ArchitecturePortfolioNobuyoshiUchiatsume

contents

§1 undergraduate project

1.　MPLG

2.　SMTH

3.　GTmh

§2 master corse project

1.　HLTS

2.　TTLM

1.　Fashion show in KIT

2.　Kitamoto Design Conference

3.　Bo-sai Camp Exhibition

Ⅰ　works

Ⅱ　workshop and other project

undergraduate project

MisayamaParkLaminatingGazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

site planS=1:1000

autumn colors

the winter park

Takakura Elementary school

グラウンド

Wings Kyoto

History of Misayama Park Misayama Park was laid out at the place where a 50 ㎡ vacant lot

was abandoned after the pacific war. At the beginning, people played tennis and baseball in the open space where tree planted around. After that,neighboring residents of the park complain to play a ball game and the municipality decided to plant trees in the open space in 1955. After 50 years had passed,trees grew and the park is like as a grove consist of many deciduous trees. The grove brings the shade in summer and the sunny place in winter to many people. Even more, it was selected as “tree of the pride of an inhabitant” that the japanese flowering cherry and the mountain cherry along a Higashinotouin-street. In every spring a picnic under the cherry blossoms is held by many people.

Behavior of users in the park Misayama Park sited the district encircled by extend north and south Horikawa dori-street and Kamogawa-river, and lie east and west Oike dori-street and Shijou dori-street. It is the only park in this very large district. The area around Misayama Park is CBD of Kyoto city, and the adjacent building is Takakura elementary school and many japanese traditional townhouse (kyo-machiya) exist in the park around. This park is a place where the city's residents can relax and enjoy themselves. Children play the tag, elder talk with their friends taking a rest, office worker eat a lunch taking a sunbath, Takakura elementary school children do a nature observation, school excursion students meet in morning, a tourist and a shopper take a rest, parent and child practice riding a bicycle, play a catch. There are innumerable behavior of users in the park. Misayama Park is indispensable place to the city's residents and office worker and children and tourist and shopper, and is called “urban oasis”.

Gazebo making use of existing trees and the lay out I design gazebo which people could feel a variety of trees and rest with presence of mind in this park where allows various behaviors according to number of users. Gazebo was formed with existing trees as the central figure, and partition off the inside and the outside with laminating component. Each Gazebos form diagonal stream of people as opposed to the orthogonal stream is caused by jori grid system. This diagonal stream catch up a passer and school children and a visitor. The stream of people is caused by Gazebo composition and people spontaneously enter the park. This park allows people to rest and various behaviors, furthermore induce to act a new behaviors.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

N

Layout plan of trees　S＝1:250

evergreens

deciduous trees

camphor

camphor

camphor

camphor

camphor

camphor

camphor camphor

camphor camphor

camphor

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

crape myrtle

crape myrtle

Fortune's osmanthus

Fortune's osmanthus

tulip tree

tulip tree

tulip tree

Japanese horse chestnut

Japanese horse chestnut

ginkgo

ginkgo

ginkgo ginkgo ginkgo

ginkgo

ginkgo ginkgo

evergreen oak

evergreen oak

Yoshino cherry

Yoshino cherry

Yoshino cherry

red bayberry

red bayberry

red bayberry red bayberry red bayberryred bayberry

japanese garden cherry

japanese garden cherry

round-leaf holly

round-leaf holly

trident maple

trident maple

trident maple

trident maple

Japanese mulberry

Japanese mulberry

ケヤキ

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Lamineting Gazebo

N

VOID VOID

VOID

VOID

VOID

VOID

plan S=1:200

No planted place leave it as void.

The entrance of the park catch up people coming and going in Takakura elementary school, Wings Kyoto (north next building) and Takakura dori-street and Takoyakushi dori-street.

Swirling composition gazebo have reentrant corners where visitors rest space and external corners where children play.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

N

Layout plan of trees　S＝1:250

evergreens

deciduous trees

camphor

camphor

camphor

camphor

camphor

camphor

camphor camphor

camphor camphor

camphor

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

crape myrtle

crape myrtle

Fortune's osmanthus

Fortune's osmanthus

tulip tree

tulip tree

tulip tree

Japanese horse chestnut

Japanese horse chestnut

ginkgo

ginkgo

ginkgo ginkgo ginkgo

ginkgo

ginkgo ginkgo

evergreen oak

evergreen oak

Yoshino cherry

Yoshino cherry

Yoshino cherry

red bayberry

red bayberry

red bayberry red bayberry red bayberryred bayberry

japanese garden cherry

japanese garden cherry

round-leaf holly

round-leaf holly

trident maple

trident maple

trident maple

trident maple

Japanese mulberry

Japanese mulberry

ケヤキ

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Lamineting Gazebo

N

VOID VOID

VOID

VOID

VOID

VOID

plan S=1:200

No planted place leave it as void.

The entrance of the park catch up people coming and going in Takakura elementary school, Wings Kyoto (north next building) and Takakura dori-street and Takoyakushi dori-street.

Swirling composition gazebo have reentrant corners where visitors rest space and external corners where children play.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

MPLGUNDERGRADUATE PROJECT

MPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

site planS=1:1000

autumn colors

the winter park

Takakura Elementary school

グラウンド

Wings Kyoto

History of Misayama Park Misayama Park was laid out at the place where a 50 ㎡ vacant lot

was abandoned after the pacific war. At the beginning, people played tennis and baseball in the open space where tree planted around. After that,neighboring residents of the park complain to play a ball game and the municipality decided to plant trees in the open space in 1955. After 50 years had passed,trees grew and the park is like as a grove consist of many deciduous trees. The grove brings the shade in summer and the sunny place in winter to many people. Even more, it was selected as “tree of the pride of an inhabitant” that the japanese flowering cherry and the mountain cherry along a Higashinotouin-street. In every spring a picnic under the cherry blossoms is held by many people.

Behavior of users in the park Misayama Park sited the district encircled by extend north and south Horikawa dori-street and Kamogawa-river, and lie east and west Oike dori-street and Shijou dori-street. It is the only park in this very large district. The area around Misayama Park is CBD of Kyoto city, and the adjacent building is Takakura elementary school and many japanese traditional townhouse (kyo-machiya) exist in the park around. This park is a place where the city's residents can relax and enjoy themselves. Children play the tag, elder talk with their friends taking a rest, office worker eat a lunch taking a sunbath, Takakura elementary school children do a nature observation, school excursion students meet in morning, a tourist and a shopper take a rest, parent and child practice riding a bicycle, play a catch. There are innumerable behavior of users in the park. Misayama Park is indispensable place to the city's residents and office worker and children and tourist and shopper, and is called “urban oasis”.

Gazebo making use of existing trees and the lay out I design gazebo which people could feel a variety of trees and rest with presence of mind in this park where allows various behaviors according to number of users. Gazebo was formed with existing trees as the central figure, and partition off the inside and the outside with laminating component. Each Gazebos form diagonal stream of people as opposed to the orthogonal stream is caused by jori grid system. This diagonal stream catch up a passer and school children and a visitor. The stream of people is caused by Gazebo composition and people spontaneously enter the park. This park allows people to rest and various behaviors, furthermore induce to act a new behaviors.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Lamineting Gazebo

N

VOID VOID

VOID

VOID

VOID

VOID

plan S=1:200

No planted place leave it as void.

The entrance of the park catch up people coming and going in Takakura elementary school, Wings Kyoto (north next building) and Takakura dori-street and Takoyakushi dori-street.

