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Gardner’s Art through the AgesThe Western Perspective, Thirteenth Edition

Book D: Modern Europe and America

Fred S. Kleiner

Supplemental Image Set

Chapter 21 Europe and America, 1700 to 1800Rococo: Architecture

1. Johann Michael Fischer (1692-1766 Germany) Interior of Abbey Church,Zweifalten, 1738-1742 Photo © Davis Art Images 6147

Rococo: Architecture2. Dominikus Zimmermann (1685-1766 Germany) Interior of Die Wies

Pilgrimage Church, near Steingaden, 1746-1754 Photo © Davis ArtImages 6115

Rococo: Architecture3. Josef Effner (1687-1745 Germany) Pagodenburg, Nymphenburg, Munich,

1716 Photo © Davis Art Images 6101

Rococo: Architecture4./21-4 Balthasar Neumann (1687-1753 Germany) Interior of Vierzehnheiligen,

vicinity of Bamberg, 1743-1772 Photo © Davis Art Images 6134

Painting and Sculpture5. Jean-Antoine Watteau (1684-1721 France) View Through the Trees in the

Park of Pierre Crozat, c1715, oil on canvas, 46.7 x 55.3 cm © Museum ofFine Arts, Boston MFAB-74

Painting and Sculpture 6. François Boucher (1703-1770 France) Venus Consoling Love, 1751, oil on

canvas, 107 x 84.8 cm © National Gallery of Art, Washington NGA-P0051

Painting and Sculpture7. Giovanni Battista Tiepolo (1696-1770 Italy) Young Lady in a Tricorn Hat,

c1755/1760, oil on canvas, 62.2 x 49.3 cm © National Gallery of Art,Washington NGA-P0754

Painting and Sculpture8. Franz Ignaz Günther (1725-1775 Germany) Male Figure, c1760, linden wood,

95.2 x 65.4 x 31.8 cm © Cleveland Museum of Art CL-304

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Gardner’s Art through the Ages, Book D

The Enlightenment: Philosophy and Science9. William Pether (1731-1795 England) after Joseph Wright, of Derby (1734-

1797 England) Academy Students Drawing After an Antique Sculpture, 1772,mezzotint, 58 x 46 cm © Philadelphia Museum of Art PMA-2025

The Enlightenment: Philosophy and Science10./21-11 Thomas Pritchard (1723-1777 England) and Abraham Darby III

(1750-1789 England) Severn River Bridge, Coalbrookdale, 1776-1779

The Englightenment: “Natural” Art11. Jean-Baptiste Siméon Chardin (1699-1779 France) The Kitchen Maid, 1738,

oil on canvas, 46.2 x 37.5 cm © National Gallery of Art, WashingtonNGA-P0357

The Enlightenment: “Natural” Art12. Jean-Baptiste Greuze (1725-1805 France) The Neapolitan Gesture, 1757, oil

on canvas, 73 x 94 cm © Worcester Art Museum, Worcester, Mass. WAM-52

The Enlightenment: “Natural” Art13./21-16 Thomas Gainsborough (1727-1788 England) Mrs Richard Brinsley

Sheridan, 1785-1787, oil on canvas, 220 x 154 cm © National Gallery of Art,Washington NGA-P0044

The Enlightenment: “Natural” Art14. Joshua Reynolds (1723-1792 England) The Ladies Anabel and Mary Jemima

Yorke, c1761, oil on canvas, 196 x 170 cm © Cleveland Museum of ArtCM-9

The Enlightenment: “Natural” Art15. Benjamin West (1738-1820 US) The Battle of La Hogue, c1778, oil on

canvas, 152.7 x 214 cm © National Gallery of Art, Washington NGA-P0814

The Enlightenment: “Natural” Art16. John Singleton Copley (1738-1815 US) Mrs Ezekiel Goldthwait (Elizabeth

Lewis), 1771, oil on canvas, 127.32 x 101.92 cm © Museum of Fine Arts,Boston MFAB-114

The Enlightenment: “Natural” Art17. Antonio Canaletto (1697-1768 Italy) Entrance to the Grand Canal from the

Molo, Venice, 1742/1744, oil on canvas, 115 x 154 cm © National Gallery ofArt, Washington NGA-P0689

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Neoclassicism: Painting18. Angelica Kauffmann (1741-1807 Swiss) Ariadne Abandoned by Theseus on

Naxos, 1774, oil on canvas, 64 x 91 cm © Museum of Fine Arts, HoustonMFH-102

Neoclassicism: Painting19. Jean-Antoine Théodore Giroust (1753-1817 France) Oedipus at Colonus,

1788, oil on canvas, 165 x 194 cm © Dallas Museum of Art DMA-55

Neoclassicism: Architecture and Sculpture20./21-25 Jacques Soufflot (1713-1780 France) Panthéon, Paris, 1757-1790

Photo © Davis Art Images 6027

Neoclassicism: Architecture and Sculpture21./21-26 Richard Burlington (1694-1753 England) Chiswick House, London,

begun 1725 Photo © Davis Art Images 12758

Neoclassicism: Architecture and Sculpture22. Henry Hoare II (1705-1785 England) and Henry Flitcroft (1687-1769

England) Stourhead Gardens, Warminster, c1741-1760 Photo © Davis ArtImages 12789

Neoclassicism: Architecture and Sculpture23./21-28 Thomas Jefferson (1743-1826 US) Monticello, Charlottesville, VA,

1770-1806 Photo © Davis Art Images 29789

Neoclassicism: Architecture and Sculpture24. / 21-29 Thomas Jefferson (1743-1826 US) University of Virginia,

Charlottesville, 1823-1827 Photo © 2009 Oliver Radford RAD-112

Neoclassicism: Architecture and Sculpture25. Jean-Antoine Houdon (1741-1828 France) Claudine Houdon, c1791, marble,

33 x 28 x 18 cm © Worcester Art Museum, Worcester, Mass. WAM-56

Neoclassicism: Architecture and Sculpture26. Antonio Canova (1757-1822 Italy) Terpsichore, 1816, marble, 177.5 x 78.1

x 61 cm © Cleveland Museum of Art CM-375

Neoclassicism: Architecture and Sculpture27. Horatio Greenough (1805-1852 US) Castor and Pollux, c1847, marble, 87.95

x 114.81 x 4.44 cm © Museum of Fine Arts, Boston MFAB-473

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Chapter 22 Europe and America, 1800 to 1870Art Under Napoleon

28. Jacques-Louis David (1748-1825 France) The Emperor Napoleon in His Studyat the Tuileries, 1812, oil on canvas, 203.9 x 125.1 cm © National Gallery ofArt, Washington NGA-P0053

Art Under Napoleon29./22-3 Pierre Vignon (1763-1828 France) La Madeleine, Paris, 1808-1842


