architecture portfolio 2017
TRANSCRIPT
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Pdparshwa d
es
ai
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resume
0102
0304
Education
Experience
Awards/Activities
Skills
CHINTU (PARSHWA) DESAICity College of New York , CUNY | B.Arch | Batch- 2019Bernard and Anne Spitzer School of Architecture | New York, NY, 10031 -Design Studio 1-4 (5 semesters Design studio and comprehensive studio) -Architectural History (ancient - till 18th century) -Media & softwares (Adobe suite, Rhino, CAD) -Construction Technology (wood, masonry, concrete and steel) -Structural Analysis & Behavior of wood and masonry
David Judelson, sculptor, CCNY ex-professor | Brooklyn, NY | Summer 2016 Model maker, helperDocumentary filmmaking | Patan, India | Summer 2016 Videographer, co.screenwriter, translatorIndus Architect PLLC | New York, NY | Summer 2015 Intern - Drafting Design -Worked on facade and roof restoration drawings on Architecture AutoCAD -Organizing the documents and data in terms of projects. -researched on solar and canvas awnings (like pergolas) for brownstone penthouse apartmentDOYLE & ROTH MFG CO.,INC | New York, NY | Winter 2013 Intern - Drafting Design -Worked on Mechanical Drawings of Heat Exchangers on AutoCAD -Conducted reviews and reports for projects that were under manufacturing
Best Architecture Student of The Year | CCNY | 20154th prize winner : NYC Masonry Design competition (2016)Active member of American Institute of Architecture Students(AIAS) | since 2014 - present
AutoCAD, Rhino, SketchupAdobe Photoshop, Illustrator & InDesign + Microsoft suiteLanguage(s): English, Hindi, Gujarati
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content
0102
0304
Competitions
Urban Design
Construction analysis
Design Studio
Restaurant DesignMasonry Design
NYC 130th St & Amsterdam
Foundation Detail
Theatre - Studio 5
Program analysis of Eames house
Manhattan project - Studio 4
Columbia Medical Center
Library analysis - Studio 3
Adalaj Stepwell (India)
Design development - Studio 2
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112 STREET
115 STREET
MAL
COLM
X B
LVD
5TH
AVE
PUBLIC PARK
CONN
ECTI
ON TO
STR
EET
N
SITE (KINGS TOWERS)
competition Masonry design
01
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PLANS
COMMUNITY CENTER/ RETAIL/MULTIPURPOSE ROOM
1 BEDROOM APARTMENT X 2
2 BEDROOM APARTMENT X 22 BEDROOM APARTMENT X 2
COMMON SPACE acts as an open AXIAL view to North, East South and West direction
ROOFTOP GARDENS acts as another common space
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ELEVATIONS
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DIAGRAMS AND 3D CUT-AWAY REPRESENTATION
PARKING - placed on 1st oor and basement
ARCHES - classic brick arches framing apartment views
STEPS - apartment buildings of dierent heights to provide natural shading. Tallest building facing south
S
-
THE NATURAL PROCESS
INTRODUCING A NEW MATERIAL THAT CAN REPLACE FIRED BRICKS
Bacteria (Sporosarcina Pasteurii) commonly found in wetlands
+ Nutrients including Water, Calcium and Nitrogen and waste materials, placed in a mold
= Grown Brick
TIME TO GROW: 5 DAYS
RESULT
Brick takes 3-5 days of ring to manufacture, BioMason takes the same amount of days to grow. The result is a brick with strength comparable to limestone and marble. It can be manufactured in room temperature, CO2 pollution absorber recyclable and natural (www.biomason.com).
BRICK TECHNOLOGY
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RENDERINGS
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restaurent design
DESAI, PARSHWAPATEL, KRUNAL
GAMOSO, YSABELLE
In this design, the concept came from the neighborhoods name Sugar Hill. My team imagined Sugar hill as Sugar cube and from there we started working on modular system like hollow cubes as multi use space which can turn into storage space, tables and chair, lights, cafe counter etc.
From this concept we tried to show the power of grid in NYC and how it can be multiply and used in verities of programs. Here the concept proposes multiple variations of layout a restaurant can do, so when customer visit again, they can experience totally different environment in the place.
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FURNITURE
KITCHEN
COUNTER
DISPLAY
STORAGE
COUNTER
DISPLAY
STORAGE
KITCHEN
FURN.
TYPICAL RESTAURANT SETTING
RESHAPING PROGRAM MODULE
DISP
LAY
FURN
.STORAGE FU
RN.
STORAGE
DISP
LAY
DISP
LAY
FURN
.STORAGE
DISP
LAY
STORAGE FURN
.
