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BACK ISSUE Not for Circulation ©IL LiKK ^ ^ ^ ^ ^ THE CLEVELAND INSTITUTE OF ART NEWSLETTER / SUMMER 1973 / VOL. 8, NO. 2 JJwEsfoa Gun3 Uemoi-Tc-l C'll^rar^ C'!.e-;-eland IntitIture af li*t !?. 141 Basx Boulevard Cirtveiand, Odlo 44106 CIA TO APPEAR COAST TO COAST ON TV On July 16 the Cleveland Institute of Art will make its de- but in color on WKYC-TV channel three in Cleveland. At 6 am that Monday morning early risers in the Cleveland Area will see the first of a series of ten V2 hour programs entitled "Expanding Visual Concepts: The Education of the Artist", Winners of the top awards at Commencement were: L to R —Connie Pierce, Bill Carlson, Tony Miraglia, Dennis Janke, Cretchen Williams and jim MacDonald. Jon Havener was not present for the picture. 90th Commencement The Class of 1973 chose the traditional cap and gown for Commencement on Eriday, May 18 in the CIA auditorium. Not so traditional, but most delightful, was their choice of classical guitar music played by David L. Phillips for the pro- cessional, recessional and a musical interlude. Dr. Roman Vishniac's stimulating talk was entitled "The Einal Goal of Our Efforts Should Be the Harmonious Society and the Creative Individuum—Or Else." He congratulated the graduates as he told them that "now it is up to you; you have a beautiful diploma." He also told them that they are more than artists; they are human beings. "Be free spiritually and physically by reading, meditating and open the doors of the future; the greatest power on earth is willpower;" he said, as he charged them to use it for goodwill, for hate brings war. He asked that they seek unity in all they do as they build for the future. The points he made were beauti- fully illustrated by slides from his collection depicting every- thing from microphotography to time-lapse nature shots and the poignant portraits of Jews in the ghettos of Eastern Europe. starring the faculty and students of the Institute. The com- plete listing of broadcast times for: Cleveland; New York; Washington, D.C.; Chicago and Los Angeles is on page 2. Behind the finished production is a story of excitement and frustration akin to that found on any Hollywood lot; but there is also a new found medium for expression and a fantastic amount of cooperation. Dean Alfred Hammer and Chris Williams (design) met with Effie Hall the producer- director of Channel 3 to discuss how best to proceed. The decision as to what subjects the ten programs would cover was made and Chris Williams met with the department chairmen to seek their cooperation on the project and to ask them to begin to work on their storylines and scripts. To many of the faculty this was a totally new experience and a task some found not as easy as they had supposed it would be; the native talents of others was immediately ap- parent. Long hours of work beyond the normal time spent in teaching were necessary for all of those who worked on the project. Expertise in the audio-visual area was available to the department chairmen in the person of Vivien Abrams, head of the CIA Audio-Visual Department. Because it was a new medium to many of the faculty she worked with them on the timing of their scripts to the 28 minutes allotted, which is a complicated affair. Those who wanted to could seek her help in selecting slides and background music. Before the on location filming began on March 27 and 28, Chris Williams and Viv Abrams reviewed the storylines and then the scripts were discussed with Effie Hall, the pro- ducer-director. On location shooting was done for two days from 8 am to 6 pm. The big mobile unit was parked out- side the building and the cables were brought in through the windows. No special effects were used; the video cam- era saw just what the eye sees. This, of course, was only the beginning. The footage had to be edited, other shots were taken at the studio or slides were inserted in the live material. Each of the ten programs took approximately five hours of editing and additional tap- ing and dubbing to come up with the finished programs as you will see them. Because of scheduling—both at WKYC- TV and the Institute, most of this had to be done in the evenings and all of the materials to be shot had to be taken to the television studio in downtown Cleveland and then back to the Institute; it was quite a project and involved ded- ication and a big crew of technicians to do it. Voices and faces of faculty that will be familiar to many of you include: Painting and Drawing—Erancis Meyers, Joseph Jankowski and Ralph Woehrman; Graphics—Marco DeMarco, Roger Coast, Mort Epstein and Gene Palowski; Printmaking— (Continued on page 2)

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Page 1: BACK ISSUE ©IL LiK Not for Circulation K · PDF file©IL LiKNot for Circulation K ... were Jon Havener, a silver smithing ma ... the Horace Potter Memorial Scholar

BACK ISSUE Not for Circulation

©IL LiKK ^ ^ ^ ^ ^ THE CLEVELAND INSTITUTE OF ART NEWSLETTER / SUMMER 1973 / VOL. 8, NO. 2

JJwEsfoa Gun3 Uemoi-Tc-l C'll^rar^ C'!.e-;-eland IntitIture af li*t

!?. 141 Basx Boulevard

Cirtveiand, Odlo 44106

CIA TO APPEAR COAST TO COAST ON TV On July 16 the Cleveland Institute of Art will make its de­

but in color on WKYC-TV channel three in Cleveland. At 6 am that Monday morning early risers in the Cleveland Area will see the first of a series of ten V2 hour programs entitled "Expanding Visual Concepts: The Education of the Artist",

Winners of the top awards at Commencement were: L to R —Connie Pierce, Bill Carlson, Tony Miraglia, Dennis Janke, Cretchen Williams and jim MacDonald. Jon Havener was not present for the picture.

90th Commencement The Class of 1973 chose the traditional cap and gown for

Commencement on Eriday, May 18 in the CIA auditorium. Not so traditional, but most delightful, was their choice of classical guitar music played by David L. Phillips for the pro­cessional, recessional and a musical interlude.

Dr. Roman Vishniac's stimulating talk was entitled "The Einal Goal of Our Efforts Should Be the Harmonious Society and the Creative Individuum—Or Else." He congratulated the graduates as he told them that "now it is up to you; you have a beautiful diploma." He also told them that they are more than artists; they are human beings. "Be free spiritually and physically by reading, meditating and open the doors of the future; the greatest power on earth is willpower;" he said, as he charged them to use it for goodwill, for hate brings war. He asked that they seek unity in all they do as they build for the future. The points he made were beauti­fully illustrated by slides from his collection depicting every­thing from microphotography to time-lapse nature shots and the poignant portraits of Jews in the ghettos of Eastern Europe.

starring the faculty and students of the Institute. The com­plete listing of broadcast times for: Cleveland; New York; Washington, D.C.; Chicago and Los Angeles is on page 2.

Behind the finished production is a story of excitement and frustration akin to that found on any Hollywood lot; but there is also a new found medium for expression and a fantastic amount of cooperation. Dean Alfred Hammer and Chris Williams (design) met with Effie Hall the producer-director of Channel 3 to discuss how best to proceed. The decision as to what subjects the ten programs would cover was made and Chris Williams met with the department chairmen to seek their cooperation on the project and to ask them to begin to work on their storylines and scripts.