Art Under Napoleon30./22-4 Antonio Canova (1757-1822 Italy) Maria Paulina Borghese as Venus,

1808, marble, 160 x 200 cm Museo Galleria Borghese, Rome, Photo © DavisArt Images 7602

Romanticism: Roots of Romanticism31. William Blake (1757-1827 England) Malevolence, or, A Husband Parting from

His Wife and Child, Two Assassins Lurking in Ambush, 1799, ink andwatercolor on paper, 76 x 56 cm © Philadelphia Museum of Art PMA-400

Romanticism: Spain and France32./22-11 Francisco Goya (1746-1828 Spain) The Sleep of Reason Produces

Monsters, #43 from The Caprices series, 1797-1798, etching and aquatint,20 x 15 cm © Philadelphia Museum of Art PMA-1665

Romanticism: Spain and France33. Francisco Goya (1746-1828 Spain) Portrait of Taddeo Bravo de Rivero, 1806,

oil on canvas, 207 x 116 cm © Brooklyn Museum of Art BMA-8

Romanticism: Spain and France34. Théodore Géricault (1791-1829France) Study for The Wounded Cuirrasier,

1814, oil on canvas, 55 x 46 cm © Brooklyn Museum of Art BMA-717

Romanticism: Spain and France35. Eugène Delacroix (1798-1863 France) Lion Hunt, 1860-1861, oil on canvas,

76.5 x 98.5 cm © Art Institute of Chicago A7098

Romanticism: Spain and France36./22-20 François Rude (1784-1855 France) Departure of the Volunteers of

1792 (La Marseillaise), 1833-1836, marble, 13 x 8 meters Arc de Triomphe,Paris, Photo © Davis Art Images 29794

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Romanticism: Landscape Painting37. John Constable (1776-1837) Hampstead Heath, Looking Towards Harrow,

c1821, oil on paper mounted on canvas, 25.9 x 31.3 cm © ClevelandMuseum of Art CL-1030

Romanticism: Landscape Painting38./22-23 Joseph M.W. Turner (1775-1851 England) The Slave Ship (Slavers

Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840, oil oncanvas, 90.8 x 122.6 cm © Museum of Fine Arts, Boston MFAB-14

Romanticism: Landscape Painting39. Thomas Cole (1801-1848 US) A View of the Mountain Pass Called the Notch

of the White Mountains (Crawford Notch), 1839, oil on canvas, 102 x 155.8cm © National Gallery of Art NGA-P0505

Romanticism: Landscape Painting40. Albert Bierstadt (1830-1902 US) Storm in the Mountains, c1870, oil on

canvas, 96.52 x 152.72 cm © Museum of Fine Arts, Boston MFAB-383

Romanticism: Landscape Painting41./22-26 Frederic Edwin Church (1826-1900) Twilight in the Wilderness, 1860,

oil on canvas, 101.6 x 162.6 cm © Cleveland Museum of Art CL-17

Realism: France42. Gustave Courbet (1819-1877) Mère Grégoire, 1855/1857-1859, oil on

canvas, 129 x 97.5 cm © Art Institute of Chicago AIC-7055

Realism: France43. Jean-François Millet (1814-1875) Potato Planters, c1851, oil on canvas, 82.5

x 101.3 cm © Museum of Fine Arts, Boston MFAB-1115

Realism: France44. Honoré Daumier (1808-1879) The Uprising, 1848 or later, oil on canvas,

87.6 x 113 cm © The Phillips Collection, Washington PC-63

Realism: France45. Rosa Bonheur (1822-1899) The Horse Fair, c1852, oil on canvas, 26.67 x

63.5 cm © Albright-Knox Art Gallery, Buffalo, NY AK-220

Realism: France46. Édouard Manet (1832-1887) The Dead Toreador, probably 1864, oil on

canvas, 75.9 x 153.3 cm © National Gallery of Art, Washington NGA-P0202

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Realism: Germany and the United States47. Winslow Homer (1836-1910 US) Boys in a Pasture, 1874, oil on canvas,

40.32 x 58.1 cm © Museum of Fine Arts, Boston MFAB-161

Realism: Germany and the United States48./22-38 Thomas Eakins (1844-1916 US) Portrait of Dr Samuel D. Gross (The

Gross Clinic), 1875, oil on canvas, 243.8 x 198.1 cm © Philadelphia Museumof Art PMA-3040

Realism: Germany and the United States49./22-39 John Singer Sargent (1856-1925 US) The Daughters of Edward

Darley Boit, 1882, oil on canvas, 221.93 x 222.57 cm © Museum of FineArts, Boston MFAB-62

Realism: Germany and the United States50. Henry Ossawa Tanner (1857-1937 US) Portrait of the Artist’s Mother, 1897,

oil on canvas, 74.3 x 100.3 cm © Philadelphia Museum of Art PMA-2671

Realism: Pre-Raphaelite Brotherhood51. Dante Gabriel Rossetti (1828-1882 England) Beata Beatrix, 1872, oil on

canvas, 87.5 x 69.3 cm; predella 26.5 x 69.2 cm © Art Institute of ChicagoAIC-317

Realism: Pre-Raphaelite Brotherhood52. Edward Coley Burne-Jones (1833-1898 England) Hope, 1896, oil on canvas,

179 x 63.5 cm © Museum of Fine Arts, Boston MFAB-1177

Architecture53./22-44 Charles Barry (1795-1860 England) and Augustus Pugin (1812-1852

England) Houses of Parliament, London, 1835-1865 Photo © Davis ArtImages 13120

Architecture54./22-45 John Nash (1752-1835 England) Royal Pavilion, Brighton, Eng., 1815-

1821 Photo © 2009 Hartill Art Associates, Alec or Marlene Hartill HAR-279

Architecture55./22-46 Charles Garnier (1825-1898 France) Opéra, Paris, 1861-1874


Architecture56. Henri Labrouste (1801-1875 France) Library of Saint-Genevieve, Paris,


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Architecture57./22-47 Henri Labrouste (1801-1875 France) Interior of Library of Saint-

Genevieve, Paris, 1843-1850 Photo © 2009 Thomas A. Heinz TAH-116

Photography58. George Barnard (1819-1902 US) Untitled portrait of four children, 1846-

1853, Daguerreotype, 8.5 x 11.6 cm © The Museum of Modern Art, NewYork MOMA-P1248

Photography59. Southworth and Hawes (firm 1844-1862 Boston) Portrait of a Woman in Nine

Ovals, 1850s?, Daguerreotype, 21.6 x 16.5 cm © Museum of Fine Arts,Boston MFAB-121

Photography60. Julia Margaret Cameron (1815-1879 England) Call and I Follow, Let Me Die,

c1875, carbon print from wet collodion negative, 34.8 x 26.7 cm ©Philadelphia Museum of Art PMA-1472

