archimedes in bits: the digital presentation of a write-off
TRANSCRIPT
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Digital Proceedings of the Lawrence J. Digital Proceedings of the Lawrence J.
Schoenberg Symposium on Manuscript Schoenberg Symposium on Manuscript
Studies in the Digital Age Studies in the Digital Age
Volume 1 Issue 1 On the Nature of Things: Modern Perspectives on Scientific Manuscripts
Article 4
2009
Archimedes in Bits: The Digital Presentation of a Write-Off Archimedes in Bits: The Digital Presentation of a Write-Off
William Noel The Walters Art Museum, [email protected]
Follow this and additional works at: https://repository.upenn.edu/ljsproceedings
Recommended Citation Recommended Citation Noel, William (2009) "Archimedes in Bits: The Digital Presentation of a Write-Off," Digital Proceedings of the Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age: Vol. 1 : Iss. 1 , Article 4. Available at: https://repository.upenn.edu/ljsproceedings/vol1/iss1/4
This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ljsproceedings/vol1/iss1/4 For more information, please contact [email protected].
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Archimedes in Bits: The Digital Presentation of a Write-Off Archimedes in Bits: The Digital Presentation of a Write-Off
Abstract Abstract The Archimedes Palimpsest is considered by many to be the most important scientific manuscript ever sold at auction. It was purchased at a Christie’s sale on October 1998, by an anonymous collector for $2,000,000. The collector deposited the Palimpsest at the Walters Art Museum, Baltimore, for exhibition, conservation, imaging and scholarly study in 1999. Work has been ongoing ever since. The Archimedes Palimpsest contains seven of the Greek mathematician’s treatises. The manuscript was written in Constantinople (present day Istanbul) in the 10th century. In the 13th century, the manuscript was taken apart, and the Archimedes text was scraped off. The parchment was reused by a monk who created a prayer book. The Archimedes manuscript then effectively disappeared. Since 1999, intense efforts have been made to retrieve the Archimedes text. Many techniques have been employed, including multispectral imaging, x-ray flourescence imaging and synchrotron x-ray scanning at the Stanford Linear Accelerator Center in California. The imaging efforts have led to a re-evaluation of the work of Archimedes, and to the retrieval of entirely new texts from the ancient world.
Keywords Keywords Archimedes, medieval manuscripts, digital imaging, conservation
This presentation is available in Digital Proceedings of the Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age: https://repository.upenn.edu/ljsproceedings/vol1/iss1/4
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Archimedes in Bits
The Digital Presentation of a Write-Off
William Noel
A Speech Presented at the first Annual
Lawrence J. Schoenberg
Symposium on
Manuscript Studies in the Digital Age
November 1-2, 2008
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Today I talk not about Archimedes, the man and the myth,
but about a book, technically known as Codex C, which is the
unique source for “The Method”, “Stomachion”, and the only
Greek text of “Floating Bodies”.2
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Codex C was almost certainly made in Constantinople in the tenth century,
copied from earlier manuscripts. Isidore of Miletus, one of the architects of
Hagia Sophia, was instrumental in the transmission of Archimedes works.
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Creation of the Palimpsest
http://www.sunday-times.co.uk/
Sometime in the thirteenth century, Codex C was palimpsested.
It was disbound, the text erased. The conjoint leaves were then cut in half.
These leaves were then reused, together with erased parchment from
other books, to make a prayer book, or Euchologion.
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The manuscript became a prayer book. Archimedes’
writings and other erased texts disappeared from
knowledge.
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From at least the sixteenth
century, the manuscript was
used at the Great Lavra of St
Sabas, in Palestine. It stayed
there, incognito, until the
nineteenth century.
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By the 1840’s the manuscript was in the Metochion of the Holy Sepulchre
in Constantinople. The manuscripts at the Metochion were catalogued by
Papadopoulos-Kerameus in 1899. Ms.355 was our prayer book. But PK also
transcribed some of the under-text, which was mathematical in nature.
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Papadopoulos-Kerameus’s
catalogue came to the attention of
Johan Ludvig Heiberg, the great
expert on Archimedes. He visited
the Metochion to study the
manuscript in 1906, and discovered
the unique Archimedes texts in the
book. These he proceeded to
publish over the next eleven years.
It is on Heiberg’s work that all
subsequent Archimedes
Scholarship has been based.
