baroque striving to impress

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Baroque Striving to Impress

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Baroque Striving to Impress. Baroque: Definition. A period of history A description of artistic/musical style after the Renaissance Originally a derogatory term-irregular shaped pearl. Causes and Origins. Counter reformation movement (glory of the church) - PowerPoint PPT Presentation

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Page 1: Baroque Striving to Impress

Baroque

Striving to Impress

Page 2: Baroque Striving to Impress

Baroque: Definition• A period of history • A description of artistic/musical

style after the Renaissance• Originally a derogatory term-

irregular shaped pearl

Page 3: Baroque Striving to Impress

Causes and Origins• Counter reformation movement

(glory of the church)• Rulers wanted a style signifying glory• Artist’s desire to be more expressive• Originated in Italy

Page 4: Baroque Striving to Impress

Characteristics• How does Baroque compare with the

Renaissance?• Unique contributions– Emotion/Religious fervor/Realism– Dramatic (light and shade/perspective)– Exploration of form (elaborateness,

exaggeration) but all in control– Virtuosity

Page 5: Baroque Striving to Impress

Architecture and Sculpture

Page 6: Baroque Striving to Impress

Architecture Style• Versailles– Landscaping

• Hall of Mirrors– Extravagance

Page 7: Baroque Striving to Impress

Architecture Style• St. Peter’s Square (Bernini)

Page 8: Baroque Striving to Impress

Gian Lorenzo Bernini

Baldacchino (Altar covering in St. Peters)

Page 9: Baroque Striving to Impress

Bernini

Ecstasy of St. Theresa

Page 10: Baroque Striving to Impress

Bernini

David

Page 11: Baroque Striving to Impress

Bernini

Apollo and Daphne

Pluto and Persephone

Page 12: Baroque Striving to Impress

Caravaggio (Michelangelo Merisi)

• The Calling of Saint Matthew – Chiaroscuro– Realism

Page 13: Baroque Striving to Impress

Caravaggio• The

Martyrdom of Saint Matthew– Emotion– Perspective

Page 14: Baroque Striving to Impress

Caravaggio• David with the head

of Goliath– Emotion/realism– Perspective

(foreshortening)– Light/darkness

Page 15: Baroque Striving to Impress

Caravaggio: The Supper at Emmaus

• Perspective• Realism

Page 16: Baroque Striving to Impress

Artemesia Gentileschi

• Judith and Holofornes– Emotion– Realism– Perspective

Page 17: Baroque Striving to Impress

El Greco

• The Burial of Count Orgaz– Religious fervor– Virtuosity (color)

Page 18: Baroque Striving to Impress

Diego Velazque

z• Las Meninas

(Maids of Honor)– Perspective– Virtuosity (detail)– The art of

creating art (similar to the view of literature making literature in Don Quixote)

Page 19: Baroque Striving to Impress

Velazquez: The Surrender of Breda (Las Lances)

• Perspective• Virtuosity

Page 20: Baroque Striving to Impress

Peter Paul RubensHenri IV

Receiving the Portrait of Marie De Medici

Rape of the Daughters of

Leucippus

Page 21: Baroque Striving to Impress

Anthony Van DykeCharles I on Horseback

Charles I: King of England at the Hunt

Page 22: Baroque Striving to Impress

Rembrandt: Night Watch

Page 23: Baroque Striving to Impress

Rembrandt

Dr. Tulp’s Anatomy Lesson

Page 24: Baroque Striving to Impress

Frans Hals

The Laughing Cavalier

Page 25: Baroque Striving to Impress

Jan VermeerThe Art of Painting

Study of a Young Woman

Page 26: Baroque Striving to Impress

Georges de La Tour

Christ in the Carpenter’s Shop