art as concept

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Appreciating Art as Concept Reminders: Your study guide is on Blackboard. Your next assignment is due November 29 th . The final exam is on Thu. Dec. 15. Key Terms/Concepts: concept, readymade, Fluxus, happening, Conceptual Art, self- reflectiveness, irony against medium, dematerialization, anti- aesthetic, Key Monuments: Marcel Duchamp, Fountain, 1916. Joseph Kosuth, One and Three Chairs, 1965. Robin Page, Merry Christmas ‘66, 1966. Yoko Ono & Dance Company, Do-It-Yourself Fluxfest, February 1- 13, 1966.

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  • 1. Appreciating Art as Concept
    • Reminders:
    • Your study guide is on Blackboard.
    • Your next assignment is due November 29 th .
    • The final exam is on Thu. Dec. 15.
    • Key Terms/Concepts:
    • concept, readymade, Fluxus, happening, Conceptual Art, self-reflectiveness, irony against medium, dematerialization, anti-aesthetic,
    • Key Monuments:
    • Marcel Duchamp, Fountain , 1916.
    • Joseph Kosuth, One and Three Chairs , 1965.
    • Robin Page, Merry Christmas 66 , 1966.
    • Yoko Ono & Dance Company, Do-It-Yourself Fluxfest , February 1-13, 1966.
  • 2. Art/Concept?
    • All works of art have a conceptual component.
    • A component that is something other than its physical/visual form.
    • We appreciate this concept often as much as we appreciate the physical form.
    • Some works consist only/primarily of conceptual components we call that conceptual art.
    Theodore Gericault, The Raft of the Medusa, 1818-1819.
  • 3. Conceptual Art?
      • self-reflectiveness : a work is made with an awareness of and addresses the rules regarding art.
      • irony: a work uses its self-awareness/reflectiveness as a tool to not only address the rules but make fun of them.
      • against medium: a work denies the use of proper art materials (paint, stone, etc.) in favor of materials that are indiscernible from the commonplace.
      • dematerialization of the artwork: a work is no longer created in the form of a material object but rather is exists and an intangible concept.
      • anti-aesthetic: a work does not seek a pleased reaction based on its form.
  • 4. Marcel Duchamp, Fountain , 1916. Readymades Readymade was the term Marcel Duchamp used to describe works consisting of little more than household items. Because they required little or no artistic manipulation the were readymade.
  • 5. Marcel Duchamp, In Advance of the Broken Arm , 1915.
  • 6. Conceptual Art (1960s-1970s) Piero Manzoni, Artists Shit , 1961.
  • 7. Joseph Kosuth, One and Three Chairs , Wooden Folding Chair, Photographic enlargement of a dictionary definition of chair, and a photographic copy of a chair. 1965.
  • 8. Joseph Kosuth, One and Three Chairs , Wooden Chair, Photographic enlargement of a dictionary definition of chair, and a photographic copy of a chair. 1965.
  • 9. Joseph Kosuth, One and Three Chairs , Wooden Chair, Photographic enlargement of a dictionary definition of chair, and a photographic copy of a chair. 1965.
  • 10. George Maciunas, Fluxus Manifesto, 1963. George Maciunas, Poster for Fluxorchestra at Carnegie Recital, September 25, 1965. Fluxus (1963-Today)
  • 11. Eric Anderson, Please Leave , May 30, 1985. Happenings are performances, exchanges, or environments orchestrated by the artist to promote viewer involvement, action and interaction.
  • 12. Robin Page, Merry Christmas 66 , 1966. Dematerialization
  • 13. Yoko Ono & Dance Company, Do-It-Yourself Fluxfest , February 1-13, 1966.