arp powerpoint erika rimes
TRANSCRIPT
Visual Literacy
An exploration into the teaching and student learning of visual
literacy in stage 3
Action Research ProjectErika Rimes
September 2007
Erika RimesSydney University306 205 904
Context of Research
Features of the school
Located in Sydney’s west
K-6, co-educational public school
Students in the school - 67% are from a non-English speaking background. Many countries are represented here, including countries in Asia, the Middle East, Europe and the Pacific Islands.
Features of the class
OC Stage 3 class consisting of 30 year 5 students
15 Boys and 15 girls
Cultural background of students in year 5 class ranged from Chinese, Indian and European
Erika RimesSydney University306 205 904
Rationale & Justification
Why visual literacy?
To develop students skills in becoming critical thinkers of their surroundings
To further my understandings of visual literacy and how to teach it
Visual literacy is an important of the KLAs
What is visual literacy?
Visual – refers to images we see (pictures, drawings, photographs, ads, moving images (TV/movies), artworks etc…)
Literacy encompasses a wider scope than simply being able to read and write. (Visual grammar – field, mode and tenor)
Erika RimesSydney University306 205 904
Research Question
How can I effectively develop students visual literacy skills in
stage 3 ?
Erika RimesSydney University306 205 904
Research
Kress & Van Leuween ‘Reading images, The Grammar of Visual Design’ Routledge Publishing, 1996, New York, NY
Unsworth, Len, ‘Teaching Multiliteracies across the curriculum’, Open University Press, McGraw-Hill Education,NY, 2001
Callow, Jon (ed.) ‘Image matters: Visual texts in the classroom’ (1999) PETA, Sydney
What’s happening?
(Is it symbolic/abstract/action…?)
*Action
*Message
How is the relationship developed
between the viewer, the image and
the image maker?
*Angles – Shot distance (long, medium,
close)
*Shot distances
*Colour
*Offers or demands
How is the image composed? *Reading paths – lines and vectors
*Layout
Summary of visual codes
Callow, Jon (ed.) ‘Image matters: Visual texts in the classroom’ (1999) PETA, Sydney
Field
Mode
Tenor
Erika RimesSydney University306 205 904
Research aims
1: Develop student’s visual literacy skills through a variety of experiences
2: Develop structured and useful visual literacy tasks and assessments
3: Develop and reflect on my own teachings of visual literacy to further improve on my teaching practice
Erika RimesSydney University306 205 904
Methodology
Observations •Class discussion with students
•Group discussion among students
•One-on-one discussions with students
Work samples •Written responses from students
•Visual arts task
Reflections and
discussions
•Mentor teacher before and after lessons about
the lessons
•My own reflections on my teaching practiceErika RimesSydney University306 205 904
Teaching Strategies overview
Teaching and Learning Experience
Outcomes and Indicators
Assessment
Erika RimesSydney University306 205 904
Cycle One
Students capability when identifying and interpreting images
Reflect on my own teachings of visual literacy
Assess students learning at the end of the cycle
Aims
Erika RimesSydney University306 205 904
Findings – Reading images & understanding the meaning
Observations: Introduction
Introduction using specific examples where visual images use colour,
angles and layout, lines and vectors to model & introduce the meta
language
Discussions as a class general ideas about the different images the students see
(where, when, why,)
Picture book / book
“To help understand the
text”
“Show characters in the
book”
“Images help say
something that can’t be
written”
Newspaper/magazine
“Show the most
important news first”
“Grabs your attention so
you will buy it”
“Uses big pictures to
make you read it”
Advertisement
“To persuade”
“To sell something that is
good”
“they (advertisers) say
only good things about a
product to sell it”
Artwork
“To express something
they (artists) are
interested in”
“To tell you something
about a place or a place in
time “
Erika RimesSydney University306 205 904
Findings – Reading images & understanding the
meaningObservations: Introduction Class Activity: Student’s own visual images to analyse
Not an assessmentErika RimesSydney University306 205 904
Findings – Assessment
What was evident?
Students were able to;
•Access meaning from the photograph and the text and refer to both in discussion
•Use heading and photograph to access meanings
•Read, review and discuss image with technical language
•Justify if the visual image supports the writers view
Assessment: ‘Outrageous Reactions’Board of Studies, Classroom Assessment Resource Stage
3: Module 3 Seeing the meaning
Discussion Framework
•What is happening in this photograph?