DISPLAY MODULE DISPLAY + VOID = STORAGE DISPLAY + VOID + STORAGE
= FURNITURE
DISPLAY + VOID + STORAGE + FURNITURE = ALIVE SPACE
DISP
LAY
FURN
.STORAGE
DISP
LAY
FURN
.STORAGE
DISP
LAY
FURN
.STORAGE
Concept Diagrams
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EXTENSION BASEMENT ACCESS FLOOR CUTOUT
CUBE WALL TYPOLOGY
Typology
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STEP BENCH SEATING
OUTDOOR BENCH
LOW-LEVEL SEATING WITH FIREPLACE
CUSTOMER ENTRY
SERVICE ENTRY FOR STAFF
HIGH CHAIR COUNTER TABLE
CAFE COUNTER SEATING
BASEMENT PLAN
SHORT SECTION
GROUND FLOOR PLAN
KITCHEN AND STORAGE
STEP BENCH SEATING
OUTDOOR BENCH
LOW-LEVEL SEATING WITH FIREPLACE
CUSTOMER ENTRY
SERVICE ENTRY FOR STAFF
HIGH CHAIR COUNTER TABLE
CAFE COUNTER SEATING
BASEMENT PLAN
SHORT SECTION
GROUND FLOOR PLAN
KITCHEN AND STORAGE
STEP BENCH SEATING
OUTDOOR BENCH
LOW-LEVEL SEATING WITH FIREPLACE
CUSTOMER ENTRY
SERVICE ENTRY FOR STAFF
HIGH CHAIR COUNTER TABLE
CAFE COUNTER SEATING
BASEMENT PLAN
SHORT SECTION
GROUND FLOOR PLAN
KITCHEN AND STORAGE
Planning
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WORK
CREATION
DISCUSS
MEETING
ENJOY
READ
RELAX ENJOY
MEETING
CREATION
WORK
READ
RELAX
DISCUSS
Program distribution
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WORK
CREATION
DISCUSS
MEETING
ENJOY
READ
RELAX ENJOY
MEETING
CREATION
WORK
READ
RELAX
DISCUSS
Program distribution
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217
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 130TH ST
W 129TH ST
200
500
410
PROPOSED SITE PLAN
CHINTU DESAI
NTS
APPLEWOODS1969 Between Conven
t
Ave and Amsterdam Ave
- 129th - 130th St
PROF. KHAMSI
EDUCATIONAL &
COMMUNITY CTR
MIX-USED HOUSING
GREEN SPACE
INDUSTRIAL
LEGEND
Applewoods Block 1969- between 129 -130th street
Amsterdam - Convent Ave
RedesigningBlock1969basedonlanduse.Existingblockisoccupiedwithmixedresidentialhousing,educationalbuilding,openlots,industrialareaandpartiallycommercial.It saprimelocationforcirculationinthecitysinceManhattan scirculationismainlybasedonpublictransportation;andparticularlythisneighborhoodispopulatedbymiddleclasspublic,citytransportationprovidesbasicneedtothepopulation.
Idesignedtheblockinawaythatitdoesn tinterferewithcityactivities.Thisblockismainlyservedasresidentialhousinglot.BydoingsomeresearchIfoundoutthatthisblockisunderzoneR7Abyzoningandlanduseregulationwhereyoushouldnotexceed4.0FARtomakeanewbuilding.InfurtherpagesyouweseedetailedcalculationaboutFARregardingthislot.
Hamiltonheightneighborhoodhasheavycrimeratecomparetootherneighborhoodinthecity.Tomaketheapartmentsafer,Idesigneddensifiedapartmentsystemwithgateswhereaccessisrestrictedandpeoplecanalwayskeepaneyeontheirkidsbyprovidingcentralopenspacewhichiscoveredbyapartmentsandcommunitybuildingwhichalsogivesomeprivacyatthesametimebondingwithotherapartmentcomplexesinthesamedevelopment.Sidewalksarecompletelydetachedfromtheresidentialcomplex.
AlsoCityhashugeissuewithparkingspacesforthepersonalvehicles,soIdesignedparkingzoneonthegroundlevelwhichIwouldefficientlyworkinthesummerandinthewinter.Inthesummeritwillprovideshadetoyourvehiclesoitwon tgetoverheatedandinthewinteritwillprotectthevehicletogetcoveredinthesnow.
Imanagedtoallocatetheindustrialzoneinawaythatit sisolatedfromresidentialcomplexatthesametimeattachedtotheblocksopeoplecanstoretheirunusablestuffatthestoragefacility.AlsoIthasdirectaccesstothetwowayroadwherebigvehiclescanmoveinandoutwithoutgivingtoomuchtroubletothemovingtrafficsinceConventavenueisaquiteroad.
Attheend,bydoingthisexerciseItriedtoreshapethisblockwhichiscurrentlyorganizedveryorganicallyanditdisturbsthesurroundingneighborhood.IhopethatAmsterdamavenuecommercialarea,industrialbuildingonconventavenueandresidentialcomplexwhichissandwichedbetweentwoprogramswillprovidepeacefulblocktothesurroundingblocks.
CHINTU DESAI
urban desig
n02
-
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 128TH ST
W 131ST ST
W 130TH ST
W 129TH ST
EXISTING SITE PLAN
CHINTU DESAI
NTS
APPLEWOODS1969 Between Convent
Ave and Amsterdam Ave - 129th - 130th St
PROF. KHAMSI
Site Plan
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217
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 130TH ST
W 129TH ST
200
500
410
PROPOSED SITE PLAN
CHINTU DESAI
NTS
APPLEWOODS1969 Between Convent
Ave and Amsterdam Ave - 129th - 130th St
PROF. KHAMSI
EDUCATIONAL & COMMUNITY CTR
MIX-USED HOUSING
GREEN SPACE
INDUSTRIAL
LEGEND
1905
Sq.
ft.
5 o
ors
3648 Sq. ft.3 oors
1278
Sq.
ft.
5 o
ors
1278
Sq.
ft.