To many of the faculty this was a totally new experience and a task some found not as easy as they had supposed it would be; the native talents of others was immediately ap­parent. Long hours of work beyond the normal time spent in teaching were necessary for all of those who worked on the project. Expertise in the audio-visual area was available to the department chairmen in the person of Vivien Abrams, head of the CIA Audio-Visual Department. Because it was a new medium to many of the faculty she worked with them on the timing of their scripts to the 28 minutes allotted, which is a complicated affair. Those who wanted to could seek her help in selecting slides and background music.

Before the on location filming began on March 27 and 28, Chris Williams and Viv Abrams reviewed the storylines and then the scripts were discussed with Effie Hall, the pro­ducer-director. On location shooting was done for two days from 8 am to 6 pm. The big mobile unit was parked out­side the building and the cables were brought in through the windows. No special effects were used; the video cam­era saw just what the eye sees.

This, of course, was only the beginning. The footage had to be edited, other shots were taken at the studio or slides were inserted in the live material. Each of the ten programs took approximately five hours of editing and additional tap­ing and dubbing to come up with the finished programs as you will see them. Because of scheduling—both at WKYC-TV and the Institute, most of this had to be done in the evenings and all of the materials to be shot had to be taken to the television studio in downtown Cleveland and then back to the Institute; it was quite a project and involved ded­ication and a big crew of technicians to do it.

Voices and faces of faculty that will be familiar to many of you include: Painting and Drawing—Erancis Meyers, Joseph Jankowski and Ralph Woehrman; Graphics—Marco DeMarco, Roger Coast, Mort Epstein and Gene Palowski; Printmaking—

(Continued on page 2)

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Commencement con't from page 1 Dean Alfred E. Hammer, Acting Di­

rector of the Institute gave the charge to the graduates and then Mrs. David L. Crund, President of the Board of Trus­tees, presented the annual honors and awards. Winners of the two Agnes Gund Memorial Scholarships for $2500 each, were Jon Havener, a silver smithing ma­jor, and William Carlson the first gradu­ate from ceramics in glass-blowing.

The $2500 Helen Greene Perry Travel­ing Scholarship went to Connie Pierce, a painting major. Tony Miraglia, also a painting major, received the $2000 Mary C. Page Memorial Scholarship. The two Women's Committee Scholarships of $1500 each went to James MacDonald, a sculpture major, and Dennis Janke, a graphics major. The $1200 Nancy Dunn Memorial Scholarship went to Gretchen Williams, a silver-smithing major.

Additional special awards that were presented are: the Henry G. Keller Memorial Award going to Marcello Petrocelli, a fourth year student, and the Horace Potter Memorial Scholar­ships to Lin Ery, a third year student, and Margaret Murphy and Susan Walker, both second year students.

Sophomore, John Stachowicz re­ceived the Eastman-Bolton Memorial Award. Paulette Krieger, '73 received the Jack Johnson Memorial Award and Terrell Schoch, '73, got the Otto E. Ege Memorial Award. Bonita Dolin, '73 re­ceived the commission award from the Print Club.

The Eord Motor Company Awards were presented to James Girard, Brian Bundy, Julian Carter and Lilian Kaitsa, all Class of 1973. Girard also received the Student Merit Award of Industrial De­signers Society of America.

A color slide of each graduate at work was projected on the screen as he went on the stage to receive his diploma from Mrs. Grund; it was a very effective ad­dition to the ceremony. At the close of the exercises the graduates and their guests were invited to the Gallery for punch and cookies and the official open­ing of the Student Summer Exhibition.

LINK is a quarterly newsletter pub­lished by the Office of Public Rela­tions, Cleveland Institute of Art, for its friends, trustees, alumni, faculty, and students. Sett/e Raymond, editor.

All photographs in this issue with the exception of Mr. Caldwell's are the work of Dennis Buck, '73.

Deadline for the next issue is Sep­tember 10,1973.

TV con't from page 7 Carroll Cassill; Photography—Bob Palm­er and Marianne Gellman; Silversmith-ing—John Paul Miller; Industrial Design —Viktor Schreckengost, Roy Hess and Peter Zorn; Sculpture—Jerry Aidlin and Carl Floyd; Ceramics—Joe Zeller and David Batz; Weaving and Textile— Sandy August and Gwen-Lin Goo. Six students are shown in the final segment

discussing: the Institute, the purpose of an art education, space and equipment, the affect of University Circle on the education of an artist and the pros and cons of a five year BFA program. They raise some interesting questions as they all express their own points of view. Credit for the graphics for the produc­tion goes to Mona Hsu, who will be a 5th year student in the fall.

The Cleveland Institute of Art has copies, in color, on video cassette and half inch reel-to-reel tape that will be used to show to groups upon request. The alumni saw a preview of three of the programs on June 26. Inquiries about the tape should be directed to Miss Vivien Abrams, head of the Audio-Visual Depart­ment at the Institute.

Schedule for showings of "Expanding Visual Concepts: The Education of the Artist" in Cleveland, Ohio on WKYC-TV, Channel 3 at 6 a.m. are:

Monday, July 16 Sculpture Tuesday, July 17 Printmaking Wednesday, July 18 Industrial Design Thursday, July 19 Painting & Drawing Eriday, July 20 Weaving & Textiles

Monday, July 23 Photography Tuesday, July 24 Ceramics & Glass Wednesday, July 25 Graphic Design Thursday, July 26 Silver Eriday, July 27 The Art Student

Eor other NBC stations check the local time for the program called "Station Exchange"

New York—WNDC-TV August 13 -17, 20 - 24 Los Angeles—KNBC-TV September 10 -14,17 - 21

Chicago—WMAQ-TV October 8 - 12,15 - 19 Washington, D.C.—November 5 - 9,11 -16

The Ford Motor Company visited ttie I.D. department on May 11 and spent the day evaluating designs for sports cars. Shown here are representatives from the Ford Company and the winners of the $1500 in prizes. L to R Albert Mueller '49, Fritz Mayhew, both from Ford, jim Cirard '73, Brian Bundy '73, Lilian Kaitsa '73, julian Carter '73 and jim Sipple, also from Ford.

WORK STUDY GRANT The Cleveland Institute of Art has re­

ceived a grant under the Federal Work Study Program. This program is de­signed to provide cash payments to stu­dents for work accomplished. "It is dif­ferent from and will replace our former Working Scholarship Program, which was essentially a tuition remission plan," said Dean Hammer, Acting Director of CIA. "This new program will be used, as well, to fill those jobs at the Institute which currently pay cash."

All students who plan to work at the CIA in the future, whether or not they have worked for the Institute in the past, must file the proper application. Because all jobs will be given only to students who can demonstrate need, the re­quired application consists of a pro­cessed PCS, a certified Federal Income Tax return (form 1040) for 1972 and the Institute's own application for Finan­cial Aid. Mr. John S. Swift, Jr., Director of Admissions and Financial Aid, will administer the program.

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CIA Placement Service: What is it?

A NEW SERVICE FOR STUDENTS AND ALUMNI by Lawrence/.. Carberjr.

As part of the expanding program of student and alumni services at C.I.A., I am happy to say that a Placement Office is being established. Though certain as­pects of placement have been performed by the director and department heads, for the first time these activities will be coordinated through our new Placement Office; we hope to expand the scope and efficiency of the operation in this way. By keeping close contact with em­ployers, canvassing by telephone, news­paper, and letter, and establishing cer­tain filing procedures, we will expedite employer—employee relations.

