GROUP 02UG09-28-13-001UG09-28-13-003UG09-28-13-011

Function 1. Typical studio space.2. Panel walls.3. Acoustic ceiling.4. Washable surface.5. High quality resilient.6. Natural lighting.7. Outdoor painting court.8. Exhibition space.

Art centerIn addition to painting and drawing in a variety of media , the graphic arts program includes design projects , drafting , wood , block printing and many more …

Typical studio space

Panel walls

Acoustic ceiling section

WORKING AND STORAGE SPACE

SCENERY SPACE

SCENERY SPACE SCENERY SPACE

ACTING AREA

MULTIPLE USE EXTENDED ACTINGAREA, ORCHESTRA OR AUDIENCE

AUDIENCE

AUXILIARYWORKINGSTORAGEDRESSINGROOMS

AUXILIARYWORKINGSTORAGEDRESSINGROOMS

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RK

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TO

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WO

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Function 1. Working and storage2. Scenery space 3. Acting Area4. Orchestra Space 5. Audience seating.

Theater SpaceOpen stages require subsidiary areas and storage places for platforms and stands .The subsidiary areas should be of the same size as the stage.

Proportion of stage :The proportion of stage are developed from the sight lines in the auditorium . Thw stage is the area for acting and also a handling and working .the size of the stage space is determined by the number of scenery sets . At least one rear space and one wing are usual .

ACTORS

ORCHESTRA

PR

OS

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Acoustics must be adapted through appropriate measures like ceiling shapes or acoustic.

Acoustical treatment and light control: The proscenium height, the ramp height, the pitch of the stalls and the volume of the room , this gives the total room height . The lighting control and arrangement depends on this height . The celling is to be adapted for acoustic requirements. The noise reflected from the stage and apron should be distributed evenly over the room.

Work Shop

DESIGN

PAINT

SHIP

& REC.

PROPS.

ELEC.ELEC.

STAGE

AUDITORIUM

EXIT

STAGEDOOR

EXIT

DRESSING ROOM

T.

CONTROL

COSTUMES

REHEARSALROOM

BACKSTAGE

RORNT

TOILETSFOYER

LOBBYBOX OFF.

ADM. OFFICE

OTHERFUNCTIONSIN BLDG

ORGANIZATION CHART:

1. Audience Activity2. Production Activity3. Limitations4. Public Circulation5. Access to Auditorium6. Types Of Space7. Vestibule8. Ticket Office9. Lobby10.Checkroom11. Auxiliary Spaces12. Service Space

5" RISE ABOVEEXTENDED SIGHT LINE

3'-8

''

3'-8

''

3'-8

''

3'-8

''

3'-8

''

3'-8

''

3'-8

''

3'-8

''

3'-8

''

3'-8

''

Rows of spectators should be positioned in arch, not only for better alignment towards the stage, but also to achieve a better perception of each other .The center of curvature is located on the depth of the house behind the proscenium. The vertical angel of 30@ at the spectator's position establishes the distance from the closest seat to the scree or the highest significant object on the stage.

The vertical angle of 30’ at the spectator’s position establishes the distance from the closets seat to the screen or to the highest significant object on the stage.

A; CHANGING ROOMB: HIGHER BACKSTAGE SECTION, SLOPE UP TO 1:9C: FRONT STAGE SECTION, RAISED 1.10M ABOVE FLOOR LEVEL DE: ORCHESTRAF: SEATING AREA FOR GOVERNORS AND HIGHEST DIGNITARIES.G: SEATS FOR NOBLES WIVES.G-H SEATS FOR FIRST RANK NOBILITYH-J SEATS FOR SECOND RANK NOBILITYJ: FROM HERE UPWARDS, NOBILITY OF LESSAR STANDING.K: SEATS FOR THE COMMONERSL: PROSCENIUMmM: WALL OF THE HOUSES OR HALL ONTO WHICH THE THEATERS WAS BUILT.P: FINAL BACK -DROP OF PERSPECTIVE STAGES SET, AT LEAST 60M FROM M SO ACTORS CAN PASS BEHIND.

M

A B C D E FG

HJ

KP

A

B C D E FG

H J

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MOVE SCREEN

ORCHESTRA

30

30

STAGE SPACE

one direction stagetwo direction stage

three direction stagefour direction stage

It affords the maximum confrontation of performers and audience and is best for lecturers, concert singers, recitation and dramatic presentation. It establishes a limited orientation of performers to audience.

It is the best arrangment for presenting to an audience a dramatic action of conflict or opposition or conflict is across the line of vision of the audience and hence is maximally perfectible.

