audioslave revelations
TRANSCRIPT
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Intro
Moderately slow q = 87
Broken CityLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (slight dist.)
P.M. throughout
mp
*G5
33
=
*Chord symbols reflect implied harmony.
My1.
cit
Verse
G5
y- sleeps by the side of a free way,
- a cit y- of scraps in the
Riff A
win ter- time. She wore a yel low- coat, now there’s noth ing- on her back. If a
End Riff A
0 3 5 5 5 0 3 5 5 5 0 3
5 5 5 0 3 5 5 5
3 5 5
3 5 53 5
3 5 5
3 5 5
3 5 53 5
3 5 5 0 0 3 5
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build ing- falls, you would n’t- care to no tice- un less- you were in it. And
no one cares a bout- climb ing- stairs, noth ing- at the top no more.
Out
Chorus
Gtr. 1 tacet
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5 D5
C5 D5 C5 D5 C5
Gtr. 3 (dist.)
*w/ phaser & DigiTech Whammy Pedal
Riff B1
f
End Riff B1
+6
*Set for one octave above.
+6 +6 +6 +6 +6 +6 +6
Gtr. 2 (dist.)
Riff B
w/ phaser
f
End Riff B
3 5 53 5 5 3 5
3 5 5 0 3
3 5 5
3 5 53 5
3 5 5 0 0 3 5
5
X7
5
X7
5
7
3X5
5
X7
5
X7
3X5
3X5
5
X7
5
7
3X5
5
X7
3X5
3X5
5X7
3X5
5X7
3X5
5X7
3X5
5X7
3X5
5X7
3X5
5X7
3X5
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Out
Gtrs. 2 & 3: w/ Riffs B & B1 (3 times)
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5
D5
I watch
C5
her bleed
D5
and
C5
crack.
D5 C5
Out
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5 D5
C5 D5 C5
Out
D5 C5
-
D5
side- kick ing- in
C5
the bro
D5
ken
C5
- cit
D5
y,-
C5
D5
there’s noth
C5
ing- wrong
D5
with
C5
that.
D5 C5
Doo,
Interlude
*Dm7/C
doo, doo, doo, doo, doo, doo, doo,
Gtr. 3
Rhy. Fig. 1A
(
+6
)
+6 +6 +6
(
+6
)
+6 +6 +6
Gtr. 2
Rhy. Fig. 1
*Bass plays C.
5356
5356
5356
5356
5356
5356
5356
5356
5356
5356
5356
5356
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doo, doo, doo, doo, doo, doo, doo. Now2. the
End Rhy. Fig. 1A
(
+6
)
+6 +6 +6
(
+6
)
+6 +6 +6
End Rhy. Fig. 1
snow
Verse
Gtr. 1: w/ Riff A (2 times)Gtrs. 2 & 3 tacet
G5
falls down like it’s fall ing- on an o cean,- dead and emp ty- by the
Gtr. 4 (slight dist.)
Riff C
w/ wah-wah
mp
rail road- tracks where they used to go and come. Now they don’t come back. You can
End Riff C
5356
5356
5356
5356
5356
5356
5356
5356
5356
5356
5356
5356
3 5 5
3 5 53 5
3 5 5
3 5 5
3 5 53 5
3 5 5 0 0 3 5
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hear
Gtr. 4: w/ Riff C
the rust grow ing- up the through ways,
- down the al leys- where they
stole this town from the fron tier.- I can see him try’n’ to steal it back.
Out
Chorus
Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5 D5
C5 D5 C5 D5 C5
Voc. Fig. 1
(Out side- trip pin’- in the bro ken- cit y.)-
Out
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5
D5
I watch
C5
her bleed
D5
and
C5
crack.
D5 C5
End Voc. Fig. 1
Out
Bkgd. Voc.: w/ Voc. Fig. 1
D5
side- kick ing- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5
D5 C5 D5 C5 D5
Out
C5
-
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y,-
C5 D5
there’s noth
C5
ing- wrong
D5
with
C5
that.
D5 C5
Interlude
Doo,
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
Dm7/C
doo, doo, doo,
doo, doo, doo, doo, doo, doo, doo, doo, doo, doo, doo.
Doo,
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sun
Verse
Gtr. 1: w/ Riff D (4 times)Gtr. 6: w/ Rhy. Fig. 2 (4 times)
G7
won’t shine on this part of the map
Gtr. 5 tacet
an y- more.- When it’s
steady gliss.
cold out side- I see it hide be hind- the smoke stacks,- noth ing- grows. There’s no
gold rush,
no min er,- no rev o- lu- tion- be hind- her and the
ship yard- is a grave yard.- No one will be try’n’ to find her.
Out
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5 D5
C5 D5 C5 D5 C5
Out
D5
side- kick ing- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5
D5
I watch
C5
her bleed
D5
and
C5
crack.
D5 C5
Out
D5
side- trip pin’- in
C5
the bro
D5
ken
C5
- cit
D5
y.-
C5 D5
C5 D5 C5
Out
D5 C5
-
17 8
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D5
- side kick ing- in
C5
the bro
D5
ken
C5
- cit
D5
y,-
C5 D5
there’s noth
C5
ing- wrong
D5
with
C5
that.
D5 C5
Interlude
G7
There’s noth ing- wrong with that.
(Doo,
Voc. Fig. 2
doo, doo, doo, doo, doo, doo, doo,
Gtr. 7 (dist.)
Gtr. 8 (dist.)divisi
* pp
*Vol. swell
Out side- trip pin’- in the bro ken- cit y.-
doo, doo, doo,
doo, doo, doo, doo,
End Voc. Fig. 2
doo.)
f
Outro
Bkgd. Voc.: w/ Voc. Fig. 2 (till fade)Gtr. 6: w/ Rhy. Fig. 2 (till fade)Gtrs. 7 & 8 tacet
G7
3
Gtr. 1
Riff E End Riff E
108
108
3 5 5
3 5 53 5
3 5 5
3 5 53 5
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Begin fade
Fade out
Gtr. 1: w/ Riff E (till fade)
Hey, out side- trip pin’- in the bro ken- cit y.-
Out -
Gtr. 4
Riff F End Riff F
Gtr. 4: w/ Riff F (till fade)
- side trip pin’- in the bro ken- cit y.- Out -
- side, out side,- out side,- out side.-
3
Gtr. 5
1/2 1
Out side,- out side,- out side.-
3 5 5
3 5 53 5
3 5 5
3 5 53 5
1517 15
17 17 17 17 17 1517
1517 15 17
17
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Moderately slow q = 82
Jewel of the SummertimeLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Drop D tuning:(low to high) D-A-D-G-B-E
Intro
(Drums)
*
Gtr. 1 (dist.)
w/ phaser
Riff A
D5
f
E5 Fsus2 D5 E5 Fsus2End Riff A
*Chord symbols reflect implied harmony.
Gtr. 1: w/Riff A
D5
E5 Fsus2 D5 E5 Fsus2
When1.
I
I
Verse
Gtr. 1: w/ Riff A (4 times)
D5
was
turned
eight
twen ty-
een,
one,
E5
- I did
I
Fsus2
n’t-
saw
know
the
pain
sun
when
pull
the
ing-
sun
out
D5
was
of
high.
sight.
E5 Fsus2
D5
All
Burnt
that I
face,
met
E5
were
shad
dark
Fsus2
ows-
sil
e
hou-
rased,
ettes
-
-
and I knew
stumb
D5
I’d
ling- in
be all
the
E5
night.
right.
Fsus2
Left
Then
that
we
be
col
3
-
-
0 XXX
XXX
2 3
30
30
30
30
30
30
0 XXX
XXX
2 3
30
30
30
30
30
30
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hind
lid
2nd time, Gtr. 2: w/ Rhy. Fill 1 (4 times)
D5
me,
ed
-
(Uh,
(Uh,
E5
huh.
huh.
Fsus2
some
and
thing
I
- blind
fin
D5
ed
al
-
-
me.
ly-
Uh,
Uh,
E5
huh.
huh.
Fsus2
You’re
got
re
a
-
mind
light
D5
ing
on
- me
me.
Uh,
Uh,
E5
huh.)
huh.)
Fsus2
of
Now
a
I’m
bet
bath
D5
ter
ing
-
- in
space in
the
E5
time,
bright
Fsus2
ul tra- -
miles
vi
Asus2
o-
a
let-
way.-
rays.
F5
A jew
Chorus
D5
el- of the sum mer- time,-
Gtr. 3 (dist.)