Swirling composition gazebo have reentrant corners where visitors rest space and external corners where children play.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo MPLG

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

N

Layout plan of trees　S＝1:250

evergreens

deciduous trees

camphor

camphor

camphor

camphor

camphor

camphor

camphor camphor

camphor camphor

camphor

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

crape myrtle

crape myrtle

Fortune's osmanthus

Fortune's osmanthus

tulip tree

tulip tree

tulip tree

Japanese horse chestnut

Japanese horse chestnut

ginkgo

ginkgo

ginkgo ginkgo ginkgo

ginkgo

ginkgo ginkgo

evergreen oak

evergreen oak

Yoshino cherry

Yoshino cherry

Yoshino cherry

red bayberry

red bayberry

red bayberry red bayberry red bayberryred bayberry

japanese garden cherry

japanese garden cherry

round-leaf holly

round-leaf holly

trident maple

trident maple

trident maple

trident maple

Japanese mulberry

Japanese mulberry

ケヤキ

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

site planS=1:1000

autumn colors

the winter park

Takakura Elementary school

グラウンド

Wings Kyoto

History of Misayama Park Misayama Park was laid out at the place where a 50 ㎡ vacant lot

was abandoned after the pacific war. At the beginning, people played tennis and baseball in the open space where tree planted around. After that,neighboring residents of the park complain to play a ball game and the municipality decided to plant trees in the open space in 1955. After 50 years had passed,trees grew and the park is like as a grove consist of many deciduous trees. The grove brings the shade in summer and the sunny place in winter to many people. Even more, it was selected as “tree of the pride of an inhabitant” that the japanese flowering cherry and the mountain cherry along a Higashinotouin-street. In every spring a picnic under the cherry blossoms is held by many people.

Behavior of users in the park Misayama Park sited the district encircled by extend north and south Horikawa dori-street and Kamogawa-river, and lie east and west Oike dori-street and Shijou dori-street. It is the only park in this very large district. The area around Misayama Park is CBD of Kyoto city, and the adjacent building is Takakura elementary school and many japanese traditional townhouse (kyo-machiya) exist in the park around. This park is a place where the city's residents can relax and enjoy themselves. Children play the tag, elder talk with their friends taking a rest, office worker eat a lunch taking a sunbath, Takakura elementary school children do a nature observation, school excursion students meet in morning, a tourist and a shopper take a rest, parent and child practice riding a bicycle, play a catch. There are innumerable behavior of users in the park. Misayama Park is indispensable place to the city's residents and office worker and children and tourist and shopper, and is called “urban oasis”.

Gazebo making use of existing trees and the lay out I design gazebo which people could feel a variety of trees and rest with presence of mind in this park where allows various behaviors according to number of users. Gazebo was formed with existing trees as the central figure, and partition off the inside and the outside with laminating component. Each Gazebos form diagonal stream of people as opposed to the orthogonal stream is caused by jori grid system. This diagonal stream catch up a passer and school children and a visitor. The stream of people is caused by Gazebo composition and people spontaneously enter the park. This park allows people to rest and various behaviors, furthermore induce to act a new behaviors.

MPLGUNDERGRADUATE PROJECT

MPLG１０ ２ ３ ４ 5 6Misayama Park Lamineting Gazebo

N

VOID VOID

VOID

VOID

VOID

VOID

plan S=1:200

No planted place leave it as void.

The entrance of the park catch up people coming and going in Takakura elementary school, Wings Kyoto (north next building) and Takakura dori-street and Takoyakushi dori-street.

Swirling composition gazebo have reentrant corners where visitors rest space and external corners where children play.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

site planS=1:1000

autumn colors

the winter park

Takakura Elementary school

グラウンド

Wings Kyoto

History of Misayama Park Misayama Park was laid out at the place where a 50 ㎡ vacant lot

was abandoned after the pacific war. At the beginning, people played tennis and baseball in the open space where tree planted around. After that,neighboring residents of the park complain to play a ball game and the municipality decided to plant trees in the open space in 1955. After 50 years had passed,trees grew and the park is like as a grove consist of many deciduous trees. The grove brings the shade in summer and the sunny place in winter to many people. Even more, it was selected as “tree of the pride of an inhabitant” that the japanese flowering cherry and the mountain cherry along a Higashinotouin-street. In every spring a picnic under the cherry blossoms is held by many people.

Behavior of users in the park Misayama Park sited the district encircled by extend north and south Horikawa dori-street and Kamogawa-river, and lie east and west Oike dori-street and Shijou dori-street. It is the only park in this very large district. The area around Misayama Park is CBD of Kyoto city, and the adjacent building is Takakura elementary school and many japanese traditional townhouse (kyo-machiya) exist in the park around. This park is a place where the city's residents can relax and enjoy themselves. Children play the tag, elder talk with their friends taking a rest, office worker eat a lunch taking a sunbath, Takakura elementary school children do a nature observation, school excursion students meet in morning, a tourist and a shopper take a rest, parent and child practice riding a bicycle, play a catch. There are innumerable behavior of users in the park. Misayama Park is indispensable place to the city's residents and office worker and children and tourist and shopper, and is called “urban oasis”.

Gazebo making use of existing trees and the lay out I design gazebo which people could feel a variety of trees and rest with presence of mind in this park where allows various behaviors according to number of users. Gazebo was formed with existing trees as the central figure, and partition off the inside and the outside with laminating component. Each Gazebos form diagonal stream of people as opposed to the orthogonal stream is caused by jori grid system. This diagonal stream catch up a passer and school children and a visitor. The stream of people is caused by Gazebo composition and people spontaneously enter the park. This park allows people to rest and various behaviors, furthermore induce to act a new behaviors.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

N

Layout plan of trees　S＝1:250

evergreens

deciduous trees

camphor

camphor

camphor

camphor

camphor

camphor

camphor camphor

camphor camphor

camphor

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

crape myrtle

crape myrtle

Fortune's osmanthus

Fortune's osmanthus

tulip tree

tulip tree

tulip tree

Japanese horse chestnut

Japanese horse chestnut

ginkgo

ginkgo

ginkgo ginkgo ginkgo

ginkgo

ginkgo ginkgo

evergreen oak

evergreen oak

Yoshino cherry

Yoshino cherry

Yoshino cherry

red bayberry

red bayberry

red bayberry red bayberry red bayberryred bayberry

japanese garden cherry

japanese garden cherry

round-leaf holly

round-leaf holly

trident maple

trident maple

trident maple

trident maple

Japanese mulberry

Japanese mulberry

ケヤキ

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

MPLGUNDERGRADUATE PROJECT

MPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

site planS=1:1000

autumn colors

the winter park

Takakura Elementary school

グラウンド

Wings Kyoto

History of Misayama Park Misayama Park was laid out at the place where a 50 ㎡ vacant lot

was abandoned after the pacific war. At the beginning, people played tennis and baseball in the open space where tree planted around. After that,neighboring residents of the park complain to play a ball game and the municipality decided to plant trees in the open space in 1955. After 50 years had passed,trees grew and the park is like as a grove consist of many deciduous trees. The grove brings the shade in summer and the sunny place in winter to many people. Even more, it was selected as “tree of the pride of an inhabitant” that the japanese flowering cherry and the mountain cherry along a Higashinotouin-street. In every spring a picnic under the cherry blossoms is held by many people.

Behavior of users in the park Misayama Park sited the district encircled by extend north and south Horikawa dori-street and Kamogawa-river, and lie east and west Oike dori-street and Shijou dori-street. It is the only park in this very large district. The area around Misayama Park is CBD of Kyoto city, and the adjacent building is Takakura elementary school and many japanese traditional townhouse (kyo-machiya) exist in the park around. This park is a place where the city's residents can relax and enjoy themselves. Children play the tag, elder talk with their friends taking a rest, office worker eat a lunch taking a sunbath, Takakura elementary school children do a nature observation, school excursion students meet in morning, a tourist and a shopper take a rest, parent and child practice riding a bicycle, play a catch. There are innumerable behavior of users in the park. Misayama Park is indispensable place to the city's residents and office worker and children and tourist and shopper, and is called “urban oasis”.

