DR PS CHANI

ASSOCIATE PROFESSOR

DEPARTMENT OF ARCHITECTURE amp PLANNING

IIT ROORKEE

ARCHITECTUREFUTURE

emerging paradigms

6214

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Neil Denari Paradigm Shift

Recycling now second nature to modern communities as we strive

for environmental sustainability

Aiming to reduce reuse and recycle waste we find new life in

everything from bottles and boxes to clothes vehicles

And

BUILDINGS

ADAPTIVE REUSE - a process that changes a disused or ineffective

item into a new item that can be used for a different purpose

Sometimes nothing changes but the itemrsquos use

ADAPTIVE RESUE

ADAPTIVE REUSE - BUILDINGS

Old buildings often outlive their original

purpose

Adaptive reuse or re-use is a process that

adapts buildings for new uses while retaining

their historic features

Eg - An old factory may become an apartment

building

ADAPTIVE RESUE

Adapting old structures for purposes other than those

initially intended

When original use of a structure changes

Or

No longer required as with older buildings from

industrial revolution

Architects have opportunity to change primary function

of structure while retaining some existing architectural

details that make the building unique

bullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

In local communities unused schools or Post Office

buildings been adapted for reuse as retail stores or

offices

Seen as key factor in land conservation and reducing the

amount of urban sprawl

For the concept of smart growth - more efficient and

environmentally responsible to redevelop older

buildings closer to urban cores than to build new

constructionsbullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Neil Denari Paradigm Shift

Recycling now second nature to modern communities as we strive

for environmental sustainability

Aiming to reduce reuse and recycle waste we find new life in

everything from bottles and boxes to clothes vehicles

And

BUILDINGS

ADAPTIVE REUSE - a process that changes a disused or ineffective

item into a new item that can be used for a different purpose

Sometimes nothing changes but the itemrsquos use

ADAPTIVE RESUE

ADAPTIVE REUSE - BUILDINGS

Old buildings often outlive their original

purpose

Adaptive reuse or re-use is a process that

adapts buildings for new uses while retaining

their historic features

Eg - An old factory may become an apartment

building

ADAPTIVE RESUE

Adapting old structures for purposes other than those

initially intended

When original use of a structure changes

Or

No longer required as with older buildings from

industrial revolution

Architects have opportunity to change primary function

of structure while retaining some existing architectural

details that make the building unique

bullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

In local communities unused schools or Post Office

buildings been adapted for reuse as retail stores or

offices

Seen as key factor in land conservation and reducing the

amount of urban sprawl

For the concept of smart growth - more efficient and

environmentally responsible to redevelop older

buildings closer to urban cores than to build new

constructionsbullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Recycling now second nature to modern communities as we strive

for environmental sustainability

Aiming to reduce reuse and recycle waste we find new life in

everything from bottles and boxes to clothes vehicles

And

BUILDINGS

ADAPTIVE REUSE - a process that changes a disused or ineffective

item into a new item that can be used for a different purpose

Sometimes nothing changes but the itemrsquos use

ADAPTIVE RESUE

ADAPTIVE REUSE - BUILDINGS

Old buildings often outlive their original

purpose

Adaptive reuse or re-use is a process that

adapts buildings for new uses while retaining

their historic features

Eg - An old factory may become an apartment

building

ADAPTIVE RESUE

Adapting old structures for purposes other than those

initially intended

When original use of a structure changes

Or

No longer required as with older buildings from

industrial revolution

Architects have opportunity to change primary function

of structure while retaining some existing architectural

details that make the building unique

bullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

In local communities unused schools or Post Office

buildings been adapted for reuse as retail stores or

offices

Seen as key factor in land conservation and reducing the

amount of urban sprawl

For the concept of smart growth - more efficient and

environmentally responsible to redevelop older

buildings closer to urban cores than to build new

constructionsbullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

ADAPTIVE REUSE - BUILDINGS

Old buildings often outlive their original

purpose

Adaptive reuse or re-use is a process that

adapts buildings for new uses while retaining

their historic features

Eg - An old factory may become an apartment

building

ADAPTIVE RESUE

Adapting old structures for purposes other than those

initially intended

When original use of a structure changes

Or

No longer required as with older buildings from

industrial revolution

Architects have opportunity to change primary function

of structure while retaining some existing architectural

details that make the building unique

bullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

In local communities unused schools or Post Office

buildings been adapted for reuse as retail stores or

offices

Seen as key factor in land conservation and reducing the

amount of urban sprawl

For the concept of smart growth - more efficient and

environmentally responsible to redevelop older

buildings closer to urban cores than to build new

constructionsbullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Adapting old structures for purposes other than those

