baroque period 1600-1750. common practice period 1600-1900 baroque (1600-1750) – birth of opera....

10
Baroque Period 1600-1750

Post on 18-Dec-2015

230 views

Category:

Documents


6 download

TRANSCRIPT

Page 1: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

Baroque Period

1600-1750

Page 2: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

• Common Practice Period 1600-1900

• Baroque (1600-1750) – birth of opera.  Very dramatic period.  Extreme contrasts. [romantic]

Page 3: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

6 Features of Baroque Music

• 1.  terraced dynamics – dynamics change suddenly

• 2.  unity of mood – a movement will stay in one mood only

• 3.  continuous melody – the melody continues to unfold and keep going.  Hard to find a cadence (resting place)

• 4.  continuous and driving rhythm – a rhythm pattern is usually repeated throughout, and builds momentum

Page 4: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

6 Features of Baroque Music

• 5.  chords and the basso continuo – strong bass line played by two players (harpsichord/organ and cello).  Chord progression, a set of tones that all belong to the same key

• 6.  polyphonic texture – more than one melody is usually going on at the same time

Page 5: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

Vocal Music

• Cant- or Chant- having to do with singing

Page 6: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

2 Types of Singing

• Aria - the singing style in operatic works that is a "song". Action stops and characters reflect on emotion that has just occurred.

• Recitative - the singing style in operatic works that is the dialog/action. This type of singing is not usually very tuneful.

Page 7: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

Opera

• A large-scale, multi-movement work for vocal soloists, chorus, and orchestra. It is secular (not religious), acted out on stage with scenery and costumes, performed in a theater, and sung in Italian. G.F. Handel started his very successful career writing operas.

Page 8: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

Cantata

• A small-scale, multi-movement work for vocal soloists, chorus, and orchestra. It is sacred (religious), NOT acted out on stage with NO scenery and costumes, performed in a church during a service, and sung in German. J.S. Bach wrote many of these types of works.

Page 9: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

Oratorio

• A large-scale, multi-movement work for vocal soloists, chorus, and orchestra. It is sacred (religious), NOT acted out on stage with NO scenery and costumes, performed in a theater, and sung in English. Handel began to compose this type of work when the London theatres were closed during Lent. Messiah is an example of an oratorio.

Page 10: Baroque Period 1600-1750. Common Practice Period 1600-1900 Baroque (1600-1750) – birth of opera. Very dramatic period. Extreme contrasts. [romantic]

• Libretto - the words of an opera exactly as they are set to music. The libretto is NOT a plot summary, but the lyrics of the opera (like a script to a play or movie). Literally, it means "Little book".