archinect resume and work samples
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Resume and Work SamplesTRANSCRIPT
WORK SAMPLES JESSICA IVRY_UC BERKELEY M.ARCH OPTION 3, 2012
MOVING FORWARD P_2 RESUME
P_3 VOIR ET ÊTRE VU FALL 2011 & SPRING 2012
P_9 MISSION POOL FALL 2010
P_11 MUSEUM ADDITION SPRING 2010
EDUCATION
WORK EXPERIENCE
COLLEGIATE AWARDS AND ACTIVITIES
VOLUNTEER ACTIVITIES
PROFICIENCIES
[email protected] 925_285_0275 26 Copperfield Lane Danville, CA 94506JESSICA IVRY
Avila Design _ Architectural Intern Responsibilities included red-lining, drafting, designing, researching and assisting the other designers in the various projects being worked on. In charge of the materials library and helped with any administrative tasks that needed attention. Main Street Properties Services _ Marketing Intern Wrote and formatted newsletters and email blasts regarding city planning. Creatively designed marketing tools for a diverse group of clients using Adobe Products. Lord Aeck and Sargent, Inc. _ Intern Created information boards detailing several projects for meetings with clients. Rotated through all six architecture studios learning about the practice on multiple scales. Initiated a project for creating a new organizational system for the marketing department.Red Wagon Kids _ Retail Employee Designed store window displays and helped with store merchandising. Worked on the sales floor selling clothes, gifts and toys.Meadow Swim and Tennis Club _ Head 8 and Under Coach, Senior Coach, Junior Coach Led a group of twenty junior coaches. Wrote and executed all eight and under practices and meet line-ups. Communicated expectations to children and parents. Worked with other coaches to have fluid and synched system.
Emory University Swim Team NCAA Team Champions 2005, 2006, All-American, 2-time All-American, Honorable Mention, UAA Team Champion 2004, 2005, 2006, 2007, Individual UAA Champion 2004. 12-time UAA finalist.
Alpha Epsilon Phi, Epsilon Eta Chapter Participated in many sisterhood and charity events benefiting the Atlanta community. Organized decor for the annual fundraiser for Susan G. Komen Breast Cancer Foundation.Freshman Advising and Mentoring at Emory _ Student Advisor Displayed leadership skills by organizing and supporting a group of incoming freshman in their transition to college life at Emory.Varsity Athletic Committee Promoted spirit and participation for athletic activities. Organized the Varsity Athlete Semi-Formal.
Emory University Alumni Association Volunteering in several capacities including conducting Admissions interviews, community charity events, and the five year reunion committee.
Rhinoceros, Maxwell, VRay, AutoCAD, Adobe Photoshop, Illustrator, and InDesign, Microsoft Word, Excel, and Powerpoint.
Emory UniversityBachelor of Arts, Sociology and Architectural Studies 08/03 - 05/07
Harvard UniversityGraduate School of DesignCareer Discovery 06/05 - 07/05
Columbia UniversityGraduate School of Architecture Planning and Preservation, Shape of Two Cities 08/07 - 05/08
University of California, BerkeleyCollege of Environmental DesignMasters of Architecture 08/09 - 05/12
Lafayette, CA06/08 - 08/08
Atlanta, GA01/06 - 05/06
Berkeley, CA08/11 - 05/12
Lafayette, CA01/06 - 05/06
Orinda, CA01/06 - 05/06
08/03 - 03/07
01/04 - 05/07
08/04 - 05/05