Riff C
mf
1
*Gtrs. 1 & 2 (dist.)
f
**w/ wah-wah
phaser off
Riff B
*Composite arrangement **Gtr. 2 only
1/4
Gtr. 2
Rhy. Fill 1
12 12 10 12 10
02200
3 3
XX
0
12
0
12 XX
12 XX
XX
12 12
00
XXX
XXX
22
33
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1.
jew
Dm7
el- of the sum mer- time,- jew el- of the sum
Gtr. 3 tacet
Dm6
mer- time.-
End Riff C
1
D5 F5 G5
A jew
Gtr. 3: w/ Riff C
D5
el- of the sum mer- time,- a
3
Gtrs. 1 & 2 End Riff B
jew
Dm7
el- of the sum mer- time,- jew el- of the sum
Asus2
mer-
time.-
F5
wah-wah off
12 12 10 12 10
XX
XX
0
10
0
10 XX
10 XX
XX
10 10 XX
XX
0
9
0
9 XX
9 XX
XX
9 9
XX
XX
0
7
0 333
555 X
X
0
12
0
12 XX
12 XX
XX
12 12
XX
XX
0
10
0
10 XX
10 XX
XX
100 0
220
3
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2.
Interlude
Gtr. 1: w/ Riff A (2 times)Gtr. 2 tacet
D5 E5 Fsus2 D5
E5 Fsus2 D5
E5 Fsus2 D5 E5 Fsus2
When2.
sum
Asus2
mer-
time,-
G5
time,
F5
time,
Eb5
Gtrs. 1 & 2
Guitar Solo
A5 B5 C5
Gtrs. 1 & 2 tacet
A5
B5 C5
*Gtr. 4 (dist.)
**w/ 2 harmonizers
f
*Two gtrs. arr. for one.**One set for a minor 7th below & one set for a major 7t h below.
Gtrs. 1 & 2
pp
Gtr. 4
A5 B5 C5
02200
555
555
333
333
111
111
111
8 9 10 10 11 12 13 14 14 15 16 16 19 20 20 20
777
777
12 16 14 16 1210
10 12 10 12 914 10 15
12 13 12 13 9
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A5 B5 C5 D5
steady gliss.
E5 F5
**
8v a
3 3 3
*Trem. pick in 32nd not e pattern while sliding.
*
**Note fretted on pickup, causing muted sound.
steady gliss.
D5 E5 F5
**
steady gliss.
D5 E5 F58v a
**As before
D5 E5 F5
I3. left that be hind
Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Rhy. Fill 1 (4 times)
Gtr. 4 tacet
Verse
D5
- me,
(Uh,
E5
huh.
Fsus2
some thing- blind
D5
ed- me.
Uh,
E5
huh.
Fsus2
You’re re
3
-
8v a
mind
D5
ing- me
Uh,
E5
huh.)
Fsus2
of a bet
D5
ter- space in
E5
time,
Fsus2
miles
Asus2
a way.-
F5
Jew
Chorus
Gtr. 2 tacet
D5
el- of the sum mer- time,-
Gtrs. 1 & 2
f
Gtr. 1
phaser off
1/41
12 14 12 15 15 16 19 20 22 19 15 14 127 15 22 X X X 22
5 22 X X X X 5 21 17 19 17 X 14 17 11 15 11
15 21 17 12 9
02200
12
3 3
12 10 12 10
0
12 XX
12 XX
XX
12 10
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Begin fade Fade ou
jew
Dm7
el- of the sum mer- time,- a jew el- of the sum
Dm6
mer- time.-
D5 F5 G5
A
1
jew
Gtrs. 1 & 2: w/ Riff B (3 times)Gtr. 3: w/ Riff C
D5
el- of the sum mer- time,- jew
Dm7
el- of the sum mer- time,- a jew el- of the sum
Dm6
mer- time.-
3
D5 F5 G5
A jew
Gtr. 3: w/ Riff C
D5
el- of the sum mer- time,- jew
Dm7
el- of the sum mer- time,- jew el- of the
3
sum
Dm6
mer- time.-
D5 F5 G5
Jew
Gtr. 3: w/ Riff C
D5
el- of the sum mer- time,-
jew
Dm7
el- of the sum mer- time,-
jew el- of the sum
Dm6
mer- time.-
D5
F5 G5
Outro
Gtrs. 1 & 2: w/ Riff B (till fade)
D5
Dm7
Dm6
D5
F5 G5 D5
Dm7
Dm6
12 12 10 12 10
0
10 XX
XX
10 XX
XX
10 10 XX
XX
0
9
0
9 XX
9 XX
XX
9 9 XX
XX
0
7
0 333
555
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Moderately slow q = 76
MothLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
Fade In
from Audioslave - Revelations
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (slight dist.)
Intro
***w/ delay and flanger
**
*
w/ fingers
D5 Bbmaj7
sim.
D/F# G5 F5 Bb D/F# G5
*** Delay set for eighth-note regeneration w/ 3 repeats.**Chord symbols reflect overall harmony.*First meas. located at 3:30 of track 11 on the CD.
delay off
D5†Gtr. 2 (dist.)
Gtr. 1 tacet
Riff ADm
f
Bb/D
†Doubled throughout
Dm[add4] Dm
Bb/D Dm7 Dm
End Riff A
57
57
57
55
33
53
57
55
X2
0 3 5 7
2
0 3 5 7
3
0 3 5 7
3
0 3 5 7
0
0 3 5 3
0
0 3 5 3
2
0 3 5 7
2
0 3 5 7
2
0 3 5 7
2
0 3 5 7
3
0 3 5 7
3
0 3 5 7
5
0 3 5 7
5
0 3 5 7
7
0 3 5 7
7
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Verse
1.
2nd time, Gtr. 2 tacet
Bb
2.
Thought
I
I
loved
was
the
dif
heat,
D/F#
fer
I
- ent,-
loved
it
the
seems
things
G5
I’m
that I
just
for
the same.
got.-
F5
Gtr. 2
pp
Gtr. 3 (clean)
*w/ delay
mf
*Set for eighth-note regeneration w/ 1 repeat.
Gtr. 2 tacet
Bb
I
As
loved
a
the
gain
strings
-
D/F#
I
that
put
tied
my
me
hand
down
G5
o
and cut
ver- the
me
flame.
off.
D5
Gtr. 3
Bb
I thought
I
I
was
was
a
smart
king,
D/F#
er
I
- as
was a
I
moth
flew
G5
in to
with
-
paint
the
ed-
sun,
wings
F5
made of cloth.
7
533
57
55
335
533
57
55
57
533
57
55
335
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Bb
but it
When did
turned
the
out
flame
D/F#
the way
burn so
it does
high
Gtr. 3 tacet
G5
with
and
ev
get
A5
’ry
so
- one.
D5
-
hot?
*Gtr. 4 (dist.)
f
*Doubled throughout
Oh,
G5 A5 D5
oh.
Gtr. 2
Gtr. 4
1st time, Gtr. 2: w/ Riff AGtr. 4 tacet2nd & 3rd times, Gtr. 2: w/ Riff A (1st 6 meas.)3rd time, Gtr. 1 tacet
Chorus
**
**3rd time, voc. tacet on beat 1.
Dm
I don’t fly a round- your fire
Bb/D
an y- more,-
Dm[add4]
I don’t fly a round- your
fire
Dm
an y- more.- Burned and fall en- down so man
Bb/D
y- times be fore.-
533
57
5 7 00
17
3 0 0 3 30 0 5 0 5 05 7 0
0 3 0 0 3 30 0 5
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1.
2.C oT oda
Dm7
I don’t fly a round- your fire
Dm
an y- more.-
Interlude
Bb D/F# G5 F5Gtr. 2 tacet
Bb
D/F# G5
D5
Gtr. 2
pp
Gtr. 3
Dm7
I don’t fly a round,- fly
F5
a
D5
round,-
C5 D5
C5
A5 G5 F5 D5
Gtr. 2
Rhy. Fig. 1 End Rhy. Fig. 1
7
533
57
55
335
533
57
557
57
5
0 3 5 7
5
0 3 5 7 1515
1212
0 1010
1212
00
0 1010
77
0 55
33
0
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fly
Gtr. 2: w/ Rhy. Fig. 1
F5
a
D5
round.-
C5 D5 C5 A5 G5 F5 D5
Gtr. 7 (dist.)
Guitar Solo
Riff B2
Bb
mp
D/F# Gm D/A Bb D/F# Gm DEnd Riff B2
Gtr. 5 (dist.)divisi
Gtr. 6 (dist.)
Riff B1
mp
Riff B
mp
End Riff B1
End Riff B
Gtr. 1
*w/ delay
Rhy. Fig. 2
sim.
End Rhy. Fig. 2
*Set for eighth-note regeneration w/ 3 repeats.
Oo.
Gtr. 1: w/ Rhy. Fig. 2Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2
BbD/F# Gm
D/A
(Oo.)
Bb D/F#
Gm D
8 7 10 13 11 10 10 8 7 10 13 11 11 15 15 15
107 7
71211
1110
107 7
71211
1110
53
57
55
33
53
57
55
57
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D.S. al Coda
(take 2nd ending)
Bridge
Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)
Bb
I don’t fly
D/F#
a round- your fire
Gm
an y- more.-
F5 Bb
I don’t fly
D/F#
a round- your
Gtr. 7
pp
Gtr. 5divisi
Gtr. 6
pp
fire
Gtrs. 5, 6 & 7 tacet
G5
an y-
D5
more.-
Bb
Burned and fall
D/F#
en- down so man
G5
y- times be fore.
