assessment in the music classroom depaul university

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Assessment in the Music Classroom DePaul University Aileen Miracle aileen.miracle@ya hoo.com

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Assessment in the Music Classroom DePaul University. Aileen Miracle a [email protected]. What is Summative Assessment?. What is Summative Assessment? Assessment OF learning. What is Summative Assessment? Assessment OF learning Assessment used by the teacher to grade. - PowerPoint PPT Presentation

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Page 1: Assessment in the  Music Classroom  DePaul University

Assessment in the Music Classroom

DePaul UniversityAileen Miracle

[email protected]

Page 2: Assessment in the  Music Classroom  DePaul University

What is Summative Assessment?

Page 3: Assessment in the  Music Classroom  DePaul University

What is Summative Assessment?

Assessment OF learning

Page 4: Assessment in the  Music Classroom  DePaul University

What is Summative Assessment?

Assessment OF learningAssessment used by the

teacher to grade

Page 5: Assessment in the  Music Classroom  DePaul University

What is Formative Assessment?

Page 6: Assessment in the  Music Classroom  DePaul University

What is Formative Assessment?

Assessment FOR learning

Page 7: Assessment in the  Music Classroom  DePaul University

What is Formative Assessment?

Assessment FOR learningAssessment used by the

teacher not to grade, but to gauge students’ understanding

of concept

Page 8: Assessment in the  Music Classroom  DePaul University

Summative vs. Formative

Page 9: Assessment in the  Music Classroom  DePaul University

Summative vs. Formative

Example of summative only gradebook

Name Solo 1 Solo 2 Solo 3 Ta/ti-ti Sol-mi Final

Amy 2 2 3 2 3 2

Keeley 3 3 3 2 3 3

Jimmy 2 2 2 3 3 2

Grace 1 1 3 2 3 2

Gavin 2 3 3 3 2 3

Sam 1 2 2 1 1 1

Page 10: Assessment in the  Music Classroom  DePaul University

Summative vs. Formative

Example of formative and summative gradebook

Name Solo 1

Solo 2 Solo 3 Ta/ti-ti 1 Ta/ti-ti 2

Sol-mi 1

Sol-mi 2

Final

Amy 2 2 3 2 3 2 3 3

Keeley 3 3 3 2 3 3 3 3

Jimmy 2 2 2 3 3 3 3 3

Grace 1 1 2 1 2 2 3 2

Gavin 2 3 2 3 3 2 2 2

Sam 2 3 3 2 2 1 2 2

Example of formative and summative gradebook

Page 11: Assessment in the  Music Classroom  DePaul University

Why assess?

Page 12: Assessment in the  Music Classroom  DePaul University

Why assess?To obtain evidence of

musical growth and progress

Page 13: Assessment in the  Music Classroom  DePaul University

Why assess?To obtain evidence of

musical growth and progress

To guide instruction and choice of teaching strategies

Page 14: Assessment in the  Music Classroom  DePaul University

Why assess?To obtain evidence of

musical growth and progress

To guide instruction and choice of teaching strategiesTo help validate the music

program

Page 15: Assessment in the  Music Classroom  DePaul University

Why assess?To obtain evidence of

musical growth and progress

To guide instruction and choice of teaching strategiesTo help validate the music

programTo provide evidence of

accountability for student learning

From “Assessing the Developing Child Musician” by Brophy

Page 16: Assessment in the  Music Classroom  DePaul University
Page 17: Assessment in the  Music Classroom  DePaul University

Video #1: Popsicle Sticks

Video #2: Rhythm manipulatives

Video #3: Solfa manipulatives

Video #4: Fruit composition activity on SMART Board

Video #5: Fruit composition in groups

Page 18: Assessment in the  Music Classroom  DePaul University

Formative and Summative

Assessments

Page 19: Assessment in the  Music Classroom  DePaul University

Formative and Summative Assessments

Singing

Page 20: Assessment in the  Music Classroom  DePaul University

Formative and Summative Assessments

SingingManipulatives

Page 21: Assessment in the  Music Classroom  DePaul University

Formative and Summative Assessments

SingingManipulatives

Pre-Test/ Post-Test

Page 22: Assessment in the  Music Classroom  DePaul University

Formative and Summative Assessments

SingingManipulatives

Pre-Test/ Post-TestVoting

Page 23: Assessment in the  Music Classroom  DePaul University

Formative and Summative Assessments

SingingManipulatives

Pre-Test/ Post-TestVoting

Page 24: Assessment in the  Music Classroom  DePaul University

Other Ways of Assessing

Page 25: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writing

Page 26: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Page 27: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chips

Page 28: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chipsPlaying instruments

Page 29: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chipsPlaying instruments

Student response systems

Page 30: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chipsPlaying instruments

Student response systemsWorksheets

Page 31: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chipsPlaying instruments

Student response systemsWorksheets

Beat and rhythm charts

Page 32: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chipsPlaying instruments

Student response systemsWorksheets

Beat and rhythm chartsSolfa Cups

Page 33: Assessment in the  Music Classroom  DePaul University

Other Ways of AssessingDry erase boards for rhythmic writingStaff dry erase boards for note writing

Staves and chipsPlaying instruments

Student response systemsWorksheets

Beat and rhythm chartsSolfa Cups

Other ideas?

