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AUTHOR PROFILE 1 CHRISTINA'S WORLD Following on from her two-million-selling historical novel Orphan Train, CHRISTINA BAKER KLINE has delved into the backstory of a famous painting by Andrew Wyeth to write her new novel, A Piece of the World. ANGUS DALTON talks with the author. A PIECE OF THE WORLD C H R I S T I N A B A K E R K L I N E \ Tisitors to New York's Museum of Modern Art often find themselves bewitched by Andrew Wyeth s Christina's World.The 1948 portrait shows a young woman in a pink dress draped across a corner of a dry field. Her face is turned away from the viewer and she looks to a grey farmhouse jutting up from the horizon. Her legs are cast uselessly behind her, and her fingers claw at the grass. The woman in the painting was based on Christina Olson, the real-life neighbour of American artist Andrew Wyeth. Christina Baker Kline, who lives in New Jersey, is as fascinated by the people who flock around this painting as she is by the woman in the frame. 'The painting, in real life, is incredibly compelling,' says the English-born writer. 'It's fascinating to watch people experience it for the first time they stand very close to it, gazing at that girl in the grass, examining the tiny brushstrokes. There is a mystery, a question, at its heart: why is she stranded at the bottom of the field? Is she fearful? Yearning? What does she desire?' These questions formed the basis for Kline's new novel, A Piece of the World, which is narrated by a fictionalised version of the real-life woman who inspired Andrew Wyeth to paint Christina's World.The author's previous novel, Orphan Train, spent five weeks at the top of Tlie New York Times bestseller list. But Kline says that this newnovel as her most personal project to date. 'My grandmother and mother were also named Christina, and my grandmother, in South Carolina, grew up in circumstances not unlike Christina Olson's in Maine: they were both raised in the early 20th century in remote clapboard farmhouses, without heat or electricity or running water. Like Christina Olson, my grandmother as a child was afflicted with physical problems that limited her mobility. I've always been intrigued by the subject's seemingly paradoxical combination of strength and helplessness.' Olson was posthumously diagnosed with Charcot-Marie-Tooth disease, an inherited degenerative muscular condition that severely restricted her movement. She was bound her to her home, but Olson had formidable resolve and a precocious wit; by the time she was 12, her schoolmaster asked her father if she might stay with the school and eventually take it over. Christina's father refused the offer, saying she was needed at their property. 'Life was hard on the farm,' says Kline. 'But she was fiercely proud and would not use a wheelchair. Nevertheless, she ran the household. In later years she took to dragging herself around as we can see in Wyeth's portrait.' Much of the novel centres on the relationship Andrew Wyeth who was a nationally renowned artist by the age of 22 and Olson, who would become his muse. Artistic brilliance ran in the family; Andrews father, N C Wyeth, illustrated early editions of Page 1 of 2 March, 2017 Good Reading, National Author: Christina Baker • Section: General News • Article type : News Item Audience : 8,000 • Page: 14 • Printed Size: 1173.00cm² • Market: National Country: Australia • Words: 993 • Item ID: 732698166 Licensed by Copyright Agency. You may only copy or communicate this work with a licence.

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Page 1: AUTHOR PROFILE 1 WORLD - Christina Baker Klinechristinabakerkline.com/wp-content/uploads/2017/03/Good-Reading... · AUTHOR PROFILE 1 CHRISTINA'S WORLD Following on from her two-million-selling

AUTHOR PROFILE 1

CHRISTINA'S

WORLDFollowing on from her two-million-selling historical novelOrphan Train, CHRISTINA BAKER KLINE has delved intothe backstory of a famous painting by Andrew Wyethto write her new novel, A Piece of the World. ANGUSDALTON talks with the author.

A PIECE OFTHE WORLD

C H R I S T I N A B A K E R K L I N E

\Tisitors to New York's Museum

of Modern Art often findthemselves bewitched by AndrewWyeth s Christina's World.The 1948portrait shows a young woman in apink dress draped across a corner ofa dry field. Her face is turned awayfrom the viewer and she looks to agrey farmhouse jutting up from thehorizon. Her legs are cast uselesslybehind her, and her fingers claw atthe grass. The woman in the painting was basedon Christina Olson, the real-life neighbour ofAmerican artist Andrew Wyeth. Christina BakerKline, who lives in New Jersey, is as fascinatedby the people who flock around this painting asshe is by the woman in the frame.

'The painting, in real life, is incrediblycompelling,' says the English-born writer. 'It'sfascinating to watch people experience it forthe first time — they stand very close to it,gazing at that girl in the grass, examining thetiny brushstrokes. There is a mystery, a question,at its heart: why is she stranded at the bottomof the field? Is she fearful? Yearning? What doesshe desire?'