F5
-
Bb
I won’t fly
D/F#
a round,- fly
G5
a round.-
D5
Gtr. 1
delay off
8 7 10 13 11 10 10 8
107 7
71211
1110
107
53
57
55
X
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Coda
Begin Fade
Fade out
Gtr. 2: w/ Rhy. Fig. 1
F5 D5
Oh.
C5 D5 C5 A5
G5 F5 D5
Outro
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
F5 D5
Fly
C5
a
D5
round,-
C5 A5 G5 F5 D5
F5 D5
oh.
C5 D5 C5 A5 G5
F5 D5
F5
D5 C5 D5 C5
A5 G5 F5 D5
F5
D5 C5 D5 C5
A5 G5 F5 D5
Oh.
F5 D5 C5 D5 C5 A5 G5 F5
D5
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Intro
Moderately slow q = 81
Nothing Left to Say but GoodbyeLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (slight dist.)
*
w/ tremolo
let ring throughout
D7
mf
Bb7 G7
*Chord symbols reflect implied harmony.
Verse
2nd time, Gtrs. 4 & 5 tacet
D7
Just1. like
Bless2.
a
your
res
***
heart,
D7/C
cue
you
- of
gave
a stray
me a home
Bb7
dog
and
in
a
the rain,
new
G7
I
start
was
and
**Gtrs. 1 & 2 (slight dist.)
Riff A
let ring throughout
End Riff A
**Gtr. 2: w/ phaser, played mp . ***Bass plays C.
hun
I
Gtrs. 1 & 2: w/ Riff A (3 times)
D7
gry
will
- when
leave
D7/C
you
you
found
nev
Bb7
me.
er.-
G7
45
35
75
75
31
31 7 7
67 8 7
45
35
75
75
31
31 7 7
67 8 7
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C oT oda
D7
And
Sleep
you
at
could
your
tell
feet
D7/C
by
and
my
stand
tail
guard
Bb7
and
at
my
your
rib
front door,
G7
cage
Gtr. 3 (12-str. elec.)
Riff B
w/ slight dist.
let ring throughout
mf
End Riff B
what
I
Gtr. 3: w/ Riff B
D7
was
will
once
keep
* D7/F
a
this to
round
geth
-
-
Bb7
er.
me.
-
G7
Chorus
Bb5
I been chased by a
Gtr. 4 (slight dist.)
f
**Gtrs. 4 & 5 (slight dist.)
Rhy. Figs. 1 & 1A
*Bass plays F. **Gtr. 5 played f . Composite arrangement
rain
F5
cloud.
A7 Bb6['#4]
I was lost and near ly- drowned
Dm
and kicked a round,-
45
35
75
75
31
31 7
67 7 8 7
XXX
XXX
12133
13
133
13
133
13
133
13
33
3 33
00 0
2020
020
02020
00 1
3030
130
13030
130
13030
130
13030
000
0231
0231
023
023
023
0231
02
02
00
00
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D.S. al Coda
Coda
G13
but now I’m found
Db Dbsus4
and I won’t run a way.-
F5 E5 F5 A5
Gtr. 4
Gtr. 5divisi
End Rhy. Fig. 1A
End Rhy. Fig. 1
Chorus
Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A
Bb5
I been chased by a rain
F5
cloud.
A7
Bb6['#4]
I was
lost and near ly- drowned
Dm
and kicked a round,-
G13
but now I’m found
Db
Dbsus4
and I won’t run a way.-
F5 E5 F5
A5
I
Bridge
G
killed my self,- threw a way- my men tal- health, but no
Dm
bod- y
Dsus2
- was blink
Dm
ing- an eye.
* F5/C
Gtr. 4
*Bass plays C.
300
30
3000
30
300
30
3000
00 4
666
46
4667
46
4667
46
4667
00
00
3 3 2 3 7
3 3 2 3 7
7
7
5554
5 5554
5 5554
5 5554
XXX
XXX 0
231
0230
0231
000
33
33
3335
3335
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Back
G5
yard,- base ment,- fall ing- on the pave
ment.- Noth
Bb5
ing- left to say but good bye.
Dm
-
3
Noth
*F6/A
ing- left to say but good bye.
A7
-
3
*Bass plays A.
Verse
Gtr. 4 tacet
D7
It’s3. true I ran a way- be fore,
Bb7
- but be sure
G7
Gtr. 1
tremolo off
Riff C
P.M.
End Riff C
I
Gtr. 1: w/ Riff C (3 times)
D7
am no tail chas
Bb7
er.-
G7Gtr. 3: w/ Riff B (2 times)
D7
I know a good
**
**Bass plays note to right of slash, next 4 meas.
D7/F
thing when it throws
55
55
55
55
55
5 55
00
00 1
33
13
133
00
00 0
231
02
0231
000
323
323
323
00
00
0202
020
02020
020
2
0202
020
02020
020
014
014
014
014
0
014
0
014
0
014
0
014
014
0
014
0
014
0
014
0
014
0
014
0
014
014
014
014
014
45
35
75
75
31
31 7
67 8 7
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Play 3 times & fade
Bb7/G
me a bone.
G7/Bb
I’m your
D7
best friend
D7/F
for ev-
Bb7/G
er.-
G7
Gtr. 4
Chorus
Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A
Bb5
I been chased by a rain
F5
cloud.
A7 Bb6['#4]
I was
lost and near ly-
drowned
Dm
and kicked a round,-
G13
but now I’m found
Db
Dbsus4
and I won’t run a way.-
F5 E5 F5
A5Outro
*Dm
Gm
A
Bb6
Gtr. 6 (dist.)
f
**Gtrs. 6 & 7 (dist.)
w/ phaser
**Gtr. 7 played f .*Chord symbols reflect basic harmony.
B5 Bb5 Dm Gm A Bb6 B5 Bb5
15
19 0 2 31 0
50 1 6 5 4 2 0
7 5
4 4 4 4 3 3 3 3
0 2 31 0
50 1 6 5 4 2 0
7 5 4 4 4 4 3 3 3 3
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Intro
Moderately q = 112
One and the SameLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Play 3 times
Gtr. 1 (dist.)
*
Riff A
w/ wah-wah
B5
mf
*Chord symbols reflect implied harmony.
End Riff A
**Gtr. 2 (dist.)
Gtr. 1 tacet
Riff B
Bm7
End Riff B
**Doubled throughout
Gtr. 2: w/ Riff B
Well,1. they don’t
99
9 9 9 9 9 XXX
XXX
9 9 9 9 9 9 9 9 9 9 XXX
XXX
9 9 9 9
9 9 9 9 9 9 XXX
XXX
9 9 9 9 9 9 9 9 9 9 XXX
XXX
9 9 9 9
7 77
97
9 7 9 9 79
79 7 9 7 5 7 5
7 5
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1To Coda
hate
mask
*
Verse
B5
you,
A5 B5
you know
with
they
a
A5
love
tar
B5
you,
get.-
A5 B5
but
Keep
they’re
your
A5
Gtr. 2
Rhy. Fig. 1
*Key signature denotes B Mixolydian.
gonen
B5
na- e- come mies
A5
- killclos
B5
er.- you.
B7
TheyYou fall don’t in
End Rhy. Fig. 1
mean
love
Gtr. 2: w/ Rhy. Fig. 1 (2 times)B5 A5 B5
you an
from
y-
a
A5
harm,
great
B5
height.
A5 B5
Now
it’s
the
A5
just
eas
B5
y-
what
part’s
A5
they
o
B5
do.
ver.-
B7
Could be
Choose
your
your
moth
bat
B5
er,
tles,
-
-
A5 B5
could be
not
your
your
A5
fa
sol
B5
ther
diers.
-
-
A5 B5
You’re
or
nev
your
er
A5
-
best
sure
B5
of
friend
their
A5
in
col
B5
the
ors.-
world.
B7
But just like
79
XX
XX
57
79
XX
79
XX
XX
57
79
XX
XX
57
79
XX
79
XX
XX
57
79
XX
XX
57
79
XX
79
XX
XX
XX
XX 7 9
7 77 9
7 77 9
77
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D.S. al Coda 1
1 Coda
2To Coda
blood
Chorus
*
*Chord symbols implied by bass, next 8 meas.
Gtr. 1: w/ Riff A (2 times)
B5
in rain,
D5
love
F#5
and pain
E5
are one
D5
and the
F#5
same.
(One
D5
and the same.)
B5 E5
Just like blood
B5
in rain,
D5
love
F#5
and pain
E5
are
one
D5
in the
F#5
same.
(One
D5
in the same.)
Yeah,
B5 E5
yeah, yeah.
