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    CAN PSYCHOANALYSIS RECLAIM THEPUBLIC SPHERE?

    Carlo Strenger, PhDTel Aviv University

    Psychoanalysis has been immensely influential in Western culture, but its public

    standing has declined considerably in the last decades, as has been documented

    in major studies of the place of psychoanalysis in academia and in mental healthpractice. I investigated the absence of psychoanalysis from a public space of

    growing importance: the third culture, the space in which specialists present

    their ideas to general, educated audiences in leading newspapers, magazines,

    and websites. My central argument is that psychoanalysis could make a unique

    contribution to this space that would not only increase its public standing, but

    also do an important service to wider educated audiences. I used a psychody-

    namic model meant to understand global cultures fetishist fascination with

    ranking and rating the self as an example how such audiences can be reached

    intellectually and engaged emotionally. I discuss how the difficulties for psy-

    choanalysis in finding its place in the third culture can be overcome, and

    demonstrate this process by my own journey into the third culture. Finally, I

    argue that reaching out to the third culture is an important mission for psycho-

    analysis in the 21st century.

    Keywords:psychoanalysis, global media, academic influence, global impact

    When approaching the shores of the United States of America, Freud famously told

    Jung and Ferenczi: They dont know that were bringing them the plague. It is a

    truism to say that psychoanalysis was a transformative cultural force in the 20th

    century. After initial resistance, the United States came to embrace psychoanalysis as

    the lingua franca through which the educated middle classes understood their lives.

    Psychoanalytic language pervaded everything, from courtrooms through psychiatric

    hospitals. In the 1960s and 1970s, psychoanalysts held many of the most prestigiouschairs of psychiatry; and psychoanalytic psychiatrists edited the most important

    handbooks of psychiatry (Hale, 1995).

    Carlo Strenger, PhD, School of Psychological Sciences and Cohn Institute for the History andPhilosophy of Science and Ideas, Tel Aviv University.

    Correspondence concerning this article should be addressed to Carlo Strenger, PhD, School ofPsychological Sciences, Tel Aviv University, 69878 Tel Aviv, Israel. E-mail: [email protected]

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    The decline of the public standing of psychoanalysis in the last decades has been

    described time and again: Eli Zaretsky (2004), in his valuable study of the cultural

    background of psychoanalysis, claimed that its influence had already begun to wane in the

    1960s. Philip Rieff (1955), one of Freuds great sociological interpreters, similarly

    described a triumphant therapeutic culture (Rieff, 1965) that was replacing Freuds austere

    analytic attitude in the 1960s, and Nathan Hale (1995) has already written an integrative

    history of the rise and crisis of psychoanalysis in the United States.

    Paul Stepansky (2009) has recently given a detailed assessment of the standing ofpsychoanalysis in the world of publishing from the privileged position of former editor of

    one of the major psychoanalytic publishers. Until the 1970s, authors like Fromm and

    Erikson commanded the publics attention and their books were bestsellers. Stepansky

    showed that the number of publishers willing to publish psychoanalytic titles has de-

    creased dramatically in the last decades. The major university presses are no longer

    willing even to consider psychoanalytic titles. The same holds true for high-quality trade

    presses, who in the past carried very successful psychoanalytic books, like Erik Eriksons

    Childhood and Society (Erikson, 1959).What are the reasons for the decline in the public standing of psychoanalysis? One is

    certainly that psychoanalysis has largely lost its foothold in the universities, as Robert

    Wallerstein (2012) has shown recently. Splendid institutions, like the clinical psychology

    program at New York University, which had trained generations of psychoanalytically

    oriented therapists and generated important research based on psychoanalytic theory in the

    1960s, were rapidly shrunk and ultimately closed. Most programs in psychiatry and

    clinical psychology turned away from psychoanalysis, and by the turn of the century

    psychoanalysts held almost no important chairs in either field (Hale, 1995). This waslargely due to the biological turn in psychiatry and the emergence of the cognitive

    neurosciences as the dominant paradigm in psychology department and journals around

    the world. Wallerstein (2012) has trenchantly argued for a renewal of psychoanalysiss

    institutional ties to academia on intellectual, scientific, and institutional groundsan

    argument that is very laudable indeed, but may not take into account that the current

    climate in academic psychology and psychiatry does not make such renewal imminently

    likely: the paradigm of the cognitive neurosciences is currently too powerful to make an

    academic surge of interest in psychoanalysis very likely.In this article, I address an additional sphere that is of great importance today. In the

    last years, a new Agora, a marketplace, of ideas has arisen. John Brockman (1995) has

    coined the term third culture for the sphere that bridges between the community of

    scientific specialists and the wider educated lay-audience. Brockman has been doing much

    to promote this third culture on his Edge website (at http://edge.org) on which leading

    scientists present important developments in their field in accessible language. He has also

    been very successful in promoting books written by leading scientists that are addressed

    to a wider educated audience in the major trade presses.The third culture has spread remarkably in the last decade. In addition to trade books,

    one of its important venues is the science sections in important newspapers and magazines

    like The New York Times, Time, The Washington Post, The Guardian, and others.