initially intended

When original use of a structure changes

Or

No longer required as with older buildings from

industrial revolution

Architects have opportunity to change primary function

of structure while retaining some existing architectural

details that make the building unique

bullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

In local communities unused schools or Post Office

buildings been adapted for reuse as retail stores or

offices

Seen as key factor in land conservation and reducing the

amount of urban sprawl

For the concept of smart growth - more efficient and

environmentally responsible to redevelop older

buildings closer to urban cores than to build new

constructionsbullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

In local communities unused schools or Post Office

buildings been adapted for reuse as retail stores or

offices

Seen as key factor in land conservation and reducing the

amount of urban sprawl

For the concept of smart growth - more efficient and

environmentally responsible to redevelop older

buildings closer to urban cores than to build new

constructionsbullhttpenwikipediaorgwikiFileMalthouse_richmondjpg

ADAPTIVE RESUE

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

REFERENCES

bull Adapting Buildings for Changing Uses Guidelines for change of use refurbishment David Kincaid Spon Press

London 2002 pp 1-2

bull Cowan P (1963) Studies in the growth change and ageing of buildings Transactions of the Bartlett Society 1 pp

56ndash59

ADAPTIVE RESUE

Adaptive Reuse category ndash Ordsall Hall

Museum by Lloyd Evans Prichard

Peter Cowenrsquos study- suggests that most buildings

physically suitable for adaptation to most uses

Influenced the proposition - lsquoLONG LIFE ndash LOOSE FITrsquo

David Kincaid - should be a guiding principle behind most

design briefs

This longer view of use potential has recently seen a

revival under the sustainability agenda

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

David Kincaid

The research supporting Kincaidrsquos book also

confirms this idea of general utility of buildings

Encourages adaptation as a serious alternative to

demolition and new build

But

Does not help to determine which new use is

best suited to a particular building in a particular

location at a particular time

ADAPTIVE RESUE

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Most successful built heritage adaptive reuse projects -- that

best respect and retain buildingrsquos heritage

significancehelliphellipAND

Add a contemporary layer that provides future value

Sometimes adaptive reuse only way that buildingrsquos fabric will

be properly cared for revealed or interpretedhelliphellipWHILE

Making better use of the building itself

ADAPTIVE RESUE

Where a building can no longer function with its original use a

new use through adaptation may be the only way to preserve its

heritage significance

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Adaptive reuse of heritage building Australia

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Adaptive reuse of buildings - major role in sustainable

development

When it involves historic buildings environmental

benefits more significant

As

Historic buildings offer so much to the landscape

identity and amenity of the communities they belong to

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

````````

One of the main environmental benefits of reusing buildings - retention of

original buildingrsquos ldquoembodied energyrdquo

By reusing buildings their embodied energy retained making the project much

more environmentally sustainable

Than

An entirely new construction

New buildings have much higher embodied energy costs than buildings that are

adaptively reused

Australian Greenhouse Office - reuse of building materials usually

involves a saving of approximately 95 of embodied energy over new

materials

`

````````````````````````````````````````````````````````````````````````

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Environmental

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Benefits Of Adaptive Reuse in Heritage Buildings ndash the Australian Example

Environmental

In 2001 new building accounted for about

40 of annual energy amp raw materials

consumption

25 of wood harvest

16 of fresh water supplies

44 of landfill

45 of CO2 production and

up to 50 total greenhouse emissions

Adaptive Reuse Preserving Our Past Building Our Future Royal Institute of Australian Architects