Interlude
Bm7Gtr. 2: w/ Riff B (2 times)
You2. wear a
blood
**
**Chord symbols implied by bass, next 8 meas.
Gtr. 1: w/ Riff A (2 times)
B5
Chorus
in rain,
D5
love
F#5
and pain
E5
are
one
D5
and the
F#5
same.
D5 B5 E5
Just like blood
B5
in rain,
D5
love
(One
Voc. Fill 1
and the same.)
End Voc. Fill 1
F#5
and pain
E5
are one
D5
and the
F#5
same.
Bkgd. Voc.: w/ Voc. Fill 1
D5
Hey,
hey,
B5 E5
hey,
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Gtr. 3
Gtr. 4 tacet
Bm7
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6
8v a
6 6 6 6 6 6 6 3
Just like
8v a
w/ ring modulator 1/2
1 1/2 1 1/2 1 1/2
blood
Chorus
B5
in rain,
µ
love
Gtr. 3 tacet
and pain are
steady gliss.
8v a
14 12 1014 12 10
14 12 1014 12 10
14 12 1014 12 10
14 12 1014 12 10
14 12 1014 12 10
14 12 1014 12 10
14 12 1014 12 10
14 12 1014 12 10
15 14 1215 14 12
15 14 1215 14 12
15 14 1215 14 12
15 14 1215 14 12
15 14 1215 14 12
15 14 1215 14 12
15 14 1215 14 12
15 14 1215 14 12
17 15 1417 15 14
17 15 1417 15 14
17 15 1417 15 14
17 15 1417 15 14
17 15 1417 15 14
17 15 1417 15 14
17 15 1417 15 14
17 1714
2222 22 2222 22 22 22 2222 22 22 22 2222 22 22 22 22
12 24 19
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D.S.S. al Coda 2
2 Coda
1.
2.
one and the same. Just like blood
Gtr. 1 tacet
in rain, love
Gtr. 1
and pain are one in the
same.
(One in the same.)
Just
like a
Hey!
Outro
Gtr. 2: w/ Riff B (3 times)
Bm7
Hey,
hey,
hey!
Hey!
Hey,
hey,
hey!
Hey!
Gtr. 2
XXX
XXX
7 77
97
9 7 9 9 79
79 7 9 7 5 7 5
00
00 X
7
77
7
77
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Chorus
Moderately q = 125
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
Lyrics by Chris CornellMusic written and arranged by Audioslave
Original Firefrom Audioslave - Revelations
The o rig
µ
- i- nal- fire has died and gone, but the ri ot- in side- moves on. The o -
rig i- nal- fire has died and gone, but the ri ot- in side- moves on.
The o -
*Gtr. 1 (dist.)
**w/ DigiTech Whammy Pedal
f
*Doubled throughout **Set for one octave above.
rig
***E7(no3rd)
i- nal- fire has died
E6(no3rd)
and gone, but the ri
C/E
ot- in side- moves on.
E5
The o -
Riff A End Riff A
***Chord symbols reflect implied harmony.
rig
E7(no3rd)
i- nal- fire has died
E6(no3rd)
and gone, but the ri
C/E
ot- in side- moves on.
E5
With1. a
Riff B
Whammy Pedal off
End Riff B
1/4
00
017
017
017
017
017
017
017
017
016
016
016
016
016
016
016
016
015
015
015
015
015
015
015
015
014
014
014
014
014
014
014
014
017
017
017
017
017
017
017
017
016
016
016
016
016
016
016
016
015
015
015
015
015
015
015
015
014
014
014
014 2
3
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pen
Gold
Verse
E5
2.
in
en-
one
sol
hand
diers-
tak
born
ing-
much
a
old
stand
er- than they’ll
drugged
ev er-
on
live
ker o
to
-
be,
sene,-
Rhy. Fig. 1
End Rhy. Fig. 1
1/4 1/4
eight
div
Gtr. 1: w/ Rhy. Fig. 1
y
ing
-
-
four
in
and
to- a
five
sea
would
of
find
hands
us
in a
some
long
thin’
for
- to
got-
be
ten-
lieve.
cit
-
y.-
Right
Here
or
the rain
wrong
falls
with dirt y
ev
- hands on
er-
wires,
af ter,- the
sing
stran
in’
gled
-
-
songs
vines
in
hang
dis
dead
cord
in
- choirs.
raf ters.-
Gtr. 1
1/4 1/4
Scream
Blood
ing
rush
- in braille
to your
no
head
tempt ress-
in
prize
duc- es-
could
a laugh
ev er
ter-
- yield an
end
y
less
-
-
thing
ly.
-
-
so real.
The o -
1/4 1/4
rig
Chorus
E5
i- nal
- fire has died and gone, but the ri ot
- in
side- moves on. The o -
Rhy. Fig. 2
End Rhy. Fig. 2
1/4 1/4
02
3 02
3
02
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
3 02
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
3
02
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
3 0 XX
XX
XX
XX
XX
XX
XX
XX
XX
XX 2
3
02
02
02
02
02
02
02
0 3 02
02
02
02
02
02
3
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1.
2.
rig
Gtr. 1: w/ Rhy. Fig. 2
i- nal
- fire has died and
gone, but the ri
ot- in
side- moves on.
Gtr. 1
Interlude
E5
1/4
rig
Gtr. 1: w/ Rhy. Fig. 2
i- nal
- fire has died and long gone,
but the ri ot
- in
side- moves on.
Bridge
A5
Can’t ex plain- it, it was some
E5
thin’- to
G5
see.
A5
Can’t con tain- some thin’-
B5
ev er
D5
-
Gtr. 1Riff C End Riff C
re
E5
al,
-
B5
ev er
D5
-
re
*Gtr. 1: w/ Riff A
*w/ Whammy pedal as before.
E7(no3rd) E6(no3rd)
al.
- Hey!
C/E E5
02
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
XX
3
00 3
0 2 5
02 5 5
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Bridge
Gtr. 1: w/ Riff C
A5
Can’t ex plain,-
Gtr. 2 tacet
it was some
E5
thin’- to
G5
see.
A5
Can’t con tain- some thin’- so
B5
ev
D5
er-
Gtr. 2
grad. dive
8v a
delay off
-1 1/2
-3 1/2
-7 slack
re
*Gtr. 1: w/ Riff B
*w/ Whammy pedal as before.
E7(no3rd)
al,-
E6(no3rd)
ev er- re
C/E E5
- al.
The o -
rig
ChorusGtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 2 times)
E5
i- nal
- fire has died and gone, but the ri ot
- in
side- moves on. The o -
rig
Gtr. 1: w/ Rhy. Fig. 2
i- nal
- fire has died and
gone,
but the ri
ot- in
side- moves on. The
o -
rig
Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 3 times)
i- nal
- fire has died and gone, but the
Gtr. 2
**w/ DigiTech Whammy Pedal
***
Riff D8v a
***As before
**Sweep treadle randomly.
-3 -2 1/2-4
-3 -2 1/2 -2 1/2 -3 -3 -2 1/2 -3
X
X X X X X X X X X X
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rit.
rit.
ri
ot- in
side- moves on.
The
o -
8v a
End Riff D
-3 -2 1/2 -3 -2 1/2 -2 1/2 -3 -3 -2 1/2 -2 1/2 -3 -2 1/2
rig
Gtr. 2: w/ Riff D
i- nal
- fire has died
and gone,
but the
ri
ot- in
side- moves on.
Gtr. 1
1/4
X X X X X X X X X X X
02
02
02
02
02
02
3 0
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Free time
RevelationsLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Moderately q = 113
Play 4 times
Tune down 1 step:(low to high) D-G-C-F-A-D
Gtr. 1 (clean)
Intro
*
let ring throughout
Riff ACmaj9
mp
G% A9(no3rd)
*Chord symbols reflect implied harmony.
Eadd9
End Riff A
Cmaj9 G% A9(no3rd)
Gtr. 1
pp
Gtr. 1 tacet
Em7
D5 G5
**Gtr. 2 (dist.)
*** pp f
Riff B
End Riff B
**Doubled throughout
***Vol. swell
1/4
810
120
00
00
35
70
00
00
57
90
00
00
02
41
00
810
120
00
00
35
70
00
00
57
00
9
0
57
09
00
07
00
9
0
0 0XX
XX 5
7 5 5 5 5XXX
7 7 7 7 X5 5 5 5
3
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Chorus
*G/D
Such a shame
D/F#
that I
D/G
would n’t- know
C
by now
G/D
D/F#
your
Gtr. 2Rhy. Fig. 1
*Bass plays notes to right of slash, next 7 meas.
rev
E
e- la- tions.-
G/D
Cut me in,
D/F#
I don’t
G
wan na- live
Am/C
with out-
G/D
D/F#
your rev
E
e- la- tions,-
End Rhy. Fig. 1
rev e- la- tions.-
109
109
109
109
97
97
97
97
54
54
54
54
75
75
75
75
109
109
109
109
97
97
97
0
076
076
076
076
076
076
076
7109
109
109
109
97
97
97
97
109
109
109
109
1210
1210
1210
1210
109
109
109
109
97
97
97
0 076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
076
7
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D.S. al Coda
Coda
Interlude
Gtr. 2: w/ Riff B (2 times)
Em7
D5 G5 Em7
D5 G5
ChorusGtr. 2: w/ Rhy. Fig. 1
G/D
Such a shame
D/F#
that I
D/G
would n’t- know
C
by now
Voc. Fig. 1
G/D
D/F#
your rev
E
e- la- tions.-
G/D
Cut me in,
D/F#
I
(I would n’t- know by now.
don’t
G
wan na- live
Am/C
with out-
G/D
D/F#
your rev
E
e- la- tions.-
Don’t wan na- live with out.)-
End Voc. Fig. 1
Guitar Solo
D5 D/F# G5
C5
Gtr. 3 (dist.)
