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Omnibus-Type 2017 | Follow us in: Facebook Twitter GitHub Google+ Behance | www.omnibus-type.com ARCHIVO A GROTESQUE FONT FROM OMNIBUS-TYPE BY HÉCTOR GATTI TYPE About Us Inspiration Our catalog Search Archivo qualifies as a neo-grotesque font, especially designed to be used in headlines and body text, both for print and digital display. It is reminiscent of the sans serif typefaces designed between the late 19th and mid 20th centuries, such as Akzidenz Grotesk, Venus and Helvetica. Archivo Regular Archivo Italic Archivo Medium Archivo Medium Italic Archivo Semibold Archivo Semibold Italic Archivo Bold Archivo Bold Italic Archivo Black PRESS SERIES

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Page 1: Archivo | © Omnibus-Type 2017 · Archivo | © Omnibus-Type 2017 Page 6 Why We Despise Cable Providers Lexington, Kentucky A.T.&T. Verizon “Bad Ratings” August 7 & 14, 2017 Bright

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1Omnibus-Type 2017 | Follow us in: Facebook Twitter GitHub Google+ Behance | www.omnibus-type.com

← →

ARCHIVOA GROTESQUE

FONT FROM

OMNIBUS-TYPE

BY HÉCTOR GATTI

TYPE About Us Inspiration Our catalog ‹

Search

Archivo qualifies as a

neo-grotesque font,

especially designed to

be used in headlines

and body text, both for

print and digital display.

It is reminiscent of the

sans serif typefaces

designed between the

late 19th and mid 20th

centuries, such as

Akzidenz Grotesk,

Venus and Helvetica.

Arc

hivo

Reg

ular

Arc

hivo

Ital

ic

Arc

hivo

Med

ium

Arc

hivo

Med

ium

Ital

ic

Arc

hivo

Sem

ibol

d

Arc

hivo

Sem

ibol

d Ita

lic

Arc

hivo

Bol

d

Arc

hivo

Bol

d Ita

lic

Arc

hiv

o B

lack

P R E S S S E R I E S

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Héctor Gatti

2013-2016

OpenType PostScript (.otf)

Archivo supports 219 latin based lan-

guages, which are spoken in different

212 countries.

Archivo is a grotesque font reminis-

cent of late nineteenth century. It was

designed to be used simultaneously in

print and online platforms and sup-

ports over 200 world languages.

DESIGNER

DESIGN YEAR

FORMAT

LANGUAGE COVERAGE

ABOUT THE TYPEFACE

Archivo RegularArchivo ItalicArchivo MediumArchivo Medium ItalicArchivo SemiboldArchivo Semibold ItalicArchivo BoldArchivo Bold Italic

Archivo Black

A R C H I V O

STYLES & WEIGHTS

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Hna

Hna

Hna

Hna

Hna

Hna

Hna

Hna

a a a a aREGULAR MEDIUM SEMIBOLD BOLD BLACK

ROMAN

ITALIC

REGULAR MEDIUM SEMIBOLD BOLD

WEIGHT

AX

IS

GRADUAL WEIGHT INCREASE

REGULAR TO BOLD

ARCHIVO BLACK HAS PARTICULARWEIGHT FEATURES

A R C H I V OD E S I G N F E A T U R E S

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4 All styles in Archivo respond to a particulartypographicalsituations

All weights in Archivoshare same metrics

to increase the efficiencyin different levels of hierarchy

Archivo Black has widermetrics which respondsto different design goals

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High Xheight

Vertical stress

Design space

Working with extreme points

Wide counters

without their purpose,WHICH IS GIVEN BY

Latin Pluscharacter set

10°

«Words are just words

the tone and thattrascends their me

0°90°

A R C H I V O S H A R E S F E A T U R E S O F T H E G R O T E S Q U E T Y P O G R A P H I CC L A S S I F I C A T I O N S

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REGULAR

BOLD

ITALIC

MEDIUM

BOLD ITALIC

A R C H I V OD E S I G N F E A T U R E S

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Why We DespiseCable Providers