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Heiberg had photographs made of many folios in the
manuscript. These are now kept in the photo archive in the
Royal Library in Copenhagen.
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Following World War One, and in difficult
circumstances, the manuscripts at the
Metochion were moved to the National
Library in Athens. Several precious
manuscripts were lost in the process,
including this manuscript, now at The
Walters Art Museum, and the Archimedes
Palimpsest, which entered a French private
Collection.
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The manuscript was sold at auction, by Christie’s New York,
on October 29th, 1998.
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It was bought by an anonymous private collector for 2 million dollars plus
buyer’s premium. At the time of the sale it was made clear that the
manuscript would be made available for study.12
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The manuscript was in much worse condition than it was when Heiberg
studied it. On the left is a photograph that Heiberg had made of a leaf
of the Palimpsest in 1906. On the right is the same page today, covered
with a modern painted forgery.
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Professor John Lowden identified the forgery as having been copied
from a publication on Greek manuscripts, published in 1928. There are four
such forgeries in the book, two of which cover the introduction to The Method.14
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The manuscript has also suffered very badly from mold. On the left is a Heiberg
photograph of the unique surviving page of the Stomachion. On the right is the
same page today, largely devoured by mold.
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This book is the ultimate write-off. But it was not written off by the
manuscript’s new owner. 16
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He deposited the manuscript at The Walters Art Museum, where it has been
the subject of ten years of conservation, imaging and scholarship.
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The project is managed by Mike
Toth of R.B. Toth Associates.
It is his job to make sure that the
project is run on schedule, at a
reasonable cost, and to the
highest possible performance.
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The Conservation is being undertaken
by Abigail Quandt, Senior Conservator
of Manuscripts and Rare Books at The
Walters Art Museum.
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Cross section of parchment & ink
This is a photo-micrograph of a core sample from the Palimpsest,
which reveals that the Archimedes ink is little more than a stain,
and that the collagen in the parchment is breaking down. This image
was part of a study that Quandt commissioned from the Canadian
Conservation Institute.20
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Severely weakened & perforated by mold,
parchment is easily torn
Normally parchment is tough. Much of the Palimpsest, however, is like tissue
paper.
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Quandt had to disbind the book prior to imaging. One big problem was the modern
glue on the spine (where it is whiter in the picture). This glue, put on in the second
half of the Twentieth Century, is tougher than the parchment that it supports.
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It is not surprising, therefore, that it took Quandt four years to disbind the
manuscript. This is a rare action shot………….
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The very first page of the book is on the left. After Quandt took it apart,
Professor Reviel Netz (more of whom later), identified the leaf as a
previously unrecognized part of “Floating Bodies”. It became clear that
with imaging it would be possible to extract more Archimedes text than
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Before imaging, Quandt and her colleagues mechanically removed lots of dirty
wax from the parchment. This wax is the residue of burnt candles, the wax of
which had fallen on the book while it was being used as a prayer book. 25
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Guard & adhesive gradually removed
The modern glue was carefully removed using a mixture of
isopropanol and water.
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All the particulate matter taken from the surface of the pages has been retained,
and catalogued by the leaf that it came from.
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Detached fragments with Archimedes text
These are some small fragments of the codex that need to be
returned to their rightful position.
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Ultraviolet light image of fragments sent
to Reviel Netz for their identification
Under ultraviiolet light it is possible to see that sometimes they have text on them.
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Fragment belonging to f.57 was reattached
on the last day of the recent imaging session
With their text transcribed, their place can be identified, and they can be put back
in their proper location.
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The gutters of the pages often needed the most work.
Here is a typical example of damage.
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Here is Quandt working on the damaged gutter
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Here is a “before shot”, an “after shot”, and an ultraviolet image of the mended
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Eventually the manuscripts were ready for imaging, and a mat was
made for each leaf for that purpose.
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The Imaging Team:Keith Knox
Boeing Corporation
Roger Easton
RIT
Bill Christens-Barry
Equipoise Imaging LLC
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Multispectral Imaging
ultraviolet 450 nm 550 nm 650 nm near infraredThe primary text that the imaging team used is called multi-spectral imaging.
The team takes images of the Palimpsest at different wavebands of light. (In the
illustrations above we are running from ultraviolet on the left through to infrared
on the right, and the Archimedes text is most apparent, running horizontally,
in the ultraviolet). The team then combine these images together in
post-processing to bring out the erased text.