5 o
ors
865
Sq. f
t.5
oor
s
865
Sq. f
t.5
oor
s
A
B
C
D
E
F
10,582 Sq. ft.5 oors
G
Floor Area Ration: 4.0 (from the chart)Lot area: 90202 sq.ft.allowable area: 360,808 (90K x 4 FAR)
Apartment area calculation:A. :1905 x 6 x 5 = 57,180 Sq. ft.B. & C. :1278 x 3 x 5 = 19,170 Sq. ft.D. & E. : 865 x 12 x 5 = 51,900 Sq. ft.
Community and EductionalF. : 3648 x 3 = 10,944 Sq.ft.
IndustrialG. : 10582 x 5 = 52,910
Total built space:192, 104 Sq.ft (which is lower thanallowable area.)
Program distribution & FAR
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W.
145
W.
W.
W.
AVE.
W.
AVE.
ST.
ST.
ST.
AMST
ERDA
M
ST. N
ICHO
LAS
BRAD
HURS
T
ST.
100
100
100
100
CL
CLR6A
R7D
R7AC6-3X
R7A
R7A R6A
R6A400
350400
CL
300355
R7A
170
R7-2
R7A
R7A
ST.
TH
144 TH
143 RD
142 ND
138TH
100
MX-15
M1-5/
100
100
100
100
100
100CL
100
100
100
100
100
200
100
R6A
100
R6A
100
100
CL
100
100
100
100
100
CLPROL.
CL
CL
100
100
100
CL
CL
100
C L
CL
CL
R7-2
100
100
N.S.L. PROL.
CL
147 TH
W.149 TH ST.
W.
E. 146ST.
TH
E. 144 TH
ST.
ST.
E. 140TH
ST.
E. 138 TH
E. 139 THST.
E. 135 TH
E. 149 TH
E. 146 THST.
CANA
L
GEO. P.RYANSQ.E. 142 NDST.
ST.PAR
KAV
E.
E. 136 TH
ST.
PARK
PL.ST.
W.
WAL
TON
GERA
RD
CONC
OURS
E
AVE.
AVE.
E.137 THST.PROL.
AVE.
100
100
150
100
100
100
100
120
200
75
75
300
300
100
PROL.
190
PARK
C4-4
R7-2
M1-4M1-4/R7X
M1-4/R7A
M1-4/R7A
M1-4/
M1-2
M1-4/
C6-2A
M2-1
C4-4
PROL
.
M2-1
C4-4
BLVD.
MAJORDEEGAN
SSL
AVE.
R6A
275
200
200
R8A
C6-1
S.S.L. PROL.
100100
C4-4D
100
100
117
ST.
W.
W.116 ST.
122
R7AR7A
100
100
100
100125
100
R8A
R8A R7B
ADAM
CLA
YTON
POWE
LL JR
.C4-4D
R8A
ST.
85 215
PARK
MADI
SON
KING JR.
BLVD
CONC
OURS
E
VILLAG
E EAS
T
E.
R7-2
MX-1
LINCO
LN
M1-3/
M1-5/R8A
370
R8
M3-1M3-1
TH
118 TH
W.
ND
100TH
C4-4
M1-2
M1-1
R6
C8-3
ST.
E. 153 RD
R7-1
E.150 TH
600
MAJOR
M2-1
151E.
ST.
AVE.
OF FORMERRUPPERT PL.
CL
C4-4D
100160
NOTE:
www.nyc.gov/planning
NOTE:
W. 134ST.
TH
90
C6-2
100
162NDE.
AVE.
100
ST.R7A
ST.
124W.
TH
ST.
124
E.
TH
126E.
TH125
E.TH FIF
TH
BLVD.
ST. / DR. MARTIN LUTHER
HANCOCK
ST.
100
100
9090
85
200
545235
125
100
65
225
100R6AR6A
C4-4A
C4-4D C4-7R6A
C4-4A
C4-7
C4-4D
R7A
C4-4A
C4-4A
C6-3
C4-4
PROL.
C4-4D
LUTHER KING JR.
ST.
SUGAR RAY ROBINSON
CORNER
LEXIN
GTON
AVE.
AVE.
M1-2
DR.
125W.
TH
MARTIN LUTHER KING JR.
ST./
AFRICANSQ.
275
C4-7
C6-3
ST.
W.
100185
NICHO
LAS
ST.
100100
ST.
R8A
R8
AVE.
THIR
D
C6-3
C6-2
C.L.
OF FO
RMER
BERG
EN AV
E.
R8R7-2
PL.
PL.
CANA
L
ST.
AVE.
GRAN
D
E. 149 TH
ST.
CANA
LCA
NAL
135 TH
ST.
E.
RIDER
GRAH
AMSQ
. PAR
K
THIRD
AVE.
E. 140 TH
E. 141 STST.
R6A
M1-4/
R8A
ST.
CL
CL
110
110
150
150
140
50
100
100
100
100CL
WEST
E.162 ND
LOU GEHRIGPL.
C8-3 R8A
C6-2
C6-3D
CL
E. 158ST.
THST.
VILL
AGE
CONC
OURS
E
E.161 ST
C4-6 SHERIDAN AVE.
VILL
AGE
CONC
OURS
E
EAST
MORR
ISAV
E.GRAN
TAV
E.
SHER
MAN
AVE.
541
541
ST.
W.
130 TH
ST.100128 TH
W.
