authentic assessment · •students submit final assignment including response to feedback ......
TRANSCRIPT
Authentic AssessmentHost: Professor Nicolette Lee, La Trobe University
Agenda
- Nicolette Lee, A brief introduction to two dimensions
- Catherine Moore, From engagement to empowerment using authentic assessment processes
- Katie Richardson, Designing rubrics for authentic assessment
- Open round table discussion
3La Trobe University
Integrated: activities feed assessment and feedback
Quality: Rigorous demonstration of capability linked to future needs
Learning activities
Assessment and feedback
Agency and ownership
Process and product
Professional outcomes and Standards
Meaningful: authentic to the individual and the activity
Authenticity in the learning context – the pragmatic link
4La Trobe University
Authenticity in the learning context – the process of becoming
‘the notion of learning knowledge and skills in contexts that reflect the way the knowledge will be useful in real life’ (Collins, 1988, p. 2)
• Practical activities• Intrinsic feedback and assessment• Reflecting professional or life contexts• Learning as knowing and doing
‘active engagement in learning or work, taking initiative and responsibility for one’s learning or actions, reflecting on one’s sense of self, and participating in the mutual construction of meaning.’ (Baxter Magolda, 2002, p.8)
• Personal ownership • Making decisions• Working with others• Learning as agency
‘construing the pedagogical task as the formation of authentic being turns us towards neither knowledge nor skills as centralcategories but rather to certain kinds of human qualities.’ (Barnett, 2012, p.76)
• Complexity and unsolvable problems• Challenges to modes of knowing • Failure as a curiosity• Learning as being
5La Trobe University
Question(s)
▪ What is the authentic assessment you experience of your own work?
▪ Can a student experience be wholly authentic?
From Engagement to Empowerment using Authentic Assessment Processes
Dr Catherine Moore, Edith Cowan University
Background
Professional Development Sessions for Unit Coordinators
1. What are the top 3 [skills] a student in your unit would need to demonstrate for a Higher Distinction?
We discuss and compare notes across disciplines.
2. What are the top 3 [skills] a student would need for success in their future career?
3. Are they the same as those required for a Higher Distinction?
Discussion often reveals that skills required for success in future careers are too difficult to assess.
How can students be empowered to articulate skills they’re unaware of?
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Skills for Success
• Are often about processes
• About how we see ourselves
• About how we relate to others
• About how we manage ourselves
From the lecturer’s perspective, these are difficult to see and to assess.
BUT we can still raise awareness, and sometimes we can even assess.
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Focus on ProcessEngagement in authentic processes is empowering:
1. Task processes
2. Evaluation processes
3. Agency (a process of directing our own actions)
Shift from Learning to Do to Learning to Be
(in keeping with Nicki’s quote from Barnett, 2012)
Three examples from ECU …
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Example 1: Physiotherapy final year unitProblem: Students unable to clearly articulate skills to potential employers.
Strategy: Use a Skills for Success checklist with the final group task (worth 60%)
Hand out list with task
• Lecturer identifies skills
• Discuss
Due date
• Students identify skills
• Discuss
Later
• Students refer to task when articulating skills
• Lecturer adapts for future tasks
Students are empowered to address employment criteria, directly linking to capstone unit group task, using Situation, Task, Action, Result.
8 June 2018 Edith Cowan University 10
Example 2: Social Studies final year unitDesigning Family Support Programmes
A good example of an authentic assessment task (product):
• initial proposal 40% and
• final detailed proposal 60%.
Every proposal is different as students select location (worked for overseas online as well)
A top student would
• Address all criteria – high level analytical, research, writing
• Incorporate lecturer feedback from initial proposal into final proposal
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Social Studies final year unit
Problem: Workload for lecturer was becoming increasingly unsustainable as unit popularity increased
Approach: What would happen in the ‘real world’ when new family support programmes are designed?
Strategy: Weighting of draft proposal reduced to 30%, with 10% given to quality of feedback to peer; Weighting of final proposal reduced to 50%, with 10% given to response to feedback
Week 3• Task details, marking criteria & rationale provided to students
Week 4• Review exercise with sample assignments, learning about feedback
Week 6• Students engage in peer reviewing, dialogue, hand in written feedback with draft
Week 8• Students provided with copy of written review with marked assignment
Week 12• Students submit final assignment including response to feedback
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Social Studies final year unit
Giving peer feedback:
✓ simulates professional practice
✓ develops capacity to evaluate work
✓ is a very demanding cognitive activity
✓ requires significant active engagement
✓ involves making meaning
✓ involves knowledge construction
✓ helps develop deep disciplinary expertise and writing skills
✓ stimulates reflection and transfer of learning to own work
✓ Empowers student to evaluate and articulate qualities of work
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Example 3: Dynamic case studies in Auditing undergrad & postgrad units
Dynamic Case Study Method
• Transforms student thinking by incorporating the dynamics of uncertain real time events into decision-making.