Photography61. Timothy O’Sullivan (1840-1882 US) The Field Where General Reynolds Fell,

from Gardner’s Photographic Sketchbook of the Civil War, 1863, albumenprint from wet Collodion negative, 17.4 x 22.7 cm © Worcester Art Museum,Worcester, Mass. WAM-689

Photography62. Eadweard Muybridge (1830-1904 US) Cockatoo Flying, plate 762 from

Animal Locomotion, 1884-1886, collotype, 19.8 x 36.2 cm © The Museum ofModern Art, New York MOMA-P2285

Chapter 23 Europe and America, 1870 to 1900Impressionism

63. Claude Monet (1840-1926 France) Rouen Cathedral, Façade, 1894, oil oncanvas, 100.6 x 66 cm © Museum of Fine Arts, Boston MFAB-108

Impressionism64. Claude Monet (1840-1926 France) Arrival of the Normandy Train, Gare

Saint-Lazare, 1877, oil on canvas, 59.6 x 80.2 cm © Art Institute of ChicagoAIC-7247

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Impressionism65. Claude Monet (1840-1926 France) Grainstack (Sunset), 1891, oil on canvas,

73.3 x 92.7 cm © Museum of Fine Arts, Boston MFAB-81

Impressionism66./23-5 Gustave Caillebotte (1848-1894 France) Paris Street: Rainy Day, 1877,

oil on canvas, 212.2 x 276.2 cm © Art Institute of Chicago AIC-7013

Impressionism67. Camille Pissarro (1830-1903 France) Afternoon Sunshine, Pont Neuf, 1901,

oil on canvas, 92 x 74 cm © Philadelphia Museum of Art PMA-2955

Impressionism68. Berthe Morisot (1841-1895 France) In the Dining Room, 1886, oil on canvas,

61.3 x 50 cm © National Gallery of Art, Washington NGA-P0609

Impressionism69. Pierre-Auguste Renoir (1841-1919 France) Luncheon of the Boating Party,

1881, oil on canvas, 130 x 201 cm © The Phillips Collection, WashingtonPC-344

Impressionism70. Edgar Degas (1834-1917 France) Café Singer, 1879, oil on canvas, 53.5 x

41.8 cm © Art Institute of Chicago A7078

Impressionism71./23-12 Mary Cassatt (1844-1926 US) The Child’s Bath, 1893, oil on canvas,

100.3 x 66.1 cm © Art Institute of Chicago AIC-13342

Impressionism72. James A.M. Whistler (1834-1903 US) Nocturne, c1880-1885, oil on canvas,

31.1 x 51.8 cm © Philadelphia Museum of Art PMA-2326

Post-Impressionism73./23-14 Henri de Toulouse-Lautrec (1864-1901 France) At the Moulin Rouge,

1892-1895, oil on canvas, 123 x 141 cm © Art Institute of Chicago AIC-7366

Post-Impressionism74./23-15 Georges Seurat (1859-1891 France) A Sunday on La Grande Jatte –

1884, 1884-1886, oil on canvas, 207.5 x 308.1 cm © Art Institute of ChicagoAIC-7349

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Post-Impressionism75. Vincent van Gogh (1853-1890 Netherlands) Houses at Auvers, 1890, oil on

canvas, 75.6 x 61.9 cm © Museum of Fine Arts, Boston MFAB-152

Post-Impressionism76./23-17 Vincent van Gogh (1853-1890 Netherlands) The Starry Night, 1889,

oil on canvas, 73.7 x 92.1 cm © The Museum of Modern Art, New YorkMOMA-P0076

Post-Impressionism77. Paul Gauguin (1848-1903 France) The Day of the God, 1894, oil on canvas,

68.3 x 91.5 cm © Art Institute of Chicago AIC-7125

Post-Impressionism78./23-20 Paul Cézanne (1839-1906 France) Mont Sainte-Victoire, 1904-1906,

oil on canvas, 73 x 91.1 cm © Philadelphia Museum of Art PMA-47

Post-Impressionism79./23-21 Paul Cézanne (1839-1906 France) The Basket of Apples, c1893, oil on

canvas, 65 x 80 cm © Art Institute of Chicago AIC-7033

Symbolism80. Pierre Puvis de Chavannes (1824-1898 France) The Fisherman’s Family,

1887, oil on canvas, 82.5 x 71.8 cm © Art Institute of Chicago A7291

Symbolism81. Odilon Redon (1840-1916 France) Orpheus, c1903-1910, pastel on paper,

68.8 x 56.8 cm © Cleveland Museum of Art CL-542

Symbolism82./23-25 Henri Rousseau (1844-1910 France) The Sleeping Gypsy, 1897, oil on

canvas, 130 x 201 cm © The Museum of Modern Art, New YorkMOMA-P2000

Symbolism83. Edvard Munch (1863-1944 Norway) Summer Night’s Dream (The Voice),

1893, oil on canvas, 87.9 x 108 cm Museum of Fine Arts, Boston MFAB-176

Symbolism84. Gustav Klimt (1862-1918 Austria) Hope II, 1907-1908, oil and gold paint on

canvas, 111 x 111 cm © The Museum of Modern Art, New York MOMA-P2016

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Sculpture85. Augustus Saint-Gaudens (1848-1907 US) The Puritan, 1883-1886, bronze,

77.5 x 47 x 33 cm Site: Boston, Photo © 2009 Thomas A. Heinz TAH-101

Sculpture86./23-32 Auguste Rodin (1840-1917 France) The Walking Man, cast probably

1903, bronze, 85.1 x 59.8 x 26.5 cm © National Gallery of Art, WashingtonNGA-S0084

Sculpture87./23-33 Auguste Rodin (1840-1917 France) The Burghers of Calais, 1884-

1886, bronze, 208 x 140 x 190 cm Site: Victoria Embankment, London, Photo © DavisArt Images 13475

Architecture and Decorative Art88. Louis Comfort Tiffany (1848-1933 US) Favrile vase, opalescent glass,

height: 29.21 cm © Museum of Fine Arts, Boston MFAB-514

Architecture and Decorative Arts89. Antonio Gaudí (1852-1916 Spain) Casa Batilo, Barcelona, 1905-1906 Photo

© Davis Art Images 15135

Architecture and Decorative Arts90. Antonio Gaudí (1852-1916 Spain) Interior of Casa Batilo, Barcelona, 1905-


Architecture and Decorative Arts91./23-40 Adler and Sullivan (1881-1895 Chicago) Guaranty Trust, Buffalo, NY,

1895-1896 Photo © 2009 Hartill Art Associates, Alec or Marlene HartillHAR-217

Architecture and Decorative Arts92./23-41 Louis Sullivan (1859-1924 US) Carson, Pirie, Scott and Company,

Chicago, 1903-1904 Photo © Davis Art Images 29774

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Chapter 24 Europe and America, 1900 to 1945Europe, 1900 to 1920: Fauvism