THIRD
AVE.
200
8R
100
100
100
R8N.S.L.PROL.
OF E. 132ND ST.
CLPROL.
129 TH
W.
ST.
WILLIS AVE. BRIDGE APPROCH
E. 132ND ST.
E. 132 ND
ST.
W.133RD
ST.
350
W. 125 TH
/DR. MARTIN
ST.
AVE.
R7A
R8A
R7-2
DONN
ELLO
N SQ
.
100
136TH
ST.
W.
137 TH
W.
ST.
126W.
TH
TERR
.
ST.
W. 144 ST.TH
100
100R8R6A
R6A
10010
0
R7A
360
R8A
R7A
E.RD
270
320
2-7
R
163
ST.
150
100
E.139 TH
ST.
R7-2
MORR
IS
100
MELR
OSE
90
CLOF R.R.R.O.W.
E. 156 THST.
100
C8-3
525
200
R7D
100100
153RDE.
153 RD
ST.
Base height: 40 minimum 65 maximum
80 maximum building height
Street line
O-street parking permitted only within, orto the side or rear of a building, never between
the street wall and the street line
All open areas between the street wall and
the street linemust be planted
Above the maximum base height, building must be set back at least 10 from the street wall when facing a
wide street or 15 when facing a narrow street
NARROW STREET
WIDE S
TREET
R7A General Residence District
R7AFAR
(max)
Lot Coverage (max)Base Height
(min/max)Building Height
(max)Required Parking 2
(min)Corner Lot Interior/Through Lot
4.0 1 80% 65% 4065 ft 80 ft 50% of dwelling units
1 4.6 FAR with Inclusionary Housing designated area bonus2 30% if zoning lot is 10,000 square feet or less; waived if 15 or fewer spaces required
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Resi
dent
ial
Mix
-use
d ho
usin
g
Educ
aitio
nal
Com
mun
ity C
ente
r
130t
h St
reet
129t
h st
reet
Indu
stria
l
Park
ing
Spa
ce
Com
mer
cial
Reta
il
Park
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 130TH ST
W 129TH ST
Resi
dent
ial
Mix
-use
d ho
usin
g
Educ
aitio
nal
Com
mun
ity C
ente
r
Resi
dent
ial
Mix
-use
d ho
usin
g
Amst
erda
m A
venu
e
Conv
ent A
venu
e
Com
mer
cial
Reta
il
Indu
stria
l
Com
mer
cial
Reta
il
Park
ing
Spa
ce
Park
ing
Spa
ce
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 130TH ST
W 129TH ST
Resi
dent
ial
Mix
-use
d ho
usin
g
Educ
aitio
nal
Com
mun
ity C
ente
r
Resi
dent
ial
Mix
-use
d ho
usin
g
Amst
erda
m A
venu
e
Conv
ent A
venu
e
Com
mer
cial
Reta
il
Indu
stria
l
Com
mer
cial
Reta
il
Park
ing
Spa
ce
Park
ing
Spa
ce
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 130TH ST
W 129TH STRe
side
ntia
lM
ix-u
sed
hous
ing
Educ
aitio
nal
Com
mun
ity C
ente
r
130t
h St
reet
129t
h st
reet
Indu
stria
l
Park
ing
Spa
ce
Com
mer
cial
Reta
il
Park
AMST
ERDA
M A
V
CO
NVE
NT
AV
W 130TH ST
W 129TH ST
Street Section
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TO 1 TRAIN TO CCNY
TO ABCD TRAIN
TO 125 ST
Circulation
-
construction analysis
03foundation detail
-
Eames House and
Studio, is one of the most famous Mid-Century
Modern buildings in Los Angeles. It was designed by its owners, legendary design-ers Charles and Ray Eames, for Arts & Architecturemagazines Case Study House program.
Completed in 1949 along with the adjacent Entenza house (designed by Charles Eames and Eero Saarinen), the Eames property actually contains two adjacent buildings: the two-story house and the matching studio, separated by a small patio. Both buildings are simple boxes that reect the Eames love of industrial design and materials, as well as Ray Eames bold graphic and monochromatic sensibili-ty. They are built of steel frames clad in xed panels made of plaster, wood, and glass, some opaque, some translucent, and some trans-parent. Pops of white and bright primary colors among the beige, black, and gray panels lend a Mondrian-style touch to the faades.
The design is modular, high-lighting its industrial nature, and the structure of the buildings is abundantly
evident. But the houses interior is anything
but rigid and cold.
EAMeS HoUSELIVING ROOMS/ PUBLIC SPACE
KITCHEN
BATHROOMS
STUDIOS
PRIVATE SPACE
BEDROOMS
STORAGE
MAIN FLOOR - PROGRAM
MAIN FLOOR - MASSING
FIRST FLOOR - PROGRAM
FIRST FLOOR - MASSING
MAIN FLOOR
FIRST FLOOR
Eames House and
Studio, is one of the most famous Mid-Century
Modern buildings in Los Angeles. It was designed by its owners, legendary design-ers Charles and Ray Eames, for Arts & Architecturemagazines Case Study House program.
