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01_A_PFE Oncology Center in Alba Iulia, Romania

01_B_School of traditional music and danse, Siem Reap, Cambodia 01_C_Eco-quartier for students, Gentilly, Paris

02_A_WORKSHOP, Siem Reap Angkor: World Heritage, Siem Reap, Cambodia 02_B_Mixités urbaines, Gentilly, Paris

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CY03_A_Structural concrete-wood Reconversion

03_B_Passive House, Cluj-Napoca, Romania

04_Written Thesis -““WHITE” ARCHITECTURE hospitalNONhospital”

05_C_Study for the new logo Stéphane Malka Architecture

05_A_Design rims Middle East05_B_New Headquarters Ogilvy France, Paris

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Type: Public building;Location: Alba Iulia, Romania;Date: July, 2010;Level: 6th and final year;Total Surface: 22 329 m2

Supervisors: Conf. Dr. Arch. Gheorghe [email protected]:Prof. Dr. Ing. Balint Szabo

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The actual theme of my project is the oncology treatment, imagistic center and the oncology department of the existent city hospital, situated in Alba Iulia, a town not far from Cluj. All through the process of thinking and evaluating this project i tried to put myself in the actual state of these people, comming and going, frustrated or not, definitly moraly unsound and asking themselves the same question “How much time do i still have?”. Implicitly i couldn’t find myself in that state of mind but i tried once again to imagine it and then i read Jencks’ theory about the ARCHITECTURAL PLACEBO and that made me wonder if that is even possible. What was touching was his deffinition of a cancer center, Maggie’s, in U.K, which has now become a brand all over the country and he said something like this: “Maggie’s centers are also radically hybrid, combining as they do at least four building types. First, they are warm friendly, familiar and domestic - a house that is not a home. second with artworks and garden, and an expressive architecture that in places goes beyond the expected, they are a museum that is not a museum. patients who come to them may take risks, and look for support as well as meditation in creative work. Third, some of these people will be asking the ultimate question - “what is the maning of my life?” - and so an appropriate space and atmosphere have to be provided, for a church that is not a church. Lastly, there are the many complementary therapies on offer, as well as counseling , in this the hospital that is not a hospital.” Consequently this paragraph gave me the answer: i should try and integrate such a center in my hospital and maybe even hope to make it a NONhospital. One question was how to integrate all the specific functions of a hospital in an anvelope that wouldn’t have the image of what it represented, immdiately i chose to fragment the building in such a way as to integrate it better in the sorrounding area, which is a neighbourhood of homes, aleready the existing hospital being the enclosed forteress which screams out loud painful and inhuman processes. The second theme was how to ensure that light was present in every corner and how to make more visible on the inside, the outside, the garden. On the actuall site i observed there are, due to the semipavilionaire organisation all sorts of zones which have the caracteristis of courtyards, so i tryed to concentrate and unify them so that they would become a whole. The center of the site is a fountain in which i chose to have lilies and from this center point all is distributed around the garden, offering different sitting places, or for outdoor activities, allways keeping in mind that patients need the option to choose, wether they want to be alone or with family or with other patients. A well known fact is that cancer patients, due to their treatments, need a lot of shade and therefor the different courtyard like places offers that. The third and last theme was transparency. I fealt that my object needed to state that the hospital isn’t necessarily inclosed and that it can permit ease of visual acces, consequently i chose a lot of glass, strategically placed so that everywhere you find yourself you can always see a piece of the outside, well, except in the imagistic area, which really doesn’t permit nature contact. In this way, people could maybe proffit from the healing characteristics of the garden.All i wanted was simple: give back the hospital to the people and give the architecture of hospitals a chance to show off her power of healing, i truly believe that Architectural placebo exists.

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Type: Public building;Location: Siem Reap, Cambodia;Date: December, 2010;Level : 4th year of studies, Master1, ENSAPB

Supervisors: Emmanuel CeriseCyril RosENSAPB

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This particular intervention, a school for traditional music and danse, a semi-pavilion type, is inserted on a site not far from the canal - objet of our studies a neglected site, with an enormous potential, but not even visible from the main road and therefor not invested in (typical for all the water sources of Siem Reap). This specific disadvantage determined me to open the perspestive toward the lake and make it visible from the boarding streets in a radial matter and also by using artificial water canals, a particular way of playing with different views. I wanted to certify the posotion of the lake as the pricipal element which gives life to the scene - centered object - so that there is an attraction even when concerts are not played. This also triggered the strategic positioning of the entry points, key elements in ensuring that signals of interesting things going on inside the site were given. The buildings are raised on a wooden platform which connects them all. I used the chanals mostly because in cambodian culture they symbolise the presence of the sacred. The scene is the key central element which reunites the two schools (music and dance) both being devised into two departments - treditional and contemporary. I concentrated my efforts on developing the music school due to the absence of such an establishment, a really peculiar thing given the fact that i walked along the streets of Siem Reap and people there are extremely musically talented.