*w/ toggle switch, delay & DigiTech Whammy Pedal
*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Hammer-on the strings with the left hand while flipping the pickup selector switch in a sixteenth-note rhythm until beat 4 of the 7th meas. Delay set for a time value equal to 5 sixteenth-notes w/ 1 repeat. Delayed signal sent to right channel. Whammy pedal set for one octave above. Press the Whammy’s on/off switch in the rhythm indicated ( + = on, o = off). Whammy effect in left channel only.
5 7 77
5 577
7 5 5 7 7 55
77 5
57
7 55
77 5
57
7 55
77
10
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D5
D/F#
E5
G5
D/F#
D
E5
Gtr. 3
D5
D/F#
delay off
E5
Gtr. 4 (dist.)
*w/ delay & DigiTech Whammy Pedal
steady gli ss. st eady g liss.
*Delay set for eighth-note regeneration w/ 1 repeat. Whammy Pedal set for one octave above.
Gtr. 2
12 129
1212 9
912
12
99
1212 9
9
1717
1919 17
1719
19 1717
1919 17
1719
19 19
19
2121
19 19
2121
19 19
2121
19 19
2121
19 19
2121
19 19
21
21
19 19
2121
19 19
2121
19
1921
21
19 19
2121
19 1921
21
19 19 17 19
17 0 19
07
07
07
07
07
07
07
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Half-time feel
steady gliss.
steady gliss. steady gliss.
Bridge
Gtr. 1: w/ Riff A (3 times)Gtrs. 2, 3 & 4 tacet
Cmaj9
I am haunt
G%
ed- when I
A9(no3rd)
am sleep ing.
Eadd9
-
Gtr. 5 (clean)
let ring throughout
mp Harm.
Cmaj9
Try to give
G%
with out- re
3
A9(no3rd)
ceiv-
Eadd9
ing.-
Harm.
19
19 0 19 0 19 19 0 19
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
1212
1212
12
1212
1212
12
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Cmaj9
It’s in the ap
G%
ple- bite,
A9(no3rd)
it’s in the days
Eadd9
and nights.
(It’s in the ap ple- bite, it’s in the
Harm.
Pitch: E
Cmaj9
In the af
G%
ter- life- we’ll
E5
meet.
days and nights.)
Gtr. 5
Harm.
Gtr. 1
Interlude
Gtrs. 1 & 5 tacet
G D6add4/F# D6(add4) Em G D6add4/F# E
Gtr. 2Rhy. Fig. 2 End Rhy. Fig. 2
1212
12
5
1212
1212
12 12 12
810
120
00
00
35
70
00
00
079
09
0
10
09
0
10
09
0
10
09
0
10
09
0
9
07
0
9
07
0
9
07
0
9
07
0
5400
5400
5400
5400
7500
7500
7500
7500
10
09
0
10
09
0
10
09
0
10
09
0
9
07
0
9
07
0
9
07
00
00
7640
7640
7640
7640
7640
7640
7640
7
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Gtr. 6 (dist.)
Gtr. 2: w/ Rhy. Fig. 2
G D6add4/F#
*
fdbk.
p mf
D6(add4) Em G D6add4/F# E
*Vol. swell
ChorusBkgd. Voc.: w/ Voc. Fig. 1Gtr. 2: w/ Rhy. Fig. 1 (1st 6 meas.)Gtr. 6 tacet
G/D
Such a shame
D/F#
that I
D/G
would n’t- know
C
by now
G/D
D/F#
your
rev
E
e- la- tions.-
G/D
Cut me in,
D/F#
I don’t
G
wan na- live
Am/C
with out-
G/D
D/F#
your rev
E
e- la- tions.-
Gtr. 2: w/ Rhy. Fig. 1 (1st 7 meas.)
G/D
Such a shame,
D/F#
such a
Gtr. 2
**w/ panning
Gtr. 6
**Alternates from left to right speaker every 2 beats.
shame
D/G C
that I
G/D
would n’t- know
D/F#
by now.
E
Gtr. 6
10
109
109
109
109
97
97
97
0 076
076
076
076
076
076
076
7
17 17
17 17 17 17 17 17
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G/D
Cut me in,
D/F#
I don’t
G
wan na- live
Am/C
with out-
G/D
D/F#
your
(Don’t wan na- live with out.)-
3
rev
E5
e- la- tions,- rev e- la- tions.-
Gtr. 6
Gtr. 2
17 17 17 17 17 17 17 17 17
17 17
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
07
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Intro
Moderately slow q = 82
Shape of Things to ComeLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
1.
2.
Drop D tuning:(low to high) D-A-D-G-B-E
(Drums)*Gtr. 1 (dist.)
C5
f
D5 C5 D5 C5 D5 A5 C5 Bb5 C5 Bb5 C5
*Doubled throughout
G5
A5 F5 G5 E5 F5 D5
E5 F5 G5 D5 C5 D5 D5 E5 F5 G5 D5
Well,1. it’s
late
Verse
*** D5
in
Dsus2
the hour
D5 Dm
Gtr. 1 tacet
D5 Dsus2
and a few
C5
more grains
**Gtr. 2 (slight dist.)
Riff A
let ring throughout
mp
**Two gtrs. arr. for one.
Gtr. 1
pp
***Chord symbols reflect implied harmony.
1010
1212
1212
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
XX
XX
77
1010
1010
1010
XX
XX
88
1010
1010
1010
XX
XX
88
1010
XX
XX
55
77
77
77
XX
XX
33
55
55
55
XX
XX
22
33
XX
XX
00
22
22
33
33
55
00
1010
1212
00
22
22
33
33
55
00
1212
1212
1212
1412
1212
1212
1212
15
1212
1212
1212
1412
1010
10 12 1010
10
00
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D5
of sand
Dsus2
will fall
D5 Dm D5 Dsus2 F5
on the
Gtr. 2
End Riff A
col
Gtr. 2: w/ Riff A (2 1/2 times)
D5 Dsus2
or- ful-
D5
flow ers
Dm
-
D5 Dsus2
I’ve grown
C5
up on- the
3 3
dust
D5
and
Dsus2
moss.
D5 Dm D5 Dsus2 F5
And
now
D5
I
Dsus2
fear
D5
the
Dm
worst
D5
is
Dsus2
near.
C5
I hold
D5
them
Dsus2
close
D5
and
Dm
count
D5
their
Dsus2
years,
F5
and pray
D5
a
Dsus2
ray
D5
of
Dm
light
D5
ap
Dsus2
pears-
C5
to
shine
D5
down
Dsus2
on
D5
us
Dm
here.
D5 Dsus2 F5
Gtr. 2
1212
1212
1212
1412
1212
1212
1212
1512
1212
1212
1212
1412
1512
15 17 1515
15
1212
1212
1212
1412
1212
1212
1212
1512
1212
1212
1212
1412
15
15 15 17 15 15
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Break
Chorus
Gtr. 2 tacet
C5 D5 C5 D5
down
C5 D5
in the shape
A5 C5
of things to
Bb5
come,
C5 Bb5 C5
Gtr. 1
Rhy. Fig. 1
f
G5
but
A5
I’m mov ing
F5
- on
G5
like
E5 F5
a sol
D5 E5 F5 D5 G5
dier.-
A5
And I’ll
C5
say
D5 C5 D5
now
C5 D5
when all
A5 C5
is said and
Bb5
done,
C5 Bb5 C5
End Rhy. Fig. 1
it’s
G5 A5
not ours to
F5
break,
G5 E5 F5
the shape
D5 E5
of things
F5
to
G5
come.
D5
1010
1212
1212
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
XX
XX
77
1010
1010
1010
XX
XX
88
1010
1010
1010
XX
XX
88
1010
XX
XX
55
77
77
77
XX
XX
33
55
55
55
XX
XX
22
33
XX
XX
00
22
22
33
33
00
55
77
1010
1010
1212
1212
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
XX
XX
77
1010
1010
1010
XX
XX
88
1010
1010
1010
XX
XX
88
1010
XX
XX
55
77
77
77
XX
XX
33
55
55
55
XX
XX
22
33
XX
XX
00
22
22
33
33
55
00
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Interlude
D5Gtr. 1 tacet
There’s2. a
Gtr. 2
Gtr. 1
pp
crack
Verse
Gtr. 2: w/ Riff A (3 1/2 times)
D5
in
Dsus2
the clouds,
D5 Dm D5 Dsus2
but on
C5
ly- for a mo
D5
ment- now.