The purpose of the Placement Office is fourfold: to place current enrolled stu­dents in short term and/or summer em­ployment; to counsel fifth year students in career planning; to aid alumni in counseling and/or job placement; to recruit jobs for students and alumni.

STUDENTSERVICES

As a clearing house for students as well as prospective employers, we can­vass the greater Cleveland area by tele­phone, letter, and newspaper. Currently we have listed approximately one hun­dred summer and part-time jobs; among these are not only the usual jobs of baby­sitter, clerk, typist, yard-worker, and salesman, but also a certain number of more attractive job opportunities: car­icature artist, commissioned painter, cal-ligrapher, arts and crafts instructor, needlepoint designer, technical illustrat­or, gallery worker and advertising illus­trator. We have also listed a number of live-in situations, whereby a student may exchange a room, and possibly board, for household chores and/or babysitting.

In the fall, we will institute a referral service. Those students who have filled out an application form will be notified of those jobs in which they have indi­cated an interest.

GRADUATING STUDENTSERVICES

Fifth year students who register with the Placement Office wil l be inter­viewed, so that we may learn about their immediate goals and their long-term plans. The kinds of organizations they can contact will be discussed and.

in some instances, actual names and ad­dresses of persons to contact will be given. We will also discuss letters of ap­plication, resume, proper attire, and job-hunting techniques, which in the case of an art school graduate often means a displayable portfolio.

We currently are building a placement reference library and two types of books will be included; directories and refer­ence books. The directories can be used to work up a mailing list of potential employers from the listings of art organ­izations throughout the country, adver­tising agencies throughout the world, museums, and so on. The reference books also contain information helpful to the artist who desires to manage his own business affairs.

Another service that we hope to pro­vide is on-campus recruiting by various organizations and businesses. If time and space and money are allocated, we could send out invitations to a number of or­ganizations for the first part of the sec­ond semester. Any alumni and friends who are interested in coming to C.I.A. to discuss job openings within their firms are hereby extended a cordial in­vitation.

ALUMNI SERVICES

The services of the Placement Office are continuous and even after students become alumni, they are welcome to

Faculty and students have responded to two requests for speakers via the Pub­lic Relations Office this spring. In April, Mark Nelson, a third year student, spoke about cartooning to the English class at Erieview Catholic High School. He has a large collection of cartoons, a sub­ject that has held fascination for him for many years.

On May 2 Orange High School held a Eestival of Arts from 12:30 to 3:30 pm. Orange High students had the oppor­tunity to attend four different lectures during the afternoon. CIA sent three speakers. John Bailey (industrial design) talked about Industrial Design which was a very popular subject. Mark Nel-

utilize the placement facilities. We will be most happy to send along any ap­propriate job possibilities to alumni who register with us. Presently we have ap­proximately seventy notices of openings for teaching positions. Due to the cost of such an operation, we will charge alum­ni the standard registration fee of $5.00. Our service will include keeping on file and up-to-date references—a copy of which will be mailed to the employer upon request of the alumnus. There will be an additional charge of $1.00 for each set mailed.

We feel that none of the above could be realized without the inspirational faculty to educate and prepare the stu­dents. The Placement Office sets the tone for job achievement; and hopefully as the office develops, there will be a constant interchange among students, faculty, alumni, and recruiters so that the graduates of C.I.A. will be accorded all the available opportunities concur­rent with their generation.

Editors Note:

In the last issue of Link we introduced our readers to the new Director of Place­ment, Lawrence L. ("Chip") Carber, jr. Because the placement service at CIA can be of vital interest to all readers: alumni, students, faculty and friends we invited Mr. Carber to tell us what the Placement Office hopes to offer.

son's talk on cartooning was also very popular; each period turned into a rap session with lively discussion. Joe Zeller (ceramics) filled in at the last moment as a speaker on "ceramics and/or enam­eling". It seems the students at Orange High School thought the two words were synonymous; what they really wanted was to hear about enameling. Zeller, with true showmanship, aban­doned his ceramics gear and slides and talked about enameling! Our hats are off to these "troupers" who do this in answer to a call "above and beyond the call of duty". Who knows, maybe sever­al students will be inspired to come to CIA someday!

CIA Speakers Visit Schools

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1973 MAY SHOW

The 54th annual May Show at the Cleveland Museum of Art has come and gone. The staff members who judged the 2340 entries from area artists and craftsmen selected 265 objects for dis­play. CIA faculty, alumni and students were prominent again this year in the show.

Of the four $1,000 awards given, one went to enamelist, William Harper '67 for his cloisonne and silver mirror, "Rat­tle for Medusa" and "Scent Garden" -five small, finely detailed cloisonne pan­els.

The jury gave special mentions in Painting - Miguel Conde, visiting for­eign artist; Edwin Mieczkowski, '57, fac­ulty; Hazel janicki, '41; Denis Molnar, '72 and former faculty member John Pearson; Graphics - Bruce McCombs, '66; Crafts Williams E. Stearns, '65 and Donna van Dijk, student.

Other exhibitors from the Cleveland Institute of Art by category were: Paint­ing - Jon Adams, '34; Richard Andres, '50; Rose Ann Bohn, student; Ginna Brand, '73; Robert C. Brisley, '52; Shirley Aley Campbell, '47; Eileen ingalls, stu­dent; Paul Missal, '65; Joseph B. O'-Sickey '40; Sanford Sussmen '71.

Graphics - H. C. Cassill, faculty; Rob­ert J. Cwick, '73; Bonnie Dolin, '73; Karen Eubel, '70; Karen Hirsimaki, '73; Patty Ryan, '73. Photography - Marianne Gellman, faculty; Ladislas Trepal, '70. Sculpture - Jerome Aidlin, '61, faculty; David E. Davis, '48; Theresa Ellerbrock, student; Gwen-Lin Goo, faculty; Charles Laylin Herndon, '71; Jerome J. Malinow-ski, '61; Marcello Petrocelli, student. Electric Art - Robert Jergens, '60, faculty.

Pottery, Porcelain - David Batz, faculty; Diane Bjel, '73; Gail S. Vandy Bogurt, student; Claude Conover, '29; Nancy Einesilver, student; Barbara Takiguchi, student; Joseph Zeller, faculty. Textiles -Sandra August, '62, faculty; Diane Bettch-er Blair, '70; Karen Hirsimaki, '73; Gwynne Lott, '72; Joanne Ball Tallarovic, '67; Dorothy Turobinski, faculty; Andrea Vaiksnoras Uravitch, '72. Enamel, Class -Kenneth E. Bates, emeritus faculty; Wil­liam Carlson, '73. jewelry, Metalwork -Jon Havener, '73; Charles Bartley Jeffery, '32, faculty; James Mazurkewicz, '67, faculty. Other Crafts - Miska Petersham, '49.