•What message is being communicated?
•How has the message been constructed? Think about:-The Camera Angle-The use of colour-Objects in the picture, their size and positionWritten Response with discussion•How do you think the photographer wants you to respond to this picture?
•Are you influenced in some way?
•Describe the ways the pictures support the written text placed in relation to the image?
•Why do you think it has been done this way?
•Describe the ways the picture don’t support the written text.
•What effect does this have on you the reader?
Erika RimesSydney University306 205 904
Work samples – Assessment 1Example: B - High
Erika RimesSydney University306 205 904
Work samples – Assessment 1Example: C - Sound
Erika RimesSydney University306 205 904
Work samples – Assessment 1
Example: D - Basic
Erika RimesSydney University306 205 904
Cycle One - Overview
Assessment Outcomes and Indicators – English Syllabus
RS3.5 Reading and viewing texts
Reads independently an extensive range of texts
with increasing content demands and responds to
themes and issues
*Understands a more complex expository
text
*Interprets a factual text
*Reads a text demanding a degree of
technicality and abstraction
RS3.7 Context and text
Understands that texts are constructed by people
and identifies ways in which texts differ according
to their purpose, audience and subject matter
*explains techniques used by the writer and
illustrator to represent a point of view and position
the reader
*identifies how camera angle, viewer
position, colour, size and shading in a visual text
construct meaning
*justifies opinions about the motives and
feelings of characters in literary texts
Board of Studies, Classroom Assessment Resource Stage 3: Module 3 Seeing the meaning, ‘Outrageous Reactions’
Erika RimesSydney University306 205 904
Cycle One - Reflection
Strengths Weaknesses Where to next?
Technology
Student classify and identify
Resources
Questioning
Students response from own
experiences
Modelling meta-language
Students justifying their
interpretation
Continue modelling meta-
language
Incorporate focus lessons
Further assessments
Group tasks
Erika RimesSydney University306 205 904
Cycle Two
Achieve specific outcomes and indicators from the English Syllabus
Implement focused activities ‘The Rabbits’ by John Marsden and Illustrations by Shaun Tan
Observe students ability to apply knowledge from Cycle 1
Aims
Erika RimesSydney University306 205 904
Findings – Observation: Lessons and activities
(Applying knowledge)
What was evident?
Students were able to;• apply meta-language to new images as well as
reviewing well-known images (‘Outrageous reactions’)
• understand and respect everyone’s different opinion and thoughts about values such as ‘freedom’
• discuss and justifying own views in a debate
• debate about own ideas which was sparked by visual images
• learn from visual images about different representation of values
Responding to ads
Responding to ‘Values Pictures’ (PETA)
Erika RimesSydney University306 205 904
Findings – Assessment 2“The Rabbits”
What was evident?
Students were able to:
•Read and understand symbolic and literal meanings in a •picture book
•Access meaning from pictures and text and refer to in discussion(Use of colour, layout and composition, characterisation, how the viewer is meant to feel/see certain things)
•Explain ways the illustrator and writer position the reader and represent a point of view
Discussion Framework
•When you first saw this picture book what of story did you think it was going to be? What made you think this?
•Now that you have read it, is it has you expected? Why, why not?
•Is there anything you don’t understand in this text?•(Discuss further)
•What is the picture book about? (Symbolic or literal)
•Who do you think the picture book is written for?
•What is the purpose of the picture book?
•What caught your attention? Why?
•Why would someone choose to read this picture book?
Erika RimesSydney University306 205 904
Assessment 2“The Rabbits”
Class discussion with students Written Response
What’s happening?
(Is it symbolic/abstract/action…?)
*Action
*Message
How is the relationship developed
between the viewer, the image and
the image maker?