Completed in 1949 along with the adjacent Entenza house (designed by Charles Eames and Eero Saarinen), the Eames property actually contains two adjacent buildings: the two-story house and the matching studio, separated by a small patio. Both buildings are simple boxes that reect the Eames love of industrial design and materials, as well as Ray Eames bold graphic and monochromatic sensibili-ty. They are built of steel frames clad in xed panels made of plaster, wood, and glass, some opaque, some translucent, and some trans-parent. Pops of white and bright primary colors among the beige, black, and gray panels lend a Mondrian-style touch to the faades.
The design is modular, high-lighting its industrial nature, and the structure of the buildings is abundantly
evident. But the houses interior is anything
but rigid and cold.
EAMeS HoUSELIVING ROOMS/ PUBLIC SPACE
KITCHEN
BATHROOMS
STUDIOS
PRIVATE SPACE
BEDROOMS
STORAGE
MAIN FLOOR - PROGRAM
MAIN FLOOR - MASSING
FIRST FLOOR - PROGRAM
FIRST FLOOR - MASSING
MAIN FLOOR
FIRST FLOOR
-
DATE REVISION
A - 000160000
11.14.2016
ANALYSIS
PROJECTIMAGERY
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
REVISION
A - 100160000
12.21.2016
ANALYSIS
SITEPLANS
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
LOT PLAN1/8 = 1 - 0
1 1ST FLOOR PLAN1/8 = 1 - 0
2
SITE PLAN1/64 = 1 - 0
2
100 - 0
125
- 0
REVISION
A - 400160000
11.14.2016
ANALYSIS
STRUCTUREMODELS
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
BIM MODEL1/32 = 1 - 0
4
BIM MODEL1/32 = 1 - 0
3
EAST SECTION OF BIM MODEL1
Structural Engineers: Leslie E. Robertson Associates (LERA)
MEP Engineers: Jaros Baum & Bolles (JB&B)
ANALYSIS OF STRUCTURE3
WEST SECTION OF BIM MODEL1
The structural spine is a site-formed reinforced concrete vercal core, which provides shear capacity. In the cascade, there are reinforced architectural concrete columns with embedded steel-up girders.
Insulated sck built glass fin curtainwall with low-iron glass and low-e coang opmizes energy and allows for maximum transparency. Each of the glass fins is unique.
A network of social and study spaces distributed across oversized landings along an open 14-story staira single, interconnected vercal space that extends from the lobby to the top of the building.
Post-tensioned, reinforced concrete slabs with embedded structural steel, and cobiax void- formers enable the long spans and canlevers of the south facade.
In the cascade, there are reinforced architectural concrete columns with embedded steel-up girders.
DATE REVISION
A - 000160000
11.14.2016
ANALYSIS
PROJECTIMAGERY
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
columbia medical center
-
REVISION
A - 300160000
12.21.2016
ANALYSIS
STRUCTUREDETAILS
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
DETAIL SECTION1-1/2 = 1 - 0
3
SOUTH ELEVATION DETAIL 1/8 = 1 - 0
2
SOUTH ELEVATION1/16 = 1 - 0
1
A-300
2
GRADE
220
- 0
ELEV: 0 -0
A-300
3
MECHANICALELEV: 220 -0 T.O.S.
ALUMINUM DESICCANT
DOUGLAS FIR WOOD VENEER
INSULATION BOARD
DRIP GROOVE
HEAT DUCT GRILLE
DRAINAGE MAT
FILTER FABRIC
DRAINAGE PIPE
GLASS FIBER REINFORCED CONCRETE (GFRC)
COARSE AGGREGATE
MANHATTAN SCHIST
14" CERAMIC FRITTED GLASS
UNITIZED ALUMINUM MULLION
DRIP LINE EDGE
REVISION
A - 300160000
12.21.2016
ANALYSIS
STRUCTUREDETAILS
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
DETAIL SECTION1-1/2 = 1 - 0
3
SOUTH ELEVATION DETAIL 1/8 = 1 - 0
2
SOUTH ELEVATION1/16 = 1 - 0
1
A-300
2
GRADE
220
- 0
ELEV: 0 -0
A-300
3
MECHANICALELEV: 220 -0 T.O.S.
ALUMINUM DESICCANT
DOUGLAS FIR WOOD VENEER
INSULATION BOARD
DRIP GROOVE
HEAT DUCT GRILLE
DRAINAGE MAT
FILTER FABRIC
DRAINAGE PIPE
GLASS FIBER REINFORCED CONCRETE (GFRC)
COARSE AGGREGATE
MANHATTAN SCHIST
14" CERAMIC FRITTED GLASS
UNITIZED ALUMINUM MULLION
DRIP LINE EDGE
REVISION
A - 300160000
12.21.2016
ANALYSIS
STRUCTUREDETAILS
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
DETAIL SECTION1-1/2 = 1 - 0
3
SOUTH ELEVATION DETAIL 1/8 = 1 - 0
2
SOUTH ELEVATION1/16 = 1 - 0
1
A-300
2
GRADE
220
- 0
ELEV: 0 -0
A-300
3
MECHANICALELEV: 220 -0 T.O.S.