Commonwealth of Australia 2004

Industrialised

countries

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Industrial Dining Room

Social

Keeping and reusing historic buildings - long-term benefits for

communities that value them

Adaptive reuse can restore and maintain heritage significance of

a building and help to ensure its survival

Rather than

Falling into disrepair through neglect or being rendered

unrecognisable

Heritage buildings that are sympathetically recycled can continue to

be used

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Social

Increasingly communities governments and developers are seeking ways

to reduce the environmental social and economic costs of

continued urban development and expansion

Realisation - Quality and design of built environment vital to our standard of

living and our impact upon natural resources

Lifestyle enhancement through retention of heritage buildings and their

adaptation into accessible and useable places

Reuse of heritage buildings in established residential areas can provide

community with new housing and commercial property opportunities

Reuse of heritage buildings makes good sense

ADAPTIVE RESUE

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

APPROACH

Adaptive reuse of a historic building should have

minimal impact on its heritage significance and its

setting

Developers should gain understanding of why

building has heritage status and then pursue

development that is sympathetic to the building to

give it a new purpose

Adaptive reuse is self-defeating if it fails to protect

the buildingrsquos heritage values

ADAPTIVE RESUE

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

Tate Gallery of Modern Art London

Herzog and De Meuron 1995-99

The Tate Modern

in London is

Britains national

museum of

international

modern art

ADAPTIVE RESUE

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Galleries housed in former Bankside Power Stationhellip

Originally designed by Sir Giles Gilbert Scott architect of Battersea Power Station and hellip

Built in two stages between 1947 and 1963

BATTERSEA POWER

STATION GILBERT

SCOTT 1943-1963

BATTERSEA POWER

STATION GILBERT

SCOTT 1943-1963

AKA TATE MODERN

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Power station closed in 1981

Building itself still resembles 20th century Outside ndash factory style Inside - taupe walls steel girders and concrete floors

Building faccedilade made of 42 million bricks Separated by groups of thin vertical windows helliphellip create a

dramatic light inside

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

1992 - Tate Gallery at British National Art Museum proposed competition to build a new building for modern art

1995 - announced that Herzog amp de Meuron had won the competition with their simple design

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Power station closed in 1981

Building itself still resembles 20th century Outside ndash factory style Inside - taupe walls steel girders and concrete floors

Building faccedilade made of 42 million bricks Separated by groups of thin vertical windows helliphellip create a

dramatic light inside

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

1992 - Tate Gallery at British National Art Museum proposed competition to build a new building for modern art

1995 - announced that Herzog amp de Meuron had won the competition with their simple design

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

BATTERSEA POWER STATION GILBERT SCOTT 1943-1963

Power station closed in 1981

Building itself still resembles 20th century Outside ndash factory style Inside - taupe walls steel girders and concrete floors

Building faccedilade made of 42 million bricks Separated by groups of thin vertical windows helliphellip create a

dramatic light inside

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

1992 - Tate Gallery at British National Art Museum proposed competition to build a new building for modern art

1995 - announced that Herzog amp de Meuron had won the competition with their simple design

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Building itself still resembles 20th century Outside ndash factory style Inside - taupe walls steel girders and concrete floors

Building faccedilade made of 42 million bricks Separated by groups of thin vertical windows helliphellip create a

dramatic light inside

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

1992 - Tate Gallery at British National Art Museum proposed competition to build a new building for modern art

1995 - announced that Herzog amp de Meuron had won the competition with their simple design

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Building faccedilade made of 42 million bricks Separated by groups of thin vertical windows helliphellip create a

dramatic light inside

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

1992 - Tate Gallery at British National Art Museum proposed competition to build a new building for modern art

1995 - announced that Herzog amp de Meuron had won the competition with their simple design

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

ADAPTIVE RESUE

1992 - Tate Gallery at British National Art Museum proposed competition to build a new building for modern art

1995 - announced that Herzog amp de Meuron had won the competition with their simple design

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ADAPTIVE RESUE

Architects decided ndash reinvent current building instead of demolishing

Tate modern an example of adaptive reuse

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Tate Gallery of Modern Art London Herzog and De Meuron 1995-99

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Tate Gallery of Modern Art

London Herzog and De Meuron

1995-99

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Renovation

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Adaptive Reuse

Conversion of

Musee drsquoOrsay

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

MUSEE DrsquoORSAY PARIS FRANCE GAE AULENTI1986

Museacutee dOrsay - museum in Paris on left bank of R Seine

Housed in former railway station

Holds mainly French art dating from 1848 to 1915

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

The suggestion to turn the station into a museum came from the Directorate of the Museums of France