It places more spectators closer to the performance then does the proscenium arrangement and in this way contributes to good seeing, but it places a burden of diffused orientation upon directors and performers and makes impossible the achievement to total uniform effect.

As well as seating maximum audience in the minimum enclosure, this arrangement seats the largest audience within the shortest distance form the acting area. It is therefore attractive to the showman and also to the spectators who attaches value to proximity to the stages.

DISPLAY ROOMS The decisive factor in the layout of display rooms in the relationship between the collection and way it is to be displayed .

Open plan

Main and side rooms (Core and satellite room)

Linear chaining

AMPHITHEATERAn amphitheaters or amphitheater is an open-air venue used for entertainment, performances, and sports. Ancient Greek theaters were built in a semicircle, with tiered seating above a performance area contemporary amphitheater, in the sense in which the word has come to be popularly used now, is a curved, acoustically vibrant performance space, particularly one located outdoors.

HEAD TURN

CONE OF VISION

UNDESIRABLE

VIEWERS CHOICE

UNCOMFORTABLE

65

40

45

MUSIC AND DRAMA CENTERS

ground floor

1st floor

2nd floor

Wolfe Center For Artsarchitects: snohetta

clients: bowling green state universityproject year: 2011

location: bowling green, oh, usamaterials: glass, concrete, steel

type: culturaluseable area: 93000

1. LOBBY 2. 3. STAGE4. SCENE SHOP 5. CHORAL REHEARSAL ROOM6. COSTUME SHOP7. CLASSROOMS8. ACTORS THEATER

MAIN THEATER

PROGRAMS:

GROUND FLOOR PLAN

The Wolfe Center has a unique program that unites a diverse range of art studies into a socially enterprising facility meant to encourage lively interaction among students and faculty. Plans for the building include three performance spaces: a proscenium theater that will provide space for large-scale productions of musical theater, opera, and classical drama; a studio theater for the presentation of more diverse artistic programs, including theater for young audiences and productions of new plays, and an actor’s theater to provide space for experimental productions integrating the spoken word and body movement with digital and sound technology.Snøhetta has created a grand open hall that greets the visitor from the main entrance. Sunlit and spacious, the lobby provides views upward to the lounges, classrooms and studios of the art, music, and drama departments on the second level.

Situated at the heart of the building, the proscenium theater seats 400 and can be used for a variety of performance programs.

PUBLIC

SERVE

SERVICE

1. LOBBY 2. 3. STAGE4. SCENE SHOP 5. CHORAL REHEARSAL ROOM6. COSTUME SHOP7. CLASSROOMS8. ACTORS THEATER

MAIN THEATER

PROGRAMS:

1ST FLOOR PLAN

PUBLIC

SERVE

SERVICE

PUBLIC

SERVE

SERVICE

SECTION : A-A’

SECTION : B-B’

CHENGDU CONTEMPORARY ART CENTREarchitects: zaha hadid architectsclients: chengdu national culture

project year: 2007 tbclocation: chengdu, china

materials: glass, concrete, steeltype: exhibition

useable area: 200,0000 m2

1. Multi-functional Theater2. Music Hall3. Performance Hall4. Art Museum5. Conference Center6. Restaurant & Bar7. Exhibition Space8. Temporary Exhibition Space9. Shops10. Learning Space11. Auditorium

PROGRAMS:

The result of an international design

competition in 2007, Chengdu Contemporary Art Centre will be a new cultural destination for

Sichuan Province and will provide Chengdu with an

unprecedented collection of world-class

arts, performance, leisure, and congress

venues.

CCAC will be a regional art and music centre of international standing. CCAC accommodates three auditoria, an art museum, an exhibition centre, a conference

centre, a learning centre, bars,

restaurants and shops. The largest of the three halls, a multifunctional theatre, seats up to

2,000 people.

The second hall caters for lyrical theatre and music events, with a

seating arrangement of up to 870 people. The third auditorium will be used as a music hall. Designed for natural acoustic, this hall will provide space for an

audience of up to 1,000.

The conference centre comprises 8,000m2,

which can be separated into 16 equal and

independent accessible conference rooms. A flexible 10,000m2 exhibition centre is located at the main

entrance level.

The art museum comprises approximately

15,000m2 net exhibition area which is located below the roof and will take advantage of natural lit exhibition

spaces. Our design aims to resolve the

complexities of the programme, while

combining spatial clarity with the design of a unique and iconic

structure.

The undulating building geometry suggests a

rolling landscape, inspired by the

topography of Sichuan Province. CCAC’s

elongated design will contrast the vertical

tower structures surrounding the site. Its

soaring aerodynamic shape and Yin Yang like shape evokes traditional

Chinese symbols.