baroque versus classical music
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7/29/2019 Baroque Versus Classical Music
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David E Wolfswinkel
Baroque versus Classical
Baroque and classical music, although belonging to different time periods, are often and
easily confused. Besides the date and the name of a composer the two types of music are
difficult to distinguish. Between movements, symphonies and sonatas this could be achallenging task. It’s baroque versus classical and a journey of discovering who’s who.
Common misconceptions
Many people, when hearing music that cannot be placed in the pop, electro, or other
modern genres call it classical music. It may be, but there are many other
possibilities: Romantic, Renaissance and in this case, Baroque.
Here is a challenge:
Listen to Magnificat in D major by Jan Dismas Zelenka (Right), without
reading any extra information about the piece or the composer - if you do
this the exercise will be pointless.
Next, listen to Missa Solemnis in E Major, Gloria by Luigi Cherubini
(Left), still not reading any extra information about the piece or the
composer.
Now listen to them again, but this time pay close attention to the technicalities of the
pieces: the rhythms, harmonies, how the piece moves towards the climax, the different
instruments and so forth.
Now decide which is classical and which is baroque…
To people with or without a trained musical ear this can be very challenging. Magnificat is a
highly ornamented piece. Intricate and complex melodies and harmonies create the main
melody line, which is surprisingly difficult to remember if you are not accustomed to this
specific piece. The piece also never reaches a true climax; instead smaller peaks in tension
are present. At first you may not notice but a familiar sound is missing. This piece does not
have a piano part.
Magnificat is from the baroque era
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Gloria on the other hand not only has a piano part, but also includes a wide variety of string,
brass, wind, and percussion instruments, and very importantly the bassoon. The bassoon
was not present during most of the baroque era, but quickly changed the style of classical
music shortly after its invention.
You will find this melody line is also not easy to remember, but it is easier than the highly
ornamented Magnificat. Throughout Gloria (which is the climax of Missa Solemnis) one gets
the feeling of movement which is clear at the end of the movement in a glorious climax
including the mass choir and orchestra.
Missa Solemnis’ Gloria is from the classical era.
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What is Baroque Music?
When and Who?
The Baroque era lasted from 1600 to 1760. It followed the Renaissance
era and developed into the Classical era. Some famous composers from
the Baroque era are Johann Sebastian Bach, Antonio Vivaldi and
Domenico Scarlatti (All right).
Why?
Music was composed mainly on request of the head of the court or the
king. Music was a form of entertainment only for the high class people.
The only place ordinary people heard music was in a church.
What?
Baroque composers are known for blending the musical language into
emotions and feelings that remained with the piece/movement or dance
until the end. Pieces always have a feeling of continuity, although
ornamented the same opening melody is carried out through the entire
piece. The dynamics of a piece are very constant. Any shift is very sudden
because there was only loud or soft, no in between.
What is Classical Music?
When and Who?
The Classical era lasted from 1750 to 1820. It developed from the Baroque
era and preceded the Romantic era. Some famous composers from that
era are Ludwig van Beethoven, Wolfgang Amadeus Mozart and Johann
Strauss ll) (all left).
Why?
Although a lot of music was still being composed for courts and churches
many more people were allowed to listen to music and many more public
performances were held. Symphonies and concertos were developed during
this era and opera became a very popular form of music.
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What?
Classical music had a wide emotional range as composers were given the
freedom to compose as they pleased. The development and invention of the
Bassoon, piano and brass instruments also added the mood variations of
classical music. Melodies were tuneful and easy to remember and the
concept of basso continuo was abandoned.
Conclusion
Although Classical and Baroque music is not often socially listened to today, this music will
always be enjoyed and remembered as two of the greatest and most fundamental eras in
musical history. It is thanks to these points in time that we are able to produce the music we
have today.
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Bibliography
http://www.baroquemusic.org/
http://en.wikipedia.org/wiki/List_of_Baroque_composers
http://en.wikipedia.org/wiki/File:Domenico_Scarlatti_(azul).jpg
http://library.thinkquest.org/15413/history/history-bar.htm
http://library.thinkquest.org/27927/Classical_characteristics.htm
http://en.wikipedia.org/wiki/Classical_music
http://en.wikipedia.org/wiki/Ludwig_van_Beethoven
http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart
http://en.wikipedia.org/wiki/Johann_Sebastian_Bach
http://en.wikipedia.org/wiki/Antonio_Vivaldi
http://en.wikipedia.org/wiki/Johann_Strauss_II
http://www.baroquemusic.org/bardefn.html
http://uk.answers.yahoo.com/question/index?qid=20091104085541AAmkPLi
http://www.classicalscore.com/timeline/classical.html
http://www.classicalscore.com/timeline/classical.html
http://www.di-arezzo.co.uk/sheet+music/classical+score/sheet+music-for-choral+music-
for-orchestra-for-voice/CARUS13959.html
http://www.freehandmusic.com/sheet-music/gloria-in-excelsis-no-2-from-mass-272965