    Academics also often contribute to the op-ed sections of these papers, sometimes on their

    domain of research, sometimes going beyond these spheres, assuming the role of public

    intellectuals.

    A number of websites are now devoted to the dissemination of ideas to a wider public.

    Foremost in influence is TED.com, a site originally devoted to technology, entertainment,and design. Today, it encompasses most scientific disciplines and many topics potentially

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    of interest to a wider public, ranging from environmental protection to new education

    technologies. It is built on conference presentations that are limited to a maximum time

    of 18 min. The videos of the talks are then put on the TED site, which has so far attracted

    more the 750 million views and has evolved into the most viewed site in the third culture

    (Strenger, 2012). Other sites, like bigthink.com and Sciencemag.org, have since emerged,

    and todays social media like Facebook and Twitter have increased their reach.

    Quite unfortunately, psychoanalysis has been all but absent from the third culture

    (Prince, Ainslie, McWilliams, Thomas, & Axelrod, 2012). Participating in this space isnot just important for the promotion of psychoanalysis: I believe that psychoanalysis has

    a contribution of great importance to the general public, and that our reticence to enter the

    new Agora of ideas deprives this public of ideas that could not only be helpful to

    individuals, but also to globalized culture at large.

    In this article, I present a strategy for psychoanalysiss entry into the third culture

    based on a psychodynamic understanding of the fetishization of ratings and rankings. I

    will argue that psychoanalytic models can be presented in ways that help educated

    lay-audiences to understand their own persistent discontent generated by the deification ofnumbers.

    I will argue that the difficulty of psychoanalysis is quite similar to that of all cultural

    traditions under conditions of global capitalism: All are threatened by the craze of

    quantification. One of the best examples is the fate of the humanities in current academia.

    They have to fight for their survival, and student enrollment is falling because students do

    not see how studying literature, history, or philosophy will improve their competitiveness

    in the labor market. The humanities have also been hard pressed to prove their relevance,

    and because they cannot justify their existence by technological discoveries that have an

    immediate impact either on the economy, public safety, or public health (Nussbaum,

    2010).

    There is one strategy that has not been any more helpful to the humanities than it is

    for psychoanalysis: decrying the shallowness of global capitalist culture (Barber, 2008). I

    will argue that, unlikely as it may be, psychoanalysis can adapt to many of the new forums

    without betraying its essence or message, as opposed to what Irwin Hoffman has argued

    in an influential article (Hoffman, 2009). At the deepest level, the most important messageof psychoanalysis has always been that the selfs complexity, far from being an imped-

    iment to leading a good life, is one of the most important sources of meaning. Psycho-

    analysis has in the past been singularly good at communicating how gripping the drama

    of the psyches emergence is, and I hope to show that it can regain its function of helping

    our culture to embrace and celebrate complexity rather than shunning it. This requires

    some work on our individual and collective anxieties and resistance to losing our identity.

    I have learned that keeping a distance from the audience is one of the strongest

    impediments to getting our messages across, and that personal stories are usually the mostpowerful and effective way to get complex messages across. This, after all, is something

    that psychoanalysis has realized and put into practice in the last decade. Our literature no

    longer preserves the fiction of the opaque and objective analyst, and many of us have been

    writing much more openly about our own processes in our professional literature. I will

    therefore tell my own personal journey into the third culture. It was replete with its

    failures, frustrations, and resistance to learning from experience. But it also taught me how

    much help from others I needed in order to venture into a world initially alien to my

    psychoanalytic and academic background. On the basis of many conversations withcolleagues, I now believe that my fears, resistance, and apprehensions are by no means

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    unique, and I hope that this article will engender further discussion about the place of

    psychoanalysis in the public sphere.