08/05 - 05/07
06/08 - present
3
1,2,3
M104
M11
M7
M10
M20M66
M5
W 64 ST
W 66 ST
AMST
ERDA
M AV
W 65 ST
W 62 ST
BROADWAY
COLU
MBUS
AV
Metropolitan Opera House
Vivian Baumont Theater
Hearst Plaza
Barclay’s Capital Grove
DamroschPark
Juilliard School of Music
Avery Fisher Hall
David H. Koch Theater
Fordham University School of Law
Fordham University Dormatory
Louis Stein Center for Law and Ethics
David Rubenstein Atrium
Frederick Rose Hall
Josie Robertson Plaza
New York Public Library for the Performing Arts
Alice Tully Hall
Illumination LawnLincoln Restaurant
B
B
1
A
A
PRIMARY STRUCUTRE
SECONDARY STRUCTURE
TERCERARY STRUCTURE
WRAPPER
2ND FLOOR
3RD FLOOR
SITE PLAN 1” : 100’
PROCESS DIAGRAMS 1ST FLOOR PLAN 1” : 25’
VOIR ET ÊTRE VU: L’Atelier de la Mode MASTERS THESIS_2011-2012
Fashion week is an exhilarating event that takes place twice annually in most major cities, bringing the fashion industry into one space to watch the world’s premier designers show their collections. Damrosch Park at Lincoln Center is currently the home to New York’s spring and fall Fashion Weeks. This thesis explores the possibilities of a permanent pavilion utilizing glazing and other materials with varying transparencies to allow for selective visual access to the public and providing an image for the fashion industry. The pavilion is able to transform on an hourly basis from one designers show to the next, allowing for the designers aesthetic and personality to be reflected in the space by their choice in materials and visual access. Lincoln center was built in the 1960s and underwent some transformations in the last five years. It houses eleven performing arts and fourteen organizations that are based there. Over seven days, ninety designers present their collection to the fashion industry, only giving access to those in the fashion industry and the media, no tickets on sale to the public. The program for the design is a permanent pavilion that can be transformed to accommodate all types of events, including spring and fall fashion week, big apple circus, midsummer’s night swing, and be the home for the offices of Lincoln center fashion, IMG and CFDA, a gallery, an archives, and a café. The design starts with a grid of columns with a permanent wrapper around it. The permanent program is located on the second floor as well as all the support and storage.
Harvard UniversityGraduate School of DesignCareer Discovery 06/05 - 07/05
3 3
February 9FALL FASHION WEEK
Septmeber 9SPRING FASHION WEEK
4:00PM
6:00PM
12:00PM
2:00PM
8:00AM
10:00AM
March 7SCOPE ART SHOW
November 4BIG APPLE CIRCUS
NE CORNER OF PAVILION
135°
150°
165°180°
195°
210°
225°
N15°
330°
345°
45°
30°
315°
240°
270°
285°
255°
300°
75°
90°
105°
120°
60°1st Jul
1st Aug
1st Sep
1st Oct
1st Nov
1st Dec1st Jan
1st Feb
1st Mar
1st Apr
1st May
1st Jun
Stereographic DiagramLocation: 40.5, -73.6°Sun Position: -179.3, 53.6°HSA: -179.3°VSA: 126.4°
Time: 12:00Date: 1st Apr (91)Dotted lines: July-December.
10°
20°
30°
40°
50°
60°
70°
80°
8
6
7
5
16
17
18
19
910
11
15
121314
CENTER OF PAVILION
135°
150°
165°180°
195°
210°
225°
315° 45°
N15°
30°330°
345°
240°
270°
285°
255°
300°
75°
90°
105°
120°
60°1st Jul
1st Aug
1st Sep
1st Oct
1st Nov
1st Jan1st Dec
1st Feb
1st Mar
1st Apr
1st May
1st Jun
Time: 12:00Date: 1st Apr (91)Dotted lines: July-December.