Gazebo making use of existing trees and the lay out I design gazebo which people could feel a variety of trees and rest with presence of mind in this park where allows various behaviors according to number of users. Gazebo was formed with existing trees as the central figure, and partition off the inside and the outside with laminating component. Each Gazebos form diagonal stream of people as opposed to the orthogonal stream is caused by jori grid system. This diagonal stream catch up a passer and school children and a visitor. The stream of people is caused by Gazebo composition and people spontaneously enter the park. This park allows people to rest and various behaviors, furthermore induce to act a new behaviors.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

N

Layout plan of trees　S＝1:250

evergreens

deciduous trees

camphor

camphor

camphor

camphor

camphor

camphor

camphor camphor

camphor camphor

camphor

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

crape myrtle

crape myrtle

Fortune's osmanthus

Fortune's osmanthus

tulip tree

tulip tree

tulip tree

Japanese horse chestnut

Japanese horse chestnut

ginkgo

ginkgo

ginkgo ginkgo ginkgo

ginkgo

ginkgo ginkgo

evergreen oak

evergreen oak

Yoshino cherry

Yoshino cherry

Yoshino cherry

red bayberry

red bayberry

red bayberry red bayberry red bayberryred bayberry

japanese garden cherry

japanese garden cherry

round-leaf holly

round-leaf holly

trident maple

trident maple

trident maple

trident maple

Japanese mulberry

Japanese mulberry

ケヤキ

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Lamineting Gazebo

N

VOID VOID

VOID

VOID

VOID

VOID

plan S=1:200

No planted place leave it as void.

The entrance of the park catch up people coming and going in Takakura elementary school, Wings Kyoto (north next building) and Takakura dori-street and Takoyakushi dori-street.

Swirling composition gazebo have reentrant corners where visitors rest space and external corners where children play.

MPLGUNDERGRADUATE PROJECT

MPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

The architecture lent a touch of color to the park.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

site planS=1:1000

autumn colors

the winter park

Takakura Elementary school

グラウンド

Wings Kyoto

History of Misayama Park Misayama Park was laid out at the place where a 50 ㎡ vacant lot

was abandoned after the pacific war. At the beginning, people played tennis and baseball in the open space where tree planted around. After that,neighboring residents of the park complain to play a ball game and the municipality decided to plant trees in the open space in 1955. After 50 years had passed,trees grew and the park is like as a grove consist of many deciduous trees. The grove brings the shade in summer and the sunny place in winter to many people. Even more, it was selected as “tree of the pride of an inhabitant” that the japanese flowering cherry and the mountain cherry along a Higashinotouin-street. In every spring a picnic under the cherry blossoms is held by many people.

Behavior of users in the park Misayama Park sited the district encircled by extend north and south Horikawa dori-street and Kamogawa-river, and lie east and west Oike dori-street and Shijou dori-street. It is the only park in this very large district. The area around Misayama Park is CBD of Kyoto city, and the adjacent building is Takakura elementary school and many japanese traditional townhouse (kyo-machiya) exist in the park around. This park is a place where the city's residents can relax and enjoy themselves. Children play the tag, elder talk with their friends taking a rest, office worker eat a lunch taking a sunbath, Takakura elementary school children do a nature observation, school excursion students meet in morning, a tourist and a shopper take a rest, parent and child practice riding a bicycle, play a catch. There are innumerable behavior of users in the park. Misayama Park is indispensable place to the city's residents and office worker and children and tourist and shopper, and is called “urban oasis”.

Gazebo making use of existing trees and the lay out I design gazebo which people could feel a variety of trees and rest with presence of mind in this park where allows various behaviors according to number of users. Gazebo was formed with existing trees as the central figure, and partition off the inside and the outside with laminating component. Each Gazebos form diagonal stream of people as opposed to the orthogonal stream is caused by jori grid system. This diagonal stream catch up a passer and school children and a visitor. The stream of people is caused by Gazebo composition and people spontaneously enter the park. This park allows people to rest and various behaviors, furthermore induce to act a new behaviors.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

N

Layout plan of trees　S＝1:250

evergreens

deciduous trees

camphor

camphor

camphor

camphor

camphor

camphor

camphor camphor

camphor camphor

camphor

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

flowering dogwood

crape myrtle

crape myrtle

Fortune's osmanthus

Fortune's osmanthus

tulip tree

tulip tree

tulip tree

Japanese horse chestnut

Japanese horse chestnut

ginkgo

ginkgo

ginkgo ginkgo ginkgo

ginkgo

ginkgo ginkgo

evergreen oak

evergreen oak

Yoshino cherry

Yoshino cherry

Yoshino cherry

red bayberry

red bayberry

red bayberry red bayberry red bayberryred bayberry

japanese garden cherry

japanese garden cherry

round-leaf holly

round-leaf holly

trident maple

trident maple

trident maple

trident maple

Japanese mulberry

Japanese mulberry

ケヤキ

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

sweet viburnum

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

Japanese zelkova

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Lamineting Gazebo

N

VOID VOID

VOID

VOID

VOID

VOID

plan S=1:200

No planted place leave it as void.

The entrance of the park catch up people coming and going in Takakura elementary school, Wings Kyoto (north next building) and Takakura dori-street and Takoyakushi dori-street.

Swirling composition gazebo have reentrant corners where visitors rest space and external corners where children play.

UNDERGRADUATE PROJECTMPLG１０ ２ ３ ４ 5 6Misayama Park Laminating Gazebo

A

A’

MPLG

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

ground floor plan S=1:300 second floor plan S=1:300 third floot plan S=1:300

N

N

site plan S=1:1000

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

ground floor plan S=1:300 second floor plan S=1:300 third floot plan S=1:300

N

N

site plan S=1:1000

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

ground floor plan S=1:300 second floor plan S=1:300 third floot plan S=1:300

N

N

site plan S=1:1000

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH

ground floor plan S=1:300 second floor plan S=1:300 third floot plan S=1:300

N

N

site plan S=1:1000

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

ground floor plan S=1:300 second floor plan S=1:300 third floot plan S=1:300

N

N

site plan S=1:1000

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

SanjoMuseumTextile ofHistory

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Nisshou-bessouJapanese -style hotel

SACRA building Japanese modernist architecture

Nishimura-kisshou-dothe shop of Japanese lacquer ware

Bun-do-ya tabi-tenthe shop of Japanese traditional socks

Ido-kotobuki-yathe shop of Japanese bag

Kyoto cultural museumoriginally the Bank of Japan

The historical value of Sanjo dori-street Sanjo dori-street was made as the Big Three Street in the Heian period(A.D. 794~1192), and many inn and commerce and industry located along this street which prospered as the terminal of Toukaido-street. Sanjo dori-street has been always commercial and cultural center and geographical standard in ancient city Kyoto. There are many vestiges of the prosperity in the old townscape and architecture and a historic site. The street runs east and west and connects eastern kawaramachi dori-street and western karasuma dori-street. Sanjo dori-street is lively with many shoppers and sightseers, and entertained people unlike another mainstreet Shijou dori-street.

Exhibiting the Sanjo dori-street itselfThe site is opposite to the Chukyo post office (an important cultural property) along Sanjo dori-street. I liken the street to a exhibition and provide the space where vis i tors can look out on the street. And fur thermore, v is i tors who go a long the s t reet expe r i ence and v i ew the p resen t t he San jo dori-street.After that, they enter the museum and appreciate the exhibition. Through the experience, the visitors can liken the street to a exhibition and even compare the street to a part of museum. I design exhibition room to be parallel with the street in order to be the series of history exhibition.

