be future-ready publishers - build a digital supply chain of your content
TRANSCRIPT
But first, a few questions #Sourcing We have a good team of in-house writers and ad-hoc contributors across the industry. What other channels do we use to generate content?
#Production Apart from the usual articles, we produce videos, audios, chats, surveys and listings. How deep is their integration with our mainstream content?
#Packaging Our archive has five years worth of stories on every aspect of people management. Can readers find and experience our content based on their habits?
#Distribution All our content can be accessed on our web and mobile sites. What is our visibility on our audience’s most preferred platforms for media consumption?
#Metrics We generate several million pageviews a year and are know as the top media platform in our niche. But do we know which audience segment generates most of these page views? Or the location? Or device? Or time of day? What intelligence do we have?
#Monetisation Advertising, both in print and online, is our primary source of revenue. We also have a modest income from corporate and individual print subscriptions. Can we charge a premium by being innovative with our inventory? How do we encourage digital subscribers?
What can we change to plug these gaps in our publishing? Let’s pick just 10 points of ac-on.
Segment audiences by industry and role. Then use list-‐based tools to track their conversa>ons and preferences. Look for and engage with topics or influencers with high social gravity. Include these in our editorial checklist. Establish our lists as great resources for the industry to follow. Each list must also be developed into a good sample userbase for any content we produce in that segment. Similarly, use Google’s keyword and trends tools to track rising searches in various segments. This will ensure that our content machine responds in >me to changes in audience interest and rides these graphs to their peak. These tools will give us a very wide pool of topics to address. How will we ensure our content throughput keeps up?
1. Build a list-ening grid #sourcing
Our team of in-‐house writers is finite. And they can never be experts at everything. Hence, user contribu>ons. Brands, industry leaders, even bloggers seek a share of voice in their niche media. But their contribu>ons are usually one-‐off appearances and inconsistent over >me. Build rela-onship programs that connect with all types of influencers, map them to an area of exper>se and then assign and retrieve regular contribu>ons from them. Outreach for content will also improve our speaker selec>on, lead genera>on, talent referral, even audience development. Conversely, can we get such non-‐editorial ac-vi-es to generate content?
2. Set up contributor programs #sourcing
The Internet Retail Expo ‘14 sessions can be accessed as trailers, full videos, slideshows, Storifys, even audience data charts. Can such event archives evolve into a paywalled and searchable knowledgebase?
Our events — we do several each month — aggregate the industry’s best around meaningful conversa>ons. Why do they need to have a shelf life? Document every interac>on as a mul-media recap.
3. Get content, data at events #sourcing
4. Structure your content #production Create content like code — in modules. Modules can be reused and repurposed across mul>ple stories. They are more adap-ve across pla?orms or contexts, and easier to search, sort or filter. Use natural language processing (NLP) to automa>cally and thoroughly bag and tag each module of content. This structure also allows us to produce stories with mul-ple, dis-nct sources and creates possibili>es for co-‐crea>on with our users — even with programs. With structure, we can also allow users to follow specific topics, writers or stories instead of the en>re site. But how will we ensure content relevance?
Once content is structured, we have room for everything from gamifica-on and loyalty programs to engagement tracking by module type, number of modules per visit, and more. The key is relevance. Know who and what our audience reads, the order they read it in, the pla\orms or devices they read it on, the >me of day and loca>on they read it at, people they share it with. Plan, produce, deliver content accordingly. Merchandise it. In >me, each user’s experience will be customised to his/her preferences. But how will we extend these insights to macro-‐level editorial planning?
5. Personalise #production #packaging
Audience insights, however granular, show pa^erns over >me. Broadcasters have always used these as the basis for their channel programming. That’s why we know that Star Movies’ Fridays are comedy nights and Sunday a`ernoons are thriller marathons. We need to build audience habits and push related proper>es that we want to be known for, based on insights gathered in sourcing and produc>on. Set up an editorial calendar to start building monthly themes and recurring genres. Then assign story ideas and formats to writers and contributors. Now, do we bring the audience to the party or just go where the audience is?
6. Ride the audience’s habits #packaging
Connected audiences today consume news and informa>on in bits and pieces from mul-ple streams — mobile no>fica>on screens, email newsle^ers, social feeds, aggrega>on apps, etc. We need to be everywhere, no excuses. The key is to automate just enough of the process for it to stop being an effort, and manually coordinate the rest so users don’t feel there’s a robot across the channel. But what happens when people talk back? Social media management is exactly like running a contact centre. Be quick, be relevant, don’t screw up. Set up guidelines. At a cri>cal mass, our communica>on will evolve beyond posts/replies to reminders/sugges>ons. How will we know when?
7. Show up and follow up #distribution
There’s no point to measuring everything if we don’t know what to do with it — and when. Hence, lifecycles. Use cookies to iden>fy users and compile their online habits. Assign to various stages of the audience lifecycle. Transi>ons between stages can trigger user prompts to dive deeper or stay on. Track acquisi>on, reten>on, leakage, et al. Iden>fy affini>es between user or content segments. Build, act on data. Correlate these with performance data on our topics, formats, even authors. With all these numbers, can’t we also give adver-sers beDer opportuni-es to connect with our audience?
8. Track the audience lifecycle #metrics
Visitor
New Contact
Engaged Contact
Evangelist Contact
Slipping Contact
Dropout
9. Create new inventory #monetisation Why have just display ads? Why not brand multimedia content like infographics, photos, videos, live chats, ebooks, more? Note how IBM chose power of data as the single theme for useful content in various formats, then aggregated them in one unit. Sponsored widgets are a tremendous way for brands to build a reputation as a source of useful content in their niche. For users, we should also experiment with freemium subscriptions, micropayments. Steps 1 to 9 are all key changes in product, workflow and culture. How will we execute them without bringing the house down?
10. Work with iamWire #smartpublishing
Sourcing • List-ening Grid • Event Content • Social Gravity • Relationship
Programs
Production • Tools, Strategy • NLP Effects • Structured
Content, Data
Packaging • Programmed
Publishing • Content
Merchandising
Distribution • Tools, Strategy • Social, Email,
Mobile, UI/UX Management
Metrics • Tools, Strategy • User Research
and Tracking • Performance
Metrics, Alerts
Monetisation • Inventory
Innovation • Subscription
Programs