• Immerses students in investigating the cause and impact of real business decisions.
• Engages students in predicting consequences of business actions and testing predictions against eventual outcomes.
During the semester, students:
• monitor the accuracy of their predictions;
• discuss the likely impact of decisions (theirs and that of the business) on the business;
• learn to continuously scan the business environment and incorporate breaking news and events into their dynamic decision-making process; and,
• constantly reshape their views in the light of changing business events and new theoretical knowledge gained as part of the course (including from other units).
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Example 3: Dynamic case studies in Auditing undergrad & postgrad units
Dynamic case studies do not have definitive answers. They are constantly evolving, influenced by the current world affairs and business events, and real-time breaking news.
Every new piece of theoretical knowledge provides new insight into business decision-making.
“from the moment I attended my first Auditing seminar I found myself in the midst of
an engaging debate with my peers as to why real businesses succeed or collapse”
Students learn by advocating for their position, challenging each other and being challenged by the lecturer.
Students are empowered to debate application of theory to real-time business decisions and
anticipate/predict consequences of decisions.
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Authentic processes
1. Task processes – the extent to which engaging with the assessment task itself mimics ‘real world’ processes
2. Evaluation processes – the extent to which evaluating the quality of work reflects ‘real world’ processes
3. Agency (a process of directing our own actions) – the extent to which the task facilitates agency and encourages taking responsibility for decisions
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Provocation
Henry is a new graduate working in finance. He graduated with excellent grades, and he is
delighted to be in his dream job. Henry attributes his success to his skills at negotiating
university assessment processes: by the end of his studies he was able to interrogate a rubric
and really give his markers what they wanted.
But now Henry has been asked to lead a big new report, and his manager hasn’t given him
anything that looks remotely like a criteria sheet or marking guide. Henry’s manager is starting
to seem frustrated with Henry’s requests for formative feedback on his work in progress.
Extract from Developing Evaluative Judgement in Higher Education : Assessment for Knowing and Producing
Quality Work by David Boud, Rola Ajjawi, Phillip Dawson, and Joanna Tai, Routledge 2018-04-19
8 June 2018 Edith Cowan University 17
Designing rubrics for authentic
assessmentDr. Katie Richardson
Dr. Anne-Marie Chase
Issues and opportunities with developing
rubrics for authentic assessmentValidity
• Construct relevance
• Accuracy in measuring the levels of student progress
• Accuracy of inferences about learning progress and alignment of learning goals
• Accuracy and usability of feedback and feedforward
(Menéndez-Varela & Gregori-Giralt, 2016; Novak, 1996)
Usability• Flexibility – prescriptive vs. enabling
creativity (Gough, 2006)• Teaching and learning • Feedback and feedforward – multiple
assessments over time that feed into each other
• Self and peer assessment• Analysis of the task validity and
reliability• Multiple entry and exit points to enable
the full range of abilities(Raposo-Rivas & Gallego-Arrufat, 2016)
Reliability• Type of rubric – Analytic vs.
Holistic• Interrater reliability
(Büyükkidik & Anil, 2015).
Accountability• Ethics• Equity (Herman & Klein, 1996)• Transparency • Demonstration of mastery of concepts
and skills/alignment of assessment with ULOs
ExampleSubject/Unit: Using assessment evidence to inform teaching and learning
Assessment: Portfolio
Assessment Task 1: first artefact entry
Topic of artefact entry: Using evidence to inform teaching and learning decisions
Note: There are multiple assessments and rubrics over time designed to provide feedback and feedforward into the development of the final product.
Assessment Task 2 focuses on self- and peer-assessment, and formative feedback on the first artefact entry.
Relevant ULOs:
1. Students will develop knowledge of research related to the effective use of assessment information to inform teaching practice
4. Students will develop expertise in using evidence to inform teaching and learning decisions
AQF level 8 skills: Critical analysis, evaluation, transforming information, generate, transmit solutions to complex problems, transmit knowledge, skills and ideas to others.
Note: The SAME rubric is used for each of the different artefact entries later. (This way, you can analyse progress clearly and simplify expectations).
Task Description
Create the first artefact entry for your digital portfolio. It will be based on the following topic:
Using evidence to inform teaching and learning decisions
This artefact entry must relate to your work and it will be included in your final portfolio submission (see Assessment Task 3). The entry will comprise the following:
The artefact: (a representation of your work relating to using evidence to inform teaching and learning – this may relate to an individual student, a class, your school or workplace, etc. depending on your context
Commentary and critical reflection:
This element will need to:
– demonstrate how the artefact represents the topic,
– reflect your work context
– relate to relevant literature/theory. You will need to reference a range of professional readings from this course as well as demonstrate wider reading.