烏丸通

東洞院通

高倉通

堺町通

柳馬場通

富小路通

麩屋町通

御幸町通

寺町通

三条通

Hasegawa-shouju-do the shop of Japanese traditional craftwork

San-jo-arimoto buildingcommercial building with a Nanzen-ji temple motif

Tyu-kyo post officefirst example of preservation of outer wall in Japan

Kahoutoku clock shopThe oldest private brick building in Kyoto

Hukui-asahi-dobuild of brick and granite in order to harmonize with other buildings

Art-complex 1928Japanese secessionizm architecture

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

Textile of History I design layout of the exhibition which is not through only one time axis but also various axis. World and japanese history ought to be involved in history of Sanjo dori-street. Historical axis of world and japan(the warp) are inserted in historical axis of Sanjo dori-street(the welt) as the exhibition composition. Consequently visitors view the welt of history while bringing into connection the warp of history and have a deep understanding of the history. Architecture foam is like textile made of the welt and warp as a motif. Two plain intersect at right angle grid planes are superimposed. Exhibition room and audio visual archives and reading room and cafe are arranged in between two textiles. Architectural composition make the zigzag route. Every corner make the division of history (the ancient times and the middle ages and modern times and present age) and visitors view in regular order.

spin into yarn

audiovisual room

reading room

hall repository

SANJO STREET

SANJO STREET contemporary period

LINER EXHIBITION

parallel

modern ages

modern ages

the middle ages

the middle ages

Ancient times

Ancient timesstaireway

staireway

weaving

TEXTILE

ROUTE

ROOF TERRACE

cafe

isometric

another history line

orthogonal

SANJO STREET

observation point

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

ground floor plan S=1:300 second floor plan S=1:300 third floot plan S=1:300

N

N

site plan S=1:1000

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

north elevation S=1:300west elevation S=1:300

A-A’ section S=1:300

a-a’ section S=1:300 b-b’ section S=1:300 c-c’ section S=1:300

B-B’ section S=1:300 C-C’ section S=1:300

A

A’

a

a’

B

B’b’

b

C

C’

c

c’

N

UNDERGRADUATE PROJECTSMTH １０ ２ ３ ４ 5 6Sanjo Museum Textile of History

UNDERGRADUATE PROJECTSMTH

GoshinTetsudoumarket andhousing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

JR 和歌山線

Shinmachi-dori streetR２４

R=315m

Yoshino river

Site plan S=１：1000

The phantom Go-Shin railway

Yoshino has been one of the eminent place of Japanese cedar for a long time. Yoshino cedar is one of the three major precious wood. Timber had been sent by raft. But increase in production reached the limits and stabilization of the transportation was hoped. Then there was the plan afoot to construct the railway from Go-jo to Shin-gu 100 years ago. The source of railway's name Go-Shin is both ends city name of railway. Construction began in 1959, and some tunnels was completed but once construction was interrupted because WWⅡ broke up. After the war construction was resumed. Railway company and local government interests were inextricably interwoven. The Go-Shin railway project was stopped. In present there are many constructions as industrial infrastructure for example a viaduct and a bridge pier and tunnels in Go-jo city. They are in state of neglect. Go-shin railway project was magnificent plan and I get carried away by nostalgia for each constructions.

Site information and proposal and intention The site is the viaduct which is the most impressive construction in Go-shin railway and the area around that. I propose conversion and renovation the viaduct and build the market, the house, the assembly hall and park. The viaduct is 220 meters long and describe the arc with a radius of 1560m. And the viaduct repeat Roman arches. There is the possibility of usefulness that the length and the shape. The possibility of usefulness is utilized to conversion and renovation. I think about anew and inquiry into the nature of architecture through the proposal I intend to bring out the possibility of usefulness of the viaduct and to design the architecture which respond to surroundings. This project is my merkmal in design architecture.

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

① ② ③ ④ ⑤ ⑥

① ②

③

④

⑤

⑥

no.1 no.2 no.3 no.4 no.5 no.6 no.7 no.8 no.9 no.10 no.11 no.12 no.13 no.14 no.15 no.16 no.17 no.18 no.19 no.20 no.21 no.22 no.23 no.24 no.25

ab

c d ef

a b d e fc

250700250 250 250 250 250 250 250 2501,510 1,510 1,510 1,510 1,510 1,510 1,510 1,510

100

150

450

150850

3,100

1,400

4,5005,350

3,500 3,500

4,4004,400

7,000

3,2003,500

1,100

1,400

500

1,800600 800

200 2002,600700250

200

600150

150

350

700

3,500

1,400

4,850

A

A’

B

B’

longitudinal section　S＝1:100A-A’ section　S＝1:100 B-B’ section　S=1:100

200 200 250

300300

2,600

1,800

200150

150

200

350

350

700300

252.633m

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

Plan by tabula rasa imply forsake the possibility of usefulness and the workability of the form.

The form exist apart from the function.

The form is the very thing that affect history. Because, meaning of the form is forgotten and change and vanish.

Only just the form is inherited. The city don't exist as accumulation of the meaning and the function but just as accumulation of the form.

It is not the nature of architecture to creation land and to built newly. I see the meaningless viaduct as a artificial ground. And to modify and customize and edit is just the architecture that I think. The following is what I give weight to.

1. transforming the familiar sight of the viaduct to town dwellers by various operation

2. extraction of the possibility of usefulness from things the viaduct

3. extraction of redundancy and diversity from the viaduct and create new situation through the edit them

Thinking about tabla rasa and Go-shin railway viaductDIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

GTmh DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

① ② ③ ④ ⑤ ⑥

① ②

③

④

⑤

⑥

no.1 no.2 no.3 no.4 no.5 no.6 no.7 no.8 no.9 no.10 no.11 no.12 no.13 no.14 no.15 no.16 no.17 no.18 no.19 no.20 no.21 no.22 no.23 no.24 no.25

ab

c d ef

a b d e fc

250700250 250 250 250 250 250 250 2501,510 1,510 1,510 1,510 1,510 1,510 1,510 1,510

100

150

450

150850

3,100

1,400

4,5005,350

3,500 3,500

4,4004,400

7,000

3,2003,500

1,100

1,400

500

1,800600 800

200 2002,600700250

200

600150

150

350

700

3,500

1,400

4,850

A

A’

B

B’

longitudinal section　S＝1:100A-A’ section　S＝1:100 B-B’ section　S=1:100

200 200 250

300300

2,600

1,800

200150

150

200

350

350

700300

252.633m

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

Plan by tabula rasa imply forsake the possibility of usefulness and the workability of the form.

The form exist apart from the function.

The form is the very thing that affect history. Because, meaning of the form is forgotten and change and vanish.

Only just the form is inherited. The city don't exist as accumulation of the meaning and the function but just as accumulation of the form.

It is not the nature of architecture to creation land and to built newly. I see the meaningless viaduct as a artificial ground. And to modify and customize and edit is just the architecture that I think. The following is what I give weight to.

1. transforming the familiar sight of the viaduct to town dwellers by various operation

2. extraction of the possibility of usefulness from things the viaduct

3. extraction of redundancy and diversity from the viaduct and create new situation through the edit them

Thinking about tabla rasa and Go-shin railway viaductDIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

GoshinTetsudoumarket andhousing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing GTmh

JR 和歌山線

Shinmachi-dori streetR２４

R=315m

Yoshino river

Site plan S=１：1000

The phantom Go-Shin railway

Yoshino has been one of the eminent place of Japanese cedar for a long time. Yoshino cedar is one of the three major precious wood. Timber had been sent by raft. But increase in production reached the limits and stabilization of the transportation was hoped. Then there was the plan afoot to construct the railway from Go-jo to Shin-gu 100 years ago. The source of railway's name Go-Shin is both ends city name of railway. Construction began in 1959, and some tunnels was completed but once construction was interrupted because WWⅡ broke up. After the war construction was resumed. Railway company and local government interests were inextricably interwoven. The Go-Shin railway project was stopped. In present there are many constructions as industrial infrastructure for example a viaduct and a bridge pier and tunnels in Go-jo city. They are in state of neglect. Go-shin railway project was magnificent plan and I get carried away by nostalgia for each constructions.

Site information and proposal and intention The site is the viaduct which is the most impressive construction in Go-shin railway and the area around that. I propose conversion and renovation the viaduct and build the market, the house, the assembly hall and park. The viaduct is 220 meters long and describe the arc with a radius of 1560m. And the viaduct repeat Roman arches. There is the possibility of usefulness that the length and the shape. The possibility of usefulness is utilized to conversion and renovation. I think about anew and inquiry into the nature of architecture through the proposal I intend to bring out the possibility of usefulness of the viaduct and to design the architecture which respond to surroundings. This project is my merkmal in design architecture.

