b media-morphosis ...sweb.cityu.edu.hk/tvantije/sm3137mediametamorphosis.pdf · b04 ideas of visual...

BMedia-Morphosis learning to understand the media and art of our time by recognizing patterns and principles in previous centuriesand other cultures Discovering ideas for the future by combining high-tech and low-tech interfaces Appealing to all senses goingbeyond the actual media hegemony of the eye and the earBelow 23 snapshots from long visual narratives are shown forming the basis of the course These scrolls may take half an hour and more to be narratedMost image elements used are documented in overlays that can be called up by the students later as the scrolls will come on line for further referenceThere is a close relationship between the content of these scrolls and the proposed literature Apart from the core documents and books a wide spectre ofcitations related to the discourse coming with the scrolls will be made available after each lecture Books with a high quantity of visuals will be another assetfor the course to allow the students to widen there cultural horizon and create retaceable memories for later The on-line lsquosyllabus will expand as the courseprogresses and will remain on-line for an extensive period The students will thus have a place to come back to even after their studyThere will practical task to fulfill by the students some special guests may join some of the lectures and excursions and field woirk is envisaged as wellThese elements can not be specified yet as they will evolve from the needed direct interaction with students and staff of the School of Creative Media

Orbis Digitalium Pictus a world increasingly determined by digital visualization of all kind its pleasures of instant depicting and dire social consequences of digital panopticism and controlB01

Trompe lrsquoOeil in effect but not in fact from the mythical tricking compettion of the Greek painters Zeuxis and Parrhasius to the Chinese scroll painter Tsao Pu-Ying and his fake flies pre-history of the virtualB02

Information landscapes between inscription and erasure the newest nano and bio information storage technologies are contrasted with ancient forms enabling unthought comparisonsB03

City University of Hong Kong - Creative Media School Curriculum Tjebbe van Tijen 2011 115122010

Ideas of Visual Language a non-linear history of writing depicting and symbolizing juxtapositions of historical epochs and geographical areasa varieties of instruments and information carriers from bones to the human bodyB04

Detailed documentation of the lsquoideas of visual languagersquo scroll opportunities for further study of human scripts and their changing social functionB05

A Panorama of Pre-Cinematic Principles celestial projections bull roarers and fire whirling turningGreek pottery leisure boating as cinema prayer rolls and grammophone ending with chinese lanterns and a digital CAVEB06

Post-Cinematic experiments from expanded cinema to interactive multi-media the MovieMovie installation at the Experimental Film Festival in Knokke Le Zoute 1967 a joint talk with Jeffrey Shaw and Tjebbe van TijenB07


The paradox of traceless art our experiments in the sixties for the pleasure of the moment itself art meant to be experienced in action only nevertheless being documented and collected in whatever way contradicting itselfB08

The paradox of traceless art festivities dance song shadow theatre seeing the differences between the spontaneous and unplanned the traditional and improvised versus high class art forms with each moment protocoledB09

The tactile senses an underestimated form of interactionrefinding the subtleties of touchB10

The sense of smell in culture and the arts and the hard way to control itB11


The sense of taste and its dependencies on several other sensesB12

The sense of hearing listening back into the past new options to control its spatial and balancing qualities B13

Can the senses be seprated at all looking at different concepts of how many senses there are over time and in several culturesB14

The quick and swift messenger through time and the historical inklings of electronic communication here and there at the same timeB15


A series of three visual narratives on scrolls friezes and tapestry as devices for linear story telling a walk trhough Cambodia Angkor Wat and similar temple complexesB16

The Trajan Column in Rome a story of a war on a scroll in stone wrapped around a columnB17

The Bayeux tapestry depicting another vattle ceremonial unrolled once a year some old sources sayB18

Scroll amp Stroll lecture practising the way of the procession along friezes for teaching the spectator animates the scenery by his locomotionB19


Bibliomania landscapes of direct readable information carriers how the digital information landscape wil change old practices and the loss of undertanding of material quality of paper information carriers because of digitizationB20

Examples of dramatizations of historical information in collaborations with Tjebbe van Tijen with various other artists and researchers Orbis RevisedComenius Neo-Shamanism (1991-1998)B21