These questions formed the basis for Kline'snew novel, A Piece of the World, whichis narrated by a fictionalised version of thereal-life woman who inspired Andrew Wyethto paint Christina's World.The author's previousnovel, Orphan Train, spent five weeks at the topof Tlie New York Times bestseller list. But Klinesays that this new novel as her most personalproject to date.

'My grandmother and motherwere also named Christina, and mygrandmother, in South Carolina,grew up in circumstances not unlikeChristina Olson's in Maine: they wereboth raised in the early 20th centuryin remote clapboard farmhouses,without heat or electricity or runningwater. Like Christina Olson, mygrandmother as a child was afflictedwith physical problems that limited

her mobility. I've always been intrigued by thesubject's seemingly paradoxical combination ofstrength and helplessness.'

Olson was posthumously diagnosed withCharcot-Marie-Tooth disease, an inheriteddegenerative muscular condition that severelyrestricted her movement. She was bound herto her home, but Olson had formidable resolveand a precocious wit; by the time she was 12,her schoolmaster asked her father if she mightstay with the school and eventually take it over.Christina's father refused the offer, saying shewas needed at their property.

'Life was hard on the farm,' says Kline. 'Butshe was fiercely proud and would not use awheelchair. Nevertheless, she ran the household.In later years she took to dragging herselfaround — as we can see in Wyeth's portrait.'

Much of the novel centres on therelationship Andrew Wyeth — who was anationally renowned artist by the age of22 — and Olson, who would become his muse.Artistic brilliance ran in the family; Andrewsfather, N C Wyeth, illustrated early editions of

Page 1 of 2

March, 2017Good Reading, National

Author: Christina Baker • Section: General News • Article type : News ItemAudience : 8,000 • Page: 14 • Printed Size: 1173.00cm² • Market: NationalCountry: Australia • Words: 993 • Item ID: 732698166

Licensed by Copyright Agency. You may only copy or communicate this work with a licence.

Page 2: AUTHOR PROFILE 1 WORLD - Christina Baker Klinechristinabakerkline.com/wp-content/uploads/2017/03/Good-Reading... · AUTHOR PROFILE 1 CHRISTINA'S WORLD Following on from her two-million-selling

Treasure Island and helped to catapult the storyto classic status.

'On the surface, Andrew Wyeth was asdifferent from Christina Olson as anyone couldbe,' Christina admits. 'But they shared surprisingsimilarities that bonded them. Like Christina,Andrew was sickly as a child and walked witha limp. He was ornery and liked to be alone.He valued hard work and simple living. Heappreciated Christina's quiet strength, hersmarts and her contrarian nature.'

As much as this book centres on thesehistorical figures, it also focuses on the housein which they live. Kline, in the prologue toA Piece of the World, writes,'... the skeletonof a house can carry in its bones the marrowof all that came before.' The feeling of a houseoozing history through its walls is somethingChristina has experienced first hand.

'I've lived in some very old houses. WhenI was born, my parents lived in a 13th-centurystone house called Apple Trees in a small villagein England, Swaffham Bulbeck. Eventually wemoved to Tennessee, into an abandoned brickhouse called The Wayside that we were toldcame with a resident ghost, Rums. I've alwaysbeen fascinated with how houses contain layersof stories. The epigraph of my first novel isfrom Aeschylus: "The house itself, could it takevoice, might speak aloud and plain.'"

When Kline is asked about how she createddrama from the seemingly mundane and

housebound life of a disabled woman in the1940s, she quotes Thomas Hardy:'The businessof the poet and the novelist is to show thesorriness underlying the grandest things and thegrandeur underlying the sorriest things.' Havinggrown up in Maine and having developed adeep respect for the real-life Christina Olsonthrough research, Kline was committed to'getting into the head of that girl in the grass'.The result is a forceful, atmospheric novel thatcreaks with the depth and character. The bookbecomes especially compelling when some ofthe stories lurking under the floorboards beginto emerge.

'The real-life Christina was descended fromthe chief magistrate of the Salem witch trials,'says Kline.'Her ancestors, trying to escape thetaint of association, fled Salem for the coast ofMaine in the middle of winter. And Christinaherself was rumoured, among some of thetownspeople, to be a witch herself. Wyethvariously described her as "a witch" and "thequeen of Maine". I think she enjoyed, andflirted with, the association.'

People walk in and out of the house inA Piece of the World without forewarning;Christina Olson inherited her grandmother'stendency to leave the doors open, should anypassing witch need refuge. Q

A Piece of the World by Christina BakerKline is published by HarperCollins, rrp $29.99.

Page 2 of 2

March, 2017Good Reading, National

Author: Christina Baker • Section: General News • Article type : News ItemAudience : 8,000 • Page: 14 • Printed Size: 1173.00cm² • Market: NationalCountry: Australia • Words: 993 • Item ID: 732698166

Licensed by Copyright Agency. You may only copy or communicate this work with a licence.