Dsus2 D5 Dm
D5 Dsus2 F5
Like an eye
D5 Dsus2
look ing- out,
D5 Dm D5 Dsus2
the blue
C5
sky spies the
3 3
roads
D5
we will
Dsus2
go down.
D5 Dm D5 Dsus2 F5
I won
D5
der-
Dsus2
what
D5
they
Dm
hold
D5
for
Dsus2
us.
C5
I hold
D5
my
Dsus2
fam
D5
’ly
Dm
- to
D5
my
Dsus2
breast.
F5
I
fear
D5
the
Dsus2
worst
D5
and
Dm
hope
D5
the
Dsus2
best
C5
will
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
1212
00
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come
D5
to
Dsus2
see
D5
us
Dm
blessed.
D5 Dm F5
Gtr. 2
Break
Chorus
Gtr. 1: w/ Rhy. Fig. 1Gtr. 2 tacet
C5 D5 C5 D5
down
C5 D5
in the shape
A5 C5
of things to
Bb5
come,
C5 Bb5 C5
G5
but
A5
I’m mov ing
F5
- on
G5
like
E5 F5
a sol
D5 E5 F5 D5 G5
dier.-
A5
And I’ll
C5
say
D5 C5 D5
now
C5 D5
when all
A5 C5
is said and
Bb5
done,
C5 Bb5 C5
it’s
G5 A5
not ours to
F5
break,
G5 E5 F5
the shape
D5 E5
of things
F5
to
G5
come.
D5
Gtr. 1
1212
1212
1212
1412
1212
1212
1212
1512
1212
1212
1212
1412
1515
15 17 15 15
55
77
77
77
XX
XX
33
55
55
55
XX
XX
22
33
XX
XX
00
22
22
33
33
55
00
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E5 F5 D5
Hey!
G5 D5 E5
F5 G5 D5
E5 F5 G5
Hey!
Bridge
G5 D5 F5 C5 D5
Bb5 C5 D5
Gtr. 1 tacet
G5
Giv en- one more try, what would I change?
Gtr. 1
Gtr. 3 (dist.)
Riff B
f
End Riff B
Gtr. 3: w/ Riff B (2 times)
D5 F5 C5 D5 Bb5 C5 D5 G5
I won’t de ny,- the thought is
strange.
D5 F5 C5 D5 Bb5 C5 D5 G5
I’ve done my best
and I will
00
22
22
33
33
00
55
00
22
22
33
33
55
00
00
22
22
33
33
55
43
55
33 5 1 3 5
5 XXX
XXX
XXX
XXX
XXX
XXX
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G5 A5 F5 G5 E5 F5
8v a
6 7
3
Gtr. 4
D5 E5 F5 G5 D5 C5 D5
8v a 5
5
Gtr. 1
Break
Chorus
Gtr. 1: w/ Rhy. Fig. 1
C5 D5 C5 D5
down
C5 D5
in the shape
Gtr. 4 tacet
A5 C5
of things to
Bb5
come,
C5 Bb5 C5
Gtr. 4
*w/ delay
8v a
*Set for eighth-note regeneration w/ 5 repeats.
G5
but
A5
I’m mov ing
F5
- on
G5
like
E5 F5
a sol
D5 E5 F5 D5 G5
dier.-
A5
And I’ll
C5
17 17 15 1317 15 15 13
15 14 1215 14 15
12 14 15 1614 15 16
14 15 16 15 1416 15 14
16 13 13
13 14 15 1614
16 16 16 16 16 20 21 21 22 22 22 22 22 22 22 22 22 22 22 22 22
1010
1212
22 22 22
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say
D5 C5 D5
now
C5 D5
when all
A5 C5
is said and
Bb5
done,
C5 Bb5 C5
it’s
G5 A5
not ours to
F5
break,
G5 E5 F5
the shape
µ
of things to come,
Gtr. 1
Outro
C5 D5 C5 D5 C5 D5
the shape
C5 D5
of things to come,
C5 D5 C5 D5
C5 D5
C5 D5 C5 D5
the shape
E5
of things
F5
to
G5
come.
D5
55
77
77
77
XX
XX
33
55
55
55
XX
XX
22
33
1010
1212
1212
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
1212
1212
XX
XX
1010
1212
XX
XX
00
22
22
33
33
55
00
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Moderately slow q = 94
SomedaysLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Chorus
µ
Some days,
**F#5
some days,
some
*Gtrs. 1 & 2 (dist.)
f
Riff A
*Composite arrangement **Chord symbols reflect implied harmony.
days
just ain’t so eas
µ
y.-
End Riff A
16 2 2
4 2 4 2 1 2 4 2 4
2 2
4 2 4 2 1 2 4 2 4
2 2
4 2 4 2 1 2 4 2 4
2 2
4 22
4 22
4 2 4
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Verse
F#5
It’s
Wake
not
1.
2. the
up,
fault
of an
look a
y-
round-
one- as
just
we
be
re
fore
volve
-
-
your feet
a
hit
round-
the
the
ground.
sun.
B5
Gtr. 4 (dist.)
Riff B2
mf
End Riff B2
**w/ DigiTech Whammy Pedal & tremolo
+6
**Set Whammy Pedal for one octave above. Tremolo rate set for quintuplets (approx.).
Gtr. 3 (dist.)
Riff B1
*w/DigiTech Whammy Pedal, harmonizer & tremolo
mf
End Riff B1
*Set Whammy Pedal for one octave above in toe down position and harmonizer for a perfect 5th above. Tremolo rate set for quintuplets (approx.).
Gtr. 5 (dist.)
Riff B3
***w/wah-wah
mf
End Riff B3
***o = open (toe up) + = closed (toe down)
1/4
Gtrs. 1 & 2
Riff B
P.M.
End Riff B
Gtrs. 1 & 2: w/ Riff B (2 times)Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)
F#5
Where they
We
meet
sleep
the
be
oil
neath-
and
the same
street
sky,
is
but
where
we
you
all
stand
see
and
it
where you
through diff f’rent-
sleep.
eyes.
B5
7
0
2 2
0 1 2 X X 0 1 2 X X 0 1 2
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1To Coda 2To Coda
Black
F#5
and
So if
whites,
you go
or
a
if
larms-
you
and lights,
stay,
stand in’-
plain
still,
clothes
or
and
if
Mi
you
ran
walk
- da
a
- rights.
way.
B5
-
At
Gtrs. 1 & 2
F#5
the
If
right
you bend
place,
or
but in
if
the
you
wrong life.
break,
Some
some
days
days
µ
just
just
ain’t
ain’t
so
so
eas
eas
y.
y. -
-Some
P.M.
days,
Chorus
Gtrs. 1 & 2: w/ Riff A (2 times)2nd & 3rd times, Gtrs. 1 & 2: w/ Riff A (1 1/2 times)
F#5
some days,
some
days
(Some days
just
just
ain’t
ain’t
so
so
eas
eas
y.
y.)
-
-
Some
days,
some days,
some
days,
(Some days,
some days
some days
just
just
ain’t
ain’t
so
so
0 1 2 X X 0 1 2 X X 0 1 2 16
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D.S. al Coda 1
Coda
eas
eas
InterludeGtrs. 1 & 2: w/ Riff B (2 times)Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)
F#5
y.
y.)
-
-
B5 F#5
B5
days,
F#5
(Some days,
some days
some days
just
just
ain’t
ain’t
so
so.)
E
eas y,-
Gtrs. 1 & 2
B
they just ain’t so eas y.
F#5
-
Oh, yeah.
steady gliss. steady gliss.
1/2
Bridge
E5
(Some one- may have done you wrong,
B5
done
But this
you
ain’t
wrong.)
so eas y.-
2 2
4 2 4 2 1 2 4 2 4
2 2
4 22
0221
2444
16 2 14 2 7 7 5 0 2 14 22 0
022
244
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Gtrs. 1 & 2 tacet
F#5 A5 F#5 A5 F#5
Gtr. 6 (dist.)
w/ wah-wah
mf
A5 F#5
A5
I
F#5
don’t care for some
E5
days.
Gtr. 7 (clean)
w/ heavy reverb
mf
Gtr. 6
*Gtrs. 7 & 8 (clean)
Guitar Solo
**
Gtr. 6 tacet
F#m E/F# F#m
***w/ delay
Bm/F# F#m
*Gtr. 8 w/ heavy reverb, played mf .**Chord symbols reflect overall harmony.