Design for an interactive classic vitrine with original paper documents that can be animated by the public allowing in depth comparative access to the paper documents on show Chrono-Topo-Scope for Hungarin rising 1956B22

Overview of how the museum has changed over time with reproduction storage classification tools and the like from Andreacute Malraux Abby Warburg and Walther Benjamin to George Boole Paul Otlet and Vannevar BushB23


City University of Hong Kong - Creative Media School Curriculum Tjebbe van Tijen 2011Tasks O = obligatory reading C = chapter of book Q = selection of quuotations from book R = recommended reading V = book with mainly visuals

6

Media-Morphosis learning to understandthe media and art of our time by recognizingpatterns and principles in previous centurie andother cultures Discovering ideas for the futureby combining high-tech and low-tech interfacesAppealing to all senses going beyond theactual media hegemony of the eye and the ear

6

Hogben Lancelot Thomas 1949 From cavepainting to comic strip a kaleidoscope of humancommunication New York Chanticleer Press

httphkallhkuhkrecord=b12240180

01- visual language ideas 1

R

6

Eve Matthew and Burke Christopher 2010From Hieroglyphics to Isotype A VisualAutobiography Hyphen Pr


Q

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Neurath Marie and Robin Kinross 2009 Thetransformer principles of making isotype charts

HKBU HKUST


01- visual language ideas 3httpwwwamazoncomTransformer-Principles-Making-Isotype-Chartsdp0907259405ref=sr_1_1s=booksampie=UTF8ampqid=1291573715ampsr=1-1

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O

6

Kepes Gyorgy 1966 Sign image and symbol London Studio Vista

HKU



V

6

O

ta Yukio 1987 Pictogram design YukioOta = Pikutoguramu emoji dezain

HKBU HKPU TVT



V

6

Walther Ingo F and Norbert Wolf 2005Codices illustres the worlds most famousilluminated manuscripts 400 to 1600 KolnTaschen

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V

6

Staley David J 2003 Computersvisualization and history how new technologywill transform our understanding of the pastArmonk NY ME Sharpe



Q

115122010


6

Hocks Mary E and Michelle R Kendrick2003 Eloquent images word and image in theage of new media Cambridge Mass MIT Press

TVT


01- visual language ideas 8httpwwwamazoncomEloquent-Images-Word-Image-Mediadp02620831753FSubscriptionId3D0JRA4J6WAV0RTAZVS6R226tag3Dworldcat-2026linkCode3Dxm226camp3D202526creative3D16595326creativeASIN3D0262083175

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6

Daniels Peter T and William Bright 1996The worlds writing systems New York OxfordUniversity Press

HKBU HKU TVT


02- writing systems and linguistics 1

C

6

Boone Elizabeth Hill and Walter Mignolo1994 Writing without words alternativeliteracies in Mesoamerica and the AndesDurham Duke University Press


C

6

Sassoon Rosemary and Albertine Gaur1997 Signs symbols and icons pre-history tothe computer age Exeter Intellect httpwwwnetlibrarycomurlapiaspaction=summaryampv=1ampbookid=20904


V

6

Ong Walter J 1982 Orality and literacy thetechnologizing of the word London Methuen



Q

6

Havelock Eric Alfred 1986 The muse learnsto write reflections on orality and literacy fromantiquity to the present New Haven YaleUniversity Press



Q

6

Ifrah Georges and David Bellos 2000 Theuniversal history of numbers from prehistory tothe invention of the computer New York Wiley

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03- calculation systems 1

V

6

Ascher Marcia and Robert Ascher 1981Code of the quipu a study in mediamathematics and culture Ann Arbor Universityof Michigan Press

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215122010


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Ascher Marcia 1991 Ethnomathematics amulticultural view of mathematical ideas PacificGrove Calif BrooksCole Pub Co



V

6

Hodder Ian 1989 The Meanings of thingsmaterial culture and symbolic expression Oneworld archaeology 6 London Unwin Hyman



Q

6

Ma Zishu 1998 Artefacts [sic] of ancientChinese science and technology Beijing China Morning Glory Publishers