Faculty Survey Vivien Abrams (audio visual) had her

painting "Second Penetration Series #3, Horizontal and Vertical" on the front cover of the July issue of WCLV Cleve­land Guide. Inside the article showed two more of her paintings and told how she pleats the canvas to achieve her un­usual effects.

David Batz (ceramics) participated in a two man show at Matrix Gallery of the University of Indiana in March. During May he had pieces in: the 16th National Exhibition of the Greater Eall River (Mass.) Art Association and the 1973 Annual Invitational Green Meadow School Pottery Show and Sale at Spring Valley, N.Y.

Sheila Bills (art history) is going to Taiwan in July to study the Chinese col­lection in the palace museum and make an intensive study of Chinese language (Mandarin). She will return in August with a stopover of a week to visit art sites in Kyoto and Tokyo, Japan.

James Blevins '71 (sculpture) showed toys, sundry objects and comic book "art propaganda" at the New Gallery (Cleveland) during June. He was in an exhibition in April, also at the New Gal­lery, entitled "Six Artists; Six Shows."

Malcolm Brown (watercolor) had paintings in American Watercolor So­ciety Exhibition in New York City, the Watercolor U.S.A. National Exhibit at the Springfield Art Museum and the Mainstreams '73 International Exhibit at Marietta College in Marietta, Ohio. He also was elected a member of the Amer­ican Watercolor Society this year and had his work selected for the traveling exhibition of the American Watercolor Society.

Choy Weng Yang, a designer from Singapore, visited the Institute on june 75. He is touring the country on a grant to study the latest concepts in training artists and de­signers. LINK caught (from L to R) Peter Zorn, '65 (industrial design); Mr. Choy; Dean Ann Roulet and Marco DeMarco, '48 (graphic design) relaxing after their serious dis­cussions.

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Faculty Survey con't H. Carroll Cassill (printmaking) has

prints in the Rocky Mountain West In­vitational Print Show that started in the gallery at Utah State University and has now become a traveling show.

Joseph Cintron '54 (portrait painting) has been commissioned to do portraits of the two daughters of Dr. Thomas Toosie of Riverdale, New York. This summer he is a guest instructor in por­trait drawing and painting at the Trum­bull Art Guild in Warren, Ohio. He had some of his work in the Cooper School of Art Faculty show during May and June.

Roger Coast (graphic design) had a one-man show at the Capricorn Galler­ies (Washington, D.C.) in June. He do­nated a zinc engraving for a prize for the Mortessori benefit party held in Cleveland in May, and in June exhibited in the "Visual Creators" show and sale in Cleveland. He has traveled to Japan, Hong Kong, Thailand, Australia, New Zealand and Tahiti to gather references on ancient customs and costumes for a 1974one-man show.

Miguel Conde (painting) who has been the visiting foreign artist for the 1972-73 school year will return to Europe after the summer session at CIA. His one-man show in the institute show was a great success. The Cleveland Museum of Art has purchased some of his paint­ings for their collection.

Peter Paul Dubanlewicz '35 (paint­ing) had a painting in the HELP for Re­tarded Benefit art show-auction in Cleve­land. He and Ralph Woehrman '66 served as judges for the Cleveland Heights High School senior's art show.

Mort Epstein (graphic design) and John Szilagyi '42 (graphic design) have leased the building on Bellflower Road that houses the New Gallery (Cleveland) thereby averting the projected closi ng.

Gwen-Lin Goo (textile design) is among the contributors to "The Crafts­man's Cookbook" a privately produced publication of the American Crafts Council. Her recipe for Chinese Beef and Asparagus was recently reprinted from the book by the food editor of the Cleveland Plain Dealer.

Alfred E. Hammer (dean and acting director) attended the 4th annual joint meeting of UICA Presidents and Trus­tees in Kansas City April 29-May 1. In June he went to Cape Cod for a meet­ing of UICA Deans. He gave the charge to the 1973 graduating class at the com­mencement on May 18, in place of Mr. McCullough, who is still in Europe.

William M. Jean (painting) has re­cently exhibited in the following shows: the All-Ohio (Massillon Museum); the Annual Jewish Community Center Show (Cleveland); a two-man show at Artists Cooperative and the Hallinan-Newman Religious Art Show (Cleveland) in March where he won second prize for his paint­ing "Crucified Image." In April he judged the Lakewood Art League Show and in May the Parma Art League Show.

Charles Jeffery '32 (enameling) is the author of an article on cloisonne' in the June issue of Ceramics Monthly. He showed two crosses in the Religious Arts Invitational Show at the Philadel­phia Art Alliance in April. Three of his enamels were shown in the Ohio Cer­amics and Sculpture Exhibit at the Butler Institute of American Art (Youngstown, Ohio) during January and February. In May he conducted a workshop and lec­tured at the Florida Craftsmen meeting at the University of Florida in Gainesville, Florida and in July he will teach an enamel workshop at the Thousand Is­lands Craft School for the fourth consec-utivesummer.

Joseph Jankowski, '49 (painting) has been commissioned to design a com­memorative medal of State of Ohio for Lincoln Mint. He will judge the Summer Show at Bowling Green University— Firebrands Campus at Huron, Ohio on JulySth.

Robert Jergens '60 (painting & de­sign) and Francis Meyers '51 (life draw­ing) were two of the judges for the Hall­inan-Newman Religious Art Show (Cleveland). They selected 60 pieces from the 201 entries. Bob Jergens also judged the Baldwin-Wallace College (Berea,Ohio) show in April.

Krieger at Work Mark Krieger '67 (multi-media) has

won a Eulbright Scholarship to paint in­dependently in Italy for 1973-74. In May

he had a show of his paintings and graphics at the Women's City Club (Cleveland); he also showed in the Hall­inan-Newman Religious Art Show.

Edwin Mieczkowski (painting) is one of three judges who will decide on the new "Spirit of '76" to be mounted per­manently in Cleveland City Hall.

Frederick Miller (silversmithing) at­tended a two day seminar at the Univer­sity of Kansas in April and the gold show inCopenhagen inMay.

Mary Jane Rossabi (history) gave a speech on "Salvation in China" at both Oberlin (Ohio) College and the Ohio Academy of History meeting in April.

Ann Roulet (dean of students/Eng­lish) has had two articles in the Cleve­land magazine: one entitled "The Gal­lery Scene" and the other a profile on Julian Stanczak. She and her family were hosts to Choy Weng Yang from Singa­pore when he visited Cleveland in June.

Viktor Schreckengost '29 (industrial design) on April 4, Mrs. Frank E. Joseph presented the Women's City Club award to him for his contributions in the field of industrial design, particularly visual arts, especially in the medium of water-color. A show of 20 of his watercolors opened the same day in the gallery of the clubrooms. He also had paintings in the Annual Exhibition of the American Watercolor Society in New York and the "Mainstreams '73" show at Marietta (Ohio) College during the spring.

Frances Taft (acting dean of faculty/ art history) went to Mexico during the spring recess to photograph preColum-bian sites in El Tajin, Palenque, the re­mains of La Venta and Quiahuiztlan. In April she lectured on the "Greek Odys­sey" for the Women's Club of Hudson (Ohio). In June she was elected an alumni trustee at Vassar College for the term 1973-1980.