– provide critical analysis of your work, including how your reflections and critique of the literature will inform your future development in this area.
(850 words, not including the artefact itself)
Step 1: Determining the constructs that will be
assessed
Assessment task description
Contains the constructs we need to assess
Areas of knowledge
Skill sets
General learning outcomes
Course learning outcomes
Unit Learning
Outcomes: What do we
need to observe and
measure?
AQF level Example:The main ideas that are assessed in this assignment are:
Knowledge and practice of using assessment to inform teaching and learning
Communicating critical thinking
Step 2: Breaking down the constructs into a set of broad
capabilities that need to be observed
What are the main elements or
behaviours we need to observe to determine a
student’s proficiencies within
this construct?
Capability 1
Capability 2
Capability 3
Example: The breakdown of the main ideas/constructs into component parts
1. The artefact as representation of the
topic and context
2. Critique of artefact
3. Critical reflections on practice and
recommendations for change
4. Academic Communication
Kn
ow
led
ge a
nd
pra
ctic
e o
f u
sin
g as
sess
me
nt
Co
mm
un
icating critical
thin
king
Step 3: Breaking down the capabilities into
indicative behaviours (indicators or criteria)
Capability 1
Capability 2
Indicator 1.1
Indicator 1.2
Indicator 1.3
Indicator 2.2
Indicator 2.1
Capability 1. The artefact as
representation of the topic and
context
1. The artefact
2. Links between the artefact and
the topic
3. Links between the artefact and
work context
Capability 2. Critique of
artefact
1. Critical analysis of the key ideas that
emerge from the artefact
2. Critical analysis of the
key ideas in relation to work
context
Example
Step 4: Determining the different levels of
proficiency
Developmental taxonomies
Bloom’s Taxonomy
Dreyfus’ model of skills acquisition
SOLO taxonomy
Krathwohl’s Affective Domain
What are you trying to assess?
Cognitive skills – higher order thinking
Practical skills
Increasing complexity of thought or application
Attitudinal progress
E.g. Revised Bloom’s Taxonomy
Create
Evaluate
Analyse
Apply
Understand
Remember
Incr
easi
ng
leve
ls o
f co
gnit
ive
pro
fici
ency
(Krathwohl & Anderson, 2002)
Step 4: Determining the different levels of
proficiency
Not demonstrated
Know & Understand
Apply Analyse Evaluate & create
Capability 2. Critique of
artefact
2.1 Critical analysis of the key ideas that emerge from the artefact
Key ideas that emerge from the artefact are not discussed.
Ideas relating to the topic that emerge from the artefact are mentioned.
Ideas relating to the topic that emerge from the artefact are explained and linked with theory and literature.
Key ideas relating to the topic that emerge from the artefact are analysed using theory and literature.
Key ideas relating to the topic that emerge from the artefact are critiqued and evaluated using theory and literature.
Notice the verbs describe the quality of performance that is achieved at this level.
Also note that there are clear quality differences that are observable between each level
Note that topics for each
artefact are given in the
task description,
and reflected in the ULOs
The scoring system is one-for-one (one mark per level of achievement) which enables clarity and analysability.
In other words, the knowledge level is worth 1 mark, the Evaluate level is worth 4 marks
Paradox
There is a balance between:
• making the rubrics too prescriptive (and therefore
inflexible and unable to allow for creativity or out-of-the-
box thinking), and
• being too broad or general in the rubrics (therefore, not
providing enough structure for students and teachers to
gain common understanding of the requirements).
How do we mitigate these issues, particularly with very broad
authentic forms of assessment?
References
Büyükkidik, S., & Anil, D. (2015). Investigation of reliability in generalizability theory with different designs on performance-based assessment. Education and Science, 40(177), pp. 285-296. doi:10.15390/EB.2015.2454
Gough, J. (2006). Rubrics in Assessment. Vinculum, 43(1), pp. 8-13.
Griffin, P. (Ed.). (2014). Assessment for teaching. Cambridge UK: Cambridge University Press.
Herman, J. L., & Klein, D. D. (1996). Evaluating equity in alternative assessment: An illustration of opportunity-to-learn issues. Journal Of Educational Research, 89(4), pp. 246-256.
Menéndez-Varela, J., & Gregori-Giralt, E. (2016). The contribution of rubrics to the validity of performance assessment: a study of the conservation–restoration and design undergraduate degrees. Assessment & Evaluation In Higher Education, 41(2), pp. 228-244. doi:10.1080/02602938.2014.998169
Novak, J. R. (1996). Establishing validity for performance-based assessments: An illustration for collections of student writing. Journal Of Educational Research, 89(4), pp. 220-233.
Raposo-Rivas, M., & Gallego-Arrufat, M. (2016). University Students' Perceptions of Electronic Rubric-Based Assessment. Digital Education Review, (30), pp. 220-233.