    The Cultural Craze for Ranking and Rating

    One of D. W. Winnicotts (1965, 1971) enduring contributions has been to show that

    humans can maintain psychic health only in an intermediary space, located between thesubjective and the objective. Winnicott specifically put the whole domain of culture into

    this space: art, religion, and ideology, and his work detailed how the space of culture

    evolves developmentally from the infants bridging the subjective and the objective world

    through transitional space. Winnicott, throughout his lifes work, investigated the complex

    balance between the space of illusion necessary to stay alive and the psyches ability to

    accept the external world as independent of the subject.

    Winnicott (1971, passim), time and again, argued that psychic survival from childhood

    to death requires that the individuals and the groups intermediary spaces be respected.In the same way as the good enough mother does not question whether the infant has

    created its transitional objects or whether they were there to begin with, cultures can only

    survive if the ontological status of its objects of belief and the source of its values is not

    questioned, whether these be prophets, saints, canonical works of art, or the rituals that

    hold a culture together. But this is becoming progressively more difficult when the reach

    of the global infotainment system intrudes everywhere, and even traditional forms of life

    realize that they are but specks within a global system immensely more powerful than any

    particular cultural form of life.Global capitalism (Sloterdijk, 2005) has developed a way of dealing with the relativ-

    izing of all cultural frames: the deification of numbers. If no cultural tradition can claim

    any absolute validity, is there a way to define value that is, so to speak, unassailable?

    Global capitalism has provided a potential answer: the only value that remains unassail-

    able is provided by numbers: mathematics is a cultural constant; no matter what your

    culture, 2 2 still equals 4; and 1 billion is greater than 1 million.

    Quantification has become the Archimedean point seemingly not shaken by global-

    ization. If value can be quantified, the psyche can find a resting point in the maelstrom ofcompeting conceptions of the good life. We could finally claim that A is more valuable

    than B, if A is numerically larger than B; and we would no longer have to worry that this

    conception of value is either threatened or invalidated by a competing culture or value

    system. Wealth and celebrity can be quantified, and they seem to provide an unassailable

    anchor to determine value: If A is wealthier or better known (i.e., more influential) than

    B, then A is more valuable than B. We no longer have to bother with judgments of quality

    and worry that others will invalidate such judgments: only quantity matters (see Strenger,

    2011, Chapter 2 and passim, for this and the following).As a result, the global infotainment system is flooded with quantitative rankings of

    individuals and corporations along several dimensions. First and foremost, of course,

    wealth: a persons net worth (the expression is itself telling) is a precise number. Then

    there is celebrity and influence. In the age of the Internet, there are seemingly objective

    measures for these parameters: number of Google entries; number of searches; number of

    hits and views; and the number of followers you have on Twitter.

    Some of these rankings are global: Forbeshas its annual hit parade of the wealthiest

    and most influential. Time carries its often-quoted ranking of the most influential peopleof the year, and solves the problem that influence is difficult to quantify by outsourcing

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    the ranking to the surfers of its site by having them vote on individuals importance. Then

    again, there isPeople Magazines list of the sexiest and most beautiful. But each country

    and even city has its own rankings of the rich, powerful, popular, and cool.

    These lists have become truly addictive. Two senior editors (personal communication,

    November, 2011) of influential publications, who have asked to remain anonymous, have

    told me that they feel they have created, as one of them said, a monster: One of them

    is senior editor in a financial publication that publishes a list of most influential people.

    He tells me that he and his staff feel that the list is meaningless; nevertheless, they areflooded with the public relations agents of potential nominees of the list in the month

    before its publication who lobby for their clients standing in the list. The other is

    editor-in-chief of an influential lifestyle magazine, and tells me that he cannot drop his

    annual lists of the most attractive people in his country, because these issues sell better

    than all others and bring in new subscriptions every year.

    Of course, the absolute majority of earths population, and even 99.995% of the

    citizens of developed capitalist societies, never make it into these well-publicized rank-

    ings. But this does not mean that they do not play a profound role in this silentmajoritys psyche as well. Google has become the globes dominant search engine.

    Professionals and companies can be found in its searches, and Google Ranking often has

    significant economic and financial implications, as the Google Ranking determines where

    customers will shop and with whom companies will do business (Vaidhyanathan, 2011).

    This conception has reached deeply into the domain of culture (Seabrook, 2000).

    Publishers and authors have come to crave a place in the worlds most influential

    bestseller list. Amazon has provided an alternative to traditional measures like The New

    York Timess bestseller list. Furthermore, Amazons users are encouraged to review andrank books. As a result, several numbers now define a books value: its ranking in sales,

    the number of reviews, and the average ranking, between 1 and 5. John Seabrook (2000)

    has argued that this has led to a culture he calls nobrow: neither highbrow nor lowbrow,

    it simply equates cultural value and marketing success.