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

Plan by tabula rasa imply forsake the possibility of usefulness and the workability of the form.

The form exist apart from the function.

The form is the very thing that affect history. Because, meaning of the form is forgotten and change and vanish.

Only just the form is inherited. The city don't exist as accumulation of the meaning and the function but just as accumulation of the form.

It is not the nature of architecture to creation land and to built newly. I see the meaningless viaduct as a artificial ground. And to modify and customize and edit is just the architecture that I think. The following is what I give weight to.

1. transforming the familiar sight of the viaduct to town dwellers by various operation

2. extraction of the possibility of usefulness from things the viaduct

3. extraction of redundancy and diversity from the viaduct and create new situation through the edit them

Thinking about tabla rasa and Go-shin railway viaductDIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

GoshinTetsudoumarket andhousing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing GTmh

① ② ③ ④ ⑤ ⑥

① ②

③

④

⑤

⑥

no.1 no.2 no.3 no.4 no.5 no.6 no.7 no.8 no.9 no.10 no.11 no.12 no.13 no.14 no.15 no.16 no.17 no.18 no.19 no.20 no.21 no.22 no.23 no.24 no.25

ab

c d ef

a b d e fc

250700250 250 250 250 250 250 250 2501,510 1,510 1,510 1,510 1,510 1,510 1,510 1,510

100

150

450

150850

3,100

1,400

4,5005,350

3,500 3,500

4,4004,400

7,000

3,2003,500

1,100

1,400

500

1,800600 800

200 2002,600700250

200

600150

150

350

700

3,500

1,400

4,850

A

A’

B

B’

longitudinal section　S＝1:100A-A’ section　S＝1:100 B-B’ section　S=1:100

200 200 250

300300

2,600

1,800

200150

150

200

350

350

700300

252.633m

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

GoshinTetsudoumarket andhousing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

JR 和歌山線

Shinmachi-dori streetR２４

R=315m

Yoshino river

Site plan S=１：1000

The phantom Go-Shin railway

Yoshino has been one of the eminent place of Japanese cedar for a long time. Yoshino cedar is one of the three major precious wood. Timber had been sent by raft. But increase in production reached the limits and stabilization of the transportation was hoped. Then there was the plan afoot to construct the railway from Go-jo to Shin-gu 100 years ago. The source of railway's name Go-Shin is both ends city name of railway. Construction began in 1959, and some tunnels was completed but once construction was interrupted because WWⅡ broke up. After the war construction was resumed. Railway company and local government interests were inextricably interwoven. The Go-Shin railway project was stopped. In present there are many constructions as industrial infrastructure for example a viaduct and a bridge pier and tunnels in Go-jo city. They are in state of neglect. Go-shin railway project was magnificent plan and I get carried away by nostalgia for each constructions.

Site information and proposal and intention The site is the viaduct which is the most impressive construction in Go-shin railway and the area around that. I propose conversion and renovation the viaduct and build the market, the house, the assembly hall and park. The viaduct is 220 meters long and describe the arc with a radius of 1560m. And the viaduct repeat Roman arches. There is the possibility of usefulness that the length and the shape. The possibility of usefulness is utilized to conversion and renovation. I think about anew and inquiry into the nature of architecture through the proposal I intend to bring out the possibility of usefulness of the viaduct and to design the architecture which respond to surroundings. This project is my merkmal in design architecture.

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing GTmh

Plan by tabula rasa imply forsake the possibility of usefulness and the workability of the form.

The form exist apart from the function.

The form is the very thing that affect history. Because, meaning of the form is forgotten and change and vanish.

Only just the form is inherited. The city don't exist as accumulation of the meaning and the function but just as accumulation of the form.

It is not the nature of architecture to creation land and to built newly. I see the meaningless viaduct as a artificial ground. And to modify and customize and edit is just the architecture that I think. The following is what I give weight to.

1. transforming the familiar sight of the viaduct to town dwellers by various operation

2. extraction of the possibility of usefulness from things the viaduct

3. extraction of redundancy and diversity from the viaduct and create new situation through the edit them

Thinking about tabla rasa and Go-shin railway viaductDIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

site plan S=1:1000

・houses stand close together ・there is a hollow inside of the viaduct

・making a foundation utilizing the hollow ・house is built on the viaduct

・viaduct approach to river・viaduct function as a wall which break off relations with two apartments・arches are used as a gate or a storage shed by resident

・I see the arch as a gate and a way and housewives' gossip place・The house trace the viaduct's arch・The arch house have loft

・this place is a large empty space ・this point is conspicuous by near the intersection of Route 24 and the viaduct・there's a lot of traffic on Route 24

・big glass box cover the viaduct ・farming people open the market in this place・grid planning pillars support the big flat-topped roof ・the arches and pillars make the market place

・this place is open both to east and to west ・the halfway point of viaduct ・the arch is two floor height

・assembly hall hang down from the viaduct・the observation platform produce a new view

・the viaduct's southern tip come to end as if it is cut off ・the tip commands a fine view because there is big river beyond the tip

・plant a seeds ・the viaduct will be covered by ivy and trees ・the viaduct will be one thickly covered with trees and plant and be attractive ruins over a long period of time

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

A-A’ cross section S=1:100

The architecture dissimilate the place.

The viaduct is covered be the glass showcase and is dissimilated. The glass showcase change the familiar sight of the viaduct into the landmark.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

B-B’ cross section

The architecture is translation of the viaduct of road surface. I trace the viaduct of road surface and the architecture forms a beautiful arc as if train.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

C-C’ cross section S=1:100

The architecture construction the new situation.

Open view; Halfway point of the viaduct; People get together on this point.;New observation platform. I analyze the condition and produce the new situation.

N

A

A’

B

B’

CC’

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

site plan S=1:1000

・houses stand close together ・there is a hollow inside of the viaduct

・making a foundation utilizing the hollow ・house is built on the viaduct

・viaduct approach to river・viaduct function as a wall which break off relations with two apartments・arches are used as a gate or a storage shed by resident

・I see the arch as a gate and a way and housewives' gossip place・The house trace the viaduct's arch・The arch house have loft

・this place is a large empty space ・this point is conspicuous by near the intersection of Route 24 and the viaduct・there's a lot of traffic on Route 24

・big glass box cover the viaduct ・farming people open the market in this place・grid planning pillars support the big flat-topped roof ・the arches and pillars make the market place

・this place is open both to east and to west ・the halfway point of viaduct ・the arch is two floor height

・assembly hall hang down from the viaduct・the observation platform produce a new view

・the viaduct's southern tip come to end as if it is cut off ・the tip commands a fine view because there is big river beyond the tip

・plant a seeds ・the viaduct will be covered by ivy and trees ・the viaduct will be one thickly covered with trees and plant and be attractive ruins over a long period of time

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

A-A’ cross section S=1:100

The architecture dissimilate the place.

The viaduct is covered be the glass showcase and is dissimilated. The glass showcase change the familiar sight of the viaduct into the landmark.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

B-B’ cross section

The architecture is translation of the viaduct of road surface. I trace the viaduct of road surface and the architecture forms a beautiful arc as if train.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

C-C’ cross section S=1:100

The architecture construction the new situation.

Open view; Halfway point of the viaduct; People get together on this point.;New observation platform. I analyze the condition and produce the new situation.

N

A

A’

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

site plan S=1:1000

・houses stand close together ・there is a hollow inside of the viaduct

・making a foundation utilizing the hollow ・house is built on the viaduct

・viaduct approach to river・viaduct function as a wall which break off relations with two apartments・arches are used as a gate or a storage shed by resident

・I see the arch as a gate and a way and housewives' gossip place・The house trace the viaduct's arch・The arch house have loft

・this place is a large empty space ・this point is conspicuous by near the intersection of Route 24 and the viaduct・there's a lot of traffic on Route 24

・big glass box cover the viaduct ・farming people open the market in this place・grid planning pillars support the big flat-topped roof ・the arches and pillars make the market place

・this place is open both to east and to west ・the halfway point of viaduct ・the arch is two floor height

・assembly hall hang down from the viaduct・the observation platform produce a new view

・the viaduct's southern tip come to end as if it is cut off ・the tip commands a fine view because there is big river beyond the tip

・plant a seeds ・the viaduct will be covered by ivy and trees ・the viaduct will be one thickly covered with trees and plant and be attractive ruins over a long period of time

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

A-A’ cross section S=1:100

The architecture dissimilate the place.