Lexington, KentuckyA.T.&T.Verizon

“Bad Ratings”August 7 & 14, 2017

BrightHouse Networks

Consolidation has landedthem among the ranks ofthe most hated businessesin the country

The Financial Page | August 7 & 14, 2017 Issue

“We are going to fight to allow regulators to break up big companies if they’re hurting consumers,” Chuck Schumer, the Senate Minority Leader, promised.

newyorker.com

Internet service was deregulated duringthe George W. Bush Administration

A R C H I V OS Y S T E M S A M P L E

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“Game of Thrones” Season 7, Episode 3 Recap:

“The bastard of Winterfell!” Tyrion saysThe big meeting of Dany and JonRevenge Served Hot and ColdArmy of the DeadBetter Business Through Sci-FiA company that monetizes literary imagination mightitself like a dystopian

REGULAR24 PT

MEDIUM29 PT

SEMIBOLD33 PT

BOLD36 PT

BLACK54 PT

ITALIC37 PT

MEDIUM ITALIC43 PT

SEMIBOLD ITALIC43 PT

BOLD ITALIC50 PT

A R C H I V OS P E C I M E N

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InnovationsI spent three minutes inside Tesla’s Model 3

Mort de Jeanne Moreaugrande comédienne et personnalité insoumise

TecnologíaUn despiste de Apple confirma detalles del nuevo iPhoneSam Shepard, Pulitzer Prize-winning

Microsoft PaintThe hashtag “RIPMSPaint” was also trending throughout the day

↓A R C H I V OS P E C I M E N

6 4 0 G L Y P H SP E R F O N T

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communicatiedirecteur“dat hij de verantwoordelijkheid heeft”Est-ce compliqué à utiliser?

ĽimaginaireFra rådhusklokke-koncerter til rulleskøjtedisko

Realidad aumentadaLogró imponerse en la industria de la mano de Pokemón Go

Edição impressaMobilização contra o trabalho infantil e pelo direito à educação

L A T I N P L U SC H A R A C T E R S E T

A R C H I V OS P E C I M E N

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EEUU

5,2

→ Soluciones para apoyar la internacionalización y el crecimiento de las empresas.

SANTANDER TRADE NETWORK

Una red de proveedores de servicioscertificados por Grupo Santander paraayudar a internacionalizar los negocios.

Esta solución se enmarca dentro deSantander Trade, la plataforma webde Santander que apoya el comercioexterior con diferentes servicios.

EXPORTADORES E IMPORTADORES

→ Relación entre clientes vinculados e ingresos

Ingresos por comisiones*(miles de millones de euros)

Clientes vinculados(millones)

* Excluyendo efecto del tipo de cambio

ARGENTINA

2,9

MÉXICO

13,4

PORTUGAL

4,0

BRASIL

34,3

CHILE

3,6

ESPAÑA

12,8

REINOUNIDO

25,3

POLONIA

4,4

RESTO DEEUROPA 0,1

RESTO DELATINOAMÉRICA 0,1

+68.000

GLOBAL TREASURY SOLUTIONS

Servicio que ayuda a las empresasmultinacionales a gestionar su tesorería de forma remota.

Permite a las multinacionales contar conun repertorio centralizado de sus cuentasde cualquier entidad y ordenar pagos encuentas de Grupo Santander, de formacentralizada por varios canales y con unformato homogéneo

GRUPOS MULTINACIONALES

+60

8%

+10%

9,410,2

13,8

15,2

2015 2016

125 TOTAL CLIENTES

MILLONES

→ C L I E N T E S D E L G R U P O M I L L O N E S

A R C H I V OS P E C I M E N

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File Edit View Playback Help

FOLLOWING

Created by: Musicmatch Philippines • 50 songs. 3 hr 3 min

SONGS ARTIST ALBUM

Locked Awaay R. City Adam Levine Locked Away

Can't Feel My Face The Weeknd Can't Feel My Face

Cheerleader - Felix Jaehn Remix Ra... OMI Cheerleader

Drag Me Down One Direction Drag Me Down

Photograph Ed Sheeran x(Deluxe Edition)

Tadhana Up Dharma Down Capacities

That's How You Know ft Nico & Vine Kid Ink Beb That's How You Know ft

Can´t Stop Two Door Cinema Club Can't Stop

Smudge City Vector Tonight

+++++++++

Musicmatch ®

MAIN

YOUR MUSIC

PLAYLISTS

Browse

Activity

Radio

Songs

Albums

Artists

Local Files

Started by Albert Casini...

