arts and positive deviance

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PRO BONO IN THE ARTS A LOOK INSIDE TAPROOT'S ARTS GRANTEES

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Page 1: Arts and Positive Deviance

PRO BONO IN THE ARTSA LOOK INSIDE TAPROOT'S ARTS GRANTEES

Page 2: Arts and Positive Deviance

THE PROBLEMISSUES FACING ARTS ORGANIZATIONS TODAY

Page 3: Arts and Positive Deviance

MIDDLE-CLASS ARTS

ORGANIZATIONAL SIZE

BU

DG

ET

CAPITALCAPACITY

Page 4: Arts and Positive Deviance

MIDDLE-CLASS ARTS

ORGANIZATIONAL SIZE

BU

DG

ET

FLEXIBILITY

Page 5: Arts and Positive Deviance

UNDERLYING ISSUES

Budget Cuts

• 61% in 2010 1

Grants

• Fewer General Operating opportunities2

Business Contributions

• 43% down to 28%3

Market Loss

• Uniqueness of product 4

Page 6: Arts and Positive Deviance

For Arts Organizations, we are really challenged with trying to communicate the value of Art…we need to demonstrate the ability of art to develop new ways of problem solving, and creative thinking.

--Nonprofit Respondent

Page 7: Arts and Positive Deviance

MISSING LINKS

LEADERSHIP TRAINING

NEW BUSINESS MODELS

AUDIENCE

KEYS TO SUCCESS

Page 8: Arts and Positive Deviance

METHODS

16 Taproot Grantees

Examined Key Issues

Worked with the Positive Deviance Model

Page 9: Arts and Positive Deviance

POSITIVE DEVIANCEA METHODOLOGY FOR UNDERSTANDING SUCCESS

Page 10: Arts and Positive Deviance

In every community there are certain individuals or groups whose uncommon behaviors and strategies enable them to find better solutions to problems than their peers, while having access to the same resources and facing similar or worse challenges.

Positive Deviance Initiative

Page 11: Arts and Positive Deviance

POSITIVE DEVIANCE

Solutions to seemingly intractable problems already exist

They have been discovered by members of the community

Succeed in spite of the obstacles and constraints shared by their community

Page 12: Arts and Positive Deviance

BRIGHT SPOTS

Page 13: Arts and Positive Deviance

AMPLIFICATION

IDENTIFY DEVIANTS

NEW PRACTICES

PRACTICE NEW

BEHAVIOR

Page 14: Arts and Positive Deviance

RESPONDENTS

Page 15: Arts and Positive Deviance

HISTORY WITH PRO BONO

COACHING

BOARDPRO BONO

MARKET RESEARCH

STRATEGIC PLANNING

LEADERSHIPCAPITAL

STRATEGY

PRICING

Page 16: Arts and Positive Deviance

RESPONSES

CRITICAL ISSUES

AUDIENCE

CODIFYSERVICES

BUDGET

RESERVES

BOARD

Page 17: Arts and Positive Deviance

RESPONSES

CRITICAL ISSUES

AUDIENCE

CODIFYSERVICES

BUDGET

RESERVES

BOARD

MARKETING

MARKET RESEARCH

HUMAN CAPITAL

MARKETINGHUMAN CAPITAL

Page 18: Arts and Positive Deviance

MARKETING

Mission Focus

Market Research

• Consistently examine audience needs1

Adopting Social Media to Counteract Digital Competition

“We know what we do and we communicate it well…It is important to be clean and focused on what you are doing and work with that”

-Nonprofit Respondent

Page 19: Arts and Positive Deviance

HUMAN CAPITAL: BOARDS

Board network and net worth are interchangeable

Board of “Friends” transition

Passion vs. Skill

Board Evolution

“The greatest problem has always been the very important members of the [community] should have served on our board were engaged in other things or other theatrical activities.”

-Nonprofit Respondent

Page 20: Arts and Positive Deviance

The best thing we can know is who is on the board of foundations, [and] who controls corporate sponsorship, because [our Board] is always willing to help us.