Idea - to build a museum that would bridge gap between Louvre and National Museum of Modern Art at Pompidou Centre

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ACT Architecture awarded contract

Involved creating 20000 sq m of new floor space on 4 floors

In 1981 the Italian architect Gae Aulenti chosen to design interior including the internal arrangement decoration furniture and fittings of the museum

Officially opened in December 1986

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Basement level Plan

Ground level Plan

Upper level Plan

bull Presented in chronological

order on three floors

bull Extensive collections - include all

the fine decorative and applied

arts (painting sculpture

architecture artefacts furnishing

cinema photography music

scenaries)

bull Orsay museum bridged gap

between collections Louvre

museum collections and that at

museum of modern art at

Pompidou Centre

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Interior of the museum

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Interior of the museum

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

MOMA PS1 Gallery New York

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Installation

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

MOMA PS1 Gallery New York

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

MOMA PS1 Gallery New York

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ZKM Centre for Art and Media Technology Germany

Schweger + Partner 19993-97

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ZKM CENTER FOR ART AND

MEDIA TECHNOLOGY

KARLSHRUE GERMANY

1993-97 SCHWEGER + PARTNER

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

Housed in a former munitions factory

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ZKM CENTER FOR ART AND MEDIA TECHNOLOGY KARLSHRUE

GERMANY 1993-97 SCHWEGER + PARTNER

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ZKM Centre for Art and Media Technology Germany Schweger +

Partner 1993-97

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

RENAULT CONFERENCE

CENTER BOULOUGNE-

BILLANCOURT FRANCE 2002-

05 JAKOB + MACFARLANE

Using computer assisted

design architects

decompose the vast

volume of the Renaultrsquos

57 Metal Building

To

Turn it into a conference

center

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

RENAULT CONFERENCE CENTER BOULOUGNE-BILLANCOURT

FRANCE 2002-05 JAKOB + MACFARLANE

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Dressing up structures to appear in todayrsquos style

Taken an lsquougly and dullrsquo concrete factory ndash wrapped in identical vacuum-

formed models of green copolyster

Plastic shaped by a resin mould amp converted into a contemporary feel HQ

With so many usable but lsquouglyrsquo buildings available for refit renovation-

ADAPTIVE REUSE- will long be a mainstay of 21st century architecture

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Umbra World HQ Toronto Canada Kohn Schnier Architects 1998-99

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Institute Of Forestry And Nature Research The Netherlands 1994-98 Behnisch

Behnisch amp Partners

Green

Building

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ARCHITECTUREFUTURE - II

INSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Client Brief Harmony with nature

and environment versatile and

ecologically sound

Ecological constraints to

be met within the

budget

Built on a former cornfield ndash

earth depleted by intensive

farming

Using depleted agricultural areas rather than productive ones

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

INSTITUTE OF FORESTRY AND NATURE RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Standard glazing system as

used in Dutch green houses

ndash for internal green areas

Office and lab spaces as

normal buildings within

overall glazed structure ndash

APPROPRIATE

TECHNOLOGY

Concrete slab ceilings in

offices + other devices used

to avoid AC except in labs -

APPROPRIATE

TECHNOLOGYINSTITUTE OF FORESTRY AND NATURE

RESEARCH THE NETHERLANDS 1994-98

BEHNISCH BEHNISCH amp PARTNERS

ARCHITECTUREFUTURE - II

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

Local wood for doors

windows office floors ndash

SUSTAINABILITY

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Institute Of Forestry And Nature

Research The Netherlands 1994-98

Behnisch Behnisch amp Partners

ARCHITECTUREFUTURE - II

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

ARCHITECTUREFUTURE - II

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Ecological Concerns Green design mandatory

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

House with wall made out of cardboard scraps

Masons Bend Community Center Alabama USA1999-2000 Samuel

Mockbee And Rural Studio

Studio took architecture students into poor parts of Hale county

Alabama

Created homes for the needy

Developed an entire community

Basic housing using donated and found materials (car windshieldshellip)

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Masons Bend Community Center Alabama USA1999-2000