The viaduct is covered be the glass showcase and is dissimilated. The glass showcase change the familiar sight of the viaduct into the landmark.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

B-B’ cross section

The architecture is translation of the viaduct of road surface. I trace the viaduct of road surface and the architecture forms a beautiful arc as if train.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

C-C’ cross section S=1:100

The architecture construction the new situation.

Open view; Halfway point of the viaduct; People get together on this point.;New observation platform. I analyze the condition and produce the new situation.

N

B

B’

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

site plan S=1:1000

・houses stand close together ・there is a hollow inside of the viaduct

・making a foundation utilizing the hollow ・house is built on the viaduct

・viaduct approach to river・viaduct function as a wall which break off relations with two apartments・arches are used as a gate or a storage shed by resident

・I see the arch as a gate and a way and housewives' gossip place・The house trace the viaduct's arch・The arch house have loft

・this place is a large empty space ・this point is conspicuous by near the intersection of Route 24 and the viaduct・there's a lot of traffic on Route 24

・big glass box cover the viaduct ・farming people open the market in this place・grid planning pillars support the big flat-topped roof ・the arches and pillars make the market place

・this place is open both to east and to west ・the halfway point of viaduct ・the arch is two floor height

・assembly hall hang down from the viaduct・the observation platform produce a new view

・the viaduct's southern tip come to end as if it is cut off ・the tip commands a fine view because there is big river beyond the tip

・plant a seeds ・the viaduct will be covered by ivy and trees ・the viaduct will be one thickly covered with trees and plant and be attractive ruins over a long period of time

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

A-A’ cross section S=1:100

The architecture dissimilate the place.

The viaduct is covered be the glass showcase and is dissimilated. The glass showcase change the familiar sight of the viaduct into the landmark.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

B-B’ cross section

The architecture is translation of the viaduct of road surface. I trace the viaduct of road surface and the architecture forms a beautiful arc as if train.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

C-C’ cross section S=1:100

The architecture construction the new situation.

Open view; Halfway point of the viaduct; People get together on this point.;New observation platform. I analyze the condition and produce the new situation.

N

CC’

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

D-D’ cross sectionS=1:100

The architecture express the viaduct's the possibility of usefulness and the possibility of conversion. Let’ sTrace the form.

The viaduct's arch is traced and the house is completed.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

E-E’ cross section S=1:100

There isn't architecture.

Trees and plants grow thick. It might be possible situation.

5 years after 10 years after 30 years afterN

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

longitudinal sectionand elevation

GTmh DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

E-E’ cross section S=1:100

There isn't architecture.

Trees and plants grow thick. It might be possible situation.

5 years after 10 years after 30 years afterN

longitudinal sectionand elevation

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

D-D’ cross sectionS=1:100

The architecture express the viaduct's the possibility of usefulness and the possibility of conversion. Let’ sTrace the form.

The viaduct's arch is traced and the house is completed.

N

GTmh DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

D-D’ cross sectionS=1:100

The architecture express the viaduct's the possibility of usefulness and the possibility of conversion. Let’ sTrace the form.

The viaduct's arch is traced and the house is completed.

N

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

plan S=1:200

E-E’ cross section S=1:100

There isn't architecture.

Trees and plants grow thick. It might be possible situation.

5 years after 10 years after 30 years afterN

GTmh

longitudinal sectionand elevation

Goshin Tetsudou market and housing

DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13

longitudinal section S=1:100

GTmh DIPLOMA PROJECTGTmh １０ ２ ３ 4 5 6 7 8 9 10 11 12 ３13Goshin Tetsudou market and housing

The viaduct as the stage of one's life.

The stage create the some scene that is new situation and direct the life.

Creation of new form and conversion of existing form.

“New architecture shouldn't be moving form but should be new situation as property.”

Architecture and scenery and environment that is the situation work upon individual emotional action.

I want to create the atmosphere of a room and a passage and a street, situation link to people who are in the architecture.

GTmh

Master corse project

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

High andLow TideSchool

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

Create an ecosystem There are small gaps among cubes to l ive in there for aquatic l ife. Furthermore, the cube and the tide create a new ecosystem and it is a teaching materials for child as a biotope.

Gradually change of the space by the tide There is a big change of the space when the tide up and the land is covered by water. There are changes of not only the sight but behavior and activity.

The vestige of canal in the site. This space used to be a landing place for the customs. In present the customs has moved and the site has been dead space. I propose elementary school that topography and architecture coalesce into one.

The deregulation of harbor area In former times there was a harbor in Ajigawa-river. There was a great come and go of shipping. The harbor used to be a busy one, as the port transport industry. But, harbor facilities in inner bay area is declining by development of land reclamation in Osaka bay. In present the function of both water transportation base and production base fulfilled its duty as a support of Osaka's development. Thus deregulation of harbor area is expected around the site. This deregulation bring possibility of new developments which is large construction of condominiums and increase in population are expected in this area.

Alienated life from the waterside The site is in the south bank of Ajigawa-river in Nishi ward in Osaka city. In the Edo period, many canals circulated around Osaka. Osaka used to be a flourishing water transportation region, and people lived with river and canals. People who lived in osaka worked and enjoy the evening cool in the waterside. It was a playground for children. The waterside is a support for Osaka to live and the cradle of its culture. So, Osaka was named “the city on water” like Venice. But, in present waterside is kept away from, because there is flood damage and changeover from water transportation to land transportation. The relationship between people and waterside is insubstantial.

Site Plan (S=1/5000)

Form different from reclamation People had filled in and forgotten many canal and river used to be everywhere in Osaka. This propose isn't reclamation but floating island. I leave the margin for river in order to preserve the memory of river. This form make the boundary between city and river to be unclear.

Cube and Various difference of altitude I arrange cubes which have various hight in the whole site and design various place like a hill and a valley. I borrow motifs from a rocky tract for composition of Cube's arrangements. Various space appear minute by minute.

There used to be a canal in Ajigawa-river. Peculiar topography had been made the best use of, but it is difficult to say that the whole site is used efficaciously at present.

Many other canals used to be in the area around the site. But, most of canals is filled in.

Site information and Proposal The site is place where left the vestige of canal. It is caused by partial reclamation. The vestige's shape is like a cove. There was the customs which make good use of its shape but the site is abandoned now. On the other hand the deregulation of harbor area bring new developments in the near future. Then I propose a elementary school which introduce people to waterside. The elementary school is available to people and function as a community space like a piazza. I utilize the change of the water level by the tide in order to be the interface between waterside and people.

Lunch (Medium Tide) Break (High Tide)Presentation (Low Tide)

date

tidal hight (cm)

Group discussion (Medium Tide) Late Show (High Tide) Cleaning(Medium Tide)

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The superimposition the lunar calendar on the solar calendarPeople set their life the solar calendar for example teaching schedule. I superimpose spatial change by the lunar calendar on the life. There is an ever-changing scene. Children and teacher set a classwork and a school event the superimposition the lunar calendar on the solar calendar. The tide affect a physical education and a play while break. The superimposition the lunar calendar on the solar calendar create only one space everyday.