Stereographic DiagramLocation: 40.5, -73.6°Sun Position: -179.3, 53.6°HSA: -179.3°VSA: 126.4°
10°
20°
30°
40°
50°
60°
70°
80°
8
910
11
15
16
17
18
19
121314
6
7
5
SECTION 1 : 1 1” : 20’
SECTION B : B 1” : 20’
2ND FLOOR PLAN 1” :25’
SHADE AND SHADOW DIAGRAMS
SECTION A : A 1” : 20’
SITE AXONOMETRIC
3RD FLOOR PLAN 1” : 25’
VOIR ET ÊTRE VU: L’Atelier de la Mode MASTERS THESIS_2011-2012 45
ARCHIVE
BACKSTAGE
CAFE
GALLERY
LOBBY
MEDIA AREA
OFFICES
PRESS AREA
SHOWS
SPONSERS AREA
TECH AREA
DESIG
NERS
EMPL
OYEE
S MB
/IMG
HAIR
/MAK
EUP
PRES
S
PUBL
IC
SPON
SERS
TICKE
T HO
LDER
S
TRANSPARENT
40% TRANSLUCENT
60% TRANSLUCENT
80% TRANSLUCENT
OPAQUE
EXISTING CONDITION
ARCHIVE
BACKSTAGE
CAFE
GALLERY
LOBBY
MEDIA AREA
OFFICES
PRESS AREA
SHOWS
SPONSERS AREA
TECH AREA
DESIG
NERS
EMPL
OYEE
S MB
/IMG
HAIR
/MAK
EUP
PRES
S
PUBL
IC
SPON
SERS
TICKE
T HO
LDER
S
TRANSPARENT
40% TRANSLUCENT
60% TRANSLUCENT
80% TRANSLUCENT
OPAQUE
DESIRED CONDITION
BEFORE
PUBLIC
PRESS
PUBLIC
TICKETED
DURING AFTER
HAIR/MAKEUP
MODELS
TICKETED
MODELS
BEFORE DURING AFTER
Febr
uary
9-16
Fash
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eek
Sept
embe
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20
Fash
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Sept
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Philh
arm
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Open
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ight G
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July
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ugus
t 14
Out o
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rs
Nove
mbe
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Big A
pple
Circu
s
June
27-Ju
ly 17
Mids
umm
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Nigh
t Swi
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March
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t Ope
ra G
ala
March
7-11
Sc
ope
Art S
how
YEAR2012 LINCOLN CENTER SCHEDULE
DANCEEVENT
ENTERTAINMENTART
MUSICFASHION
JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY AUGUST SEPTEMBER OCTOBER NOVEMBER DECEMBER
2012 FASHION WEEK SCHEDULE
2012 NEW YORK FASHION WEEK FEBRUARY 9-16
2012 NEW YORK FASHION WEEK FEBRUARY 15
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YEAR
WEEK
DAY
JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY AUGUST SEPTEMBER OCTOBER NOVEMBER DECEMBER
6A 7A 8A 9A 10A 11A 12P 1P 2P 3P 4P 5P 6P 7P 8P 9M 10P 11P
2_9_12 2_10_12 2_11_12 2_12_12 2_13_12 2_14_12 2_15_12
FASHION WEEK SCHEDULE
LINCOLN CENTER SCHEDULE
COMPARISON SECTION
LACE INSPIRATION
VIEW COMPARISON
USER GROUP COMPARISON
DESIGNER COMPARISON
VOIR ET ÊTRE VU: L’Atelier de la Mode MASTERS THESIS_2011-2012
The design allows for the public to view the shows from the exterior and even potentially from above. In addition to adding this public element to the typically sheltered event, the other goal in designing this permanent structure this way was to allow for maximum transformation on a hourly basis. The designer has the choice of screens, fabric, background screens, projects and lighting. On a daily basis each venue has to transform for at least six shows.
45 5
SMALLER VENUECENTRAL GATHERING SPACE
SOUTHERN FACADENORTHERN FACADE
PLAN 13’-24‘ 1” : 25’
VOIR ET ÊTRE VU: L’Atelier de la Mode MASTERS THESIS_2011-2012 67
NANETTE LAPORE 10:00AM 9:00AM
ANNA SUI 5:00PM MILLY 3:00PM
VOIR ET ÊTRE VU: L’Atelier de la Mode MASTERS THESIS_2011-2012
This permanent pavilion is a necessary addition to Lincoln center and New York City. The design allows for a flexible space to provide a home for the various events that take place throughout the year, additionally it is the new home for fashion week, and it will provide the public access to fashion week that the public is not allowed in its current formal.
