour scene; fisherman in the foreground, view across a bay beyond,:-indistinctly signed and

dated 'Tam..?' 1860 bottom leftoil on panel, 36 x 50cm.

1662Manner of Francesco Zuccarelli [18th Century]-View to a clearing by a lake,:- a ferry boat, travellers and washer women in the

foreground, a valley, houses and mountain beyond,oil on canvas, 107 x 132.5cm.

1664Italian School 18th Century, Manner of Jan Frans Van Bloemen-A classical upland river landscape,:-figures in the foreground, a bridge,

town and view to a bay beyondoil on canvas, 47 x 63cm.

1665 Alfred Leyman [1856-1933]-The Guildhall, Exeter,:-signed, watercolour, 75 x 52cm.

1666 Thomas Dingle [19th Century]-Shepherd in an upland landscape,:-signed bottom rightoil on paper, 12.5 x 19.5cm.

1667 Henry Stannard [1844-1920]- Travellers and chickens on a village road,:-signed, watercolour and pencil drawing, 18.5 x 30.5cm.

1668Attributed to Joseph William Allen [1803-1852]-Figures in a barn entrance; Figures at a river crossing,:-a pair, watercolours, each 14.5 x

22cm. [2]* Notes Please refer to website for further images www.bhandl.co.uk

1669John Crowther [fl. late 19th Century]-The Courtyard, Apothecaries' Hall, Blackfriars Lane, London,and two views of the interior,:-three,

signed and dated '90 & '92,watercolours, largest 26 x 36cm. [3]* Notes Please refer to website for further images www.bhandl.co.uk

1670 Oliver Baker [1856-1939]-The Water Mill,:-signed bottom rightwatercolour, 44 x 67cm.

1671 * Diana Maxwell Armfield [1882-1972]- Sheep in pasture,:- signed with initials DMA bottom left pencil drawing, 17 x 22cm.

1673Samuel Edward Kelly [1862-1935]-Oddicombe Beach, Babbacombe Bay, Devon,:-signed bottom leftwatercolour heightened with

white25 x 37cm.

1675 Frederick John Widgery [1861-1942]-West Pentire Point, Newquay,:-signed and inscribed gouache, 48 x 73cm.

1676 Frederick John Widgery [1861-1942]-Devon, North Coast,:-signedwatercolour and bodycolour23 x 36cm.

1677Frederick John Widgery [1861-1942]-Fir trees on Woodbury; Exeter from Crossmead,:- each inscribed, one dated July '95two pencil

sketches 21 x 15.5cm & 16 x 21cm. [2]

1678* Diana Maxwell Armfield [1882-1972]- Outside The Hozburg, Vienna,:- signed with initials DMA bottom left watercolour, 12 x 15cm.

*Notes Exhibited. The RWS.

1679John Crowther [fl. late 19th Century]-Leybourne Grange, Maidstone, two views of the house and gardens,:-a pair, signed and dated

September 1891watercolours, each 27 x 37cm. [2]

1681Godwin Bennett [1888-1950]-Porthminster Beach, St Ives; The Harbour, St Ives,:-two, both signedoils on canvas, each 26 x 41.5cm,

unframed. [2]* Notes Please refer to website for further images www.bhandl.co.uk

1682

Godwin Bennett [1888-1950]-Cligga Head Perranporth; Polzeath,:-two, both signedoils on canvas, each 26 x 41.5cm, unframed,

together with St Georges Well, Padstow by the same hand, 30 x 40cm. [3]* Notes Please refer to website for further images

www.bhandl.co.uk

1683Godwin Bennett [1888-1950]-The Harbour, Port Isaac; The Retreat, Perranporth,:-two, both signedoils on canvas, 26 x 41cm & 41 x

26cm, unframed. [2]* Notes Please refer to website for further images www.bhandl.co.uk

1684Godwin Bennett [1888-1950]-Cottages at Rock, near Padstow;The Shore Road, Rock, near Padstow,:-two, both signed, oils on board,

each 30 x 41cm, unframed. [2]* Notes Please refer to website for further images www.bhandl.co.uk

1685

Godwin Bennett [1888-1950]-Trevose Head from Constantine Bay;Doyden Point, Port Quin,:-two, both signed,oils on canvas, 29 x 40cm

& 26 x 41cm, unframed. [2]* Notes Please refer to website for further images www.bhandl.co.uk*Biography Godwin Bennett, was born in

Brighton in 1888 and lived in Croy ...[more]

1687

William Edwards Croxford [1852-1926]-The Bishop Rock, Newquay; Near Porth, Newquay; Queen Bess Rock, Bedrurthan; Brixham

Harbour; Brixham Devon, The Harbour, Boscastle,:- six, signed and inscribed, watercolours, largest 29 x 46cm, unframed. [6]* Notes

Please refer to website for further images www ...[more]

1688

* Henry John Sylvester Stannard [1870-1951]-The Inner Harbour, Mevagissy; Penmare Rocks, Mevagissy; The Quay, Mevagissy; The