Samuel Mockbee And Rural Studio

THEN

NOW

Low profile building with rammed

earth base

Extremely low budget

Roof ndash 80 Chevy Caprice

windshields -$120

Structural steel donated

Total cost - $20000-

Maintaining the original footprint

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

MASONS BEND COMMUNITY CENTER ALABAMA USA

1999-2000 SAMUEL MOCKBEE AND RURAL STUDIO

Reputation in

contemporary

interpretation of local

architecture

Extend the study of

architecture into a socially

responsible context

Vocabulary of simple

materials and regional

inspiration

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Masons Bend Community Center Alabama USA 1999-2000 Samuel

Mockbee And Rural Studio

Windshields from 1989 GM cars bought from a salvage

lot

Used to form the scaled effect of the glass facade

Masons Bend Community Center

Masons Bend Alabama USA

1999-2000 Samuel Mockbee

Masons Bend Community Center Alabama Usa1999-2000 Samuel

Mockbee And Rural Studio

Masons Bend Community

Center Alabama USA

1999-2000 Samuel Mockbee

And Rural Studio

Kahere Eila Poultry Farming Schoolguinea 1998-99 Heikkinen-komonen

350 sqm low cost $104000-

Winner 2001 AgaKhan Award for architecture

Classroom for 12 students

Student dormitory

Teachers house

Construction with stabilised earth blocks

Blocks dispense with the need for firing helping to conserve resources

Weight-bearing walls - double layer

of earth-blocks

Double layer for thermodynamic

insulation

Architects introduced wood-frame

technology

In combination with

Walls also acting as heat

collectors moderating room

temperature

And

Their hard smooth finish - do not

need rendering

Wider span of classroom covered

with aid of simple metal trusses

combined with wooden beams

Kahere Eila Poultry Farming

Schoolguinea

11998-99 Heikkinen-komonen

Tallest columns those of the classroom porch are made of four posts

fastened by intermediate wooden blocks and steel bolts

Economical way of overcoming shortage of long pieces of hardwood

All primary materials were sourced locally

KAHERE EILA POULTRY FARMING SCHOOLGUINEA 9 HEIKKINEN-

KOMONEN

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Masons Bend Community Center Alabama Usa1999-2000 Samuel

Mockbee And Rural Studio

Masons Bend Community

Center Alabama USA

1999-2000 Samuel Mockbee

And Rural Studio

Kahere Eila Poultry Farming Schoolguinea 1998-99 Heikkinen-komonen

350 sqm low cost $104000-

Winner 2001 AgaKhan Award for architecture

Classroom for 12 students

Student dormitory

Teachers house

Construction with stabilised earth blocks

Blocks dispense with the need for firing helping to conserve resources

Weight-bearing walls - double layer

of earth-blocks

Double layer for thermodynamic

insulation

Architects introduced wood-frame

technology

In combination with

Walls also acting as heat

collectors moderating room

temperature

And

Their hard smooth finish - do not

need rendering

Wider span of classroom covered

with aid of simple metal trusses

combined with wooden beams

Kahere Eila Poultry Farming

Schoolguinea

11998-99 Heikkinen-komonen

Tallest columns those of the classroom porch are made of four posts

fastened by intermediate wooden blocks and steel bolts

Economical way of overcoming shortage of long pieces of hardwood

All primary materials were sourced locally

KAHERE EILA POULTRY FARMING SCHOOLGUINEA 9 HEIKKINEN-

KOMONEN

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Masons Bend Community

Center Alabama USA

1999-2000 Samuel Mockbee

And Rural Studio

Kahere Eila Poultry Farming Schoolguinea 1998-99 Heikkinen-komonen

350 sqm low cost $104000-

Winner 2001 AgaKhan Award for architecture

Classroom for 12 students

Student dormitory

Teachers house

Construction with stabilised earth blocks

Blocks dispense with the need for firing helping to conserve resources

Weight-bearing walls - double layer

of earth-blocks

Double layer for thermodynamic

insulation

Architects introduced wood-frame

technology

In combination with

Walls also acting as heat

collectors moderating room

temperature

And

Their hard smooth finish - do not

need rendering

Wider span of classroom covered

with aid of simple metal trusses

combined with wooden beams

Kahere Eila Poultry Farming

Schoolguinea

11998-99 Heikkinen-komonen

Tallest columns those of the classroom porch are made of four posts

fastened by intermediate wooden blocks and steel bolts

Economical way of overcoming shortage of long pieces of hardwood

All primary materials were sourced locally

KAHERE EILA POULTRY FARMING SCHOOLGUINEA 9 HEIKKINEN-

KOMONEN

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Kahere Eila Poultry Farming Schoolguinea 1998-99 Heikkinen-komonen