ALUMINUM DESICCANT
DOUGLAS FIR WOOD VENEER
INSULATION BOARD
DRIP GROOVE
HEAT DUCT GRILLE
DRAINAGE MAT
FILTER FABRIC
DRAINAGE PIPE
GLASS FIBER REINFORCED CONCRETE (GFRC)
COARSE AGGREGATE
MANHATTAN SCHIST
14" CERAMIC FRITTED GLASS
UNITIZED ALUMINUM MULLION
DRIP LINE EDGE
REVISION
A - 400160000
11.14.2016
ANALYSIS
STRUCTUREMODELS
COLUMBIA UNIVERSITYMEDICAL CENTER
As Shown
CITY COLLEGE OF NY ALFRED EATMAN
&
MARC MUCCIACCIO
11.14.2016
141 Convent AveNew York, NY 10031
CONSTRUCTIONTECHNOLOGY 2
104 HAVEN AVENUE,NEW YORK, NY 10032
PARSHWA DESAI
INA DAJCI
BIM MODEL1/32 = 1 - 0
4
BIM MODEL1/32 = 1 - 0
3
EAST SECTION OF BIM MODEL1
Structural Engineers: Leslie E. Robertson Associates (LERA)
MEP Engineers: Jaros Baum & Bolles (JB&B)
ANALYSIS OF STRUCTURE3
WEST SECTION OF BIM MODEL1
The structural spine is a site-formed reinforced concrete vercal core, which provides shear capacity. In the cascade, there are reinforced architectural concrete columns with embedded steel-up girders.
Insulated sck built glass fin curtainwall with low-iron glass and low-e coang opmizes energy and allows for maximum transparency. Each of the glass fins is unique.
A network of social and study spaces distributed across oversized landings along an open 14-story staira single, interconnected vercal space that extends from the lobby to the top of the building.
Post-tensioned, reinforced concrete slabs with embedded structural steel, and cobiax void- formers enable the long spans and canlevers of the south facade.
In the cascade, there are reinforced architectural concrete columns with embedded steel-up girders.
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The unique underground architectural marvels called step- wells have been constructed in Gujarat since historical times. These great sub-terranean water structures provided the travelers and their animals with rest, wateland other supplies for their journey on the trade routes. The step-well of Adalaj, built on the main caravan route of Ahmedabad and Patan (the then capital of Gujarat), was commissioned in 1499 AD by Rudabai, the widow of a Rajput noble Vikramsinh Vaghela.
Climbing down facing the well in the interior, a continuous change of scene unfolds. Curbing the inward fall of the walls on both sides are beams stretching across, supported by columns standing between the steps. In the passage space they create a three-dimensional lattice, with the stone floor slabs running across and interrupting light. They create a rhythm of light and shade. Each step of the stairs climbing down strikes the rhythm of walking. This transmits through the entire underground, and along with the rhythm of light and shade, reverberates and spreads.
Upon arrival at the bottom, a square stepped floor descends like a funnel to the bottom-most plane, which is cut out into a circular well. Col-umn and beam, wall and arched openings wind around the square stepped floor, forming a backdrop. The upper part of the well is a vertical space open to the sky. At the four corners of the square are stone beams stretch-ing at 45, forming an octagonal cut out tubular space. This framed con-struction continues across four strata, from top to bottom.
adalaj stepwell
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Studio
Studio
Forum
Library
Club
TRAFFIC
ADDING PAUSE
THE ABOVE AND BELOW PROJECT IS A DESIGN THAT CONNECTS THE AARON DAVIS HALL AND THE BERNARD AND ANNE SPITZER SCHOOL OF ARCHITECTURE IN AN ATTEMPT TO GATHER THE COLLEGE POPULATION IN THE CENTER OF CAMPUS. THE PROJECT IS CENTERED BY THE TWO EX-ISTING BUILDINGS AND ADAPTS THE EXISTING PROGRAM OF BOTH BUILD-INGS AS A WAY OF MAKING BOTH STRUCTURES INTERACTIVE WHILE ALSO INTEGRATING A NEW PROGRAM. THE NEW PROGRAM IS CONSTIUTED BY IN-TRAMURAL ACTIVITES AND DEVELOPING A FORUM/GATHERING SPACE. THE EXTERIOR FLOORS ARE MADE UP OF GARDENS AND SPACE TO PRACTICE SPORTS OR ABOVE--AND THE INTERIOR IS THE CULMINATION OF THE SPITZER, AARON DAVIS HALL AND FORUM OR BELOW .
ABOVE AND BELOW
Studio
Studio
Forum
Library
Club
TRAFFIC
ADDING PAUSE
THE ABOVE AND BELOW PROJECT IS A DESIGN THAT CONNECTS THE AARON DAVIS HALL AND THE BERNARD AND ANNE SPITZER SCHOOL OF ARCHITECTURE IN AN ATTEMPT TO GATHER THE COLLEGE POPULATION IN THE CENTER OF CAMPUS. THE PROJECT IS CENTERED BY THE TWO EX-ISTING BUILDINGS AND ADAPTS THE EXISTING PROGRAM OF BOTH BUILD-INGS AS A WAY OF MAKING BOTH STRUCTURES INTERACTIVE WHILE ALSO INTEGRATING A NEW PROGRAM. THE NEW PROGRAM IS CONSTIUTED BY IN-TRAMURAL ACTIVITES AND DEVELOPING A FORUM/GATHERING SPACE. THE EXTERIOR FLOORS ARE MADE UP OF GARDENS AND SPACE TO PRACTICE SPORTS OR ABOVE--AND THE INTERIOR IS THE CULMINATION OF THE SPITZER, AARON DAVIS HALL AND FORUM OR BELOW .