WhoWantStus.blogs...

OPM Favorites by Musi...

Jeepney Joyride by Mus...

Top Hits Philippines by...

New Playlist

0:02

Search‹ ›

Top RockHits

EXPLICIT

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e 1

1

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A R C H I V OS P E C I M E N

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The bizarre discussions came as Facebook challenged its chatbots to try and negotiate with each other over a trade, attempting to swap hats, balls and books, each of which were given a certain value. But they quickly broke down as the robots appeared to chant at each other in a language that they each understood but which appears mostly incomprehensible to humans.checks from fossil fuel companies.

But there appear to be some rules to the speech. The way the chatbots keep stress-ing their own name appears to a part of their negotiations, not simply a glitch in the way the messages are read out.

Indeed, some of the negotiations that were carried out in this bizarre language even ended up successfully concluding their ne-gotiations, while conducting them entirely in the bizarre language.

That said, it's unlikely that the language is a pre-cursor to new forms of human speech, according to linguist Mark Liberman. "n the first place, it's entirely text-based, while human languages are all basical-ly spoken (or gestured), with text being an artificial overlay," he wrote on his blog. "And beyond that, it's unclear that this process yields a system with the kind of word, phrase, and sentence structures characteristic of human languages." The chatbots also learned to negotiate in ways that seem very human. They would, for instance, pretend to be very interested in one spe-cific item – so that they could later pretend they were making a big sacrifice in giving it up, according to a paper published by the Facebook Artificial Intelligence Research division.

REGULAR 10/13 PT REGULAR 8/11 PT

Facebook's robots shut down after they develop new languageFacebook has shut down two artificial intelligences that appeared to be chatting to each other in a strange language only they understood. The two chatbots came to create their own changes to English that made it easier for them to work – but which remained mysterious to the humans that supposedly look after them.

BLACK, REGULAR8 PT

BLACK21/26 PT

SEMIBOLD14/16 PT

MEDIUM12/15 PT

BOLD8 PT

INDY/TECH By ANDREW GRIFFIN @_andrew_griffin

THE INDEPENDENT •↑

A R C H I V OT E X T S A M P L E S

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Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experi-ence is not relevant is a colossal waste of taxpayer dollars. Much more distress-ing, though, is what this charade means for Alaska and American livelihoods in the north.

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experi-ence is not relevant is a colossal waste of taxpayer dollars. Much more distress-ing, though, is what this charade means for Alaska and American livelihoods in the north.

REGULAR 10/12 PT ITALIC 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experi-ence is not relevant is a colossal waste of taxpayer dollars. Much more dis-tressing, though, is what this charade means for Alaska and American liveli-hoods in the north.

MEDIUM 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experi-ence is not relevant is a colossal waste of taxpayer dollars. Much more dis-tressing, though, is what this charade means for Alaska and American liveli-hoods in the north.

MEDIUM ITALIC 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his ex-perience is not relevant is a colossal waste of taxpayer dollars. Much more distressing, though, is what this cha-rade means for Alaska and American livelihoods in the north.

SEMIBOLD 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his ex-perience is not relevant is a colossal waste of taxpayer dollars. Much more distressing, though, is what this cha-rade means for Alaska and American livelihoods in the north.

SEMIBOLD ITALIC 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experience is not relevant is a colos-sal waste of taxpayer dollars. Much more distressing, though, is what this charade means for Alaska and Ameri-can livelihoods in the north.