04- media devices and installations 1

V

6

James Peter and Nick Thorpe 1995 Ancientinventions New York Ballantine Books

TVT HKU



V

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Mannoni Laurent Nekes Werner LaurentMannoni Marina Warner and Werner Nekes2006 Eyes Lies and Illusions Drawn From theWerner Nekes Collection Australian Centre forthe Moving Image

HKIEd



V

6

Cohen Beth 2006 The colors of clay specialtechniques in Athenian vases Los Angeles JPaul Getty Museum



V

6

Wu Hung 1996 The double screen mediumand representation in Chinese painting ChicagoUniversity of Chicago Press

HKU HKBU HKPU


04- media devices and installations 5httpwwwamazoncomDouble-Screen-Representation-Chinese-Paintingdp0226360741

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Timon Screech 2002 The lens within theheart the Western scientific gaze and popularimagery in later Edo Japan

HKU



R

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Butts Barbara Lee Hendrix and Scott CWolf 2000 Painting on light drawings andstained glass in the age of Durer and Holbein[Los Angeles Calif] J Paul Getty Museum



V

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Weeden Brenda 2008 The education of theeye history of the Royal Polytechnic Institution1838-1881 Cambridge United Kingdom GrantaEditions

HKU



V

6

Charney David H and Albert A Hopkins1975 Magic the great illusions revealed andexplained New York QuadrangleNew YorkTimes Book Co


V

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Maillet Arnaud 2004 The Claude glass useand meaning of the black mirror in western artNew York Zone Books

HKU HKPL TVT



C

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Eekelen Yvonne van Mattie Boom ArnoldPomerans and Erica Pomerans 1996 Themagical panorama the Mesdag Panorama anexperience in space and time Zwolle WaandersUitgevers

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V

6

Polieri Jacques 1963 Scenographienouvelle Numero conc

u par Jacques Polieri

relise par Pierre Lacombe


V

6

Kluver Billy Julie Martin and Barbara Rose 1972 Pavilion by experiments in art andtechnology A Dutton paperback original D 308New York Dutton


V

6

Michalka Matthias 2004 X-screen filminstallations and actions in the 1960s and 1970sKoln Walther Konig



V

415122010


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Davis Douglas 1973 Art and the future Ahistory London Thames and Hudson



R

6

Shaw Jeffrey and Peter Weibel 2003Future cinema the cinematic imaginary afterfilm Electronic culture--history theory practiceCambridge Mass MIT Press



C

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Reichardt Jasia 1969 Cyberneticserendipity the computer and the arts NewYork Praeger

HKU



V

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Pool Ithiel de Sola and Eli M Noam 1990Technologies without boundaries ontelecommunications in a global age CambridgeMass Harvard University Press



Q

6

Morgan Michael J 2003 The space betweenour ears how the brain represents visual spaceLondon Weidenfeld amp Nicolson


05- image theory 1

Q

6

Alpers Svetlana 1983 The art of describing Dutch art in the seventeenth century Chicago University of Chicago Press

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Schwartz Hillel 1996 The culture of thecopy striking likenesses unreasonablefacsimiles New York Zone Books

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Marshack Alexander 1971 The roots ofcivilization the cognitive beginnings of mansfirst art symbol and notation New YorkMcGraw-Hill


06- art history and social movements 1

Q

515122010


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Gimbutas Marija 2007 The goddesses andgods of Old Europe 6500-3500 BC myths andcult images Berkeley University of CaliforniaPress


Q

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Jenkins Ian 1994 The Parthenon friezeAustin University of Texas Press



Q

6

Rossi Lino and J M C Toynbee 1971Trajans Column and the Dacian wars (London)Thames and Hudson

HKBU



Q

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Lavin Marilyn Aronberg 1990 The place ofnarrative mural decoration in Italian churches431-1600 Chicago University of Chicago Press



V

6

Besanc

on Alain 2009 The forbidden imagean intellectual history of iconoclasm Chicago IllUniversity of Chicago Press


