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TRANSCRIPT
ART IN CONTEXT:
The Age of Faith
ART 121 Lecture 13
82nd and 5th Video: Faith
Questions to ponder before watching the video:
What is the relationship between religion and faith?
Do you need to have faith in a religion to appreciate its
artworks?
Madonna and Child with Angels
Antonio Rossellino (ca. 1455)
Functions seen in all religious art:
2D and 3D media
created with the intent
of:
Illustrating or recreating
important passages from
religious texts.
Mosque lamp donated Amir Ahmad al-Mihmandar,
Egypt, ca. 1325.
Functions seen in all religious art:
2D and 3D media
created with the intent
of:
Illustrating or recreating
important passages from
religious texts.
Giving form to an otherwise
unseen religious figure/deity
Shiva as Lord of Dance (Nataraja), Indian Chola Period,
ca. 11th century.
Functions seen in all religious art:
2D and 3D media
created with the intent
of:
Illustrating or recreating
important passages from
religious texts.
Giving form to an otherwise
unseen religious figure/deity
Creating the objects used in
religious ceremonies.
Members of the Dogon Tribe using tribal masks.
Traditional design; photo taken 2012.
Part 1: Buddhism
India
China
Timeline:
Ancient Religions
623-543 BCE: Life of the Historical
Buddha
Ca. 100 BCE: Earliest Buddhist art
4 BCE-30 CE: Life of the Historical Jesus
Ca. 200 BCE: Earliest Christian art
313: Edict of Milan legalized Christianity
622: Muhmamad builds a house that
becomes mosque prototype
644-56: Qu’ran committed to writing
1000-1200: Romanesque
1200-1400: Gothic
BUDDHISM: religion founded by
Siddhartha Gautama. Teaches that
meditation can release an individual
from Samsara, the cycle of suffering life,
and allow for the state of nirvana.
Great Stupa, Sanchi, India, third century BCE to First century CE
Large Seated Buddha with
Standing Bodhisattva, from Cave
20, China, 460-470 CE. 44 feet.
Part 2: Christian Art
Byzantium
Romanesque
Gothic
Timeline:
Ancient Religions
623-543 BCE: Life of the Historical Buddha
Ca. 100 BCE: Earliest Buddhist art
4 BCE-30 CE: Life of the Historical
Jesus
Ca. 200 BCE: Earliest Christian art
313: Edict of Milan legalized
Christianity
622: Muhammad builds a house that
becomes mosque prototype
644-56: Qu’ran committed to writing
1000-1200: Romanesque
1200-1400: Gothic
CHRISTIANITY: early monotheistic
religion that grew out of Judaism.
Teaches that salvation is only possible
through believing that God’s only son
Jesus Christ died on the cross for all of
mankind’s sins.
Crucifixion of Christ,
from the Monastery
Church of Daphni, ca.
1090-1100 CE.
Byzantine mosaic
Remember the importance of CONTEXT…no photos can recreate the experience of being engulfed in dancing golden light!
Visit to Sta. Maria in Trastevere, an Italian Church decorated in the 13th and 14th centuries in the Byzantine style.
Last Judgment from the west tympanum of
St. Lazare, France, 1120-1135. Romanesque relief.
Chartres: Gem of the Gothic
Built from 1145-1220 (left
spire from the 1500s)
Prime example of the
Gothic western Façade:
Triple doorway
Tall spires
Rose window
Numerous sculptural works
including jamb figures.
Part 3: Islamic Art
Iran
Timbuktu
Spain
Timeline:
Ancient Religions
623-543 BCE: Life of the Historical
Buddha
Ca. 100 BCE: Earliest Buddhist art
4 BCE-30 CE: Life of the Historical Jesus
Ca. 200 BCE: Earliest Christian art
313: Edict of Milan legalized Christianity
622: Muhammad builds a house
that becomes mosque prototype
644-56: Qu’ran committed to
writing
1000-1200: Romanesque
1200-1400: Gothic
ISLAM: youngest of the great
monotheistic religions. Holy Book
called the Qu’ran contains teachings
that the Prophet Muhammad received
from the Angel Gabriel. Teaches that
salvation is only possible through
submission to Allah.
Medallion Carpet, “The Ardabil Carpet,”
Maqsud of Kashan, Persian: Safavid Dynasty,
silk warps and wefts with wool pile (25
million knots, 340 per sq. inch), 1539-40.
Hypostyle Prayer Hall, Great Mosque at Cordoba. Begun in 786,
expanded in the 10th and 11th centuries.
Part 4: Applying What You
Learned
Get into groups and make a list of similarities and differences
seen in the form and use/function of the following three
buildings.