art. renaissance 16 th c. figures from the bible, classical history, mythology, commissioned...
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ART
RENAISSANCE 16th c.
• Figures from the Bible , classical history, mythology, commissioned portraits, use of perspective, secular backgrounds and material splendor.
BOTTICELLI
PRIMIVERA
BrunelleschiFlorence
RAPHAEL
• SCHOOL OF ATHENS
MARRIAGE OF THE VIRGIN
MICHAELANGELO
DA VINCI
BAROQUE
• Response of Counter Reformation
• More colorful, richer in texture and decoration
• Scenes embody mystery and drama, violence and spectacle.
• Stir emotions and win back defectors.
• Art for the public consumption
baroque
Bernini
Durer
RembrandtNorthern Renaissance/ baroque
Northern Realism17th century
• Values: quiet opulence, comfortable, comfortable domesticity, realism
• Middle class Dutch patrons commission secular works: portraits, still life's, landscapes
VERMEER
MILLET
‘THE ANGELEUS’
ROCOCO
• ART OF FRENCH ARISTOCRACY PORTRAYING NOBILITY IN SYLVAN SETTINGS OR ORNATE INTERIORS
• CANDY BOX ART. FRIVOLOUS, DELICATE, ELEGANCE, SWEETNESS
BOUCHER
• ‘The Love Letter”
HOGARTH
• NOON
• GIN LANE
RIGAUD
NEO CLASSICISM18 TH C.
• A RETURN TO CLASSICAL ANTIQUITY FOR INSPIRATION, SCENES ARE HISTORICAL AND MYTHOLOGICAL
• APPEAL IS TO INTELLECT NOT THE HEART
• EMOTIONS ARE RESTRAINED
• VALUES: REASON, ORDER, BALANCE, REVERANCE FOR ANTIQUITY
Ingress
ROMANTICISM19TH C.
• REACTION AGAINST COLD AND UNFEELING REASON OF THE ENLIGHTENMENT AND AGAINST THE DESTRUCTION OF NATURE RESULTING FROM THE INDUSTRIAL
REVOLUTIONSTRESS IS ON LIGHT, COLOR, SELF
EXPRESSION IN OPPOSITION TO THE EMPHASIS ON LINE AND NEOCLASSICALISM
VALUES: EMOTION, FEELING, MORBIDITY, EXOTICISM, MYSTERY.
GERICAULT
SPEED OF STEAM
BURNING OF PARLIAMENT
Turner
• ‘Burial at Sea”
GOYA
DAUMIER
CARTOONIST
IMPRESSIONISM
• ATTEMPT TO PORTRAY THE FLEETING AND TRANSITORY WORLD OF SENSE IMPRESSIONS BASED ON SCIENTIFIC STUDIES OF LIGHT
• FORMS ARE BATHED IN LIGHT AND ATMOSPHERE
• COLORS FUSE FROM A DISTANCE• VALUES: THE IMMEDIATE,
ACCIDENTAL, AND TRANSITORY
MONET
• VENICE
SEURAT
Toulouse Lautrec
RODIN
• THINKER
EXPRESSIONISM19TH AND 20TH C.
• INDEBTED TO FREUD• ART TRIES TO PENETRATE THE FAÇADE OF
BOURG. SUPERFICIALITY AND PROBE THE PSYCHE, THAT WHICH LURKS BENEATH AN INDIVIDUAL’S CALM AND ARTIFICAL POSTURE.
• VALUES: SUBLIMNAL ANXIETY– PICTORAL VIOLENCE…MANIFEST AND LATENT
MUNCH
DESPERATION
Beckman‘the night’
Van Gogh“Starry Night”
SURREALISM20th c.
• Also indebted to Freud
• Explores the dream world and world without logic or reason or meaning
• The strange encounters between objects
• Subject often indecipherable in their strangeness
• Values: the dream sequence, illogic, fantasy
Ernst
• 3 children and a
• nightingale
De Chirico
Dali
Chagall‘self portrait w/ seven fingers’
‘self portrait’
POST IMPRESSIONISMGAUGUIN
CUBISM
• No single point of view
• No continuity
• or simultaneity of image contour
• All possible views of subject are compressed into one view of top, sides, front and back
• Values: a new way of seeing a view of the world as a mosaic of multiple relationships
PICASSO
STILL LIFE WITH A CHAIR CANNING
ABSTRACT EXPRESSIONISM
• NON REPRESENTATIONAL ART
• SHAPES, LINES AND COLORS
BRAQUE
• MOORE
• RECLINING FIGURE
ARCHITECTURE
• HOW DOES IT DEFINE A PERIOD?
• HOW DOES IT SHOW WHO IS IN POWER?
• HOW DO ART AND ARCHITECTURE REFLECT THE ECONOMIC INTEREST OF THE PEOPLE?
• MEDIEVAL GOTHIC GIVES WAY TO GRANDEUR OF BAROQUE(ecclesiastical and royal bldg)
• 18th c. gives way to classical and aristocratic style
• Replaced by romantic, neo-gothic and industrial architec. Of 19thc
• Blends into the rising bldgs. Of the industrial cities of 20 th c.