R

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Latour Bruno 2002 Iconoclash [beyond the image wars in science religion and art on theoccasion of the exhibition Iconoclash - beyondthe image wars in science religion and art ZKMKarlsruhe 4 May - 4 August 2002] Karlsruhe [ua] ZKM [ua]



R

6

Harrison Charles Paul Wood and JasonGaiger 2000 Art in theory 1648-1815 ananthology of changing ideas Oxford UKBlackwell Publishers

HKU


06- art history and social movements 9httpwwwamazoncomArt-Theory-1648-1815-Anthology-Changingdp06312006303FSubscriptionId3D0JRA4J6WAV0RTAZVS6R226tag3Dworldcat-2026linkCode3Dxm226camp3D202526creative3D16595326creativeASIN3D0631200630

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06- art history and social movements 10httpwwwamazoncomArt-Theory-1815-1900-Anthology-Changingdp0631200665ref=pd_sim_b_1

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Harrison Charles and Paul Wood 2003 Artin theory 1900-2000 an anthology of changingideas Malden MA Blackwell Pub

HKBU HKU



Q

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Mair Victor H 1988 Painting andperformance Chinese picture recitation and itsIndian genesis Honolulu University of HawaiiPress

HKU HKUST HKBU


07- events and performances 1

C

6

Jain Jyotindra 1984 Painted myths ofcreation art and ritual of an Indian tribe Lokakala series New Delhi India Lalit KalaAkademi


V

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Van Ness Edward C and ShitaPrawirohardjo 1980 Javanese Wayang Kulit anintroduction Oxford in Asia paperbacks KualaLumpur Oxford University Press

HKU



V

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Broman Sven 1996 Shadows of life = Nangtalung Thai popular shadow theatre BangkokWhite Orchid Press

TVT HKU



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Simon Rainald and Yuxian Jiang 1997Chinesische Schatten Lampenschattentheateraus Sichuan die Sammlung Eger [anlaszliglichder gleichnamigen Ausstellung im MunchnerStadtmuseum 28 November 1997-5 Juli1998] Munchen Dt Kunstverl


V

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Kant-Achilles Mally F Seltmann andRudiger Schumacher 1990 Wayang beber daswiederentdeckte Bildrollen-Drama Zentral-JavasStuttgart F Steiner

TVT


V

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Doring Jeff 2000 Gwion gwion secret andsacred pathways of the Ngarinyin aboriginalpeople of Australia = geheime und heilige pfadeder Ngarinyin aborigines in Australien = chemins secrets et sacraes des Ngarinyinaborigaenes dAustralie Koln Konemann

TVT


V

715122010


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Watson Christine 2003 Piercing the ground Fremantle WA Fremantle Arts Centre Press

TVT


Q

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Brauen Martin 1997 The Mandala sacredcircle in Tibetan Buddhism Boston Shambhala

TVT



V

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Gold Peter 1994 Navajo amp Tibetan sacredwisdom the circle of the spirit Rochester VtInner Traditions



Q

6

Goldberg RoseLee 2004 Performance liveart since the 60s London Thames amp Hudson



V

6

Shaw Jeffrey and Tjebbe van Tijen 1988Un Musee Imaginaire de la Revolution [unprojet pour celebrer le bicentenaire de laRevolution Franc

aise] Amsterdam De

Struikrover]

TVT


V

815122010

Ideas of Visual Language a non-linear history of writing depicting and symbolizing juxtapositions of historical epochs and geographical areasa varieties of instruments and information carriers from bones to the human bodyB04

Detailed documentation of the lsquoideas of visual languagersquo scroll opportunities for further study of human scripts and their changing social functionB05

A Panorama of Pre-Cinematic Principles celestial projections bull roarers and fire whirling turningGreek pottery leisure boating as cinema prayer rolls and grammophone ending with chinese lanterns and a digital CAVEB06

Post-Cinematic experiments from expanded cinema to interactive multi-media the MovieMovie installation at the Experimental Film Festival in Knokke Le Zoute 1967 a joint talk with Jeffrey Shaw and Tjebbe van TijenB07























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b media-morphosis ...sweb.cityu.edu.hk/tvantije/sm3137mediametamorphosis.pdf · b04 ideas of visual...

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