Richard Treaster '61 (watercolor) had his paintings hung at the Governor's Mansion in Columbus, Ohio during May under sponsorship of the Ohio Arts Council.

JohnTeyral '34 (portrait painting) was a judge for the Gates Mills (Ohio) Com­munity House spring show. He exhibited in the Group Exhibition—American Masters at the Harmon Gallery in Naples, Florida in April.

Dorothy Turobinski (design) was in an invitational group exhibition at the Women's City Club (Cleveland) in Janu­ary. In May she showed in another in­vitational group exhibition called "All Girls" at the Design Corner in Cleve­land Heights.

(Continued on page 8)

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CIA WOMEN S COMMITTEE ANNUAL MEETING

Mrs. Ronald Gottfried who was elected president on May 22 is energetic, enthusiastic and interested in art. John Nottingham '72 (above) and John

Spirk '72 told of their trip to Europe. Nottingham was a winner of the

Women's Committee Scholarship last year.

CIA trustee, Jane M. Bourne, center, discusses Student Summer Exhibition, with two members of tbe Women's Committee.

Mrs. Edward Oberndorf, immediate past president.

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25th ANNUAL ALUMNI ART SALE: SEPTEMBER 6-8 Alumni are going all out this year to

make the 25th anniversary of the Art Sale at Shaker Square more exciting than ever. The committee that plans for the sale includes: Ernest Whitworth, '39; Charlotte Jaffe Cowan, '51; Lois Rada, '46; Dora Mae Yingling Tufts, '37; Joseph Solitario, '48; Lonnie Ruskin Stern, '54; Alice Winter Sands, '36; Margie Pilcher; Gertrude Brodsky and Harold Shrive, from the Cleveland Trust Co. Branch at Shaker Square; they have already put hours of work into preparing for this year's event.

Since the Cleveland Institute of Art is the principal beneficiary of the sale— proceeds provide for the annual Alum­ni Scholarship—faculty at the Institute have been invited to display their work in the shop windows around the Square.

The Industrial Design Department has agreed to put in a special display of their designs in one of the stores. There will be a demonstration of Ceramics, Weav­ing, Painting and possibly Lapidary dur­ing the Sale.

The official poster for the sale is being designed by Jeanne Hammer, a student at the CIA. The Shaker Square Associa­tion will have them printed and dis­tributed and on the CTS and Shaker Rapid Transit well in advance of Sept. 6.

Graduates and those who have at­tended the Institute are urged to con­tact Miss Lois Rada at 232-3991 for their official entry blanks. Entries without ex­ception must be submitted between 4 and 9 p.m. on Tuesday, September 4 at the tent on Shaker Square and unsold items cannot be removed until after the

American Greetings Corporation executives spent a day in the Industrial Design Department. Shown here talking with faculty member, Jon Bailey, '70, are Tony Byrd, Director of Recruitment/Creative on the left and Charles Nervig, Director of Creative Marketing Services.

Friends and Alumni Help Institute Alumni and friends of the Cleveland

Institute of Art are responding to the re­quests they have received for funds to support the educational programs at the Institute. The two special needs are for monies for scholarships and for funds to increase faculty salaries.

The "Eriends of the Cleveland Insti­tute of Art" campaign begins in the fall of each year and finishes on June 30. All of the donors will be listed in a publica­tion, the first proof of which has just been mailed so that the "Eriends"' names will be properly listed and spelled right. The Institute is grateful to all of

those who have so generously contribut­ed.

The Annual Alumni Eund starts at the beginning of each calendar year and runs for the full twelve months. This is the third year for the Alumni Eund and they are continuing to increase their sup­port for their alma mater. "It is most gratifying to have the alumni interest expressed so concretely, said Bettie Ray­mond, Director of Development. I hope that when we list alumni contributors in LINK, as we did last year, that it will take two pages instead of one!"

sale closes at 10 p.m., Saturday, Sep­tember 8. The 20% commission goes into the Alumni Fund, which supports the Annual Alumni Scholarship.

The Women's Committee will again this year help with selling, but more volunteers are needed for: September 4, 4-9 p.m.: September 6, 7 and 8 from 11 a.m. to 10 p.m. All of our readers are cordially invited to call Lonnie Stern at 321-0219 or Charlotte Cowan at 751-0057 to volunteer to sell at whatever times they can. It's a lot of fun and you have a good chance to really see all of the goodies!

Trustees Hear Nancy Hanks

at UICA Seminar A delegation headed by Mrs. David L.

Grund, President of the CIA Board of Trustees and including trustees: George P. Bickford; Mrs. Elmer L. Lindseth and Mrs. Ansley W. Sawyer, Jr. plus Acting Director of the Institute, Dean Alfred E. Hammer attended the fourth annual Trustee Seminar of the Union of Inde­pendent Colleges of Art in Kansas City on April 29 and 30. These annual meet­ings allow trustees of the member col­leges to address themselves to matters critical to the work of the colleges and to share insights into the meaning and function of trusteeship.

Miss Nancy Hanks, Chairman of the National Endowment for the Arts spoke at the Sunday evening dinner. The crit­ical matter addressed by Miss Hanks in her remarks was "Fragile Stability Squared". Fragile stability, she said, was the Carnegie Commission's analysis of the condition of universities and col­leges. Institutions such as the UICA member colleges are also institutions of art, and thus are faced with "fragile sta­bility squared."

Miss Hanks noted that men hunger not only for bread, but also for beauty and that the "evolving obligation" of in­stitutions to satisfy that hunger was be­ing well met by UICA. She stated that the Endowment was proud to support the UICA Visiting Artist Program and was pleased with the report of its suc­cess. Her expression of optimism that a national re-ordering of priorities seemed to be born out by the subsequent Senate vote to fund NEA $420 million over the next three years; the NEA budget for 1973 was $8 million.

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Faculty Survey con't William Ward '47 (calligraphy) de­

signed the catalog for "The Gund Col­lection of Western Art". He showed paintings at Baycrafters Gallery in April. "Two Thousand Men of Achieve­ment 1972" published by Melrose Press (England) lists William Ward.

Helen Weinberg (English) does book reviews for the Cleveland Plain Dealer and Cleveland magazine—the latest of these are: Philip Roth's "Bright Book of Life" and Arthur Cohen's "The Days of Simon Stern".

Christopher Williams (design) was guest slide lecturer in Kittredge Audi­torium at Syracuse University in April.

Ralph Woehrman '66 (printmaking) had a one-man show at CIA April 1-16. During May his prints were on display in the Capitol rotunda in Columbus, Ohio. In June he learned that he has won the Lewis Comfort Tiffany Award from the Tiffany Eoundation.

Joseph Zeller (ceramics) was a con­tributor to "Untitled 4" a show-auction for the benefit of HELP for Retarded Children.

Peter Zorn '65 (industrial design) and his students were featured in an article in the magazine section of the Sunday Cleveland Plain Dealer i n March.