93. Henri Matisse (1869-1954 France) Woman Beside the Water, 1905, oil oncanvas, 35.2 x 28.2 cm Photo © The Museum of Modern Art, New YorkMOMA-P2977

Europe, 1900 to 1920: Fauvism94. André Derain (1880-1954 France) The Trees, c1906, oil on canvas, 59.37 x

72.39 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-162

Europe, 1900 to 1920: German Expressionism95. Ernst Ludwig Kirchner (1880-1938 Germany) Sand Hills of Engadine, 1917-

1918, oil on canvas, 86 x 95 cm Photo © The Museum of Modern Art, NewYork MOMA-P2309

Europe, 1900 to 1920: German Expressionism96. Emil Nolde (1867-1956 Germany) Christ Among the Children, 1910, oil on

canvas, 86.8 x 106.4 cm Photo © The Museum of Modern Art, New YorkMOMA-P0024

Europe, 1900 to 1920: German Expressionism97. Karl Schmidt-Rottluff (1884-1976 Germany) Pharisees, 1912, oil on canvas,

75.9 x 102.9 cm Photo © The Museum of Modern Art, New YorkMOMA-P2701

Europe, 1900 to 1920: German Expressionism98. Vasily Kandinsky (1866-1944 Russia) Picture with an Archer, 1909, oil on

canvas, 175 x 144.6 cm Photo © The Museum of Modern Art, New YorkMOMA-P1081

Europe, 1900 to 1920: German Expressionism99. Franz Marc (1880-1916 Germany) The Wolves (Balkan War), 1913, oil on

canvas, 70.80 x 139.7 cm © Albright-Knox Art Gallery, Buffalo, NY AK-287

Europe, 1900 to 1920: German Expressionism100. Alexei von Jawlensky (1867-1941 Russia) Head, c1910, oil on canvas

mounted on cardboard, 41 x 33 cm Photo © The Museum of Modern Art,New York MOMA-P2107

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Europe, 1900 to 1920: German Expressionism101./24-9 Käthe Kollwitz (1867-1945 Germany) Woman with Dead Child, 1903,

engraving and etching with black chalk, graphite and metallic gold paint onpaper, 41.7 x 47.2 cm Photo © National Gallery of Art, Washington NGA-P0985

Europe, 1900 to 1920: German Expressionism102./24-10 Wilhelm Lehmbruck (1881-1919 Germany) Seated Youth, 1917,

composite tinted plaster, 103.2 x 76.2 x 115.5 cm © National Gallery of Art,Washington NGA-S0072

Europe, 1900 to 1920: Primitivism and Cubism103./24-12 Pablo Picasso (1881-1973 Spain) Les Demoiselles d’Avignon, 1907,

oil on canvas, 243.9 x 233.7 cm Photo © The Museum of Modern Art, NewYork MOMA-P0104

Europe, 1900 to 1920: Primitivism and Cubism104. Georges Braque (1882-1963 France) Man with a Guitar, 1911-1912, oil on

canvas, 116 x 81 cm Photo © The Museum of Modern Art, New YorkMOMA-P0103

Europe, 1900 to 1920: Primitivism and Cubism105. Robert Delaunay (1885-1941 France) Sun, Tower, Airplane, 1913, oil on

canvas, 132.08 x 131.12 cm Photo © Albright-Knox Art Gallery, Buffalo, NYAK-229

Europe, 1900 to 1920: Primitivism and Cubism106. Pablo Picasso (1881-1973 Spain) Guitar, 1913, pasted paper, charcoal, ink

and chalk on blue paper mounted on ragboard, 66.4 x 49.6 cm Photo © TheMuseum of Modern Art, New York MOMA-P2885

Europe, 1900 to 1920: Primitivism and Cubism107. Georges Braque (1882-1963 France) Still Life with Glass and Letters, 1914,

cut-and-pasted printed paper, charcoal, pastel and pencil on paper, 51.1 x71.4 cm Photo © The Museum of Modern Art, New York MOMA-P1311

Europe, 1900 to 1920: Primitivism and Cubism108./24-18 Pablo Picasso (1881-1973 Spain) Guitar, 1912-1913, sheet metal

and wire, 77.5 x 35 x 19.3 cm Photo © The Museum of Modern Art, NewYork MOMA-S1215

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Europe, 1900 to 1920: Primitivism and Cubism109. Jacques Lipchtz (1891-1973 Lithuania-US) Man with a Guitar, 1915,

limestone, height: 97.2 cm Photo © The Museum of Modern Art, New YorkMOMA-S1002

Europe, 1900 to 1920: Primitivism and Cubism110./24-20 Aleksandr Archipenko (1887-1964 Russia) Woman Combing Her

Hair, 1914/1915, bronze, 35 x 8 x 8 cm Photo © The Museum of Modern Art,New York MOMA-S1002

Europe, 1900 to 1920: Primitivism and Cubism111. Fernand Léger (1881-1955 France) Bargeman, 1918, oil on canvas, 45.8 x

55.5 cm Photo © The Museum of Modern Art, New York MOMA-P2824

Europe, 1900 to 1920: Futurism112. Giacomo Balla (1871/1874-1958 Italy) Swifts: Paths of Movement and

Dynamic Sequences, 1913, oil on canvas, 96.8 x 120 cm Photo © TheMuseum of Modern Art, New York MOMA-P0163

Europe, 1900 to 1920: Futurism113./24-24 Umberto Boccioni (1882-1916 Italy) Unique Forms of Continuity in

Space, 1913, bronze, 111.2 x 88.5 x 40 cm © The Museum of Modern Art,New York MOMA-S0028

Europe, 1900 to 1920: Futurism114. Gino Severini (1883-1966 Italy) Dancer, 1912, pastel on paper, 49 x 32 cm

Photo © The Museum of Modern Art, New York MOMA-P1871

Europe, 1900 to 1920: Dada115. Hans (Jean) Arp (1887-1966 Alsace) Arrangement According to the Laws of

Chance (Collage of Squares), 1916-1917, torn and pasted papers on paper,49 x 35 cm Photo © The Museum of Modern Art, New York MOMA-P2501

Europe, 1900 to 1920: Dada116. Marcel Duchamp (1887-1966 France-US) Bicycle Wheel, 1951 replica of 1913

original, assemblage of metal wheel and wooden stool, height: 128 cmPhoto © The Museum of Modern Art, New York MOMA-S0999

Europe, 1900 to 1920: Dada117. Hannah Höch (1889-1979 Germany) Indian Dancer; from an Ethnographic

Museum, 1930, cut-and-pasted printed paper and metallic foil on paper, 25.7x 22.4 cm Photo © The Museum of Modern art, New York MOMA-P1685