ABOVE AND BELOW
Above ane BelowThe above and below project is a design that connects the Aaron Davis hall and the Bernard and Anne Spitzer school of architecture in an attempt to gather the college population in the center of campus. The project is centered by the two existing buildings and adapts the existing program of both buildings as a way of making both structures interactive while also integrating a new program. The new program is constituted by intramural activities and developing a forum/gathering space. The exterior floors are made up of gardens and space to practice sports or Above--and the interior is the culmination of the Spitzer, Aaron Davis hall and forum or below.
desig
n studio
04 stu 5
-
Detail Title / View Title
Aerial Plan 1/64=1-0
1st Floor Plan 1/64=1-0
2nd Floor Plan 1/64=1-0
3rd Floor Plan 1/64=1-0
4th Floor Plan 1/64=1-0 Section (East) 1/32=1-0
Section (North) 1/32=1-0 Isometric 1/32=1-0
BLING BLING
Parshwa Desai and Albert Pereira BLING BLING
BLING BLING is organized by the existing grid and edge conditions instituted by the Aaron Davis Hall. The Tower is inspired by the existing y tower in theater B (black box theater) -the atrium will serve as the central hub provid-ing the entrance and access to the chain as well as func-tioning as a black box theater itself, making it a custo-maizable/versatile room to serve whatever purpose its occupants need in terms of a forum/gathering/perfor-mance space.
Detail Title / View Title
Aerial Plan 1/64=1-0
1st Floor Plan 1/64=1-0
2nd Floor Plan 1/64=1-0
3rd Floor Plan 1/64=1-0
4th Floor Plan 1/64=1-0 Section (East) 1/32=1-0
Section (North) 1/32=1-0 Isometric 1/32=1-0
BLING BLING
Parshwa Desai and Albert Pereira BLING BLING
BLING BLING is organized by the existing grid and edge conditions instituted by the Aaron Davis Hall. The Tower is inspired by the existing y tower in theater B (black box theater) -the atrium will serve as the central hub provid-ing the entrance and access to the chain as well as func-tioning as a black box theater itself, making it a custo-maizable/versatile room to serve whatever purpose its occupants need in terms of a forum/gathering/perfor-mance space.
Detail Title / View Title
Aerial Plan 1/64=1-0
1st Floor Plan 1/64=1-0
2nd Floor Plan 1/64=1-0
3rd Floor Plan 1/64=1-0
4th Floor Plan 1/64=1-0 Section (East) 1/32=1-0
Section (North) 1/32=1-0 Isometric 1/32=1-0
BLING BLING
Parshwa Desai and Albert Pereira BLING BLING
BLING BLING is organized by the existing grid and edge conditions instituted by the Aaron Davis Hall. The Tower is inspired by the existing y tower in theater B (black box theater) -the atrium will serve as the central hub provid-ing the entrance and access to the chain as well as func-tioning as a black box theater itself, making it a custo-maizable/versatile room to serve whatever purpose its occupants need in terms of a forum/gathering/perfor-mance space.
BLING BLING is organized by the existing grid and edge conditions instituted by the Aaron Davis
Hall. The Tower is inspired by the existing fly tower in theater B (black box theater) -the atrium will serve
as the central hub providing the entrance and access to the chain as well as functioning as a black box
theater itself, making it a customizable/ versatile room to serve whatever purpose its occupants need in terms of a forum/gathering/performance space.
Bling Bling
-
N
BLING BLING in its conceptual stage was a culmination of our different approaches to the Aaron Davis intervention-- essentially BLING BLING is an attempt on capitalizing on the existing Aaron Davis atrium whilst wrapping a new program around the exterior that ultimately opens up new pathways and special connections.
The building is organized by the existing grid and edge conditions instituted by the structural system in Aaron Davis. The integration of ramps, walkways and amplifying existing points of egress makes for a more cohesive experience while still leaving the building intact. A new tower houses the existing atrium, inspired by the existing fly tower in Theater B, and is what ties our chain together like a pendant hence the name BLING BLING.
CCNY Campus
1-ADH2-Towers
3-NAC4-The Quad
5-Shephard Hall6-Steinman Hall
7-Marshak Building8-CUNY Research Centers
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Restaurent + Cafe + Kitchen
Performers Lounge + Gathering space
Administration office + Conference room
Ramp
Lobby
Plans
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Sections
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Exploded Isometric
C structure
Ramp structure
Ramp assembly
Roofassembly
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RAMPC-STRUCTURE
CURTAIN
WALL
EXISTING COLUMN
CONC. FOUNDATION
Ramp Detail
Roof Detail
C- Structure Detail
Details
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Redesigning ManhattanWe made an attempt to re-design Manhattan and give it more urban friendly environment. Main idea
behind the new design is to create friendlier network of public transportation and create to allocate new zones for residential and commercial based on heights and geographic location on Manhattan. We con-
sidered the area before 1811s plan and put new systems and re-shuffled monuments based on different districts. Also we focused on new street patterns, edges of the island, highways, and waterways. We
tried to give pauses in fast pace urban life to make peoples life more interesting rather than a machine.