    The logic of this development is seemingly unassailable, even though the results

    border on the absurd: according to this logic, Justin Bieber, the celebrity teen singer

    catapulted into stardom by YouTube, is immeasurably more valuable than Bachs Mass in

    B Minor that has been viewed and downloaded far less than Biebers songs. Andaccording to this logic, Dan Browns The Da Vinci Code would be one of the most

    valuable pieces of literature ever produced, because it has sold dozens of millions of

    copies worldwide.

    The craze for rankings has seeped into the strata of those who do not stand any chance

    to make it into any of the more publicized scales. Today, children and adolescents invest

    great effort in collecting friends on Facebook and likes for their statuses, pictures, and

    videos. The self is not only being quantified, it is shaped from within by the new realities,

    and psychoanalysis is beginning to probe the depth to which the Internet is shapingintrapsychic and interpersonal processes, like the development of our sense of reality

    (Zizek, 2004; Gibbs, 2007) and of sexual identity, often shortcutting these in dangerous

    ways, as Alessandra Lemma (2010) has shown convincingly.

    And yet much of pop-psychology is geared toward purportedly helping people to

    increase their quantifiable achievement. Sociologist Eva Illouzs (2008) groundbreak-

    ing studies have shown the extent to which popular psychology has taken the job to

    create emotional competence and guide todays consumer through their various

    life-roles, ranging from work through child rearing to sex. This advice is often basedon shaky empirical evidence and packaged into simple three- to seven-step programs

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    designed to make people cheerful, communicative, effective, creative, and loving at

    the same time.

    Illouz (2008) has made a strong case that popular psychology is serving the needs of

    the culture at large: It has kept reformulating the ideals of mental health to adapt to

    changing circumstances, starting with early research about management optimization and

    ending with the theory of emotional intelligence. In doing so, it has both served the needs

    of corporations who need employees who work hard without complaining and help

    maintain the organizations peace and quiet, and it has served the clients who wantednothing but to function well in the environment that would provide them with status and

    an income.

    In doing so, some pop-psychology is perpetuating a powerful cultural myth: Each

    human being has an inner self with untapped potential (Strenger, 2011, Chapter 3). If this

    potential is unleashed, the person will become highly effective and very successful, and,

    at the same time, will feel that life is one, big experience of self-actualization. In other

    words, great success, supposedly, is not achieved by hard work and risk-taking, but is a

    function of tapping sufficiently deeply into the inner selfs unlimited potentiala poten-tial that can be unleashed in brief processes of seven-step programs or crash courses in

    positive thinking.

    The defining slogan of the era is Just do it! Like Michael Jordan, the icon most

    closely associated with Nike, the brand that adopted the slogan, we can all become

    legendary, if we reach deep enough into ourselves. Doing so is the new categorical

    imperative: The new super-egos demand is be a successful self-actualizer (Laurent,

    2011). Because this myth is so powerful, people tend to think that if they have not realized

    it in their lives, something must be wrong with them.

    This myth is, of course, devoid of any empirical foundation. The economic literature

    has shown the precise opposite (Sassen, 2000; Keller, 2005; Reich, 2005; Conley, 2009):

    social mobility today is substantiallylowerthan it was 50 years ago, and the best predictor

    of economic success is simply the socioeconomic status of the family into which a child

    is born. The idea that reaching deep into our inner selves and thinking positively will turn

    all of us into immensely successful self-actualizers is nothing but a chimera. The most

    probable life course is that those born into societys lower strata will stay there (Keller,2005). And the phenomenally popular seven-step guides to ultimate success are, as Tiede

    (2001) has shown, nothing but a contemporary version of snake oil leading to repeated

    experiences at failing to achieve the promised miraculous transformation from ordinary

    human being into vaulting success story.

    A Difficult Personal Journey Into the Third Culture

    The psychoanalytic tradition has a lot to give to the members of global culture. It has

    always resisted the type of simplistic myths like Just Do It. Well into the 1960s, it has been

    successful in communicating compelling theories about what it means to live a human life

    that have celebrated complexity rather than shunning it. The retreat from the 21st

    centurys public sphere carries a steep price: the psychoanalytic message that the selfs

    depth and complexity is a source of meaning, and that there is more to identity than the

    selfs marketable properties is today more important than ever. This is why psychoanalysis

    should make a serious attempt to communicate its view to the third culture that hasbecome todays marketplace for ideas.