--Nonprofit Respondent

Page 21: Arts and Positive Deviance

Two new people can change an entire board

-Nonprofit Respondent

Page 22: Arts and Positive Deviance

They are well suited to govern…but I do think what they’re going to need is a solid strategic planning session…I don’t know what would be better

--Nonprofit Respondent

Page 23: Arts and Positive Deviance

HUMAN CAPITAL: VOLUNTEERS

Volunteer Management

Volunteer Retention

Return on Investment

Conflicts with Unions and Service Enterprise

“Because I manage in a Union environment, I have to be very careful about the perception that volunteers are taking over employee’s positions or roles. However, I do agree that we could have volunteers take on more responsibilities.”

-Nonprofit Respondent

Page 24: Arts and Positive Deviance

There is not a lot of commitment…the work that makes them useful is almost not as much as the work you get out of them.

Nonprofit Respondent

Page 25: Arts and Positive Deviance

We are much more comfortable with our professional staff delivering our programs. The best thing a volunteer can do is write a check and reach out to friends so they can pay the professionals.

Nonprofit Respondent

Page 26: Arts and Positive Deviance

DEVIANCEMANAGEMENT DISSONANCE THAT SPARKS CHANGE

Page 27: Arts and Positive Deviance

RESOURCES

Technical assistance

Use consultants wisely

Strategic Planning

Over 60% of respondents have received technical assistance outside of Taproot’s Service Grant Program

Page 28: Arts and Positive Deviance

HUMAN CAPITAL: LEADERSHIP

Developing Partnerships

Coaching

Peer Learning Environments

“I am less interested in going to networking events and participating in awards…put us in a learning environment of our peers to create a network of leaders”

-Nonprofit Respondent

Page 29: Arts and Positive Deviance

In our case, we don’t have money to pay for consultants so we try hard to reach out to organizations who will speak [with] us. I think people are willing

--Nonprofit Respondent

Page 30: Arts and Positive Deviance

We have meetings with other boards to see how they can guide or teach us a little more on how to do things strategically

--Nonprofit Respondent

Page 31: Arts and Positive Deviance

The future is about partnerships. What’s complicated is how do arts organizations and artists carve a role out for themselves in partnerships. There’s always some “ickyness” to blending that individualistic and inspired front of ideas into what can be a more defined outcome-oriented, entrepreneurial model.

Nonprofit Respondent

Page 32: Arts and Positive Deviance

HUMAN CAPITAL: VOLUNTEERS

Volunteer Corps

• Cohorts of 20 dedicated volunteers in 5 different areas.

Actors Double as Program Support Volunteers

• Supervised by Board and Staff

53% of respondents use volunteers to accomplish their strategic goals

Page 33: Arts and Positive Deviance

We rely on them quite heavily. The volunteers take ownership of the place.

-Nonprofit Respondent

Page 34: Arts and Positive Deviance

RECOMMENDATIONS

Page 35: Arts and Positive Deviance

POST-PRO BONO TOOLS

Recruiting New Board Members

Manage Strategic Plan Post-Project

Pro Bono “Snacks” Training

Page 36: Arts and Positive Deviance

More mentorship is needed, not peer to peer, but big institutions helping smaller organizations…People desperately yearn for that

--Nonprofit Respondent

Page 37: Arts and Positive Deviance

PEER NETWORKS

PRO BONO ARTS

COUNCIL

SPREAD ETHIC

SHARE LEARNING

INSPIRELEADERS

RAISEAWARENESS

Page 38: Arts and Positive Deviance

GROUP GRANTS

Give grants in cohorts

• Supports peer-to-peer Learning

• Creates opportunities for partnerships

Page 39: Arts and Positive Deviance

While the grant itself was obviously of great value, the technical assistance and the opportunity to share information and experiences with peers contributed to the success of the initiative

Jane Culbert, Marc Goldring, Dr. Thomas Wolf, An Evaluation of the Mid-Sized Presenting Organizations Initiative for the Nonprofit Finance Fund, December 2010

Page 40: Arts and Positive Deviance

FOUNDATION AND CORPORATE SUPPORT

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FOUNDATION SUPPORT

Prepare nonprofits for capacity building Generate awareness around pro bono Reward nonprofits utilizing Service Enterprise

structure Create more opportunities for communal learning.

Page 42: Arts and Positive Deviance

FOR CORPORATIONS

Corporations can adopt groups of arts organizations to provide a range of pro bono support • Promotes a culture of mutual learning• Connects a corporation to a common cause

Page 43: Arts and Positive Deviance