In this project my partner and I proposed a relief gap between commercial zone and residential zone so people would have some sort of buffer in between. We created this buffer zone as non-vehicular zone,
so pedestrian can easily meander in the area without being hit by the vehicles. We also proposed new street pattern for the residential zone, fused pattern. Fused pattern will direct the traffic from one street to another rather than keeping them on a one single street for a long span. It also helps to create small
pauses where people can come sit and enjoy the lively environment of the city.
stu 4
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Over view
Resodential and Commercial
Low height Residential
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Subway station in Buffer zone
After designing Manhattan and, the last project was to counter into the micro scale area that I worked on (project above). I created a piazza in buffer zone. I developed that piazza as retail-commercial and transportation hub underground, and also created a theatrical space on top of the subway
station which served as open air community space, marketplace and also provides performance space. I also designed a path (looks like a valley)
from residential zone to come into subway station to make more intimate experience of transforming pressure. I used various places from the world as references in order to construct the idea; I used streets of Corsica (France)
to create valley style marketplace; I used San Carlo (Rome) and Chand-bori stepwell (India) to create subway station staircase, and to create theatrical
space I referenced Charles V palace of Alhambra.
VIEW FROM COMMERCIAL VIEW FROM residential Subway progression from the main level
overviewplan : underground subway station
Site plan
Site section
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VIEW FROM COMMERCIAL VIEW FROM residential Subway progression from the main level
overviewplan : underground subway station
Site plan
Site section
VIEW FROM COMMERCIAL VIEW FROM residential Subway progression from the main level
overviewplan : underground subway station
Site plan
Site section
VIEW FROM COMMERCIAL VIEW FROM residential Subway progression from the main level
overviewplan : underground subway station
Site plan
Site section
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Stockholm public library
In this project I did analysis of Stockholm public Library's shape, circulation, lighting, function and site by creating different diagrams and solid void models. i found out that there is subtle change is every trasistion from on space to another even though threshold are smoothly blended into each other.
stu 3
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Intervention Stockholm library
This project I used some design concept of stockholm and created
an intervantion for public to sit in the landscape and see stockholm.
Here I proposed two desing which shows the process of my design
research analysis.
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Analyzing Parrish Art Museum, me and my team has to study and analyze the building structure. The main pur-pose of this project is to understand the structure, interior space and landscape. My team studied the basic structur-al design of this building. Other teams like light- program studied about the interior space and how light moves into the build-ing. Site team has to analyze the landscape interaction with the Parrish Art Museum, and at last, Material team analyzed a particular site of the building and did some study about the materials and details about the complex mechanism of the museum.
ParrishProject #2
stu 2
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Theatre on the railProject #3
After doing a project on Parrish Art Museum, next project is to design a museum on the wheels. Long Island is known for its LIRR, so We have to incorporate the train in our project
In this project, I have to create some space which is related to Parrish museum and which can put it on the train. I have to modify two containers of the train, 80 x 10 x 8 ft,
I created containers which can rotate 360 degrees. One container is 70 x 10ft and other is 10 x 10ft. When big container rotates, it creates an extra space which disclose the space underneath the container. I used that nega-tive space and created two courtyard when big container rotates.
When Container rotates 90 degrees. The environment of those two container changes. Before the rotation, it reacts as a normal passenger train, but when it rotates it becomes a theatre and the small container reacts a performing space.
One can use the courtyard which is connected to the small container as a gathering space, where anyone can engage into the performance and take part in it. Other courtyard, which left out, anyone can use that courtyard for observing beautiful landscape of the Long Island.
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Project was to analyze Duchamps box and create your own memory box.
By analyzing Duchamps box, I created a memory box which is symbolic representation of how memories are stored in our minds and how do we recollect them. Memory is not static, it never
stays in at one place. Memory is dynamic, and it moves when our minds process. I created a box that can change its shape. When you walk in to that space there are several obstacles that are
going to come across in your way. It represents your memories, like good and bad memories. We have to wait there for the right time to come to cross over that hurdle. Memory stay with you for-ever, some of them get faded and some of them stays there forever. My memory has six dynamic facades which react as a floor and ceiling, depends on which facade is the floor for you. You can jump from one floor to another facade and that facade is your new floor, like you jump from one memory to the other. In short, once you enter in to this space, you cannot exit. Its an Infinite box.
Memory BoxDuchamp - box in valise
Project #1
Duchamp created box in valise. It represents that museums are not static, you can move them.
There is one original piece of Duchamps artwork in a box, and rest of them are his cop-ies of the different artworks.
I found that there is a particular pattern and way to open this box and get to the original artwork which is in the center of the box covered with some of the copies of his artwork.
Duchamp puts his box publicly, so people can experience his artworks by themselves, but he created a restricted path that people has to follow to get to his original artwork.
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26 CCNY STYLE GUIDE
The Bernard and Anne SpitzerSchool of Architecture
Mark Color
Horizontal-Flush Left
Horizontal-Flush Right 2
Vertical
Here are examples of how each school can show its pride and color through merchandising.
Mark on Merchandise
PMS 129CC0 M11 Y70 K0R243 G207 B69HTML F3CF45
The Bernard and Anne SpitzerSchool of Architecture
The Bernard and Anne SpitzerSchool of Architecture
The Bernard and Anne Spitzer School of Architecture Mark
SCHOOLS AND DIVISIONS
When the name of a school or division is used with the City College logo, it should be aligned as shown below. The school names will be in white or black type in a colored box. Each school will have its own designated color.
Contact Info:Parshwa Desai
Spitzer School of ArchitecturePhone_ +1(914)-441-8140
Email_ [email protected]