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    Participating in the third culture certainly does not come easy to psychoanalysis. As

    opposed to the dominant academic culture in the natural and social sciences, psychoanal-

    ysis has never been infatuated with novelty. It has insisted on the relevance of its own

    canon, and on integrating its own history into its writing and self-understanding, thus

    preserving the transitional space of its own culture and history. If modern scientific

    research mostly puts a premium on the novelty of results and the technology by which it

    is generated, psychoanalysis continues to put its thinking within the context of more of a

    century of psychoanalytic writing and theorizing, thus creating a richly textured, multi-layered cultural tradition with a poetic dimension irreducibly intertwined with theory and

    practice (Shahar, 2010). Psychoanalysts experience the long, complex history of their

    discipline as a holding environment that creates historical depth. This makes it ever more

    difficult for psychoanalysis to capture the third cultures attention, because historical depth

    is not one of its features (Strenger, 2004): The psychoanalytic canon is not only out of

    reach for most of the educated lay public, but, at this point, it has also become inaccessible

    for the overwhelming majority of mental health professionals, because most training

    programs in disciplines like psychiatry and clinical psychology no longer teach this canon.So how can psychoanalysis join the third culture? The clinical pursuit of psychoanal-

    ysis is a very private matter, and it takes years to acquire the skill of communicating about

    these intimate processes. Then again, the history of psychoanalysis is replete with gifted

    communicators, ranging from Freud himself through Theodor Reik, Erik Erikson, Erich

    Fromm, to Winnicott (who made a point of regularly addressing lay audiences), who

    succeeded in making aspects of psychoanalytic thought and practice intelligible to wider

    circles.

    I expect a simple objection: In the times of Reik, Erikson, Fromm, and Winnicott,

    you could still expect audiences to listen to longish lectures and to read complex books;

    they did not expect to be served intellectually and emotionally demanding material pared

    down to the size of a TED talk, a BigThink interview, or an op-ed in The New York

    Times!

    This argument is weighty, and yet I think that psychoanalysis must find ways into the

    third culture, not only to make psychoanalysis popular. The quantification of value and the

    Just do it! myth that everything is possible is generating enormous suffering. Psycho-analysis must do what it can to show individuals how they can find a way to validate their

    subjectivity over and above quantifiable achievements in a globalized culture.

    To communicate with the third culture, we must participate in its rituals and speak its

    language, and this, as I have learned the hard way, is not easy at all. Most psychoanalysts

    are used to literally reading papers, whereas the third culture requires speakers to engage

    with audiences more immediately. We have all been socialized to build our lectures by

    connecting our questions to the psychoanalytic tradition. To join the third culture, we must

    find ways to reach the audience without presupposing a common theoretical background,and must instead try to reach them with stories and experiences to which the audience can

    relate in a more direct manner.

    In the last decade, I have ventured into the third culture, and the journey was by no

    means easy. My intellectual development was defined by immersion in the classical texts

    of the psychoanalytic and the European philosophical tradition. For a long time, I felt that

    there was no way of transmitting what I had learned from these traditions to audiences that

    did not share this background and were either unwilling or incapable of following

    complex theoretical reasoning; and I was suspicious of attempts to simplify ideas to makethem more accessible.

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    The process of change was gradual. It began in the 1990s by giving courses to popular

    audiences about Freud and psychoanalysis; this forced me to make this tradition accessible

    to those who had not prepared for it. These lecture courses worked quite well, because I

    met the audiences for an average of 10 lectures.

    The problem began when I was asked to speak at conferences for the business

    community, where I would be given half an hour at most. To give a simple example, the

    world of high tech has been thriving on the myth that it has squared the circle: its

    employees never just work hard (Illouz, 2008). They can work endlessly without feelingcheated of their lives, because their work is really just playful self-realization of their deep

    self, thus combining financial success with an authentic life.

    In some lectures, I tried to debunk this myth using Winnicotts idea that, in healthy

    development, we do not simply adapt to the external worlds demand, but require a

    complex negotiation that allows us to maintain contact with the true self (Winnicott,

    1971). I wanted to point out to my audience that, like badly attuned parents, this cultural

    myth could rob those who bought into it of an authentic life, and that they needed to be

    attentive to their feelings to avoid this fate.I tried to do so by introducing some of Winnicotts core concepts, without sacrificing

    too much of his ideas richness. I failed miserably. After 10 min, I knew I had lost my

    audience, and it was quite painful to stay on the podium for another 20 min encountering

    blank stares at best, and seeing people walk out of the hall at worst. Friends who were

    listening pointed out that I was unwilling to adapt my vocabulary and mode of presen-

    tation to the audiences needs; but at first I rejected their well-meant inputs. I thought that

    beyond a certain level of simplification I was betraying the psychoanalytic tradition I was

    trying to represent.My attitude to my friends admonitions changed when I realized that, by insisting on

    a more classic style of presentation, I was effectively renouncing the possibility to speak

    to professional groups that most needed to understand the cultural pressures under which

    they livedparticularly members of the high-tech sector who function under enormous

    pressure and are in more need for self-understanding than my natural listeners, who

    already had a background in humanistic disciplines.

