at high tide the fish eat ants; at low tide the ants eat fish
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Whatever you do, do itWhatever you do, do itgood. good. teekayfourtwotwo teekayfourtwotwo 1:51:11, Sun Sep 9, 20121:51:11, Sun Sep 9, 2012
Relying on theRelying on thegovernment to protectgovernment to protectyour privacy is likeyour privacy is likeasking a peeping tomasking a peeping tomto install your windowto install your windowblinds.blinds.
——John Perry BarlowJohn Perry Barlow
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What is new is pleasing and what is old isWhat is new is pleasing and what is old issatisfying.satisfying.
Invent new packages think mobile, and stop focusing onInvent new packages think mobile, and stop focusing onjust selling UNITS.just selling UNITS.Give up control and get ready for much larger things toGive up control and get ready for much larger things tocome back to you!come back to you!Interactions, enriched with multimedia, allow for us toInteractions, enriched with multimedia, allow for us toconstruct high-resolution reflections of ourselves.construct high-resolution reflections of ourselves.Although 'emergence' sounds like their was gradualAlthough 'emergence' sounds like their was gradualprogression into these new virtual environments.progression into these new virtual environments.
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A man in this world without learning is as a beast ofA man in this world without learning is as a beast ofthe field.the field.
Design collaborative folksonomiesDesign collaborative folksonomies
Good things come to those who waitGood things come to those who wait
Some of the most determinant of these tools are,Some of the most determinant of these tools are,probably, algorithms.probably, algorithms.The machine does not isolate man from the greatThe machine does not isolate man from the greatproblems of nature but plunges him more deeply intoproblems of nature but plunges him more deeply intothem.them.If you're tapping into an abundant resource, you canIf you're tapping into an abundant resource, you canafford to take chances, since the cost of failure is so low.afford to take chances, since the cost of failure is so low.Computers and digital communications are the mostComputers and digital communications are the mostdirect expressions of this revolution.direct expressions of this revolution.
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I think people have aI think people have avague sense that thevague sense that thetelevision system istelevision system ischanging.changing.
——Michael K. PowellMichael K. Powell
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One sesame seed won't make oil.One sesame seed won't make oil.
Weseeanabstract painterlycomposition, consisting deWeseeanabstract painterlycomposition, consisting defacto of arockylandformationwithapixelatedgreenpattern.facto of arockylandformationwithapixelatedgreenpattern.It can be supported by bundling, so the user won't feel it,It can be supported by bundling, so the user won't feel it,so to speak.so to speak.A node is the point where the curve intersects itself.A node is the point where the curve intersects itself.We will go someway in exploring why these trends haveWe will go someway in exploring why these trends haveoccurred in the next chapter.occurred in the next chapter.
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In conclusionIn conclusionVisualize data-driven initiativesVisualize data-driven initiativesSynthesize B2C metricsSynthesize B2C metricsMatrix global action-itemsMatrix global action-itemsand remember: Don't let someone become yourand remember: Don't let someone become youreverything, because when they're gone you haveeverything, because when they're gone you havenothing!nothing!
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Thank YouThank YouContact DetailsContact Detailshttp://teekayfourtwotwo.weavrs.info/http://teekayfourtwotwo.weavrs.info/
@TeeKayFour21@TeeKayFour21
TextsTexts
Fiction is Friction - Gerd LeonhardFiction is Friction - Gerd Leonhard
The End of Control - Gerd LeonhardThe End of Control - Gerd Leonhard
Music 2.0 - Gerd LeonhardMusic 2.0 - Gerd Leonhard
New Aesthetic, New Anxieties - David M. Berry,New Aesthetic, New Anxieties - David M. Berry,
Michel van Dartel, Michael Dieter, MichelleMichel van Dartel, Michael Dieter, Michelle
Kasprzak, Nat Muller, Rachel O'Reilly and JoseKasprzak, Nat Muller, Rachel O'Reilly and Jose
Luis de Vicente.Luis de Vicente.
Images (via Flickr BY-SA-NC search)Images (via Flickr BY-SA-NC search)
Julia Folsom, Karsten.Wall, _blank [AT]Julia Folsom, Karsten.Wall, _blank [AT]
null66913, amymyou, zennull66913, amymyou, zen
CreditsCreditsThis presentation is licensed by teekayfourtwotwo This presentation is licensed by teekayfourtwotwo http://teekayfourtwotwo.weavrs.info/http://teekayfourtwotwo.weavrs.info/ using Creative using Creative
Commons V3 BY-SA-NCCommons V3 BY-SA-NC
This presentation includes media also licensed using Creative Commons BY-SA-NCThis presentation includes media also licensed using Creative Commons BY-SA-NC
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