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Europe, 1900 to 1920: Dada118. Kurt Schwitters (1887-1948 Germany) Little Dance, 1920, pencil on paper

mounted on cardboard, 13.1 x 10.4 cm Photo © Cleveland Museum of ArtCL-932

America, 1900 to 1930: Painting and Sculpture119. John Sloan (1871-1951) Six O’Clock, Winter, 1912, oil on canvas, 66.3 x

81.4 cm Photo © The Phillips Collection, Washington PC-381

America, 1900 to 1930: Painting and Sculpture120. Ernest Lawson (1873-1939) New York Street Scene, before 1910, oil on

canvas, 81.6 x 60.96 cm Photo © Museum of Fine Arts, Boston MFAB-436

America, 1900 to 1930: Painting and Sculpture121./24-33 Man Ray (1890-1976) Cadeau (Gift), c1958 replice of 1921 original,

painted flatiron with tacks, 15 x 9 x 11 cm Photo © The Museum of ModernArt, New York MOMA-S1040

America, 1900 to 1930: Painting and Sculpture122. Marsden Hartley (1877-1943) Movement No. 1 (Provincetown), 1916, oil on

beaverboard, 51 x 40 cm © Philadelphia Museum of Art PMA-2805

America, 1900 to 1930: Painting and Sculpture123. Stuart Davis (1892-1964) Egg Beater No. 4, 1928, oil on canvas, 68.7 x 97.2

cm The Phillips Collection, Washington, © Estate of Stuart Davis / Licensedby VAGA, New York PC-73dvvg

America, 1900 to 1930: Painting and Sculpture124. Aaron Douglas (1899-1979) Untitled male figure, illustration for the poem

Feet O’ Jesus, from Opportunity magazine, 1926, photolithograph Photo ©Spencer Museum of Art, University of Kansas, Lawrence SMA-21

America, 1900 to 1930: Painting and Sculpture125. Charles Demuth (1883-1935) Red-Roofed Houses, 1917, watercolor, 15 x 36

cm Photo © Philadelphia Museum of Art PMA-501

America, 1900 to 1930: Painting and Sculpture126. Georgia O’Keeffe (1887-1986) Lake George Window, 1929, oil on canvas,


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America, 1900 to 1930: Photography127. Alfred Stieglitz (1864-1946) Winter on Fifth Avenue, 1909, photogravure, 22

x 15 cm Photo: Davis Art Images 20845

America, 1900 to 1930: Photography128. Consuelo Kanaga (1894-1978) Malnutrition, New York, 1928, gelatin silver

print, 11.1 x 7.9 cm Photo © Brooklyn Museum of Art BMA-1445

Europe, 1920 to 1945: Picasso in the 1930s129. Pablo Picasso (1881-1973 Spain) Girl Before a Mirror, 1932, oil on canvas,

162.3 x 130.2 cm Photo © The Museum of Modern Art, New York MOMA-P0045

Europe, 1920 to 1945: Neue Sachlichkeit130. George Grosz (1893-1959 Germany) Republican Automatons, 1920,

watercolor, 60 x 47.3 cm The Museum of Modern Art, New York, © 2009Estate of George Grosz / Licensed by VAGA, New York MOMA-P2633ggvg

Europe, 1920 to 1945: Neue Sachlichkeit131. Max Beckmann (1884-1950 Germany) Family Picture, 1920, oil on canvas,

65 x 101 cm Photo © The Museum of Modern Art, New York MOMA-P0417

Europe, 1920 to 1945: Neue Sachlichkeit132. Otto Dix (1891-1969 Germany) War Cripples, 1920, drypoint, 25.9 x 39.4

cm Photo © The Museum of Modern Art, New York MOMA-P1634

Europe, 1920 to 1945: Neue Sachlichkeit133./24-45 Ernst Barlach (1870-1938 Germany) War Monument, 1927, bronze,

Cathedral, Güstrow, Germany, Photo: Davis Art Images 3049

Europe, 1920 to 1945: Surrealism134. Giorgio de Chirico (1888-1978 Italy) The Nostalgia of the Infinite, 1913-

1914, oil on canvas, 135.2 x 64.8 cm Photo © The Museum of Modern Art,New York MOMA-P0046

Europe, 1920 to 1945: Surrealism135. Max Ernst (1891-1976 Germany) Rendezvous with Friends – Friends

Become Flowers, 1928, oil on canvas, 129.8 x 161.9 cm Photo © TheMuseum of Modern Art, New York MOMA-P2890

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Europe, 1920 to 1945: Surrealism136./24-49 Salvador Dalí (1904-1989 Spain) Persistence of Memory, 1931, oil

on canvas, 24.1 x 33 cm Photo © The Museum of Modern Art, New YorkMOMA-P0174

Europe, 1920 to 1945: Surrealism137. René Magritte (1898-1967 Belgium) The Menaced Assassin, 1928, oil on


Europe, 1920 to 1945: Surrealism138./24-51 Meret Oppenheim (1913-1985 Switzerland) Object, 1936, fur-

covered cup, saucer and spoon, cup diameter: 10.9 cm; saucer diameter:23.7cm, spoon length: 20.2 cm Photo © The Museum of Modern Art, NewYork MOMA-S0108

Europe, 1920 to 1945: Surrealism139. Joan Miró (1893-1983 Spain) Hirondelle Amour, 1933-1934, oil on canvas,

199.3 x 247.6 cm Photo © The Museum of Modern Art, New York MOMA-P1816

Europe, 1920 to 1945: Surrealism140. Paul Klee (1879-1940 Switzerland) Figure of the Oriental Theater, 1934, oil

on fabric mounted on plywood, 52 x 39.3 cm Photo © The Phillips Collection,Washington PC-193

Europe, 1920 to 1945: Surrealism141. Kazimir Malevich (1879-1935 Russia) Suprematist Element: Circle, 1923,

pencil on paper, 47 x 36.5 cm Photo © The Museum of Modern Art, New YorkMOMA-P1814

Europe, 1920 to 1945: Sculpture142./24-57 Constantin Brancusi (1876-1957 Romania-France) Bird in Space,

1928, bronze, 137.2 x 21.6 x 16.5 cm Photo © The Museum of Modern Art,New York MOMA-S0103

Europe, 1920 to 1945: Sculpture143. Barbara Hepworth (1903-1975 England) Disks in Echelon, 1935, padouk

wood, 31.1 x 49.1 x 22.5 cm Photo © The Museum of Modern Art, New YorkMOMA-S1064

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Europe, 1920 to 1945: Sculpture144. Henry Moore (1898-1986 England) Mother and Child, 1938, elm wood, 77 x

35 x 39 cm Photo © The Museum of Modern Art, New York MOMA-S1143

America, 1930 to 1945: Sculpture and Photography145. Alexander Calder (1898-1976) A Universe, 1934, painted iron pipe, wire,

motor and wood with string, height: 102.9 cm Photo © The Museum ofModern Art, New York MOMA-S0543