Former Faculty Kenneth Bates (emeritus, enameling)

his enamels were featured in an article in a recent issue of Craft Horizons. In July he is giving a one week seminar in Gatlinburg, Tennessee. Erom Septem­ber 9-30th three of his pieces will be on display in the State University of New York. He and two other jurists will judge the West Virginia Arts and Humanities Council Show in September. Winter will see him journeying to Tahiti, Hawaii, Fiji and Samoa with the possibility of his favorite Mexico toward the end of the season.

Louis Bosa (emeritus, painting) will have a one-man show in August in Er-wina, Pennsylvania sponsored by the Tinicom Civic Association. His two-man show with Aaron Bohrod in March at the Frank Oehlschlager Gallery in Sara­sota, Florida was a sell out.

Louis G. Caldwell (interior design) A letter from him gives us the following: after serving as head of the interior de­sign department at the Cleveland School of Art from 1932-42 he entered the mil­itary service. He went directly from there in 1945 to Paramount Motion Pictures as senior designer and also taught at Chouinard Art Institute. Ten years later he moved to Dallas, Texas as Head Stage Designer for the Texas State Fair Sum­mer Musicals. In 1961 he moved to "his old home town", Titusville, Pennsyl­vania and built a ranch house on 20 acres with a view. Although he con­siders himself semi-retired, he maintains a consulting office in architectural de­sign.

Floyd E. Craig former instructor at the Institute died Sunday, April 22, 1973 in Robinson Memorial Hospital in Ra­venna, Ohio. Our sympathy to his fam­ily.

Martin Linsey—a clipping from the Sandusky (Ohio) Register tells of a dis­play of his watercolors on April 8th at the Unitarian Universalist Fellowship of ErieCounty.

William McVey '28 (sculpture) gave a lecture for the Cleveland Society of Artists entitled "Materials and Methods of a Sculptor". On June 14 his 10 foot, two ton bronze statue of George Wash­ington as a young man was unveiled at its permanent location in back of the Eederal Office Building in Cleveland. The work was commissioned by the Early Settlers Association.

John Pearson was a foreign visiting artist at CIA and now teaches at Ober­lin College (Ohio). He exhibited in the New Gallery (Cleveland) in April.

Toshiko Takaez (ceramics) taught a workshop April 6-8 at the University of Tulsa that was jointly sponsored by the art department of the University, the Oklahoma Arts and Humanities Coun­cil and the Tulsa Designer Craftsmen.

"FOUNTAIN ARTS FESTIVAL" Big success—to continue

The first Sunday of the "Eountain Arts Festival" was held on June 24, a gor­geous, clear day in Cleveland. The color­ful show and sale of original art and crafts is co-sponsored by the Cleveland Area Arts Council and the Cleveland Beautiful Committee, and it will be held for ten consecutive Sundays this sum­mer on the Mall next to the Public Auditorium. The festival will have spe­cial features each Sunday, including per­formers and featured artists.

On June 24 William McVey, CIA '28 was there to talk to visitors about how he did the statue of young George Wash­ington that was unveiled on June 14 in its permanent place behind the Federal Building on East 6th Street in Cleveland. Music for the festival was provided by the Harry Herforth's brass ensemble.

As an added feature Mayor Perk was there to award diplomas to the 350 new policemen for the City of Cleveland.

Put it on your calendar to visit down­town Cleveland next Sunday between 11 a.m. and 4 p.m. to see for yourself that the city is alive and well and a lot of fun!

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Alumni Notes The search for "lost alumni" is con­

tinuing with some success. We are "find­ing" five to ten current addresses each week and by the end of the summer we hope to find most of our graduates. The students who are working on the project in the Alumni Office will appreciate any help that you can give. Please mail the coupon with your news for LINK and send along addresses of fellow alumni so they can also receive LINK and program invitations.

We are saddened by the deaths of two alumni. LINK learned recently that Raymond H. Hookway, 08, who was with Sherwin Williams died last year. Miss Ruth Dennis, '42, died in February 1973.

Elmer L. Novotny, '30, was guest ex­hibitor in the Woman's City Club (Ak­ron, Ohio) Little Gallery in April.

Margaret Hain, '31, showed in the Hallinan-Newman Religious Art Show (Cleveland).

Albert Parella, '32, had his paintings in the American Watercolor Society An­nual Exhibition in New YorkCity.

Don Gregg, '33, is looking for the ad­dresses of 16 members of his class. They plan another class reunion this coming fall. Of the 50 who graduated, the where­abouts of 34 are known.

LIBRARY RECEIVES GRANT The Jessica R. Gund Library of the

Cleveland Institute of Art has received a grant of $5,000 for the 1973-74 year. The award grant was made under the Col­lege Library Resources Program author­ized by Title IIA of the Higher Education Act of 1965.

"This grant will allow us to add, in a much needed way, to our collection particularly in the basic humanities, so­cial and natural sciences," said Karen Tschudy, head of the library. "Our new academic courses require additional ref­erence materials and periodicals. Some of these will serve the dual purpose of providing materials for the new courses and also enriching our ethnic studies re­sources," she continued. The grant will also be used to purchase books to add to the collection of contemporary artists and for some non-book materials, pri­marily cassette tapes and slides.

Rose Rosenberg Orner, '34, was one of the exhibitors in the "$25 and Under" show at the Woodland Avenue Gallery (Cleveland) put on by the Artists Co­operative in May.

Word has come from California by a letter from Ruth Sharff Rossman, '34, that the California National Watercolor Society will hold its 53rd Annual Exhibi­tion November 25 thru December 4. Write to Julon Moser, 10790 Wilshire Blvd., Apt. 8, Los Angeles 90024.

Jane Iglauer Fallon, '36, organized the Women's City Club "Tour of Trea­sures" which was a tour of residences of art collectors in the Greater Cleveland area in April. She is also the individual who is responsible for the art shows at the Cleveland Play House.

Paul Riba, '36, showed in the Group Exhibition-American Masters at the Har­mon Gallery in Naples, Florida, in April.

Betty Ftughes Crall, '39, won a prize for sculpture in the spring show at the Gates Mills (Ohio) Community House.

Esther Wells Howarth, '39, exhibited in the Women's Art Club of Cleveland show in May at the Center Gallery in Parmatown Medical Arcade.

Barbara Dworkin Smith, '39, and Ivy Goldhamer Stone, '39, are two parts of a three-man show at the B.K. Smith Gallery at Lake Erie College through July 14. ivy Stone also was in the "All Girl" show in May at Design Corner (Cleve­land).

Ernest Whitworth, '39, has been a lifesaver for many a Cleveland area art­ist; in addition to painting, he runs Whit­worth Bros. Moving & Storage Company and has become a specialist in moving everything from paintings to printing presses and raw materials.

Anthony Vaiksnoras, '42, had his work in the Annual Exhibition of the Ameri­can Watercolor Society in New York City.

Lois Rada, '46, won an honorable mention for her work at the Parma (Ohio) Art Eestival in May.

Barbara Joanne Harris Ritchie, '48, graduated June 8 from Baldwin Wallace College with teacher certification. She will teach at Emerson Middle School in Lakewood, Ohio next fall.