    The gradual rapprochement between my native psychodynamic language and that of

    nonpsychoanalytic audience took some time and involved rather painful failures andembarrassments. I was fortunate to receive help from a number of friends and colleagues,

    and in the last years my encounters with wider audiences have become more fruitful and

    gratifying for both sides.

    Against my earlier principles, I began to use PowerPoint presentations. At first, they

    were filled with far too many words and quite useless. Gradually, I opened up to my

    friends advice to think in stories rather than abstractions; and began to realize the

    phenomenal power of images in illustrating and amplifying stories that could reach

    audiences minds and hearts.This process required some self-analysis. I needed to work through my fears that,

    without complex vocabularies and wide cultural associations, I would find out that I had

    nothing to say. It was not easy to realize that quite often I hid behind a professional

    vocabulary to maintain distance from my audiences and to maintain a sense of authority.

    As a result, I did not make emotional contact with the audience, and, unsurprisingly, could

    reach neither their minds nor their hearts.

    After further adjustments, I began to reach audiences I had failed to reach before, like

    the high-tech and financial sectors, and the reactions were encouraging. Quite often,members of the audience told me: I suddenly understood what has been driving me crazy

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    for years now or I finally understand the source of my perpetual discontent and the fear

    that Im living a useless life! My long journey with all its mistakes and blind alleys had

    finally brought me to the point of being able to communicate in a way that allowed these

    audiences to understand my message. Much more importantly, members of the audience

    felt understood by the messages derived from the psychoanalytic tradition and were

    encouraged to think more deeply about the cultural myths that were making them

    miserable.

    Another learning process began in 2007 when I teamed up with a friend, ArieRuttenberg, a former successful advertising executive, to work on a new concept of

    midlife transition. My own ideas were strongly influenced by Elliot Jaquess seminal

    paper Death and the Midlife Crisis (Jaques, 1965), which first introduced the notion of

    midlife crisis. Jaques investigated the creative trajectory of many artists, and concluded

    that their creativity underwent a transformation from exuberance to what he called

    sculpted creativity, the ability to see lifes tragic dimension and integrate it into their

    work. He interpreted this as a deep working through of the depressive position in Melanie

    Kleins sense.Of course, I ran into a number of problems: Kleins notion of the depressive position

    is not easy to explain to readers unfamiliar with psychoanalytic thinkingeven less so in

    Ogdens (1993) enormously fruitful elaboration of developing a truly historical concep-

    tion of self and other.

    Quite fortunately, Ruttenberg was adamant that we make our ideas accessible to a

    wide audience, so we decided to try to write an article for the Harvard Business Review.

    Because it is one of the worlds most influential business publications, we hoped that this

    would help business executives to take our ideas seriously and implement them not onlyin their lives but also in their organizations.

    Here my own resistance to change found a most suitable object for projection.

    Ruttenberg, after all, had been an advertising executive through most of his adult life. So

    whenever he would push for more accessible formulations, I would say things like this

    is exactly where you guys ruin culture: you have no interest in complexity, you just look

    for a punchy line. Youre turning this into an exercise in copywriting instead of a

    contribution that generates insight! This was an easy way of externalizing my conflict

    about reaching out to wider audiences by projecting the part of my self that wanted to doso onto him.

    Here again I was lucky, because we worked with a Harvard Business Review editor

    with a profound understanding of and interest in psychoanalysis, Diane Coutu. She helped

    us find formulations that made psychoanalytic ideas like Kleins depressive position and

    Winnicotts differentiation between dreaming and fantasizing accessible to a community

    that is far removed from psychoanalytic thinking. The resulting article The Existential

    Necessity of Midlife Change (Strenger & Ruttenberg, 2008) generated wide interest, and

    was reported in, among others, Time and The Washington Post.During the same period, I began to be progressively preoccupied with political

    developments in Israel that I felt were profoundly dangerous to Israels future (Bar-Tal &

    Schnell, 2012) and that were contrary to some of my most deeply held values and beliefs.