350 sqm low cost $104000-

Winner 2001 AgaKhan Award for architecture

Classroom for 12 students

Student dormitory

Teachers house

Construction with stabilised earth blocks

Blocks dispense with the need for firing helping to conserve resources

Weight-bearing walls - double layer

of earth-blocks

Double layer for thermodynamic

insulation

Architects introduced wood-frame

technology

In combination with

Walls also acting as heat

collectors moderating room

temperature

And

Their hard smooth finish - do not

need rendering

Wider span of classroom covered

with aid of simple metal trusses

combined with wooden beams

Kahere Eila Poultry Farming

Schoolguinea

11998-99 Heikkinen-komonen

Tallest columns those of the classroom porch are made of four posts

fastened by intermediate wooden blocks and steel bolts

Economical way of overcoming shortage of long pieces of hardwood

All primary materials were sourced locally

KAHERE EILA POULTRY FARMING SCHOOLGUINEA 9 HEIKKINEN-

KOMONEN

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Weight-bearing walls - double layer

of earth-blocks

Double layer for thermodynamic

insulation

Architects introduced wood-frame

technology

In combination with

Walls also acting as heat

collectors moderating room

temperature

And

Their hard smooth finish - do not

need rendering

Wider span of classroom covered

with aid of simple metal trusses

combined with wooden beams

Kahere Eila Poultry Farming

Schoolguinea

11998-99 Heikkinen-komonen

Tallest columns those of the classroom porch are made of four posts

fastened by intermediate wooden blocks and steel bolts

Economical way of overcoming shortage of long pieces of hardwood

All primary materials were sourced locally

KAHERE EILA POULTRY FARMING SCHOOLGUINEA 9 HEIKKINEN-

KOMONEN

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Tallest columns those of the classroom porch are made of four posts

fastened by intermediate wooden blocks and steel bolts

Economical way of overcoming shortage of long pieces of hardwood

All primary materials were sourced locally

KAHERE EILA POULTRY FARMING SCHOOLGUINEA 9 HEIKKINEN-

KOMONEN

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Grouped around a square courtyard with a tree

Plan grid 12m

Good airflow thru complex

KAHERE EILA POULTRY FARMING SCHOOL1998-99 HEIKKINEN-KOMONEN

Simple vernacular concepts with

passive design techniques

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Shed like structure takes into

account local materials and

traditions

Shed like structure takes into

account local materials

and traditions

KAHERE EILA POULTRY FARMING SCHOOLGUINEA

1998-99 HEIKKINEN-KOMONEN

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Significance of introducing new building techniques best illustrated by

example of schools head mason

After training in stabilized earth-block technique gone on to use

blocks in private houses small industrial installations

Helped boost the areas production of the blocks

The Kahere Eila Poultry Farming School rare example of architecture

that bridges distinct cultures and building methods

While

Maintaining local characteristics of its context

Design combines timber structures typical of Finlands native

architecture with local materials improved by simple technological

advances

GLOBAL + LOCAL = GLOCAL

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

LUMA MEDIA CENTER HELSINKI

FINLAND 1995-2000

HEIKKINEN-KOMONEN

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

LUMA MEDIA CENTER HELSINKI FINLAND

1995-2000 HEIKKINEN-KOMONEN

Corridor is the bridge between new and old

Curtain wall next to wide corridor

Minimalist with no columns

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Section

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

The gallery has spaces for exhibiting student projects and serves

as the lobby for four-hundred-seat auditorium and the experimental

theater

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

bull Direct Daylight through the glazing

bull Space separated by Curtains

bull Modernism

bull Glazed East facade helps in heating the interiors in winter through direct daylight

bullCauses excessive heating in summers

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

bull Multiple utility of the same space

bull Lighting provides illuminated night view of the facade

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Luma MEDIA CENTER HELSINKI Finland