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Reconstructed Underwriting f. 070v
f.070 verso
Our early efforts were spectacular. This is the same page,
first under natural light, and then processed to bring out the under-text.
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Our Reaction to Scholars’ Reaction
They were also total failures.
The results were noisy and
extremely difficult to read.
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Images Under Two Illuminations
Tungsten Ultraviolet
f. 093v-092r
Owner of the Archimedes Palimpsest
We got better at it. We merged a red natural light image, with a blue
ultraviolet florescence image. Since the parchment is light in both, it will
come out light. Since the prayer-book text is dark in both, it will come out dark.
And since the Archimedes text is dark in the ultraviolet image, but light in the
reddish regular image, the idea is that it will come out red.
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f. 093v-092r
And this is the result.
The Archimedes text is
clearly distinguished from
the prayers on top of it,
and from the parchment
beneath it. The algorithm
used to create this was
devised by Keith Knox.
It is easy to apply, and
works over large sections
of the manuscript. It should
also work on many other
palimpsested texts,
in principle.
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Comparison to Visual Image
Visual Appearance
f. 093v-092r
A quick comparison: natural light on the left, processed “pseudocolor” on the right.
The diagram now shows up well.
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Pseudocolor Result
f. 048r
Owner of the Archimedes Palimpsest
Sometimes the results are really extraordinary……..
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In the summer of 2007, we
re-imaged the entire manuscript
in sixteen wavebands of light, cover
to cover, using instrumentation by a
great guy, the late John R. Stokes,
of Stokes Imaging, Austin Texas.
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Bill Christens-Barry of
Equipoise imaging built
the lighting system out
of LEDs (Light Emitting
Diodes) . This lighting
system allows for portable,
inexpensive multi-spectral
imaging, and is now
commercially avaiable
as the “Eureka lights!”
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This is the same
set up, in blue.
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Here is Archimedes Method
Proposition 14 in sixteen
different wavebands of light.
On none of them can the
text be red. It takes post
processing of the different
wavebands to create a product
that is legible.
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The Pseudocolor images
That we create are not
pretty, but they are for
the most part effective.
But, to see how useful
they are, you need to
zoom in.
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And in…
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And in….
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And in……
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And in……
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And in.
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We apply very similar post processing
to get a fundamentally different view,
one that strips off the over-text.
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This is particularly useful for getting
a sense of the diagrams, which are
of extraordinary importance in
Archimedes Scholarship.
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Of course these optical techniques
had limitations when it came to
reading texts on pages that were
particularly dirty, or which had
forgeries painted on top of them.
These were extremely challenging.
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In April of 2004, we convened a meeting of top imaging scientists to brainstorm about
a way forward with the particularly difficult pages.
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Three scientists came up with the same idea: X ray florescence imaging.
These scientist are, from left to right:
Bob Morton, of Conoco Phillips
Gene Hall, Professor of Chemistry at Rutgers University
Uwe Bergmann, Staff Scientist at the Stanford Synchrotron Radiation Laboratory
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X-ray flourescence imaging works in the following way: if an atom is struck by
an X-ray it will shed an electron with a specific energy. If we can measure the
energy of that electron, we can determine the atom that it comes from. Since
the ink had a high iron component, it should be possible to determine where
the iron is.
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We took a leaf of the Palimpsest to the EDAX company in New Jersey, who
make X ray tubes, and they very kindly lent us their equipment. We found that
we could determine high iron content in the Palimpsest. What we
needed to do was to map the iron content, and at a reasonable speed.
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The best we could find was the Stanford Synchrotron Radiation Laboratory at
The Stanford Linear Accelerator Center. This is an oval particle accelerator
that is aboutthe size of a football field.
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Electrons spin around the accelerator at the speed of light, and shed Synchrotron
radiation - very powerful, tunable X rays - as they circle. We were on beamline 6.2,
where Uwe Bergmann ran the operation.
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Of course we cannot move the beam, so we have to move the Palimpsest,
leaves of which we set up on an XY stage in front of the beam.
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It took about twelve hours to scan one column of one page,
but the result was Archimedes text that the scholars could read.
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Nigel Wilson, on the left, author of Scribes and Scholars, and Scholars
of Byzantium, is one of two scholars working on the transcription of
Archimedes works. He lives in Oxford. 64
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Reviel Netz, Professor of
Ancient Science in the
Classics Department at
Stanford, who was already
engaged in the translation
of Archimedes works, is also
working on the transcription
of the Palimpsest.