America, 1930 to 1945: Sculpture and Photography146. Dorothea Lange (1895-1965) White Angel Bread Line, San Francisco, 1933,

gelatin silver print, 27.3 x 22.6 cm Photo © The Museum of Modern Art, NewYork MOMA-P0147

America, 1930 to 1945: Painting147. Ben Shahn (1898-1969) Father and Child, 1946, tempera on cardboard,

101.5 x 76.2 cm The Museum of Modern Art, New York, © 2010 Estate ofBen Shahn /Licensed by VAGA, New York MOMA-P2729shvg

America, 1930 to 1945: Painting148. Edward Hopper (1882-1967) Gas, 1940, oil on canvas, 66.7 x 102.2 cm

Photo © The Museum of Modern Art, New York MOMA-P1689

America, 1930 to 1945: Painting149./24-64 Jacob Lawrence (1917-2000) The migrants soon learned that

segregation was not confined to the South, #49 from Migration of the Negroseries, 1940-1941, tempera on composition board, 45.7 x 30.5 cm Photo ©The Phillips Collection, Washington PC-242

America, 1930 to 1945: Painting150. Grant Wood (1892-1942) Haying, 1939, oil on canvas on paper board

mounted on hardboard, 32.8 x 37.7 cm National Gallery of Art, Washington,© 2010 Estate of Grant Wood / Licensed by VAGA, New YorkNGA-P0702wovg

America, 1930 to 1945: Painting151. Thomas Hart Benton (1889-1975) Homestead, 1934, tempera and oil on

composition board, 64 x 86 cm The Museum of Modern Art, New York, ©2010 the Thomas Hart Benton Trust / Licensed by VAGA, New YorkMOMA-P2295bovg

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America, 1930 to 1945: Painting152. José Clemente Orozco (1883-1949 Mexico) Barricade, 1931, oil on canvas,


America, 1930 to 1945: Painting153. Diego Rivera (1886-1957 Mexico) Flower Festival: Feast of Santa Anita,

1931, encaustic on canvas, 199 x 163 cm Photo © The Museum of ModernArt, New York MOMA-P2375

America, 1930 to 1945: Painting154. Frida Kahlo (1907-1954 Mexico) Self-Portrait with Monkey, 1938, oil on

Masonite, 40.64 x 30.48 cm Photo © Albright-Knox Art Gallery, Buffalo, NYAK-314

Architecture: Europe155./24-71 Gerrit Rietveld (1888-1964 Netherlands) Schroeder House, Utrecht,

Netherlands, 1923-1924 Photo: James Coberle, image © Davis Art Images28413

Architecture: Europe156./24-72 Walter Gropius (1883-1969 Germany) Bauhaus, Dessau,

Germany, 1925-1926 Photo © 2009 Oliver Radford RAD-33

Architecture: Europe157. Marcel Breuer (1902-1981 Hungary-US) Lounge Chair, 1928-1929, chrome-

plated tubular steel and canvas, 80 x 61 x 80 cm Photo © The Museum ofModern Art, New York MOMA-D0064

Architecture: Europe158. Ludwig Mies van der Rohe (1886-1969 Germany-US) Perspective drawing

for Friedrichstraße Office Building, Berlin, 1921, charcoal and pencil on brownpaper Mounted on board, 174 x 122 cm Photo © The Museum of ModernArt, New York MOMA-D0015

Architecture: Europe159./24-75 Le Corbusier (1887-1965 Switzerland) Villa Savoye, Poissy, France,


Architecture: America160./24-76 William Van Alen (1883-1954) Chrysler Building, New York, 1928-

1930 Photo © 2009 Oliver Radford RAD-111

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Architecture: America161./24-77 Frank Lloyd Wright (1867-1959) Robie House, Chicago, 1909

Photo © 2009 Thomas A. Heinz TAH-24

Architecture: America162./24-79 Frank Lloyd Wright (1867-1959) Kaufmann House, Bear Run, PA,

1935-1937 Photo © 2009 Thomas A. Heinz TAH-4

Chapter 25 Europe and America After 1945Painting and Sculpture, 1945 to 1970: Postwar Expressionism inEurope

163. Alberto Giacometti (1901-1966 Switzerland) Head of a Man on a Rod, 1947,bronze, height including base: 59.7 cm Photo © The Museum of Modern Art,New York MOMA-S0683

Painting and Sculpture, 1945 to 1970: Postwar Expressionism inEurope

164. Jean Dubuffet (1901-1985 France) Portrait of Henri Michaux, 1946, oil andmixed-media on wood, 107.95 x 88.9 cm Photo © Albright-Knox Art Gallery,Buffalo, NY AK-193

Painting and Sculpture, 1945 to 1970: Abstract Expressionism165. Jackson Pollock (1912-1956 US) Free Form, 1946, oil on canvas, 48.9 x 35.5

cm Photo © The Museum of Modern Art, New York MOMA-P2830

Painting and Sculpture, 1945 to 1970: Abstract Expressionism166. Hans Namuth (1915-1990 Germany-US) Jackson Pollock Painting One and

Lee Krasner, 1950, gelatin silver print, 27.94 x 27.3 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-166

Painting and Sculpture, 1945 to 1970: Abstract Expressionism167. Willem de Kooning (1904-1997 Netherlands-US) Woman, II, 1952, oil on


Painting and Sculpture, 1945 to 1970: Abstract Expressionism168. Barnett Newman (1905-1970 US) Onement III, 1949, oil on canvas, 182.5 x

84.9 cm Photo © The Museum of Modern art, New York MOMA-P1673

Painting and Sculpture, 1945 to 1970: Abstract Expressionism169. Mark Rothko (1903-1970 US) Orange and Yellow, 1956, oil on canvas, 237.5

x 186.7 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-448

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Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction170. Ellsworth Kelly (born 1923 US) Spectrum Colors Arranged by Chance II,

1951, cut-and-pasted color-coated paper and pencil on four sheets of paper,97.2 x 97.2 cm Photo © The Museum of Modern Art, New YorkMOMA-P1648

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction171. Frank Stella (born 1936 US) Empress of India, 1965, metallic powder in

polymer emulsion paint on canvas, 195.6 x 548.6 cm Photo © The Museumof Modern Art, New York MOMA-P2230

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction172. Helen Frankenthaler (born 1928 US) Trojan Gates, 1955, oil and enamel on

canvas, 183 x 124 cm Photo © The Museum of Modern Art, New YorkMOMA-P2293

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction173. Morris Louis (1912-1962 US) Purple Fill, 1962, synthetic polymer paint on

unprimed canvas, 221 x 69.9 cm Photo © The Museum of Modern Art, NewYork MOMA-P1799