100

150

50

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-50

-100

-1505/7 5/8 5/9 5/10 5/11 5/12 5/13 5/14 5/15 5/16 5/17 5/18 5/19 5/20 5/21 5/22

Daily Tidal Change

17 May.201014 May.2010 21 May.2010

Monthly Tidal Change

Activity and Behavior

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

Plan at Low Tide (S=1/1000)

Plan at midium Tide (S=1/500)

Plan at High Tide (S=1/1000)

Section at Low Tide (S=1/500)

Section at Medium Tide (S=1/500)

Section at High Tide (S=1/500)

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTER COURSE PROJECTHLTS

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

Lunch (Medium Tide) Break (High Tide)Presentation (Low Tide)

date

tidal hight (cm)

Group discussion (Medium Tide) Late Show (High Tide) Cleaning(Medium Tide)

5th

less

on 6th

less

on

4th

less

on

Lunc

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Bre

ak F

ast

Dre

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Din

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cert

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The superimposition the lunar calendar on the solar calendarPeople set their life the solar calendar for example teaching schedule. I superimpose spatial change by the lunar calendar on the life. There is an ever-changing scene. Children and teacher set a classwork and a school event the superimposition the lunar calendar on the solar calendar. The tide affect a physical education and a play while break. The superimposition the lunar calendar on the solar calendar create only one space everyday.

100

150

50

0

-50

-100

-1505/7 5/8 5/9 5/10 5/11 5/12 5/13 5/14 5/15 5/16 5/17 5/18 5/19 5/20 5/21 5/22

Daily Tidal Change

17 May.201014 May.2010 21 May.2010

Monthly Tidal Change

Activity and Behavior

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

Plan at Low Tide (S=1/1000)

Plan at midium Tide (S=1/500)

Plan at High Tide (S=1/1000)

Section at Low Tide (S=1/500)

Section at Medium Tide (S=1/500)

Section at High Tide (S=1/500)

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

High andLow TideSchool

HLTS MASTER COURSE PROJECT

HLTS １０ ２ ３ ４High and Low Tide School

Create an ecosystem There are small gaps among cubes to l ive in there for aquatic l ife. Furthermore, the cube and the tide create a new ecosystem and it is a teaching materials for child as a biotope.

Gradually change of the space by the tide There is a big change of the space when the tide up and the land is covered by water. There are changes of not only the sight but behavior and activity.

The vestige of canal in the site. This space used to be a landing place for the customs. In present the customs has moved and the site has been dead space. I propose elementary school that topography and architecture coalesce into one.

The deregulation of harbor area In former times there was a harbor in Ajigawa-river. There was a great come and go of shipping. The harbor used to be a busy one, as the port transport industry. But, harbor facilities in inner bay area is declining by development of land reclamation in Osaka bay. In present the function of both water transportation base and production base fulfilled its duty as a support of Osaka's development. Thus deregulation of harbor area is expected around the site. This deregulation bring possibility of new developments which is large construction of condominiums and increase in population are expected in this area.

Alienated life from the waterside The site is in the south bank of Ajigawa-river in Nishi ward in Osaka city. In the Edo period, many canals circulated around Osaka. Osaka used to be a flourishing water transportation region, and people lived with river and canals. People who lived in osaka worked and enjoy the evening cool in the waterside. It was a playground for children. The waterside is a support for Osaka to live and the cradle of its culture. So, Osaka was named “the city on water” like Venice. But, in present waterside is kept away from, because there is flood damage and changeover from water transportation to land transportation. The relationship between people and waterside is insubstantial.

Site Plan (S=1/5000)

Form different from reclamation People had filled in and forgotten many canal and river used to be everywhere in Osaka. This propose isn't reclamation but floating island. I leave the margin for river in order to preserve the memory of river. This form make the boundary between city and river to be unclear.

Cube and Various difference of altitude I arrange cubes which have various hight in the whole site and design various place like a hill and a valley. I borrow motifs from a rocky tract for composition of Cube's arrangements. Various space appear minute by minute.

There used to be a canal in Ajigawa-river. Peculiar topography had been made the best use of, but it is difficult to say that the whole site is used efficaciously at present.

Many other canals used to be in the area around the site. But, most of canals is filled in.

Site information and Proposal The site is place where left the vestige of canal. It is caused by partial reclamation. The vestige's shape is like a cove. There was the customs which make good use of its shape but the site is abandoned now. On the other hand the deregulation of harbor area bring new developments in the near future. Then I propose a elementary school which introduce people to waterside. The elementary school is available to people and function as a community space like a piazza. I utilize the change of the water level by the tide in order to be the interface between waterside and people.

Plan at Low Tide (S=1/1000)

Plan at midium Tide (S=1/500)

Plan at High Tide (S=1/1000)

Section at Low Tide (S=1/500)

Section at Medium Tide (S=1/500)

Section at High Tide (S=1/500)

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

High andLow TideSchool

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

Create an ecosystem There are small gaps among cubes to l ive in there for aquatic l ife. Furthermore, the cube and the tide create a new ecosystem and it is a teaching materials for child as a biotope.

Gradually change of the space by the tide There is a big change of the space when the tide up and the land is covered by water. There are changes of not only the sight but behavior and activity.

The vestige of canal in the site. This space used to be a landing place for the customs. In present the customs has moved and the site has been dead space. I propose elementary school that topography and architecture coalesce into one.

The deregulation of harbor area In former times there was a harbor in Ajigawa-river. There was a great come and go of shipping. The harbor used to be a busy one, as the port transport industry. But, harbor facilities in inner bay area is declining by development of land reclamation in Osaka bay. In present the function of both water transportation base and production base fulfilled its duty as a support of Osaka's development. Thus deregulation of harbor area is expected around the site. This deregulation bring possibility of new developments which is large construction of condominiums and increase in population are expected in this area.

Alienated life from the waterside The site is in the south bank of Ajigawa-river in Nishi ward in Osaka city. In the Edo period, many canals circulated around Osaka. Osaka used to be a flourishing water transportation region, and people lived with river and canals. People who lived in osaka worked and enjoy the evening cool in the waterside. It was a playground for children. The waterside is a support for Osaka to live and the cradle of its culture. So, Osaka was named “the city on water” like Venice. But, in present waterside is kept away from, because there is flood damage and changeover from water transportation to land transportation. The relationship between people and waterside is insubstantial.

Site Plan (S=1/5000)

Form different from reclamation People had filled in and forgotten many canal and river used to be everywhere in Osaka. This propose isn't reclamation but floating island. I leave the margin for river in order to preserve the memory of river. This form make the boundary between city and river to be unclear.

Cube and Various difference of altitude I arrange cubes which have various hight in the whole site and design various place like a hill and a valley. I borrow motifs from a rocky tract for composition of Cube's arrangements. Various space appear minute by minute.

There used to be a canal in Ajigawa-river. Peculiar topography had been made the best use of, but it is difficult to say that the whole site is used efficaciously at present.

Many other canals used to be in the area around the site. But, most of canals is filled in.

Site information and Proposal The site is place where left the vestige of canal. It is caused by partial reclamation. The vestige's shape is like a cove. There was the customs which make good use of its shape but the site is abandoned now. On the other hand the deregulation of harbor area bring new developments in the near future. Then I propose a elementary school which introduce people to waterside. The elementary school is available to people and function as a community space like a piazza. I utilize the change of the water level by the tide in order to be the interface between waterside and people.

Lunch (Medium Tide) Break (High Tide)Presentation (Low Tide)

date

tidal hight (cm)

Group discussion (Medium Tide) Late Show (High Tide) Cleaning(Medium Tide)

5th

less

on 6th

less

on

4th

less

on

Lunc

h

Bre

ak F

ast

Dre

amin

g...

Din

ner

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less

on

Con

cert

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esso

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5th

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The superimposition the lunar calendar on the solar calendarPeople set their life the solar calendar for example teaching schedule. I superimpose spatial change by the lunar calendar on the life. There is an ever-changing scene. Children and teacher set a classwork and a school event the superimposition the lunar calendar on the solar calendar. The tide affect a physical education and a play while break. The superimposition the lunar calendar on the solar calendar create only one space everyday.

100

150

50

0

-50

-100

-1505/7 5/8 5/9 5/10 5/11 5/12 5/13 5/14 5/15 5/16 5/17 5/18 5/19 5/20 5/21 5/22

Daily Tidal Change

17 May.201014 May.2010 21 May.2010

Monthly Tidal Change

Activity and Behavior

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

High andLow TideSchool

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

Create an ecosystem There are small gaps among cubes to l ive in there for aquatic l ife. Furthermore, the cube and the tide create a new ecosystem and it is a teaching materials for child as a biotope.