Joseph Solitario, '48, had his realistic acrylic painting "Octagonal Barn" in the Mainstream '73, the sixth annual Mari­etta College International Competitive Exhibition in Marietta, Ohio. He won prizes for oil and acrylic paintings and drawings in the spring show at the Gates Mills, (Ohio) Community House.

Avis Andres, '49, was a contributor to the "Untitled No. 4" auction for the benefit of HELP for Retarded Children.

Miska Petersham, '49, who has been chairman of the Kent State University Division of Design and Crafts has been named chairman of the University of Montana Department of Art. He had been at Kent State since 1957. The Peter-

GE Visits the Institute

A 7967 graduate in Industrial Design, Peter Sheliko, arranged for this group of de­signers from General Electric Company divisions all over the country to visit the I.D. Department on May 70.

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Alumni Notes con't shams are having a farewell show at Scan-design in Cleveland Heights; his ceram­ics and her textile designs are on display through June30.

Kinley Shogren, '49, judged the Bed­ford Art League's Show in April.

Helen Talvacchio, '49, was one of the artists whose works were shown at the opening of Gallery 35 at its new location in Chagrin Falls, Ohio. Her paintings were also shown by the Bedford Art League, and in Le Pavilion of the Cleve­land Institute of Music in the past few months.

Nicholas Livaich, '50, had his work in the Cooper School of Art Faculty Show during May and june; he is the director of the school.

Norman Gutschmldt, '51, had a show of acrylic, oil and watercolor paintings and woodcuts at the Strongsville Public LibraryduringMay.

Steve Knapp, '51, was among the artists whose paintings were featured in the opening of the new quarters for Dezign House at the Park Centre, Cleve­land's new large downtown apartment-office complex.

Nicholas Hloheczy, '52, on the staff of Case Western Reserve University Depart­ment of Art had his small nature photo­graphs in the faculty show at the Kirman-GirschGallery (Cleveland Heights).

Richard Anuszkiewicz, '53, is one of two judges for the 1973 Midyear Show at the Butler Institute of American Art in Youngstown, Ohio. The show opens on june 30 and continues through Labor Day.

Lonnie Ruskin Stern, 54, was among the exhibitors at the "$25 and Under" show at the Woodland Avenue Gallery (Cleveland) sponsored by the Artists Co­operative.

Richard Chiara, '55, had an exhibi­tion in june of his paintings in the Chiara Gallery (Cleveland) that is run by his brother, Alan, who is also an artist.

Fred Leach, '55, was among the prize­winners in the annual exFiibition of American Watercolor Society show in New YorkCity.

Nijole Vedegys Palubinskas, '55, as a member of the Artists Cooperative par­ticipated in the "$25 and Under" show held at the Woodland Avenue Gallery (Cleveland) in June.

Jobn Clague, '56, has completed "Auriculum I", a gleaming 20 foot Kin­etic, soundmaking sculpture of stainless steel. The piece was installed at the en­trance to the new library tower at Ash­land College (Ohio).

Donald J. Brown, '57, was one of a group of invited American artists who went to Kennedy Space Center to sketch the launching of Skylab I. He has been commissioned by the National Aero­nautics and Space Administration to do a major painting dealing with the launch, which with the drawings will tour the country and then be placed permanently intheSmithsonian Institution.

Elinore (Eleanor Vigh) Korow, '57, held a one-man show of paintings and drawings at the Cleveland Play House Galleries in January and February. She is a free-lance designer and is giving pri­vate instruction in oil and pastel por­traiture. She showed in the annual ex­hibition of the American Watercolor So­ciety and had her painting chosen for the National Traveling Exhibition which will tour museums and art centers until May1974.

Herbert Friedson, '58, in June had a one-man show of his enamels at the Craft AllianceGallery in St. Louis.

Vincent Marian!, '58, had a show of his paintings at Gimpel and Weitzen-hoffer, Ltd. Gallery in New York City during June.

Paul Kaspar Apkarian, '59, designed and directed the production of 7 menus for the restaurants and coffee shop of the new, plush multimillion dollar El­dorado Hotel and Casino, which opened last May in Las Vegas, Nevada.

Sarah Reynolds Clague, '59, is one of several Cleveland area artists showing work at a gallery near Chardon, Ohio called Eor bidden Eruit Originals.

Joseph Finizia, '59, is on the staff of the Cleveland Museum of Art as a plan­ner and installer of the Extension Exhi­bitions.

Jerome J. Malinowski, '61, has a "stu­dio in the hills" of West Virginia. He writes that he has been the guest lecturer at; Thomas Moore College, Covington, Kentucky; St. Joseph's College and Mt. Edgecliff College (Cincinnati). He was awarded a grant from the New York State Council of the Arts and Collaboration, Art Science and Technology, Inc. His cover design won him the National Graphic Award from the Educational Press. At the University of Rochester (New York) Eingerlakes Exhibition he won the Edith Bloom Weinberg Mem­orial Award.

Diane Pierce, '61, donated to the WViZ-TV auction. The April 8 Sunday Magazine section of the Cleveland Plain Dealer carried a feature article on her bird paintings.

Linda Podojil, '61, exhibited in the Hallinan-Newman Religious Art Show (Cleveland).

Hazel Scbmitkons, '61, had a one-man retrospective showing of her paint­ing and sculpture at Lorain Community College (Ohio).

George Brewster, '62, works with Jo­seph Einizia on the staff of the Extension Exhibitions at the Cleveland Museum of Art.

Marilyn Moresky Newman, '62, was in the "$25 and Under" show at the Woodland Avenue Gallery (Cleveland) operated by the Artists Cooperative.

Edris Eckbardt, '63, has recently re­placed one of her fused glass pieces for a collector from whom the original was stolen. Her work was shown in the Halli­nan-Newman Religious Art Show (Cleve­land).

Gerald Hirsbberg, '63, who is on the board of trustees at CIA has been heard doing a Pontiac commercial on the Cleveland airwaves.

Anita Rogoff, '63, a member of the Art Department at Case Western Re­serve University was among the faculty in the show at Kirman-Girsch Gallery (Cleveland Heights).

John W. Udvardy, '63, has been ap­pointed Chairman of the Freshman Foun­dation Division of the Rhode Island School of Design effective July 1, 1973. He has been assistant professor of art at Brown University since1965.

Kenneth M. Davis, '64, is assistant professor of art at Ball State University (Muncie, Indiana). He recently partici­pated in the following exhibitions; 25th Annual Mid-States Exhibition at the Evansville Museum of Arts and Sciences (Indiana) and a one-man show of prints and drawings at the Kirman-Girsch Gal­lery (Cleveland Heights).

Debbie Teas Gier, '64, has the sympa­thy of her friends and classmates for the loss of her husband Curtis who died early this year in an auto accident and also for the loss of her mother.

Blanche Grauer Barioon, '65, showed her paintings and linoleum and wood-

The CIA Office of institute Relations has begun a new service for faculty, alumni and students. As notices of shows, exhibitions and contests are re­ceived, they are compiled in a schedule which is circulated to department chair­men and posted on the bulletin board. Alumni are welcome to telephone for information the office may have about forthcoming events.