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction174. Clyfford Still (1904-1980 US) Painting, 1951, oil on unprimed canvas, 238.8

x 203.8 cm Photo © The Museum of Modern Art, New York MOMA-P2690

Painting and Sculpture, 1945 to 1970: Sculpture175. David Smith (1906-1965 US) Cubi XVI, 1963, stainless steel, 335.28 x

152.4 x 83.82 cm Albright-Knox Art Gallery, Buffalo, NY, © 2010 Estate ofDavid Smith / Licensed by VAGA, New York AK-86smvg

Painting and Sculpture, 1945 to 1970: Sculpture176. Tony Smith (1912-1980 US) Cigarette, 1961-1967, Cor-Ten steel, 457.2 x

548.64 x 792.48 cm Photo © Albright-Knox Art Gallery, Buffalo, NYAK-87

Painting and Sculpture, 1945 to 1970: Sculpture177. Donald Judd (1928-1994 US) Untitled, 1967, stainless steel, 15.5 x 91.6 x

66.2 cm The Museum of Modern Art, New York, © 2010 Estate of DonaldJudd / Licensed by VAGA, New York MOMA-S1090jdvg

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Painting and Sculpture, 1945 to 1970: Sculpture178. Louise Nevelson (1900-1988 US) Royal Game I, 1961, wood painted, 175.26

x 130.81 x 20.95 cm Photo © Albright-Knox Art Gallery, Buffalo, NYAK-488

Painting and Sculpture, 1945 to 1970: Sculpture179. Louise Bourgeois (born 1911 US) Quarantania I, 1947-1953, painted wood,

height: 206 cm The Museum of Modern Art, New York, © 2010 LouiseBourgeois / Licensed by VAGA, New York MOMA-S0160brvg

Painting and Sculpture, 1945 to 1970: Sculpture180. Eva Hesse (1936-1970 US) Untitled, 1970, fiberglass over wire mesh, latex

over cloth over wire, 30.5 x 22.9 x 11.4 cm; cord 198.1 cm long Photo ©Albright-Knox Art Gallery, Buffalo, NY AK-108

Painting and Sculpture, 1945 to 1970: Pop Art181. Richard Hamilton (born 1922 England) Glorious Techniculture, 1961-1964,

oil and collage on panel, 122.9 x 122.9 cm Photo © The Museum of ModernArt, New York MOMA-P1113

Painting and Sculpture, 1945 to 1970: Pop Art182./25-21 Jasper Johns (born 1930 US) Flag, 1954-1955, encaustic, oil and

collage on fabric mounted on plywood, 107 x 154 cm The Museum ofModern Art, New York, © 2010 Jasper Johns / Licensed by VAGA, New YorkMOMA-P2012jovg

Painting and Sculpture, 1945 to 1970: Pop Art183. Robert Rauschenberg (1925-2008 US) First Landing Jump, 1961, cloth,

metal, leather, electric fixture, cable, oil paint on composition board; auto tireand wood plank, 226.3 x 182.8 x 22.5 cm The Museum of Modern Art, NewYork, © 2010 Robert Rauschenberg / Licensed by VAGA, New YorkMOMA-P2889ruvg

Painting and Sculpture, 1945 to 1970: Pop Art184 Roy Lichtenstein (1923-1997 US) Drowning Girl, 1963, oil and synthetic

polymer paint on canvas, 171.6 x 169.5 cm Photo © The Museum of ModernArt, New York MOMA-P0818

Painting and Sculpture, 1945 to 1970: Pop Art185. Andy Warhol (1928-1987 US) Marilyn (Factory Additions), 1968, color

screenprint, 15.2 x 15.2 cm Photo © The Museum of Modern Art, New YorkMOMA-P3066

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Painting and Sculpture, 1945 to 1970: Pop Art186./25-26 Claes Oldenburg (born 1929 US) Floor Cake, 1963, painted canvas

and foam, length: 288 cm Photo © The Museum of Modern Art, New YorkMOMA-S1089

Painting and Sculpture Since 1970: Superrealism187. Audrey Flack (born 1931 US) Leonardo’s Lady, 1975, oil and acrylic on

canvas, 188 x 203 cm The Museum of Modern Art, New York, © 2010Audrey Flack MOMA-P2075

Painting and Sculpture Since 1970: Superrealism188. Chuck Close (born 1940 US) Robert / 104,072, 1973-1974, synthetic

polymer paint and ink with graphite on canvas, 274.4 x 213.4 cm TheMuseum of Modern Art, New York, © 2010 Chuck Close MOMA-P1020

Painting and Sculpture since 1970: Neo-Expressionism189. Susan Rothenberg (born 1945 US) Untitled Drawing No. 41, 1977, synthetic

polymer paint, gouache, pencil and crayon on paper, 57.5 x 76.3 cm TheMuseum of Modern Art, New York, © 2010 Susan Rothenberg MOMA-P0296

Painting and Sculpture since 1970: Neo-Expressionism190. Anselm Kiefer (born 1945 Germany) Ride to Vistula, 1980, oil on canvas, 130

x 170 cm The Museum of Modern Art, New York, © 2010 Anselm KieferMOMA-P2115

Painting and Sculpture Since 1970: Feminist Art191. Barbara Kruger (born 1945 US) Untitled (You Invest in the Divinity of the

Masterpiece), 1982, Photostat on paper, 182.2 x 115.8 cm The Museum ofModern Art, New York, © 2010 Barbara Kruger MOMA-P2971

Painting and Sculpture Since 1970: Feminist Art192. Yong Soon Min (born 1953 Korea) Talking Herstory, 1990, photolithograph

and collage, 76 x 56 cm The Museum of Modern Art, New York, © 2010Yong Soon Min MOMA-P2423

Painting and Sculpture Since 1970: Feminist Art193. Sue Coe (born 1951 US) Woman Walks Into Bar – Is Raped by Four Men on

Pool Table – While 20 Watch, 1983, mixed-media, 232.7 x 287.7 cm The Museum of Modern Art, New York, © 2010 Sue Coe MOMA-P1837

Painting and Sculpture Since 1970: Other Social and Political Art194. Kiki Smith (born 1954 US) King Kong, 2002, bronze, 51 x 53 x 20 cm Photo

courtesy Pace Wildenstein, © 2010 Kiki Smith ART21KS-77

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Painting and Sculpture Since 1970: Other Social and Political Art195. Lorna Simpson (born 1960 US) Counting, 1991, photogravure with

silkscreen, 187.32 x 96.52 cm Albright-Knox Art Gallery, Buffalo, NY, © 2009Lorna Simpson AK-173

Painting and Sculpture Since 1970: Other Social and Political Ar196. David Hammons (born 1943 US) High Falutin’, 1990, metal, oil on wood,

glass, rubber, velvet, plastic, and electric light bulbs, 396 x 122 x 77.5 cmThe Museum of Modern Art, New York, © 2010 David HammonsMOMA-S0676