    I decided to approach Haaretz, Israels leading liberal newspaper with a strong tradition

    of dissent (Remnik, 2011), because I hoped that I could be of some use in formulating

    some of Israelis deepest fears, which were pushing them ever more toward right-wing

    nationalism.

    I was once again fortunate, because two of Haaretzs editors, including its currentEditor-in-Chief Aluf Ben, patiently worked with me on my style of presentation. They

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    kept showing me that I often used the name of scientific or psychoanalytic authorities in

    ways that neither contributed to my argument nor were of any real value to a readership

    that did not know these authorities. I had to learn the difference between academic writing

    and the op-ed format: What I took to be good academic etiquette simply came across as

    pompous in the latter format.

    Here again there was a psychodynamic aspect to my problems. Not only was this

    medium new for me, but Israels political scene is also very heated emotionally. From

    early on, I had to deal with often quite aggressive reactions to my ideas. I graduallyrealized that I sought protection behind the mantle of external authorities. My writing

    communicated to the readers Dont attack me personally; I represent a class of special-

    ists, and hence my political views are buttressed by superior knowledge!

    I had to learn that this was inauthentic: Although much of my political writing was

    based on and inspired by psychodynamic thought, I was basically denying that I was also

    taking a political stance. No amount of name-dropping would change this. If I wanted to

    venture into the emotionally charged area of Israels identity, morality, and survival

    strategy, I had to accept that I would no longer be protected by specialist knowledge.Moreover, my strategy did not serve the purpose, because readers easily felt that I was

    pontificating. I understood that I had to take the medium in its own terms and to renounce

    the safety of academic discussion.

    The risk of participating in this discourse became dramatically concrete when in

    September 2008 a right-wing zealot put a bomb at the doorstep of a fellow Haaretz

    commentator, Professor of Political Science and historian of French fascism Zeev Stern-

    hell. Fortunately, he was hurt only slightly, and he has continued voicing his trenchant

    criticism of Israels policies ever since. I found his courage inspiring, voiced my outrageabout this terror attack in an op-ed entitled I accuse! (Strenger, 2008), and decided that

    I could no longer let my fears influence my public writing. I am grateful to Haaretzto have

    hosted my blog (at http://www.haaretz.com/blogs/strenger-than-fiction), which integrates

    psychodynamic thinking and political analysis, for the last years.

    A final example. Early in 2012, I received an offer to present at a TEDX eventa

    subbrand of TED, one of the third cultures most influential venues. I wanted to use this

    occasion to explain the complex developmental process through which todays new

    cosmopolitans, whom I have described in an earlier psychoanalytic paper (Strenger,2013), develop their complex nontribal identities.

    How was I to compress psychodynamic formulations I had developed over a decade

    and written two books about into 18 min? I think I sweated more over this 17-min talk

    than over most articles I have written in my career. There were moments of despair; I was

    on the verge of telling the organizers that I could not do this, and I dithered between

    self-denigration and rants about the shallowness of the TED format.

    My early drafts were rejected, because the TED coaches, Michael Weitz and Abigail

    Tenembaum, kept pointing out that the talk was too abstract and uncommunicative. I hateto admit that, at the beginning, I thought that they were just trying to cheapen the talk, and

    that I resisted a simple realization: even though I had been lecturing in different contexts

    since my early 20s, they knew more about effective delivery than I did, and that I had a

    lot to learn from them.

    Gradually, Abigail and Michael softened my resistance to the one, rather simple

    strategy that they know works in TED: telling personal stories. I realized that, after all, my

    theme of how new cosmopolitans develop by working through early attachments, conflicts

    with family and tribe, and the resulting process of individuation is a storyeven if it iscodified in our theories. After some reluctance, I accepted the coaches advice to use my

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    own life-story as the entry point about how difficult my process of individuation in

    adolescence and early adulthood had been. From there, I moved to stories about Freud and

    other inspiring figures who upheld universalist values in their lives and work. In this way,

    the idea of cosmopolitan identity and world citizenship became much more accessible.

    I learned a great deal from this experience, even though the talk has not become a

    smash hit on YouTube. I realized after watching it how much I still have to learn if I want

    to continue working with this medium. I also have no illusion that I could get across the

    full complexity of the individuating processes of new cosmopolitans in the TED format,but this is, after all, never the goal of such a talk. At best, it makes the audience realize

    that psychodynamic thinking has something to offer to them: self-understanding and the

    possibility of self-liberation from shackles they have always experienced but never put

    into words.