***Set for whole-note regeneration w/ 1 repeat.
24
XX
XX
0 24
0 24
002
02
2 0 24
XX
XX 0
2
24
XX
0 2 0 24
XX
XX
XX
XX
1110
1110
24
XX
XX 0
2
24
0 24
002
02
2 0 24
XX
XX
0 2 02
1110
1312
1414
1615
1414
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Gtr. 3
E/F#
tremolo off
mp
F#m
Gtr. 7
delay off
Gtr. 8
delay off
Bridge
E
Some one- may have done you right
Gtrs. 3, 7 & 8 tacet
F#m
or done you wrong,
Gtr. 3
pp
Gtr. 7
pp
Gtr. 8
pp
Gtr. 9 (slight dist.)
mp
5 5 7 9 10 10
1312
1312
1414
1312
1312
1312
99 11
10
10
1414
1110
022100
244222
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A
or kept you down from the day
Bm
you were born.
Gtr. 9
There’s
Bm7
no need to a pol- o- gize- for the ri
F#m
ot- in your eyes ’cause some
days
C#7
just ain’t so eas y.
Gtr. 9 tacet
F#5
-
Gtr. 9
Gtr. 1
* p f
*Vol. swell
Gtr. 2
022
2
244
32
24232
244222
46464
46464
19 2 2
4 2 4 4 2 4 4 2 4
16 2 2
4 2 4 4 2 4 4 2 4
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D.S.S. al Coda 2
2 Coda
Free time
Hey!
Hey!
Hey!
Some
Gtrs. 1 & 2
days,
F#5
(Some days,
some days
some days.)
just ain’t so
A5
Gtrs. 1 & 2
fdbk.
Pitch: C#
eas y.-
F#m
µ
2 2
4 2 4 4 2 4 4 2 4
2 2
4 2 4 4 2 4 4 2 4
2 2
4 22
4 22
4 2 4
2 2
4 2 4 2 1 2 4 2 4
2 2024
00 0
2
02
244222
244222
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Intro
Moderately q = 96
Sound of a GunLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Drop D tuning:(low to high) D-A-D-G-B-E
Gtrs. 1 & 2 (elec.)
**w/ clean tone & delay
let ring throughout
Riff A
*Em
mp
E5 Esus4
8v a
**Delay set for dotted eighth-note regeneration w/ 1 repeat.
*Chord symbols reflect implied harmony.
delay off
DEnd Riff A
Em E58v a
w/ dist.
loco
f
Gtr. 3 (elec.)
Rhy. Fig. 1A
E5
D5 E5 D5 E5 D5
w/ dist.
G5
mp
A5
D5 E5 D5 E5 D5End Rhy. Fig. 1A
G5 A5
Gtrs. 1 & 2
Rhy. Fig. 1 End Rhy. Fig. 1
1517
1517
1517
1517
1917
1917
1917
1917
1717
1717
1717
1717
1415
1415
1415
1415
1517
1517
1517
1517
1917
1917
1917
1917
1917
1917
19
17
33
55
33
55
0 2 0 2
00
22
00
22
XX
XX
XX
00
555
777 X
XX
XXX
XXX
00
22
00
22
XX
XX
XX
00
555
777
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Verse
Gtrs. 2 & 3 tacet
E
In
From
1.
2.
the
the
here
crack
and
in the
now
black
D
ness-
I
I
wait
wake.
C
It’s
down
get
a
ting-
-
*Gtrs. 1 & 4 (acous.)
mf
*Composite arrangement
mong
clos
D
- er
the young
ev
and
’ry-
the old.
night.
E
With
In
the
my
moon
cit
and
y,-
the
the
ground
play
D
ground-
I
is
play
a
bat
C
tle- - ground
with my chil
D
be
dren
tween
-
- the
in
wrong
my
and the
home.
right.
E
This
I
is
could run
for the
let ring
Rhy. Fig. 2
let ring
daugh
free
D
ters
as
- and
a
sons
child.
of
I
for
was safe
got
and
C
- ten
wild.
- ones,
na
learn
D
ing
ked-
-
and
how
un
to stand.
armed.-
let ring
let ring
End Rhy. Fig. 2
let ring
22100
0232
32010
0232
22100
0232
32010
0232 3 2
32
2210
0
0232 2
32010 0
0232 3 2
32
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1.
2.
E
This
Now
is
I’m
for
grown
the
and
in
safe
D
no
in
- cent
my
- un
home,
knowns-
but
C
bur
some
ied
will
- in
nev
the
er-
sand.
stop.
let ring
let ring
let ring
Gtr. 4 tacet
D A5
Aw, run
Run
1st time, Gtr. 3: w/ Rhy. Fig. 1A (2 times)2nd time, Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
Chorus
E5
ning
ning
-
- from
D5
the sound
E5
of a
D5
gun.
E5 D5 G5 A5
Gtrs. 1 & 2
f
Rhy. Fig. 3
Run
E5
ning- from
D5
the sound
E5
of a
D5
gun
E5
’til
D5
you’re wea
G5
ry.
A5
-
End Rhy. Fig. 3
Run
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
ning- from
D5
the sound
E5
of a
D5
gun.
E5 D5 G5 A5
Run ning- from
D5
the sound
E5
of a
D5
gun.
E5
D5 G5 A5
Run ning- from
D5
the sound
E5
of a
D5 E5
gun.
D5 G5
A5
2210
0
023
2 2
3201
0 0
0232
02
17
0 2 0 2
00
22
00
22
XX
XX
XX
00
555
777
0 2 0 2
00
22
00
22
XX
XX
XX
00
555
777
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seemed
E
they put a shine on this place
F#11[no3rd]
when I was young, or
Gtrs. 1 & 2
8v a
may
G%[no3rd]
be- I just don’t see it now.
D/A
8v a
Run
Chorus
*
*Gtr. 1: w/ dist., delay off.
Gtrs. 1 & 4: w/ Rhy. Fig. 2 (1 1/2 times)Gtr. 2 tacet
E
ning- from the sound of a gun.
D
Run
C
ning- from the sound of a gun
D
’til I’m wea ry.- Run
E
ning- from the sound of a gun,
D
run
C
ning- from the sound of a
D
gun,
Dsus4
hey!
D
Gtrs. 1, 2 & 4
f Gtrs. 2 & 4divisi
Gtr. 1
*****
**Slides apply to Gtr. 1 only.
*** Gtr. 1 to left of slashes in tab.
1617
1617
1617
1617
1917
1917
1917
1517
1717
1717
1717
1717
1415
1415
1415
14
32010
32010
32010
32010
32010
32010
32010
00 0
232
0232
0232
0232
0232
0232
0232
0232
0233
0233
0233
0233
0233
0233
0233
0233
0232
0232
00
141514
141514
141514
00
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Interlude
Gtr. 2: w/ Rhy. Fig. 1Gtr. 4 tacet
*
E5 D5 E5 D5 E5
D5 G5 A5
D5 E5 D5 E5
D5 G5 A5
Gtr. 1
w/ wah-wah
*w/ wah-wah in the toe down position.
Run
Outro-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 3
E5
ning
- from
D5
the sound
E5
of a
D5 E5
gun,
D5
G5 A5
run
E5
ning- from
D5
the sound
E5
of a
D5 E5
gun.
D5
G5 A5
Run
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
E5
ning- from
D5
the sound
E5
of a
D5 E5
gun,
D5 G5 A5
a
run ning- from,
D5
run
E5
ning- from
D5
the
E5
sound of
D5
a
G5 A5
gun.
E
3
Gtrs. 1 & 2
00
55
77
XXX
XXX
XXX
00
22
00
22
XX
XX
XX
00
555
777
2221
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Intro
Moderately slow q = 92
Until We FallLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
(Drums) *Gtr. 1 (acous.)
Rhy. Fig. 1
C
let ring throughout
mf
Am
*Doubled throughout
F
Am
Verse
Gtr. 1: w/ Rhy. Fig. 1
C
I1. walked the streets
End Rhy. Fig. 1
Am
with out- re gret,-
F
ah.
Am
C
I stood a lone-
Am
and watched my -
Gtr. 1
3201
201
201
201
30 2
0
02210
2210
2210
2210
2210
02210
0 2
3 3211
3211
3211
3211
3211
00
2210
02210
02210
02210
02210
2
2
3201
201
201
201
30 2
0
02210
2210
2210
2210
22210
0 2
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self
F
fall a part.
G
-
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
C
An swered- the voic
Am
es- in my head,
F
ah.
Am C
Slipped through the chain
Am
link - of a bro -
F
- ken heart.
G
Gtr. 1
Rhy. Fig. 2 End Rhy. Fig. 2
3 3211
3211
3211
3211
3211
0
3 320003
3200
3200
3200
3200
3200
3200
2
3 3211
3211
3211
3211
3211
0
3 320003
0003
0003
0003
32
0003
0003
0003
32
0003
320003
320003
320003
320003
320003
000
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Chorus
**D
And when
F6sus2
I’m tired
C'9/E
of feel
G
ing- black,
D/F#
spread
F6sus2
the wings
C'9/E
*Gtrs. 1 & 2
Rhy. Fig. 3
let ring throughout
f
*Gtr. 2 (elec.) w/ slight dist. Composite arrangement
**Chord symbols reflect overall harmony.
up on-
G/B
your back.