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ID : Type: Public building;Location: Gentilly, Paris, France;Date: June, 2009;Level : 4th year of studies, Master1, ENSAPB

Supervisors: Phillippe VillienDominique HernandezENSAPB

The theme of mixed use “live and work” represents here the program that associates the working environment with the living habitats, residence and offices. This mixed use re-fers to the horizontal as well as the vertical of a particular building. These two programs are associated in a main operation. It is imperative to elaborate this mix of programs into specific, well-organised and clearly identifies objectives. I developed material associations between the two uses, at different levels. This signifies a complementarity for intensify-ing site occupation and technical requirements to control the ambiances. At an urban scale this subject seeks to stimulate a laboratory for the stimulation of the urban mix. The main theme of the project was to develop a part of the element of design at a very large scale, specifically for better understanding the mechanism of such a complex and at the same time ecologically built environment. I chose to treat the hall of the cinema i proposed as project, but for the necessary complexity from the point of view of natural lighting, natural ventilation and ambiance. The concept was to create a place that dematerialises - presence special triple layered gas chamber reflexive glass - and to create a dualism of contrasts - white(cold) / black(hot) or transparent / opaque.

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The object of this project is the town of Siem Reap in Cambodia, used only as acces to the ancient sites of Angkor, included on the list of world heritage UNESCO in 1992. the context is that of a small town, situated in a country which undergoes a process of economic development confrunted with a rapid urbanisation, due to tourism. During the first phase it is necessary that we understand and diagnose the riscs, the pathologies and the needs of such a town, confrunted both with mass tourism as well as lighting economic development. An interessting frame that we formed was based on the reflexion around the ancient temples of Angkor and the water points present all through the town. These elements that contribue to the better function of the town, are victims of the recent anarchic form of development: they are either obstructed or covered and their disparition causes ecological, urban and sanitary disasters. This is also the case for our prefered area, situated near an obstructed canal.

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Type: Workshop;Loc. : Siem Reap, Cambodia;Date: December, 2010;Level : 4th year of studies, Master1, ENSAPB

Supervisors: Emmanuel CeriseCyril RosENSAPB

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Ombre dense:

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-jusqu'a 20 m de haut-crée un rythme

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-3 a 7 m de haut-2,5 a 4 m d'envergure

PAPAYER

-feuille large

-jusqu'a 25 m de haut-croissance rapide (de 2 a5m/an dans les prémiersannées)

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-fondaisson basse-jusqu'a 20 m de haut

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-peu d'espace en dessous(bien pour soleil oblique)

-croissance rapide

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-jusqu'a 10-20 m haut

-de 6 à 12.00 m de haut

FRANGIPANIER

-large fondaison-belle fleure-ombre forte quand fleuri

-jusqu'a 10 m d'envergure-ombre dense

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This represents a first part of a project, consisting in a larger area of analysis, conclusions and urbanistic propositions, project to be enrolled in a local competition organised by the members of the studio only. The second part of this project consisted in chosing one of three winning projects of the first phase and then passing on to proposing a larger scaled project. In this first phase we identified the problems of the area and then studied the way of inserting an eco-quartier (an ecological neighbourhood for both students and teachers, given the fact that this particular site was situated in the near vicinity of the University Campus and connected with it by an aqueduct). After identifying the different elements that were particularily vital to the conception of our project we proposed an organic insertion of a sigle builging mixing different functions and programs, like a cinema, a coffee house, housing for students and professors as well as offices.

ID : Type: Public buildings Housing ;Location: Gentilly, Paris, Fr. ;Date: March, 2009;Level : 4th year of studies, Master1, ENSAPB

Supervisors: Phillippe VillienDominique HernandezENSAPB

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Type: Individual House;Location : Dublin, Irleland;Date : June, 2009;Level : 4th year of studies, Master1, ENSAPB

Supervisor: Ludovik BostENSAPB

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Type: Passive house;Location : Cluj Napoca, Romania;Date: June, 2008;Level : 3ième année d’étude, UT, Cluj Napoca;

Supervisor: Mircea DinculescuUTCN

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Type: Written thesis;Location : Cluj Napoca, Romania;Date: June, 2010;Level : 6th and final year, UT, Cluj Napoca;

Supervisor: Conf. Dr. Arch. Gheorghe [email protected]

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Type: Object Design;Location: Middle East;Date: February, 2011;Level : assistant architect, Paris, France;

Supervisor: Stéphane [email protected]éphane Malka Architecture

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BIBLIOTHEQUE - REPERAGE ELEMENTS PARTIE LONGUEBIBLIOTHEQUE - REPERAGE ELEMENTS PARTIE COURTE

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Type: Furniture-library;Location: 32-34 Rue Marbeuf, 75008, Paris, Fr.Date: Mars, 2011;Level : assitant architect, Paris, France;


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BIBLIOTHEQUE VUE 1

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DOUBLE BENCH - COUPE TRANSVERSALE DETAIL

Profil metallique tube carré 20X20

Traverse metallique

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Type: Furniture-bench;Location : 32-34 Rue Marbeuf, 75008, Paris, Fr.;Date: Mars, 2011;Level : assistant architect, Paris, France;


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Type: Hallpass area;Location : 32-34 Rue Marbeuf, 75008, Paris, Fr.;Date: Mars, 2011;Level : assistant architect, Paris, France;


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Type: Graphic design;Location : 32-34 Rue Marbeuf, 75008, Paris, Fr.;Date: Mars, 2011;Level : assistant architect, Paris, France;


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tfolio

architecture portfolio

Documents

project i

immdiately i

existing hospital

alba iulia

existent city hospital

oncology department

oncology treatment

imagistic center