Page 34: Assessment in the  Music Classroom  DePaul University

Types of Assessments

Page 35: Assessment in the  Music Classroom  DePaul University

Types of AssessmentsKnowledge: Students identify facts/ concepts

Page 36: Assessment in the  Music Classroom  DePaul University

Types of AssessmentsKnowledge: Students identify facts/ concepts

Page 37: Assessment in the  Music Classroom  DePaul University

Types of AssessmentsKnowledge: Students identify facts/ concepts

Performance: Students demonstrate

Page 38: Assessment in the  Music Classroom  DePaul University

Types of AssessmentsKnowledge: Students identify facts/ concepts

Performance: Students demonstrateReasoning: Students reason or problem solve

Page 39: Assessment in the  Music Classroom  DePaul University

Types of AssessmentsKnowledge: Students identify facts/ concepts

Performance: Students demonstrateReasoning: Students reason or problem solve

Product: Students create

Page 40: Assessment in the  Music Classroom  DePaul University

Types of AssessmentsKnowledge: Students identify facts/ concepts

Performance: Students demonstrateReasoning: Students reason or problem solve

Product: Students create

Page 41: Assessment in the  Music Classroom  DePaul University

Example of Performance Assessment

Page 42: Assessment in the  Music Classroom  DePaul University

Creating a rubric

Page 43: Assessment in the  Music Classroom  DePaul University

Creating a rubricDecide what you want to assess

Page 44: Assessment in the  Music Classroom  DePaul University

Creating a rubricDecide what you want to assess

Decide what mastery looks like, then build your

rubric from that

Page 45: Assessment in the  Music Classroom  DePaul University

Creating a rubricDecide what you want to assess

Decide what mastery looks like, then build your

rubric from thatCould keep in mind:

4: No mistakes3: Very few mistakes

2: Students can achieve task, but need assistance

1: Students cannot achieve task, even with assistance

Page 46: Assessment in the  Music Classroom  DePaul University

Rubric for melodic dictation:Rubric Grade Students can…

4 Student writes all patterns correctly, with the correct solfa and contour

3 Student writes most patterns correctly, with correct contour, or writes all patterns correctly but not all patterns have correct contour

2 Student makes quite a few mistakes with writing patterns, but contour is correct

1 Student writes none of the patterns correctly, or writes one of the patterns correctly but contour is incorrect

Page 47: Assessment in the  Music Classroom  DePaul University

Rubric for creating patterns:Rubric Grade Students can…

4 Student writes 4-beat pattern, and can say the pattern with fruit names and with rhythm syllables, to a steady beat.

3 Student creates a 4-beat pattern, and is able to say the fruit names followed by the corresponding rhythm names, but may make a small mistake, may hesitate, or beat may be slightly unsteady.

2 Student creates a 4-beat pattern, but is only able to say the fruit names followed by the corresponding rhythm names with assistance. Beat may be unsteady.

1 Student does not create a 4-beat pattern, and/or is not able to say the fruit names followed by the corresponding rhythm names, even with assistance.

Page 48: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and q

Page 49: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and q

Page 50: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

q

Page 51: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and q

Page 52: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and q

Page 53: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and qFigure out rhythm for songs with sd

and q

Page 54: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and qFigure out rhythm for songs with sd

and qPerform rhythmic ostinato with sd and

q

Page 55: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and qFigure out rhythm for songs with sd

and qPerform rhythmic ostinato with sd and

qPlay patterns with sd and q

Page 56: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and qFigure out rhythm for songs with sd

and qPerform rhythmic ostinato with sd and

qPlay patterns with sd and qCompose patterns with sd and q

Page 57: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and qWrite patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and qFigure out rhythm for songs with sd

and qPerform rhythmic ostinato with sd and

qPlay patterns with sd and qCompose patterns with sd and qImprovise patterns with sd and q

Page 58: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and q(during centers)

Write patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and qEncode patterns with sd and qFigure out rhythm for songs with sd

and qPerform rhythmic ostinato with sd and

qPlay patterns with sd and qCompose patterns with sd and qImprovise patterns with sd and q

Page 59: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and q(during centers)

Write patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and q(dry

erase boards)Encode patterns with sd and qFigure out rhythm for songs with sd and

qPerform rhythmic ostinato with sd and

qPlay patterns with sd and qCompose patterns with sd and qImprovise patterns with sd and q