Harbour, Mevagissy,:- four, all signed, watercolours, each 267 x 36cm, unframed. [4]* Notes Please refer to website for further images

www.bhandl.co.uk

1690Harold Lawes [1865-1940] - Porthmeor Beach, St Ives; The Five Points, St Ives; Rosewall Hill, St Ives,:- three, all signed, watercolours,

each 24 x 38cm, unframed, together with one view of Penzance. [4]* Notes Please refer to website for further images www.bhandl.co.uk

1691Harold Lawes [1865-1940] - St Ives,:- four views of the harbour and townall signed, watercolours, 24 x 38cm, unframed. [4]*Notes

Please refer to website for further images www.bhandl.co.uk

1692* Donald Greig [1916-2009]- The Quay, Salcombe; The South Hams Estuary; A Cornish Boat-Yard,:- three, all signed oils on board, 28

x 39cm & 38 x 50cm, unframed. [3] * Notes Please refer to website for further images www.bhandl.co.uk

1693* Donald Greig [1916-2009]- Looe, Cornwall; self-portrait of the artist in the street to the harbour,:- signed, oil on canvas, 51 x 61cm,

unframed.

1694 * Donald Greig [1916-2009]- Selworthy, Somerset,:- signed, oil on canvas, 38 x 49cm, unframed.

1695 * Donald Greig [1916-2009]- Ozone and Zinnias:- signed, oil on canvas, 49 x 60cm, unframed.

1697 Thomas Blinks [1860-1912]-Geese studies,:- signed with a monogram,oil on board, 19 x 25.5cm.

1698 Thomas Blinks [1860-1912]-Fox studies,:- signed bottom right,oil on board, 18 x 34cm.

1700John Wallace Tucker [1808-1869]-Clifford Bridge on The River Teign, a fisherman in the foreground,:-signed, inscribed and dated 1860

on the reverseoil on board, 33.5 x 43cm.

1701 Attributed to Henry Milbourne [1781-1826]-Drover, mule and cattle crossing a stream, a cottage beyond:-oil on board35.5 x 47cm.

1702 Circle of Thomas Gainsborough [1727-1788]-Wagon and horse beside a stream, :-oil on canvas, 35 x 46cm.

1703

Follower of Claude Lorrain, 18th Century - A landscape on the continent with figures,: cattle and sheep grazing in the foreground, view

to a river and the outskirts of a settlement beyond, watercolour and bodycolour, 31 x 38cm.*Notes Two indistinct inscriptions on the

backing read 'Guache de Roma ...[more]

1704David Farquharson [1840-1907]-A grey morning,:-signed and dated 1878 bottom leftoil on canvas, 34 x 44cm.* Provenance. Messum's

Fine Art. A Century of British Painting. Exhibition 3.

1705William Shayer Snr [1788-1879]-A gypsy encampment with figures, pony, donkey and dog,:-signed bottom rightoil on canvas, 62 x

64cm.

1707 Johannes H B Koekkoek [1840-1912]-View to Windsor Castle:-signed bottom leftoil on board30 x 44cm.

1708 English School 19th Century-Thirlmere Lake, Cumberland,:-oil on canvas, 34 x 49cm.

1709Alexander Abraham [early 20th Century]-The End of The Day; harvesters and corn stooks,:-signed bottom rightoil on canvas, 45 x

60cm.

1711W. H. Hammond Jones [late 19th Century] - Chiddingfold Green, Surrey,:- signed with a monogram and dated 1877, watercolour, 33 x

83cm.

1712 British School 19th Century-Shepherd on a hillside,:-watercolour, 54 x 89cm.

1713Ernest Albert Waterlow [1850-1919]-' ....house on the Moor,:-signed and dated 1870inscribed with title on a label fragment attached to

the backboardwatercolour, 34 x 51.5cm.*Provenance. The Verity Waterlow Bequest, The Court Gallery, Nether Stowey.

1714Manner of Edmund E. Niemann, 19/20th Century-The Wharfe Valley, Yorkshire, charcoal burners in the distance,:-indistinctly signed R

Beetie bottom rightoil on canvas, 59 x 105cm.

1716 English School, 19/20th Century- Country house and parkland,:- oil on board, 24 x 34cm.

1717 Manner of Peter De Wint [19th Century]-Windsor Castle from The River,:-oil on canvas, 36 x 58cm.

1718 British School 19/20th Century- Sunlight through a meadow,:-oil on canvas, 30 x 40cm.

1719 Edwin John Alexander [1870-1926]-Moorland, Galloway,:-signed with a monogramwatercolour, 19.5 x 32.5cm.

1720 Attributed to James Duffield Harding [1797-1863]-The Shiel Inn, Head of Loch Duich,:-watercolour, tondo, 18cm.

1721 William Ward Gill [1823-1894]-A wooded river pool, figures on a bridge,:-signed bottom leftoil on panel, 19 x 16.5cm.