Gradually change of the space by the tide There is a big change of the space when the tide up and the land is covered by water. There are changes of not only the sight but behavior and activity.

The vestige of canal in the site. This space used to be a landing place for the customs. In present the customs has moved and the site has been dead space. I propose elementary school that topography and architecture coalesce into one.

The deregulation of harbor area In former times there was a harbor in Ajigawa-river. There was a great come and go of shipping. The harbor used to be a busy one, as the port transport industry. But, harbor facilities in inner bay area is declining by development of land reclamation in Osaka bay. In present the function of both water transportation base and production base fulfilled its duty as a support of Osaka's development. Thus deregulation of harbor area is expected around the site. This deregulation bring possibility of new developments which is large construction of condominiums and increase in population are expected in this area.

Alienated life from the waterside The site is in the south bank of Ajigawa-river in Nishi ward in Osaka city. In the Edo period, many canals circulated around Osaka. Osaka used to be a flourishing water transportation region, and people lived with river and canals. People who lived in osaka worked and enjoy the evening cool in the waterside. It was a playground for children. The waterside is a support for Osaka to live and the cradle of its culture. So, Osaka was named “the city on water” like Venice. But, in present waterside is kept away from, because there is flood damage and changeover from water transportation to land transportation. The relationship between people and waterside is insubstantial.

Site Plan (S=1/5000)

Form different from reclamation People had filled in and forgotten many canal and river used to be everywhere in Osaka. This propose isn't reclamation but floating island. I leave the margin for river in order to preserve the memory of river. This form make the boundary between city and river to be unclear.

Cube and Various difference of altitude I arrange cubes which have various hight in the whole site and design various place like a hill and a valley. I borrow motifs from a rocky tract for composition of Cube's arrangements. Various space appear minute by minute.

There used to be a canal in Ajigawa-river. Peculiar topography had been made the best use of, but it is difficult to say that the whole site is used efficaciously at present.

Many other canals used to be in the area around the site. But, most of canals is filled in.

Site information and Proposal The site is place where left the vestige of canal. It is caused by partial reclamation. The vestige's shape is like a cove. There was the customs which make good use of its shape but the site is abandoned now. On the other hand the deregulation of harbor area bring new developments in the near future. Then I propose a elementary school which introduce people to waterside. The elementary school is available to people and function as a community space like a piazza. I utilize the change of the water level by the tide in order to be the interface between waterside and people.

HLTS

Plan at Low Tide (S=1/1000)

Plan at midium Tide (S=1/500)

Plan at High Tide (S=1/1000)

Section at Low Tide (S=1/500)

Section at Medium Tide (S=1/500)

Section at High Tide (S=1/500)

MASTER COURSE PROJECTHLTS １０ ２ ３ ４High and Low Tide School

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque TTLM

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

TTLMMASTERCORSE PROJECT

TTIS１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Influ-Structure

entrance

GL+0

GL+20000〜

GL+0

GL+4000〜

GL+4000

GL+8000〜

GL+8000

GL+12000〜

GL+12000GL+16000〜

GL+16000GL+20000〜

Using different tree species for same method of construction It is possible to use suitable timber for right

place by using various tree species as stacking components. The lower stories it is, the stronger tree species as timber use, and the upper stories it is, the weaker tree species as timber use. As a result, beautiful wooden gradation is created. And precast concrete used in the lowest story in order to f u l f i l l t he necessa ry cond i t i on o f 2 hou rs fire-resistant for 5-story and more building.

looking up perspectivestrong

Japanese cedar

Japanese cypress

Japanese chestnut

Evergreen oak

Jarrah

Ipe

tali

ironburg

PC

strength of timber

weak

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

TTISMASTERCORSE PROJECT

TTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

TTLMMASTERCORSE PROJECT

TTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Medateque

TIMBERIZETOKYOLaminatingMediateque

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

TIMBERIZE In the past architecture had been made mainly of timber in Japan. But,

it had been restricted in urban areas, because it is flammable.On the other hand, current urban space consists of many building which made of concrete and steel and plastic. These materials have been used since modern ages, and these are the most popular in urban architecture. But, in 2000 revision of the Japanese Building Standards Law has made possible bu i ld a f i reproo f a rch i tec tu re . In add i t ion , f i re - res is tan t and earthquake-resistant timber has been developed by state-of-the-art technology. Timber is attracting architect's attention as material which take the place of concrete and steel. In such circumstances, TIMBERIZE Exhibition has been held in Tokyo. TIMBERIZE is a suggestion wooden building stand together in large numbers in urban space where there are many buildings made of concrete and steel. I propose huge wooden building stands in Omotesando, Tokyo.

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Site Plan scale=1:２000

Aoyamadori-streetOmotesando

graveyard

Zenkouji-temple

ONE Omotesando

Cube

Helix

PlatePetal

30Solid

Lattice

bbr

Hoshina

SALHAUS

Ikeda Lab

Uno Lab

RAA

Ota Lab

Ota Lab

KAOアトリエ

ハレトケ

tamkob

Endo Lab

MIyamoto Lab

Site Information and Proposal Chosen site is the intersection of Omotesando street and Aoyama dori-street.

There are a Buddhist temple and burial ground, a shrine, ONE Omotesando designed by Kengo Kuma, many commercial building in around the site. I propose “the stacking wall with aperture” which is created by alternately stacking timber and like an folding screen. This wall make a free plan and the new exhibition system possible. The architecture which consists of “the stacking wall with aperture” function as media-epicenter with museum and gallery and commercial facilities.

KOBE UNIVERCITYENDO Lab

team TimberizeCube

N

team Timberize

提案展示１

提案展示２

Omotesando

Shibuya station

If many architecture in Omotesando is made of timber...

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

floor　

bolt

bolt

　stacking wall with aperture

Structure system combining exhivtion The stacking timber have a thickness of 100mm. The distance between these components make

possible to insert illumination and exhibition shelf and bench etc. “The stacking wall with aperture” function as the need arises,because of the free exchange.

Fireproof construction I designed component of width to be 300mm in order to use effectively the

space of “The stacking wall with aperture”. The width produce the margin for a fire. The remaining section of timber and the inserted bolt support vertical load when fire put out.

Free construction of cross section by “the stacking wall with aperture” By hanging a floor across any level of “the stacking wall with

aperture” the free space design become possible in the cross section and the plan. And it is possible to renovation easily.

　

100

300

fireproof 1 hourーmaintaining the margin for fire 60mm　

remaining section and bolt supportvetical load　

boltφ＝50mm　

stacking component

300mm

banner

bolt(φ=50mm)

100mm

lighting

insert stand

hanging exhibition

stand

book shelf

step tool

panel exhibitionbench

catching exhibition

openings exhibition

GL+4000

GL+7000

GL+11000

GL+14500

GL+18500

Section A-A’ scale=1:200

the shinto shrine

Workshop and other project

MASTERCORSE PROJECTTTLM１０ ２ ３ ４ 5 6TIMBERIZE TOKYO Laminating Mediateque

Wooden Laminating Architecture wrapping the neighborhood buildings “The wall with an opening” by stacking timber run like a folding screen. The architecture expand over the burial ground, the road to the buddhist temple, ONE Omotesando with wrapping their building as if its tentacles grow, and branches appear among around buildings.

TTLM

Fin.thank youverymuch

Bo-sai Camp ExhibitionFashion show in KIT Kitamoto Design Conference

Fin.thank youverymuch

Bo-sai Camp ExhibitionFashion show in KIT Kitamoto Design Conference

Fin.thank youverymuch

Bo-sai Camp ExhibitionFashion show in KIT Kitamoto Design Conference

Fin.thank youverymuch

Bo-sai Camp ExhibitionFashion show in KIT Kitamoto Design Conference