band-pass filter design project
DESCRIPTION
Bandpass filter, Electronics, Op-Amps, Bessel, Sallen-Key, Multiple-feedback, Audio filter, Crossover, Bode Plot,TRANSCRIPT
Lab 6: Filter Design Project ENG214: Circuit Analysis Laboratory
Tim Laux, Eric Brokaw, Thomas Approvato, Alin Bojkovic
The College of New JerseyDecember 11th 2014
Table of Contents1. Application2. Requirements3. Research4. Calculations5. Solution6. Equipment7. Procedure8. Results9. References
Application• A singular loudspeaker is
generally incapable of reproducing the entire audio spectrum with a linear frequency response and without distortion.
• Most professional and high-end systems use two or more drivers, each catering to a specific range of frequencies.
• Each loudspeaker needs to be driven by a signal with frequencies in its linear range of operation.
Figure 1. Three-way speaker system
Requirements
Figure 3. HiVi M4N Frequency Response
Figure 2. HiVi M4N
• We picked out the HiVi M4N, a commercially available driver.
• After examining its frequency response plot, we determined that it responded linearly between 100Hz and 5kHz. This makes it a low-midrange driver.
• Therefore, we require a band-pass filter which has -3dB cutoff frequencies of 100Hz and 5kHz.
Research• There are two ways to filter audio
signals: before or after amplification (active or passive crossovers)
• Before amplification (active): Better overall sound quality Highly tunable Less expensive Smaller/lighter Requires multiple amplifiers
• After amplification (passive): Requires only one amplifier Lower complexity Potentially expensive Bulky/heavy Power losses and non-linearities
Figure 4. Active Crossover
Figure 5. Passive Crossover
Research• We chose the active filter route.
• The two popular active filter topologies are Sallen-Key and multiple feedback (MFB).
• We chose the Sallen-Key topology because of its simplicity and its suitability for our application.
• In order to pass a wide band of frequencies, we need to cascade two filters, one high-pass and one low-pass.
Figure 6. Sallen-Key
Figure 7. Multiple Feedback
Research• There are three major
responses possible from an active filter.o Besselo Butterwortho Tschebyscheff
• We chose a Butterworth response because of its passband flatness and its relatively sharp transition into the stopband.
• Bessel was not steep enough, while Tschebyscheff introduces some ringing in the passband.
Figure 8. Comparison of different filter responses
• We used “Op-Amps for Everyone” by Texas Instruments to design our filter according to our needs.
Calculations
Solution• First, we used LTSpice
to confirm the design worked.
• Then, we swapped in the closest E12 capacitor values and the closest E24 resistor values. We resimulated with these values.
• We were able to achieve acceptable performance even with the adjusted values.
Figure 9. Schematic diagram of the filter
Solution• Bill of materials
Op-amp1. LM324 Quad Op-amp
Carbon film resistors1. 12K2. 15K3. 22K4. 30K
Ceramic capacitors1. 0.1μF (2x)2. 1nF (3x)
Total cost (single quantity) : $0.98
Figure 10. Circuit on a breadboard
Equipment
Figure 11. HP 64645D Oscilloscope
Figure 12. Agilent 33220A Function Generator
• HP 54645D Oscilloscope
• Agilent 33220A Function Generator
• Elenco XP-581 Quad Power Supply
• Breadboard
Procedure1. Using sources from online about op-amps and filter design
techniques, we drew the schematic for our filter
2. We built the circuit on a breadboard
3. We tested this filter using frequencies ranging from 10Hz to 60kHz• The op amp was powered by a ±12V supply• The function generator was used to create the test
frequencies• The output was probed with the oscilloscope and the peak-
to-peak voltage was recorded at each frequency
4. We created the circuit using LTSpice
5. We compared our experimental data with our calculated data using LTSpice
Results
10 100 1000 10000-36
-33
-30
-27
-24
-21
-18
-15
-12
-9
-6
-3
0
3
Band-pass Filter Gain vs. Frequency
LTSpice
Frequency (Hz)
Ga
in
(dB
)
Figure 13. Gain vs. Frequency Plot (Simulated and Measured)
ResultsIdeal LTSpic
eMeasure
d
Cutoff frequency 1(-3dB)
100 Hz 103 Hz 107 Hz
Cutoff frequency 2 (-3dB)
5000 Hz
5010 Hz 5400 Hz
-3dB bandwidth 4900Hz
4907 Hz 5293 HzFigure 13. Results comparison
• The results from LTSpice were very close to the ideal figures.
• The measured results were close, and had errors less than 10%.
• Taking component variations into consideration, our results were satisfactory.
LTSpice
Measured
Error (cutoff frequency 1)
2.96 % 6.76 %
Error(cutoff frequency 2)
0.20 % 7.69 %Figure 14. Percent error
References• Carter, B. (2001). Active Filter Design Techniques. In Op-Amps for
Everyone.
• HiVi Speaker. (2006). M4N Full Frequency. Retrieved from Swan Speaker: http://www.swanspeaker.com/product/htm/view.asp?id=83
• Maxim Integrated Products. (2003, February 4). A Beginner's Guide to Filter Topologies. Retrieved from Maxim Integrated: http://www.maximintegrated.com/en/app-notes/index.mvp/id/1762
• bibin3210. (2012, May 8). Active vs. Passive Crossovers. Retrieved from HiFi Vision: http://www.hifivision.com/active-speakers/17925-active-vs-passive-crossover.html