67 7
SECTION PERSPECTIVES & WALL SECTION ELEVATIONS
J. MANDEL 1:00PM MICHAEL KORS 11:00AM
10:00PM VIVIANNE TAM 7:00PM
VOIR ET ÊTRE VU: L’Atelier de la Mode MASTERS THESIS_2011-2012 89
52 DEGREESMARCH - OCTOBER
28 DEGREESDECEMBER- JANUARY
40 DEGREESJANUARY - MARCHOCTOBER - DECEMBER
0 DEGREESSEALED SHUT
6
1/2” : 1’
+ 2’ 6”+ 0’
+ 2’ 6”
+ 2’ 6”
+ 2’ 6”
+ 0’
+ 2’ 6”
+ 2’ 6”
- 1”
+ 2’ 7 3/4 ”
+ 2’ 7 3/4 ”
+ 2’ 7 3/4 ”
+ 4’
+ 4’
A
BB
A
A
+ 2’ 6”+ 0’
+ 11’
+ 2’ 6”
+ 2’ 6”
+ 0’
+ 2’ 6”
+ 2’ 6”
+ 2’ 7 3/4 ”
+ 2’ 7 3/4 ”
+ 2’ 7 3/4 ”
+ 4’
+ 4’
BB
A
52 DEGREESMARCH - OCTOBER95% SUNLIGHT60% AIRFLOW
52 DEGREESJANUARY - MARCHOCTOBER - DECEMBER60% SUNLIGHT60% AIRFLOW
28 DEGREESJANUARY - MARCHOCTOBER - DECEMBER30% SUNLIGHT20% AIRFLOW
40 DEGREES JANUARY - MARCHOCTOBER - DECEMBER90% SUNLIGHT40% AIRFLOW
28 DEGREESDECEMBER - JANUARY75% SUNLIGHT20% AIRFLOW
0 DEGREES5% SUNLIGHT2% AIRFLOW
SECOND FLOOR PLAN 1/8” : 1’FIRST FLOOR PLAN 1/8” : 1’
NORTHERN FACADE
NORTHERN FACADE
OPERATIONAL, ENVIRNOMENTAL, AND PROCEDUARL DIAGRAMS
PUBLIC ENTERENCE RAMP POOL ENTERENCE
MISSION POOL 201 STUDIO_FALL 2010
The primary goal for this project is to capture the site and create a piece of municipal infrastructure that can be used at all times of day for many different functions. I captured the site with the structural roof system and divided it into three programmatic bars with adjacent outdoor, but enclosed programmable zones. The pool is located at the North side of the site, pushed up to the street edge, to draw a parallel between the movement surrounding the site and the exercise taking place in the pool. The roof system is four systems that act to enclose the whole site, topped by operable panels that open and close to allow for specific amounts of light and air to move in and out of the building. There is no need for mechanical systems, because the pool acts as a heat sink and the operable panels allow for the hot air to escape.
89 9
+ 2’ 7 3/4” + 2’ 7 3/4”
+ 4’
+ 2’ 6”
- 3”
+ 2’ 6”
+ 0’
+ 2’ 6”
+ 11’
+ 2’ 6”
- 6’ 6”
- 1/2”
+ 0’
+ 2’ 6”
+ 4’
+ 0’
+ 2’ 6”
+ 4’
+ 11’
+ 2’ 6”
SECTION A - A 1/4” : 1’
WEST ELEVATION 1/4” : 1’
SECTION B - B 1/4” : 1’SOUTHERN PUBLIC ACCESSWALL SECTION WITH ELEVATION
SOUTH-WESTERN FACADENORTH ELEVATION 1/4” : 1’
MISSION POOL 201 STUDIO_FALL 2010 1011
TUBE INTERIORWESTERN FACADE
SECOND FLOOR PLAN 1m : 100mFRIST FLOOR PLAN 1m :100m THIRD FLOOR PLAN 1m : 100m
FORTH FLOOR PLAN 1m : 100m
MUSEUM ADDITION 200B STUDIO_SPRING 2010
This project is an addition to the Museo Archelogico in Victoria, Spain. The addition will house various types of local plants that need a large variation in amount of light. Francisco Mangado, the architect, played with hiding and revealing with density with the light tubes in order to display the artifacts house inside the museum. The addition fills the courtyard with light tubes and extends the floor plates into the courtyard. The tubes then pierce through floor plates to allow light to filter down through the tubes; display-ing different types of plants according to a gradient of access to darkness and lightness. One is able to begin to move inside the tubes as one moves up in the building, leading to the top floor where one circulates through the tubes to access the roof level.
1011 11
SITE SECTION 9 : 9 1m : 200m
PLANTING DIAGRAM
SECTION DETAIL 1m : 20mSECTION 9 : 9 1m : 100m
SECTION G : G 1m : 100m
SUN SHADING DIAGRAM
MUSEUM ADDITION 200B STUDIO_SPRING 2010 12