BOLD 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experience is not relevant is a colos-sal waste of taxpayer dollars. Much more distressing, though, is what this charade means for Alaska and American livelihoods in the north.

BOLD ITALIC 10/12 PT

Removing a civil servant from his area of expertise and putting him in a job where he’s not needed and his experience is not relevant is a colossal waste of taxpayer dollars. Much more distressing, though, is what this charade means for Alaska and American livelihoods in the north.

BLACK 10/12 PT

A R C H I V OT E X T S A M P L E S

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ABCDEFGHIJKLMNOPQRSTUVWXYZAÁĂẮẶẰẲẴǍÂẤẬẦẨẪȀÄẠÀẢȂĀ

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ƠỚỢỜỞỠŐȎŌǪØǾÕŒPÞQRŔŘŖȐṚȒRŔŖŘȐȒSŚŚŠŞŜȘṢẞƏTŦŤŢȚ

ṬUÚŬǓÛȔÜǗǙǛǕỤÙỦƯỨỰỪỬỮŰȖŪŲŮŨVWẂŴẄẀXYÝŶŸỴỲỶȲỸYȲ

ỲỴỶỸZŹŹŽŻẒ

abcdefghijklmnopqrstuvwxyz aáăắặằẳẵǎâấậầẩẫȁäạàảȃāąåǻãæǽaáàâ

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UPPERCASE

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FIGURES ANDCURRENCY SYMBOLS

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ACCENTS

ROMAN

A R C H I V OC H A R A C T E R S E T

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ABCDEFGHIJKLMNOPQRSTUVWXYZAÁĂẮẶẰẲẴǍÂẤẬẦẨẪȀÄẠÀẢȂĀ

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ƠỚỢỜỞỠŐȎŌǪØǾÕŒPÞQRŔŘŖȐṚȒRŔŖŘȐȒSŚŚŠŞŜȘṢẞƏTŦŤŢȚ

ṬUÚŬǓÛȔÜǗǙǛǕỤÙỦƯỨỰỪỬỮŰȖŪŲŮŨVWẂŴẄẀXYÝŶŸỴỲỶȲỸYȲ

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abcdefghijklmnopqrstuvwxyz aáăắặằẳẵǎâấậầẩẫȁäạàảȃāąåǻãæǽaáàâ

ãäåāăąǎǻȁȃấầẩẫậắằẳẵặbcććčçĉċddzdžðďđḍdzdžeéĕěêếệềểễȅëėẹèẻȇ

ēęẽfgǵğǧĝģġgĝğġģǵhħĥḥ iijíĭǐîȉï i ịìỉȋīįĩ j ĵkķ lljĺľļŀljłmnnjńńňņṅŋɲnjñoóóŏǒô

ốộồổỗȍöọòỏơớợờởỡőȏōǫøǿõœpþqrŕřŗȑṛȓrŕŗřȑȓsśśšşŝșṣßətŧťţțṭuúŭǔûȕüǘ

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+−×÷=≠><≥≤±≈~¬∞∫Ω∆∏∑√∂µ%‰◊

`´´¯ʼˆˇˇˉ˘˙˚˛˜˝

UPPERCASE

LOWERCASE

LIGATURES

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FIGURES ANDCURRENCY SYMBOLS

MATH SYMBOLS

ACCENTS

ITALIC

A R C H I V OC H A R A C T E R S E T

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ff fi fl

ff fi fl

LINING FIGURES TO PROPORTIONAL

0123456789

0123456789‚

1/2­1/4­3/4

1/2­1/4­3/4

1a 1o 1A 1O

1a 1o 1a 1o

LIGATURES

FIGURES

FRACTIONS

ORDINALS

SUPERIOR

123

123

↓A R C H I V OO T F E A T U R E S

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Héctor Gatti

www.newyorker.com www.washingtonpost.com www.telegraph.co.ukwww.independent.co.uk

www.omnibus-type.com& ARCHIVO

DESIGNER

CONTENT SOURCES