ashton
TRANSCRIPT
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The impact of accessing Egyptian art and material culture in prisons
Sally-Ann Ashton,The Fitzwilliam Museum
Ged Murray, 1990
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1 High Security and Local NW
2 Cat C training East
3 Cat C training East
4 Cat B training- private East Midlands
5 High Security West Midlands
6 High Security East
7 Cat C training South Central
8 Cat C training East
9 Cat B Local- private East
10 Female- private East
11 Cat C training East
12 Cat B training- private East Midlands
13 Cat B training Kent and Sussex
14 High security Yorkshire and Humberside
15 High Security East
16 Cat B training West Midlands
17 YOI East
18 YOI/HMP London
19 Cat B Local- private West Midlands
20 Remand- private London
21 Cat B East Midlands
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Workshops/Lectures
• Art• Literacy, numeracy• Social and life skills• Barbering
• African and Caribbean culture
• ‘Black’ identity • Black History• Black history in
prisons• African-centred
Egyptology
Curriculum based learning
• Working with Black prisoners
• African and Caribbean cultural heritage
• The impact of accessing cultural heritage in prisons
• Cultural awareness
Staff
Art exhibitionsWing-based exhibitionMagazineBooklets
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Aims and Objectives
1. To encourage ownership of cultural heritage, in particular for Black and Muslim prisoners, who have a direct link with Egypt through their African and Islamic roots.
2. To create a point of contact with the outside world for long term prisoners and to present a means of sharing culture and knowledge.
3. To provide sustainable educational resources that will stimulate interest amongst people who have had a poor relationship with learning and schooling.
4. To evaluate the impact of teaching African cultural heritage in a prison environment.
5. To disseminate the findings and resources to prisons, education departments and museums.
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September 2007-2009
12 prisons 1211 prisoners 167 staff 212 sessions
October 2009-
December 2011
16 prisons 1498 prisoners 135 staff 95 sessions
2012
13 prisons 504 prisoners 18 staff 37 sessions
• Quantitative questionnaires• Qualitative studies• Diary• Letters• Comments after lectures• Focus groups• ‘Before and after’ studies • Longitudinal study
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Qualitative Research
• A qualitative study of the impact of cultural heritage programmes on the self-concept of Black male prisoners (Mphil)
• A qualitative survey in a category C prison on attitudes to Black History Month in a prison setting
• A longitudinal study following the release of long-term students with regard to their involvement with heritage and culture
• Focus groups and data analysis for a survey on racism at a category C
prison
• Qualitative interviews relating to African and Caribbean hair in prisons
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Impact: a two-way process
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• Training
• Trust
• Understanding the environment
• Identifying key issues
• Knowledge transfer