Painting and Sculpture Since 1970: Other Social and Political Ar197. David Wojnarowicz (1954-1992 US) Fire, 1987, synthetic polymer paint and

pasted paper on plywood, two panels, 182.9 x 243.8 cm The Museum ofModern Art, New York MOMA-P1487

Painting and Sculpture Since 1970: Other Social and Political Ar198. Kyzysztof Wodiczko (born 1943 Poland-US) The Hiroshima Projection, A

Bomb Dome, Hiroshima, Japan, August 7-8, 1999 Courtesy the artist andGalerie Lelong, New York, © 2010 Kyzysztof Wodiczko ART21WO-157

Painting and Sculpture Since 1970: Other Social and Political Ar199./25-51 Jeff Koons (born 1955 US) Pink Panther, 1988, porcelain, 104.1 x

52 x 48.2 cm The Museum of Modern Art, New York, © 2009 Jeff KoonsMOMA-S1034

Painting and Sculpture Since 1970: Other Social and Political Ar200./25-52 Robert Arneson (1930-1992 US) California Artist, 1982, glazed

ceramic, height: 198 cm Photo courtesy of the artist, © 2009 Estate ofRobert Arneson / Licensed by VAGA, New York 27697arvg

Painting and Sculpture Since 1970: Other Social and Political Art201. Mark Tansey (born 1949 US) Robbe-Grillet Cleansing Every Object in Sight,

1981, oil on canvas with crayon, 182.9 x 183.4 cm The Museum of ModernArt, New York, © 2010 Mark Tansey MOMA-P1332

Painting and Sculpture Since 1970: Other Social and Political Art202. Kara Walker (born 1969 US) African/American, 1998, linoleum cut, 93 x

106.7 cm The Museum of Modern Art, New York, © 2010 Kara WalkerMOMA-P1796

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Painting and Sculpture Since 1970: Other Social and Political Art203. Chéri Samba (born 1956 Congo) Condemnatio Without Judgment, 1989-

1990, synthetic polymer paint on canvas, 148.3 x 200.7 cm The Museum ofModern Art, New York, © 2010 Chéri Samba MOMA-P3137

Painting and Sculpture Since 1970: Other Social and Political Art204. Sue Coe (born 1951 England) Doctor Giving Massage to an AIDS Patient,

1993, linoleum cut and monotype with ink additions The Museum ofModern Art, New York, © 2010 Sue Coe MOMA-P2562

Painting and Sculpture Since 1970: Other Social and Political Art205. Alfredo Jaar (born 1956 Chile) Rwanda, Rwanda, 1994, photolithograph, 158

x 111.1 cm The Museum of Modern Art, New York, © 2010 Alfredo JaarMOMA-P0986

Painting and Sculpture Since 1970: Other Social and Political Art206. Betye Saar (born 1926 US) The Differences Between, 1989, mixed-media,

41.9 x 33 x 3.8 cm Museum of Fine Arts, Boston, © 2010 Betye SaarMFAB-685

Architecture and Site-Specific Art: Modernism207./25-55 Frank Lloyd Wright (1867-1959 US) Guggenheim Museum, New

York, 1943-1959 Photo © Frank Lloyd Wright Foundation, Scottsdale, AZW409

Architecture and Site-Specific Art: Modernism208./25-56 Le Corbusier (1887-1965 Switzerland) Notre-Dame-du-Haut,

Ronchamp, FR, 1950-1954 Photo © Davis Art Images 15093

Architecture and Site-Specific Art: Modernism209./25-57 Le Corbusier (1887-1965 Switzerland) Interior of Notre-Dame-du-

Haut, Ronchamp, FR, 1950-1954 Photo © 2009 Oliver Radford RAD-41

Architecture and Site-Specific Art: Modernism210. Eero Saarinen (1910-1961 Finland-US) Dulles Airport, Washington, 1960-


Architecture and Site-Specific Art: Modernism211./25-60 Ludwig Mies van der Rohe (1887-1969 Germany-US) and Philip

Johnson (1906-2005 US) Seagram Building, New York, 1954-1958 Photo ©Davis Art Images 15281

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Architecture and Site-Specific Art: Modernism212./25-61 Skidmore, Owings and Merrill (1936 to present, Chicago) Sears

Tower, Chicago, 1970-1974 Photo © Davis Art Images 16181

Architecture and Site-Specific Art: Modernism213./25-62 Maya Lin (born 1960 US) Vietnam War Memorial, Washington,


Architecture and Site-Specific Art: Modernism214./25-64 Johnson and Burgee (1968-1982 US) AT and T Building, New York,

1983 Photo © 2009 Oliver Radford RAD-107

Architecture and Site-Specific Art: Modernism215. Michael Graves (born 1934 US) Public Library, San Juan Capistrano, CA,


Architecture and Site-Specific Art: Modernism216./25-67 Renzo Piano (born 1937 Italy) and Richard Rogers (born 1933

Italy/England) Centre Georges Pompidou, Paris, 1971-1977 Photo © DavisArt Images 25982

Architecture and Site-Specific Art: Deconstructivism217./25-69 Frank Gehry (born 1929 US) Guggenheim Museum, Bilbao, SP,


Architecture and Site-Specific Art: Deconstructivism218. Frank Gehry (born 1929 US) Walt Disney Concert Hall, Los Angeles, 1999-


Architecture and Site-Specific Art: Environmental and Site-Specific Art219./25-74 Richard Serra (born 1939 US) Tilted Arc, New York, 1981,

destroyed 1989, Cor-Ten steel, 365 x 3660 cm Photo: Davis Art Images, ©2010 Richard Serra 27831

Architecture and Site-Specific Art: Environmental and Site-Specific Art220. Cathey Billian (US) Two Towers (Bound Bundles), 1981, hemlock, pine, lava,

copper and sand, 1500 x 2700 x 400 cm Photo: Davis Art Images, © 2010Cathey Billian 27719

Performance and Conceptual Art and New Media: Conceptual Art221. John Baldessari (born 1931 US) What is Painting?, 1968, synthetic polymer

on canvas, 172 x 144 cm The Museum of Modern Art, New York, © 2010John Baldessari MOMA-P2039

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Performance and Conceptual Art and New Media: Conceptual Art222. Bruce Nauman (born 1941 US) Human / Need / Desire, 1983, neon tubing

and wire with glass tubing suspension frames, 239.8 x 179 x 65.4 cm TheMuseum of Modern Art, New York, © 2010 Bruce Nauman MOMA-S0577

Performance and Conceptual Art and New Media: New Media223. Nam June Paik (1932-2006 Korea-US) Piano Piece, 1993, close-circuit video,

304.8 x 213.36 x 121.92 cm Albright-Knox Art Gallery, Buffalo, NY AK-396

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