    The Psychoanalytic Message in the Third Culture

    I have related my own learning process in some detail precisely because I think it is not

    unique. From many conversations with colleagues, I have come to believe that my own

    fears and resistance on the journey of venturing from the safety of the consulting room and

    academia into the wider world reflect the difficulties of many in the psychoanalytic

    community who seek a place and a voice in the contemporary public spheres.

    These fears are the same as those of people from all cultural traditions who feel

    overwhelmed by the bulldozing power of the global capitalist system that deifies quan-

    tification. We all feel protected by the transitional space Winnicott (1971) has shown tobe essential to our psychic survival, and we are all profoundly afraid of the possibility that

    this cultural space could be punctured and flattened by the craze for quantification.

    My own journey exemplifies this dynamic. Time and again, I was afraid of losing my

    professional and personal identity if I did not use the vocabulary of the psychodynamic

    tradition. And I was also afraid of leaving behind the protection of the cultural space that

    psychoanalysis has carved out for us: the rituals of analytic work, the psychoanalytic

    seminar, and the intimacy generated by dialogue with colleagues who share the same, rich

    associative frame.The journey of finding my place and voice in the third culture took the better part of

    a decade. Of course, I still feel more comfortable in the institutions and events that have

    shaped my professional identity, and I continue to feel safer with colleagues and students

    with whom I share a much wider vocabulary than with wider audiences. But I have learned

    to feel less threatened in my identity in these ventures into the third culture. I am no longer

    afraid that I betray my cultural roots and psychoanalytic values, and, after all, I can always

    return to my natural cultural context of colleagues and students to refuel and reconnect to

    my cultural and professional roots.Today, I feel that the process, even though at times difficult, frightening, and replete

    with sometimes humiliating failures, was worth the time and effort. This journey has

    strengthened and deepened my conviction that the psychoanalytic tradition has a lot to

    offer the wider public. It has also taught me much about the enormous value of seeking

    and accepting help from specialists in other disciplines.

    At this point, I expect an important objection: In pleading for psychoanalysis to join

    the third culture, are you not asking us to cave in to exactly the craze of quantification that

    you have diagnosed as a major source of suffering? Is your proposal not the exactanalogue of what Irwin Hoffman (2009) has decried as double-thinking our way into

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    scientific respectability? Does your proposal not empty psychoanalysis of all it has been

    trying to protect by participating in the trend of packaging complex messages in short

    formats?

    I do not think so. Unlike Hoffman, I believe that it has been very beneficial to

    psychoanalysis to find ways to communicate with the scientific mainstream (Shahar,

    Porcerelli, Kamoo, Epperson, & Czarkowski, 2010; Shedler, 2010). Similarly, my expe-

    rience has taught me that, when we are willing to make the effort to communicate with the

    third culture, our message is often heard and sometimes gratefully accepted.Forays into the third culture can get across the core message of the psychoanalytic

    tradition to wider audiencesthat the self has depth; that the complexity of the psyche and

    of human existence are not an impediment to living a good life, but are the source of our

    identity; that trying to flatten the self into a marketable commodity described by numbers

    achieves the opposite it is meant to achieve: It empties our lives of meaning rather than

    imbuing them with significance.

    Disseminating this message is a supremely worthy purpose, in todays culture more

    than ever, and psychoanalysis has the tools to reach for this goal. Psychoanalysis has aforterarely used when we try to communicate with wider audiences: Roy Schafer (1983)

    argued many years ago that psychoanalysis is about retelling human lives. We are, in more

    than one way, storytellers, and, as cognitive and anthropological research (Atran, 2002)

    has shown, the human mind is wired to remember stories rather than theories. We must

    get used to reformulating our stories without relying on a theoretical vocabulary that we

    are taking for granted when communicating with colleagues. And we must accept that, in

    the new media, we need to engage our audiences within minutes: we must wean ourselves

    from the habit of making long introductions connecting what we are about to say totheoretical traditions.

    I think it would be a great mistake to see the attempt to find a place in the third culture

    as caving into demands that are bound to kill the spirit of psychoanalysis. Instead, we

    should see reaching out to the wider culture as our duty, as an integral part of our

    professional ethos and missionof deciphering human experience and alleviating suf-

    fering through understanding. Finding a language to disseminate this message in the

    public space of the third culture could become as integral to the undertaking of psycho-

    analysis as finding the words that help individual patients understand their lives.

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    Brockman, J. (1995).The third culture: Beyond the scientific revolution. New York, NY: Simon &

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    Conley, D. (2009). Elsewhere, U.S.A.: How we got from the company man, family dinners, and the

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