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Alumni Notes con't cuts in the "All Girl" show in May at the Design Corner (Cleveland Heights). She also was a contributor to the WVIZ-TV auction for the benefit of educational television.

Gerry Karlovec, '65, on the faculty of the Art Department at Case Western Re­serve University had paintings in the show at Kirman-Girsch Gallery (Cleve­land Heights).

Albert McNea, '65, showed in the Hallinan-Newman Religious Art Show (Cleveland).

Thomas Klika, '66, opened the Rain­bow Gallery in Dayton, Ohio on May 4 with a show of his colorful surrealistic paintings.

Paul Kubic, '66, has recently been appointed a sculpture instructor at the Maryland Institute, College of Art. He previously has taught at the University of North Carolina and Humboldt State University.

Bruce McCombs, '66, assistant pro­fessor of art at Hope College (Michigan) has shown recently in: Second Hawaii National Print Exhibition (Honolulu); the First Miami Graphic Biennial (Florida); the 4th Annual National Print Exhibition, Georgia State University; National Draw­

ing Exhibition, the State University Col­lege, Potsdam, N.Y. and the National Print Exhibition of the Philadelphia Print Club. One of his prints was selected for purchase at the 4th Biennial Internation­al National Exhibition sponsored by Dickinson State College (North Dakota). He also had a drawing purchased for the permanent collection of the City Na­tional Bankof Detroit.

Doris Dietz Turner, '66, is a member of the Artists Cooperative that runs the Woodland Avenue Gallery (Cleveland) where she showed in the "25 and Under" exhibition.

Laurence Welton, '66, is having a traveling one-man show that was at the Fresno Art Center (California) from May29-June24.

David L. Deming, '67, is assistant pro­fessor of sculpture at the University of Texas at Austin (Texas). Last Fall he pre­sented a one week sculpture workshop and slide lecture at Cameron College in Lawton, Oklahoma. Most recent show­ing of his sculpture was at the Annual National Greater Fall River Art Associa­tion Show (Massachusetts). He will do a two week workshop at the University of Texas at El Paso this summer.

Maija Gruzitis, '67, won both a first

and second prize for crafts in the May Festival in Parma, Ohio.

William Harper, '67, organized a show "Objects; Made in the U.S.A." in the art gallery at Kent State University (Ohio) where he is on the faculty. It was an invitational exhibition with 33 artists from all over the country who work in clay, metal, glass and fiber.

Barbara Smukler, '67, showed her paintings at the intown Club (Cleveland) in May.

Paul S. Denis, '68, showed in the An­nual Exhibition of the American Water-color Society in New York City.

John Maruskin, '68, was in the M.E.A. Exhibition April 29-May 20 in the Muse­um of Art at the University of Oregon.

Suzanne Pearson, '68, is having a one-man show at The Gallery, Put-In-Bay, South Bass Island (Ohio) beginning june 30. The exhibit will include 26 water-colors, a dozen boxes done in mixed media and selected drawings.

Ed Freska, '69, had a cover for the Sunday Magazine of the Cleveland Plain Dealer cited for excellence at the meet­ing of Sunday magazine editors.

Peter Bramhall, '70, is having a show­ing of his drawings, sculpture and glass at the Schenectady Museum (New York).

Clip and Mail to Cleveland Institute of Art Alumni Office, 11141 East Boulevard, Cleveland, O. 44106

Name Year

Address-

City State Zip

Employed by

Here is my news for LINK. (Mail to arrive by September 10th deadline)

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Alumni Notes con't Karen Eubel, 70, showed her prints

in a two-man show called "Perception and Sequence" at the Fine Arts Gallery at John Carroll University (Cleveland) during April.

Mark Passerell, 7 1 , showed his sculp­ture at the Forbidden Fruit Originals gal­lery (near Chardon, Ohio) during April.

H. Wayne Rayburn, 7 1 , won third prize for his photograph "The Betrayal" in the Hallinan-Newman Religious Art Show (Cleveland).

Thomas WaskI, 71 , received his Master of Fine Arts degree from the Maryland Institute, College of Art at the 1973 commencement. At the same time he received the newly established Am-alie Rothschild prize of $1,000 which is to be awarded annually to a graduating student of the Rhinehart School of Sculp­ture.

Chris Federighi, 72, is having a show­ing of her ceramics in a two-man show through July 7 at Etchings and Other Things gallery (Cleveland).

Denis Moiner, 72, was an exhibitor in the New Gallery (Cleveland) during April.

Gary Sawyer, 72, who is in the Art Department at Case Western Reserve University showed in the faculty show at

Kirman-Girsch gallery (Cleveland Heights).

Gary Spinosa, 72, contributed work to the WVIZ-TV auction for the benefit of educational television in Cleveland.

Karen Hirsimaki, 73, has her wood­cuts and weavings on display in Gallery One in Eindlay, Ohio this summer.

Patty Ryan, 73, had a show during April of prints and drawings at the Kir­man-Girsch Gallery (Cleveland Heights).

News of Former Students The clipping service has provided

LINK with the following news of former students: Harrison Rucker lives in High Point, N.C. where he had a show of Fiis acrylics, watercolors and drawings at the Art Gallery Originals during April. The Eestival of Fine Arts at the Beaumont School for Girls (Cleveland) opened its 2nd Annual Festival on May 2 with Florian K. Lawton's paintings of rural Ohio. Ricby Ernewin has developed a compound that produces a baroque texture when it is dabbled or swirled on a hard surface with a stiff brush. He has applied for a patent, but at the present it is available only from him.

Dottie Garnsey (Mrs. George) had her Japanese brushwork on display in a Burlingame, California gallery during

June. Jack Strubbe, a free lance artist, was written up in the Cleveland Plain Dealer lor the unique window displays he creates. Young Joe Kim who studied at CIA 1970-71 had a one-man show May 17-June 4 at the Rubiner Gallery in Royal Oak, Michigan.

The Stamford (Connecticut) Art As­sociations' Third Annual Juried Show which was held May 13-31 was judged by Eve Ingalls and Elaine Huyer. A paint­ing entitled "Morning Surf" by John W. Pettibone, assistant curator and artist member of the Rockport Art Associa­tion (Massachusetts) was chosen by the Board of Selectmen to hang in the permanent collection in the town hall.

Paul C. Morris and his wife operate a prestige ivory shop in their Nantucket Island home. He is the author of Amen-can Sailing Coasters of ttie North Atlan­tic, a recently published book about American coastwise sailing vessels. The West Virginia hills have turned Marvin Smith and his family into "pioneers". They moved from Cleveland a year ago and have plans to build a home and maybe someday open an art school there. Genevieve Wilhelm Roubaud had a one-man show of her watercolors at the Rockport Art Association (Massa­chusetts) in April.

Opening night at the Student Summer Exhibition was May 18 after Commencement. The exciting show is open Monday thru Eriday 9 a.m. to 4 p.m.—free to the public.

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