D
Take
F6sus2
us high
C'9/E
a bove
G
- it all,
End Rhy. Fig. 3
D/F#
and stroke
F6sus2
your feath
Bb6
ers-
’til we
Interlude
fall
Gtr. 1: w/ Rhy. Fig. 1Gtr. 2 tacet
C
back
Gtr. 3 (elec.)
w/ slight dist.
mf
1
0232
0232
30
3
3
03
0
2
03
00232
0232
30
3
3
3
03
0
2 3 2 30232
0232
30
3
3
03
0
2
03
0
0232
0232
30
3
1
7 7 5 75 7
5 7
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C oT oda
up on-
G/B
your back.
D
Take
F6sus2
us high
C'9/E
a
bove
G
- it all,
D/F#
and stroke
F6sus2
your feath
Bb6
ers-
Csus2
’til we fall,
Gtrs. 1 & 2 tacet
G5 F5 D5
Gtrs. 1 & 2
*Gtr. 4 (elec.)
w/ dist.
f
Riff A
*Doubled throughout
**Bb
un til
C5
- we
Bb5
fall,
C5 G5 F5 D5 Bb
un til
C5
- we
Bb5
fall
C5
End Riff A
**Bass plays Bb.
Gtr. 4: w/ Riff A
G5 F5
back
D5
down
Bb
a gain.-
C5 Bb5 C5 G5
Yeah,
F5
back
D5
down
Bb
a gain.-
C5 Bb5 C5
0232
0232
30
3
1
03
0
3
03
0
19 3
5 35
53 5
3 5
3
5 35
3 5 3 5
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Bridge
Dsus2
What do
Bb,7#11
you feel
Asus4
be fore-
G6sus2
you think?
Gtr. 4 tacet
Dsus2
What do
Bb,7#11
you see
Asus4
Gtr. 5 (elec.)
*w/ dist. & wah-wah
P.M. throughout
mp
*Wah-wah in toe up position throughout.
Gtr. 1
Gtr. 4
pp
be fore-
G6sus2
you blink?
Dsus2
Who do
Bb,7#11
you bat
Asus4
tle- in
G6sus2
your dreams?
Gtr. 5
Gtr. 1
10
1310
0
1013
10
0
1013
10
0
1013
10
0
1013
10
0
1013
10
0
0
03
2
03
2
03
2
03
20
03
2
03
2
5
1013
10
0
1013
10
0
1013
10
0
1013
10
0
1013
10
0
1013
10
0
2
03
2
03
20
03
2
03
2
03
2
03
2
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D.S. al Coda
Coda
rit.
Free time
Dsus2
Who strokes
F,7[no3rd]
your feath
Bb6#11
ers-
C'9
’til you scream?
G5
Gtr. 4: w/ Riff A (1st 3 meas.)
G5 F5
back
D5
down
Bb
a gain.-
C5 Bb5 C5
G5
Yeah,
F5
back
D5
down
Bb
a gain.-
C5 Bb5 C5 Cm7
Gtr. 6 (elec.)
rit.
*
w/ clean tone & heavy reverb
mp
*Vol. swell
1
Gtr. 4
rit.w/ clean tone & chorus
1013
10
0
1013
10
0
1013
10
0
1013
10
0
1013
10 10 1013
1013
1013
10
0
10 10
0
03
23
03
1
03
0
3
03
0
3X00
3X00
3X00
3X00
3X003
3X003
3X0033
3X00
3X0033
3X00
3X0033
3X00
3X0033
3X0033
8 8
53 5 3 5
35343
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Moderately q = 99
Wide AwakeLyrics by Chris Cornell
Music written and arranged by Audioslave
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.
All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission
from Audioslave - Revelations
Gtrs. 1 & 2 (slight dist.)
Drop D tuning:(low to high) D-A-D-G-B-E
Intro
*
Riff A
w/ chorus
Dm
mf
*Chord symbols reflect implied harmony.
End Riff A
VerseGtrs. 1 & 2: w/ Riff A (2 times)
Dm
You1. can look a hur ri- cane- right in the eye.
Twelve hun dred- peo ple- dead or left to die.
Fol low- the lead ers.- Were it an eye
Gtrs. 1 & 2
Riff B
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
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15X12
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15X12
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15X10
13
X10
13X10
13X10
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13X10
13X10
13X10
13X10
13X10
13X10
13X10
13X10
13X10
13X10
13
15
18X15
18X15
18X15
18X15
18X15
18X15
18X15
18X15
18X14
17X14
17X14
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17X14
17X14
17X14
17
XXX
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15
XXX
XXX
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Bb
for an eye,
Dm
they’d all
F5
be
End Riff B
blind,
Gtrs. 1 & 2: w/ Riff B
Dm
deaf or mur dered.- Of this I’m sure,
Bb
in this un
Dm
cer
F5
- tain-
A
time.
Gtrs. 1 & 2
Riff C End Riff C
*Gtr. 3 (dist.)
f
*Two gtrs. arr. for one.
Gtrs. 1 & 2 tacet
Chorus
Dm
So come pull the sheet o ver- my eyes
C
so
Gtr. 3
let ring throughout
X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11X8
11
12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X15
18X15
18X15
18X15
18X15
18X15
18X15
18
XXX
X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17X14
17
XXX
XXX
5776
5 5776
5 577
577
577
577
5776
577
5776
57
577
577
5776
00
3555
35
3555
35
3555
35
3555
0 0
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2To Coda 1To Coda
I
F5
can sleep
C/E
to night,-
Bb5
de spite-
Dm
what I’ve
seen
C
to day.-
Dm
I’ve found you guilt
y- of a crime
C
of sleep
F5
ing- at
C/E
a time
Bb5
when you should
Dm
have been wide
C
a wake.-
F G
810
810
810
810
710
710
710
0133
13
13
13
133
13
133
00
55
5776
577
5776
577
5776
577
577
00
3555
35
3555
35
3555
35
3555
00
5776
5 5776
5 577
577
577
577
5776
577
5776
57
577
577
5776
00
3555
35
3555
35
3555
35
3555
0 0810
810
810
810
710
710
710
0133
13
13
13
133
13
133
00
55
5776
577
5776
577
5776
577
577
00
3555
35
3555
35
3555
35
3555
00
8101010
8101010
8101010
8101010
10121212
10121212
10121212
10121212
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D.S. al Coda 1
1 Coda
Gtrs. 1 & 2: w/ Riff A
The poor and un de- fend- ed- left be -
hind
Gtrs. 1 & 2: w/ Riff B
while you’re
some where- trad ing- lives for oil,
Bb
as if the whole
Dm
world
F5
were
Gtrs. 1 & 2: w/ Riff C
A
blind, yeah.
F G
Guitar Solo
Gtr. 3 tacet
Dm
Gtr. 3 Gtr. 6
Riff D2
Gtrs. 5 & 6 (dist.)
f
Gtr. 5
Riff D1
Gtr. 4 (dist.)
f
Riff D
8101010
8101010
8101010
8101010
10121212
10121212
10121212
10121212
107 9 10 12 10 9 107 9 10 12 10 9 9
XXX
X
XXX
X
XXX
X
XXX
X
XXX
X
XXX
X
85 7 8 10 8 7 85 7 8 10 8 7 7
XXXX
XXXX
XXXX
XXXX
XXXX
XXXX
30 2 3 5 3 2 30 2 3 5 3 2 2
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D.S.S. al Coda 2
ChorusGtr. 7 tacet
Dm
Come pull the sheet o ver- my eyes
Gtrs. 4, 5 & 6 tacet
C
so
Gtr. 3
w/ slight dist.
mp
Gtr. 6
pp
Gtrs. 4 & 5
pp
I
F5
can sleep
C/E
to night,-
Bb5
de spite
Dm
- what I’ve
Gtr. 3
seen
C
to day.-
w/ dist.
f
5776
577
5776
577
5776
577
5776
577
5776
577
5776
577
5776
577
5776
00 3
555
3555
3555
355
3555
355
355
35
5 7
3 5
810
810
810
810
710
710
710
00
133
13
133
133
133
133
133
5 57
5776
5776
5776
5776
5776
577
00
3555
355
355
355
355
355
355
355
355
355
355
355
355
355
355
XXX
XXX
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2 Coda
Free time
F5
Wide
G
a wake,-
OutroGtrs. 4, 5 & 6: w/ Riffs D, D1 & D2
Dm
wide a wake,-
C5
wide a wake,-
Bb5
Dm
wide a wake,-
C5
F G D5
81010
81010
81010
81010
10121212
10121212
10121212
00
577
57
577
57
577
577
577
577
5776
577
5776
577
5776
577
577
00
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
00
133
133
133
133
133
133
133
00
5776
577
5776
577
5776
577
5776
00
355
355
355
355
355
355
355
8