1200000 HEIKKINEN-KOMONEN

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-2000

TADAO ANDO

Far from extravagant forms of Marcos Novak

Resolute euclidean geometry

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

CHURCH OF LIGHT OSAKA JAPAN (1989)

Behind the altar in the east

facade exists a cruciform opening that creates a cross of light that energizes and illuminates the interior space reinforcing the feeling of sacredness as it etches itself into the darkness

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

Mhatre Bhuvan Bharat BArchIV

Church of Light

Osaka Japan (1989)

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van

der Rohe 1965-68

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

MIES VAN DER ROHE

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDOTHE SALK INSTITUTE LOUIS KAHN

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

PULITZER FOUNDATION

FOR THE ARTS

MISSOURI USA 1997-

2000 TADAO ANDO

Neue National

Galerie Mies Van der Rohe 1965-68

GERMAN PAVILION INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929

PULITZER FOUNDATION FOR

THE ARTS MISSOURI USA

1997-2000 TADAO ANDO

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929 MIES

VAN DER ROHE

UNITY TEMPLE OAK

PARK ILLINOIS 1904 FL

WRIGHT

PULITZER FOUNDATION FOR

THE ARTS MISSOURI USA

1997-2000 TADAO ANDO

GERMAN PAVILION

INTERNATIONAL EXPOSITION

BARCELONA SPAIN 1929 MIES

VAN DER ROHE

UNITY TEMPLE OAK

PARK ILLINOIS 1904 FL

WRIGHT

PULITZER FOUNDATION FOR THE ARTS

MISSOURI USA 1997-2000 TADAO ANDO

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-

2000 TADAO ANDO

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-

2000 TADAO ANDO

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-

2000 TADAO ANDO

FLOOR PLANS

PULITZER FOUNDATION FOR THE

ARTS MISSOURI

USA 1997-2000 TADAO ANDO

North elevation

West elevation

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDO

North elevation

West elevation

PULITZER FOUNDATION FOR THE ARTS MISSOURI

USA 1997-2000 TADAO ANDO

East section

North section

PULITZER FOUNDATION FOR THE ARTS MISSOURI USA 1997-

2000 TADAO ANDO

PULITZER FOUNDATION FOR

THE MISSOURI

USA 1997-2000 TADAO ANDO

KOMOYO-JI TEMPLE SAIJO JAPAN TADAO ANDO 1999-2000

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

3222 sqm Site total floor

area = 1287 sqm

Intended reconstruction of

existing temple

Design doesnot strictly

adhere to religious tradition

BUT

Wooden forms not alien to

Japanese temple architecture

THUS

Link between traditional

Japanese wooden temple

architecture and architectrsquos

contemporary design

concepts

KOMOYO-JI TEMPLE SAIJO JAPAN TADAO ANDO 1999-2000

Though permission given to demolish existing main gate and bell tower

architect chose to conserve both - CONSERVATION

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

QUADRACCI PAVILION MILWAUKEE ART MUSEUM WISCONSIN USA

1994-2001 SANTIAGO CALATRAVA

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

KOMOYO-JI TEMPLE SAIJO JAPAN TADAO ANDO 1999-2000

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

3222 sqm Site total floor

area = 1287 sqm

Intended reconstruction of

existing temple

Design doesnot strictly

adhere to religious tradition

BUT

Wooden forms not alien to

Japanese temple architecture

THUS

Link between traditional

Japanese wooden temple

architecture and architectrsquos

contemporary design

concepts

KOMOYO-JI TEMPLE SAIJO JAPAN TADAO ANDO 1999-2000

Though permission given to demolish existing main gate and bell tower

architect chose to conserve both - CONSERVATION

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

QUADRACCI PAVILION MILWAUKEE ART MUSEUM WISCONSIN USA

1994-2001 SANTIAGO CALATRAVA

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

3222 sqm Site total floor

area = 1287 sqm

Intended reconstruction of

existing temple

Design doesnot strictly

adhere to religious tradition

BUT

Wooden forms not alien to

Japanese temple architecture

THUS

Link between traditional

Japanese wooden temple

architecture and architectrsquos

contemporary design

concepts

KOMOYO-JI TEMPLE SAIJO JAPAN TADAO ANDO 1999-2000

