architecture i n t e r i o r s

8/14/2019 Architecture i n t e r i o r s

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f o l i o

i n t e r i o r s


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my design

i dr m b d n, r r nd r w m l m d rn. t d n w ll l k r l . i w ll

b d nd r r n m r ry l .in my r j r nd d n n l n r. s l r

l r r , n n v n n ron r nd i m r n n w n l l l my d n.


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temporary landscape architecture

l : B z z dy M n n (p l nd)r : n l ; r n d r k n r

n n: b r n rm n, l r

l n , l r r m r n, r r - d n r n: w d r m w rk n r nb v : m d l; l m d l 1:20

a d my f n ar n W r w, p l ndt in r r D n s d

s m r 6; 2007


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m d l; l m d l 1:20;


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h i


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the project of chapel

l : n r W r w; p l ndd : r yn nd m d rn l n d n y d v l mn r n: r n r d n r (w ll , r r ); l nd

( r r ); n r r nd x r r m r lw m rbl ( v m n , l r), l nd w d (d r )b v : m d l; l m d l 1:20

a d my f n ar n W r w, p l ndt ar r s d

s m r 6; 2007



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v w r m r d



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n r r

n



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v l z n : v w r m d nd n



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transformation postindustrial building into library

l : x n , nd r l b ld n n n r c r M l n, i ly); n w n n: m n l br ry c r . M l n w

m n m n l r r n r ndly l l v n. t dr j w n . t x n b ld n w r n rm d

w y n n r r d rr nd n . in r n b b ld n w r k , n w n n w n d d nd

l n w r n b x w l r , m r l nd dd r r m ld r r r . all n n r n l, x r r wr l d w r n r n r n rd r n b ld n nd

l n l k n r l l n d l b

p l n d M l n ; i lyt in r r D n s d ; f l y D n;s m r 7; 2007/08


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the project of two family house

t r n n r j w d k n v rdn r l r nd nd d m v n n r

bl w rd r n rd r v r nd . t l w n r nd r , m k n m r n d n

r n r n r. t w y n l v n d n

n. t w ll r m r d r nd lm w nd w nd r q v l n n . fr m rd n n r r r n n m lv b k-y rd. ab v : v w r m

; l 1:200

a d my f n ar n W r w, p l ndt ar r s d

s m r 3; 2005/06



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m d l; l m d l: 1:100 l v n r m rd n d

r m n l v n r m r



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l v n r m r d


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i n t e r i o r s


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modernization of existing interior - room of student of architecture

in r r w r n rm d n w y m k n b x n m r v l m . t b r j d n wr l n nd r n z n r m w rk n

t b rd r r n r n r l r d nd n n l v l r. t l r d v n m k n n

l n l lw y r w rk. unr ll n r l r dn nd n l n m l k l r rvr . t r n rr n m .

b v : r m m d l; l m d l: 1:20

a d my f n ar n W r w, p l ndt el m n D n s d

s m r 2; 2005


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m d l; l m d l 1:20

i n t e r i o r s


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the project of exhibition Warsaw by night

t w y w n bj n x b n m z . t y n l r l m d rbl. L k d rkn n d n r m my ry,

w r l n w y r m r n bl s d l r x b n: y n W r w. M r x b n: wn

a d my f n ar n W r w, p l ndt el m n D dn s d ii

s m r 3; 2004/05


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i n t e r i o r s


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v w i-i; l 1:200

v w ii-ii; l 1:200


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i n t e r i o r s


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the project of living space for one person, on the attic

t w rk n d n nly r j n n r r d r n, bll r n bl r r l n r r n nn

w l b ld n . i w n d r n n n w n n (w rk, k n - k n nn x, r , l ) w r l rly

b n n w y d v d n n r m d l; l m d l: 1:20

a d my f n ar n W r w, p l ndt in r r D n s ds m r 5; 2007


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i n t e r i o r s


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f


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the chair

d : m k r n m , nd l rm r l : r m w rk: lyw d; nd b k: md ; n l y:

l m n ( r r m b k) w by l r r m lyw d r md ;

b v : r l z n

a d my f n ar n W r w, p l ndt f rn r D n s d

s m r 6; 2007


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f


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stool for work with an easel

d m r l : r m w rk: l ( lr n, r n l r m ld n ); : l ;

z : 77/35/35 m;b v : r l z n


s m r 5; 2006


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f


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arm-chair inspired by Marylin Monroe

m r l : r d r n k nd l : r : n y l ,nd r bl k n d r : rd l ; b v : m

l m d l: 1:5


s m r 5; 2006


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system of boxes for records

t m l m n m d m d l w z r l d r m r rd z (14/12,5 m). e n b mb n d w n rm k n d r n n r n . t r d nd n w m ny r

rd w w n n nd w m w v n r d k.d m r l: m d ll r lyw db v : r m r l z n

a d my f n ar , p l ndt el m n D n s d

s m r 2; 2005


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f


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visual identification of childrens hospital

b v : l y , r nl m n w rk: v n - rd, nv l nd r,

l r r nd n r r

a d my f n ar n W r w, p l ndgr D n s d

s m r 4; 2005/06

g r a p h i c


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g r a p h i c


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texts wrappingt k n d r n r , r -d m n n l n

ll r n bl n r r r l r ry x . en l d x : b k B rb r n n rd n by Zb n w h rb r . ab v : r

d m n n l n , v w n n d ;d m r l : , nd, m r;

z : d 32 m n d m r, 4 m

a d my f n ar n W r w, p l ndgr D n s d

s m r 4; 2005/06

g r a p h i c


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ll r n nd y r y


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g r a p h i c


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posters about identity

s r r b d n y w b- l r l n, n n l y, x, r , l . b v : r l

a d my n ar n W r w, p l ndgr D n s ds m r 8; 2007/08

g r a p h i c


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r rn d r m n r

nv ; z 55/30 m2007

a r t


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a r t

m d l n dn d r m n r

l n rdb rd; z 50/70 m2005/06


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a r t

dy m r r r , z ldr wn r m nn l n r; z 50/70 m


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dy m n ddr wn r m n r

r y n n r; z 40/60 m

a r t


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dy; dr wn r m n r

r y n n r; z 100/70 m

a r t


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moving phantom

t n m w d n n b b rv n m n n my. in w rk my wn b dy w r d. t l r m b l .

nd n n m: 170 m; m r l : r m w rk - w d, ll r - yr n, - m d n r-m n q

a d my f n ar n W r w, p l nds l r s d

s m r 2; 2005


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r m n n m: dy


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a r t


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human body as a source of inspiration

s r n r r l n b w n rl m n r .

w -bl k n q ; z : 40/40 m

a d my f n ar n W r w, p l nds l r s d

s m r 1; 2004

a r t


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r n r l r nd d v n

wn dy2004/05

a r t

architecture i n t e r i o r s

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