Page 60: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and q(during centers)

Write patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and q(dry

erase boards)Encode patterns with sd and qFigure out rhythm for songs with sd and

qPerform rhythmic ostinato with sd and

q(2,4,6,8)Play patterns with sd and qCompose patterns with sd and qImprovise patterns with sd and q

Page 61: Assessment in the  Music Classroom  DePaul University

Before moving onto Q, students should be able to:

Read patterns with sd and q(during centers)

Write patterns with sd and qFigure out form for songs with sd and

qDecode patterns with sd and q(dry

erase boards)Encode patterns with sd and qFigure out rhythm for songs with sd and

qPerform rhythmic ostinato with sd and

q(2,4,6,8)Play patterns with sd and qCompose patterns with sd and qImprovise patterns with sd and

q(creating fruit)

Page 62: Assessment in the  Music Classroom  DePaul University

Formative assessment also includes…

Tracking progress, having individual conversations with students

Page 63: Assessment in the  Music Classroom  DePaul University

Formative assessment also includes…

Tracking progress, having individual conversations with students

Giving specific feedback (not smiley faces!)!)

Page 64: Assessment in the  Music Classroom  DePaul University

Formative assessment also includes…

Tracking progress, having individual conversations with students

Giving specific feedback (not smiley faces!)

Having students assess their own understanding of concepts

Page 65: Assessment in the  Music Classroom  DePaul University

Formative assessment also includes…

Tracking progress, having individual conversations with students

Giving specific feedback (not smiley faces!)

Having students assess their own understanding of concepts

Lots of practice to ensure all students gain understandinggain understanding

Page 66: Assessment in the  Music Classroom  DePaul University

Formative assessment also includes…

Tracking progress, having individual conversations with students

Giving specific feedback (not smiley faces!)

Having students assess their own understanding of concepts

Lots of practice to ensure all students gain understanding Creating assessments with questions

that have varying levels (differentiation!) of difficulty

Page 67: Assessment in the  Music Classroom  DePaul University

Formative assessment

also includes… Tracking progress, having individual

conversations with students Giving specific feedback (not smiley

faces!) Having students assess their own

understanding of concepts Lots of practice to ensure all students

gain understanding Creating assessments with questions

that have varying levels of difficulty (differentiation!)

“Big ideas” and Essential Questions

Page 68: Assessment in the  Music Classroom  DePaul University

Formative assessment also includes…

Tracking progress, having individual conversations

with students Giving specific feedback (not smiley faces!) Having students assess their own

understanding of concepts Lots of practice to ensure all students gain

understanding Creating assessments with questions that

have varying levels of difficulty “Big ideas” and Essential Questions

Readiness strategies

Page 69: Assessment in the  Music Classroom  DePaul University

Before assessing… Determine what you want to measure

Page 70: Assessment in the  Music Classroom  DePaul University

Before assessing… Determine what you want to measure Consider what you are looking for

Page 71: Assessment in the  Music Classroom  DePaul University

Before assessing… Determine what you want to measure Consider what you are looking for Prepare rubrics, thinking of all of the

possiblities that might occur

Page 72: Assessment in the  Music Classroom  DePaul University

Before assessing… Determine what you want to measure Consider what you are looking for Prepare rubrics, thinking of all of the

possiblities that might occur Determine your record keeping strategy

Page 73: Assessment in the  Music Classroom  DePaul University

Before assessing… Determine what you want to measure Consider what you are looking for Prepare rubrics, thinking of all of the

possiblities that might occur Determine your record keeping strategy Determine which materials you will need

for the assessment (create assessment if you need to)

Page 74: Assessment in the  Music Classroom  DePaul University

Before assessing… Determine what you want to measure Consider what you are looking for Prepare rubrics, thinking of all of the

possiblities that might occur Determine your record keeping strategy Determine which materials you will need

for the assessment (create assessment if you need to)

Inform your students.From “Assessing the Developing Musician” by Brophy

Page 75: Assessment in the  Music Classroom  DePaul University

Keep in mind… During an assessment, do not help students

with the answer; only clarify the directions.

Page 76: Assessment in the  Music Classroom  DePaul University

Keep in mind… During an assessment, do not help students

with the answer; only clarify the directions. You do not have to assess every single

indicator in your curriculum. Consider its importance within the curriculum, how often you see your students, and how the results will inform your instruction.

Page 77: Assessment in the  Music Classroom  DePaul University

Keep in mind… During an assessment, do not help students

with the answer; only clarify the directions. You do not have to assess every single

indicator in your curriculum. Consider its importance within the curriculum, how often you see your students, and how the results will inform your instruction.

Do not be overwhelmed by all there is to do…start small! You might start with a few assessments per grade level, or with a grade-selective approach, and build from there.