Though permission given to demolish existing main gate and bell tower

architect chose to conserve both - CONSERVATION

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

QUADRACCI PAVILION MILWAUKEE ART MUSEUM WISCONSIN USA

1994-2001 SANTIAGO CALATRAVA

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

KOMOYO-JI TEMPLE SAIJO JAPAN TADAO ANDO 1999-2000

Though permission given to demolish existing main gate and bell tower

architect chose to conserve both - CONSERVATION

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

QUADRACCI PAVILION MILWAUKEE ART MUSEUM WISCONSIN USA

1994-2001 SANTIAGO CALATRAVA

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

KOMOYO-JI TEMPLE SAIJO

JAPAN TADAO ANDO

1999-2000

QUADRACCI PAVILION MILWAUKEE ART MUSEUM WISCONSIN USA

1994-2001 SANTIAGO CALATRAVA

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

QUADRACCI PAVILION MILWAUKEE ART MUSEUM WISCONSIN USA

1994-2001 SANTIAGO CALATRAVA

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

QUADRACCI PAVILION

MILWAUKEE ART MUSEUM

WISCONSIN USA 1994-2001

SANTIAGO CALATRAVA

Museums main

entrance leads into

a parabolic-shaped

glass enclosed

reception hall with a

90 foot ceiling

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

Mast

Brise Soliel

Bridge

Lower Gallery

Structure

QUADRACCI PAVILION MILWAUKEE

ART MUSEUM WISCONSIN USA 1994-

2001 SANTIAGO CALATRAVA

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Design made of a continuous vertical and

horizontal system ndash as in caves -

CONTINUITY

An acoustic labyrinth (intricate structure of

interconnecting passages) with a never

before seen spatial atmosphere

Design has a rhythmic harmonious

character

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

BBUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Opening or closing several acoustical walls

- diversity of spaces created allowing the

configuration of different sound caves

Thus building able to transform itself for the

specific needs of a concert

Concept - building and its geometry might

have such an impact on the music that it

might be the cause of something new

Inner mechanism exposed through a

transparent faccedilade

Glass skin emphasises verticality as the

strings of a warp (lengthwise strings in a

loom)

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Plasticity and Continuity

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

A BUILDING FOR DANCE AND THEATRE - GENT FORUM

TOYO ITO amp ASSOCIATES AND ANDREA BRANZI

Design playful rhythmic harmonious

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

BUILDING FOR DANCE AND THEATRE ndash GENT

FORUM TOYO ITO amp ASSOC AND ANDREA BRANZI

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

Librairie Florence Loewy

Paris France 2001 Jakob +

Macfarlane

Unexpected curving wooden

shelves through computer

software

Small project ndash highlights the

breadth of movement towards

new models

That are

Approaching the flexibility

of nature rather than the

rigidity of Euclidean

geometry

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE

2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY

PARIS FRANCE 2001 JAKOB

+ MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

LIBRAIRIE FLORENCE LOEWY PARIS FRANCE 2001 JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

ARCHITECTUREFUTURE - I

Transient and ecologically conscious Open and dynamic system

MARCOS NOVAK lsquoTRANSARCHITECTURErsquo

Transdisciplinary Approach New TECTONICS Reality to Virtuality

MAKOTO SEI WATANABE PGA

lsquoWeb Framersquo lsquoGenetic Algorithmsrsquo

SHIGERU BAN

Flexibility

Adaptive Reuse

Neil Denari Paradigm Shift

Reuse Recycle Renovate Revive

Renovation Revitalisation

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE

ARCHITECTUREFUTURE - II

SAMUEL MOCKBEE AND RURAL STUDIO HEIKKINEN-KOMONEN

Affordable innovative designs for poorer regions with better technology

GLOBAL + LOCAL = GLOCAL

SANTIAGO CALATRAVA AND TOYO ITO

Creation of new and innovative FORMS

TADAO ANDO

Architecture and Art + continuity of euclidean geometry and Modernism

Approaching the flexibility of nature rather than the rigidity of Euclidean

geometry

JAKOB + MACFARLANE