*Angles – Shot distance (long, medium,
close)
*Shot distances
*Colour
*Offers or demands
How is the image composed? *Reading paths – lines and vectors
*Layout
Summary of visual codes
Field
Mode
TenorErika RimesSydney University306 205 904
Work samples – Assessment 2“The Rabbits”
Erika RimesSydney University306 205 904
Work samples – Assessment 2“The Rabbits”
Erika RimesSydney University306 205 904
Work samples – Assessment 2“The Rabbits”
Erika RimesSydney University306 205 904
Cycle Two - Overview
Assessment Outcomes and Indicators – English Syllabus
RS3.6 Skills and strategies
Uses a comprehensive range of skills and strategies
appropriate to the type of text being read
*uses, adjusts and combines higher order
skills in decoding texts and accessing
visual
*Information e.g. scanning for information,
examining pictures and text, reviewing
parts of the text
RS3.7 Context and text
Understands that texts are constructed by people
and identifies ways in which texts differ according
to their purpose, audience and subject matter
*explains techniques used by the writer and
illustrator to represent a point of view and position
the reader
*identifies how camera angle, viewer
position, colour, size and shading in a visual text
construct meaning
*justifies opinions about the motives and
feelings of characters in literary texts
Assessment task from Stage 3 Assessment Resource applied to ‘The Rabbits’
Erika RimesSydney University306 205 904
Cycle Two - ReflectionStrengths Weaknesses Where to next?
Students engaged in
content
Students applied prior
knowledge in a range of
settings
Group tasks
Values pictures –
cultural learning activity
More lessons on “The
Rabbits”
Students to produce
their own visual images
Students reflect on their
new skills in visual
literacy
Continue with relevant
content
Erika RimesSydney University306 205 904
Cycle Three
Assess students ability in creating their own visual image
Discuss with students how they feel now about reading, discussing and understanding visual images
Reflect on activities of visual literacy
Aims
Erika RimesSydney University306 205 904
Work Samples – Assessment 3Producing images – Movie Poster
Identity of students has been protectedErika RimesSydney University306 205 904
Work Samples – Assessment 3 Producing images – Movie Poster
Identity of students has been protectedErika RimesSydney University306 205 904
Cycle Three – Overview & Reflections
Assessment task from Stage 3 COGS Unit – Traditions and Heritage
Assessment Outcomes and Indicators – Visual Arts
VAS3.1 Investigates subject matter in an attempt to represent likeliness of things in the world*Explores historical events as subject matter for a movie poster
VAS3.2 Makes artworks for different audiences, assembling materials in a variety of ways*Considers the specific requirements of an artwork (poster) to clearly convey message to an audience
VAS3.3 Acknowledges that audiences respond in different ways to artworks and that there are different opinions about the values of artworks*Understands that artworks can be made for different reasons.*Recognises that an audience may have different views about the meaning of an artwork
Erika RimesSydney University306 205 904
* Need to continue visual literacy lesson s to further develop self-regulated and guided learning
* Engagement by the students depended on the subject content and the task set
* Further research into other areas of KLA’s such as Drama and Interactive Technology (website)
* Visual literacy lessons should be incorporated into KLA’s not just as a focused lesson
* Further implementation of visual literacy lessons in a main-stream class
Implications for Future
Practice
Conclusions from ARP
*Continue to incorporate visual literacy inteaching as it enhances student learning
and ispart of the curriculum.
*Students developed meaning making skills using
technical language
*Increase in High ( 17% - 48%) & outstanding
( 0% - 14%) assessments results and decrease
in Basic (33% to 10%)
*Visual literacy skills of students needs to be
developed through constructing not justdiscussing
*Important to always give students a range of
experiences when learning and developing new
Skills
Erika RimesSydney University306 205 904
BibliographyBoard of Studies, Creative Arts K-6, NSW Board of Studies, 1998 Board of Studies, English K-6, NSW Board of Studies, 1998 Board of Studies, ‘Outrageous Reactions’ , Classroom Assessment Resource Stage 3:
Module 3 Seeing themeaning,
Callow, Jon (ed.) ‘Image matters: Visual texts in the classroom’ (1999) PETA, Sydney
Kress & Van Leuween ‘Reading images, The Grammar of Visual Design’ Routledge
Publishing, 1996, New York, NY Rowan, L., Gauld, J., Cole-Adams, J., & Connolly, A., ‘Teaching Values’, Primary English
Teaching Association2007, Sydney, Australia Simpson, Alyson, PEN 142 ‘Visual literacy: A coded language for viewing in the classroom.‘
(2004) PETA,Sydney. Unsworth, Len, ‘Teaching Multiliteracies across the curriculum’, Open University Press,
McGraw-Hill Education,NY, 2001
Erika RimesSydney University306 205 904
Questions ?
Erika RimesSydney University306 205 904