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The Pseudocolor allowed them to read more than Heiberg could
see of the Archimedes folio 105-110, which contains the text of
Archimedes’ Method Proposition 14.
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Our work paid off. I received the following email from Netz:
Reviel Netz ([email protected]) Fri Apr 13 09:49:13 2001
In a couple of months the first intellectual fruits of our labour will be published, together with a complete transcription of one crucial side of one page, most of which is unknown to modern science.
To sum up, the new reading from Archimedes' Indivisibles Proof should call for some reconsideration of the position of Archimedes in some key areas of the history of mathematics, especially the two related conceptual fields of the calculus, and of infinity.
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This new interpretation of the Method was published in a series of articles
in the scholarly Journal Sciamus.68
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The story also caught the
popular imagination, and
received press attention. This
was important, as many
people who helped with the
project did so because they
heard about it through the
press.
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Netz also came to a new interpretation of the Stomachion. It was known
that the treatise concerned a square, made up of 14 pieces. But no one really
had a clear idea about what Archimedes was doing with this square…..
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Based in part on new images
of the Palimpsest, Netz
thought that it might be that
Archimedes was working out
how many ways the 14 pieces
could be combined to make
a perfect square. He asked
Bill Cutler to work it out, using
a computer program.
The answer was……
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17,152.
If Netz is right, and many
believe him to be, this
would make the Stomachion
a very early treatise on the
mathematical discipline of
Combinatorics.
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Netz and Wilson worked
primarily on the Archimedes
texts. If you remember
however, there are other
palimpsested texts in the
manuscript which had never
been deciphered. Natalie
Tchernetska, who was at
the time working on a
PhD on Greek palimpsest
practices, looked into the
other folios.
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In 2002 Tcherneska identified
five folios of the manuscript in which
the under-text was not written in two,
but in one column. She identified
these leaves as containing the text
of speeches by the attic orator
Hyperides. Hyperides was one of the
ten canonical orators of antiquity, a
contemporary of Demosthenes and
Aristotle. Some fragments of his work
were discovered on papyrus in the
Nineteenth Century, but this is the first
Hyperides text to be discovered in a
codex, and is a major find for scholars
interested in Athenian law and politics.
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In 2005, a third text of great
interest was discovered in the
Palimpsest. Netz and Wilson had
been picking out odd phrases that
were philosophical in nature for
some time. Then Wilson
discovered Aristotle’s name in a
margin. Scholarly interest grew as
no existing text could be found
that matched the fragments that
could be deciphered.
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Here I show you
two views of the
same leaf. I have
circled the word
Aristotle at the
bottom of the
pseudocolor image.
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It took the combined efforts of many scholars from around the world to
decipher these texts, and they are still working on them.
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It was not until 2006 that we finally found out who wrote the prayer book.
An iron map created at Stanford of the first folio of the manuscript revealed
the colophon. The prayer book was written by Johannes Myronas and was
finished on April 14, 1229. Judging from the specific characteristics of the
prayers, analyzed by Stefano Parenti, the book was almost certainly written
in Jerusalem.
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The transcriptions provided by the scholars were turned into TEI P5 XML by
Chris Blackwell of Furman University, Neil Smith of Holy Cross, and Alex
Lee of Chicago, and by their students.
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All the images, raw and processed, together with the transcriptions of the
unique texts, and supporting documentation, had to be prepared for the web
by the project’s data manager, Doug Emery, of Emery IT.
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The Project has a website that gives all sorts of background information. It
is www.archimedespalimpsest.org.
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All the raw data is presented at www.archimedespalimpsest.net. It is published under a Creative Commons License, so anyone can use these images, and anyone can try to improve upon the results of the project using this data.
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The anonymous owner of the Palimpsest
is passionate about the project, makes all
the decisions (really, he does), and pays
for all the work to be done.83
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His and the team’s dedication has produced
results beyond expectation, though the project
has taken a toll on them...
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1997 BEFORE TREATMENT85
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2007 AFTER TREATMENT86
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And the result is that what was ten years ago a fragile, unique, frequently
illegible, and certainly expensive testament to the minds of Archimedes and
Hyperides, is now legible and freely accessible on desktop computers around
the world.
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