archaic to classical: before and after the persian war 490...
TRANSCRIPT
Archaic To Classical: Before and after the Persian War 490-480 BCE
From Pattern to Naturalism
Kouros late 6th cent.
Stranford Apollo 490 Critian Boy after 480
Dramatic Moment vs. Fixed In Time
Strangford Apollo ca 490 BCE
“Critian Boy” ca 480 BCE
Temple of Aphia on Island of Aigina
Olympia
Aphia Temple (Island of Aigina) 490 BCE From Cockerell (1860) who called it the “Temple of Jupiter Panhellenius” (he traveled in 1811)
Aphia Temple 490 BCE
Aphia Temple
Hera Temple Olympia ca 590 BCE (above and below)
Zeus Temp Olympia 468-460 (right)
Parthenon Athens 447-432
Parthenon (Athens)
Aphia Temple West Pediment ca 490 BCE
Aphia Temple, East Pediment ca 480 BCE
Aphia Temple ca 490 BCE West Pediment
Aphia Temple ca. 480 BCE East Pediment
Aphia Temple West Pediment ca. 490 BCE (left)
Aphia Temple East Ped. ca 480 BCE
Works by the Berlin Painter 500-480 BCE
Berlin Painter, Hydria c 490 (New York) Achilles and Penthesileia
Cup by the Penthesileia Painter ca 460 BCE – Achilles slays the Amazon Queen, Penthesileia
Aphia Temple Athena ca 490 BCE
“Aspasia” – Roman Copy of Greek 5th cent. original in “severe style”
“Aspasia” Roman Copy of 5th cent. Greek original (below)
Delphic Charioteer 478-474 BCE
Olympia
Zeus Temple Olympia 470-456 BCE
W E
Knox Travelers Stand by a Fallen Capital by the Zeus Temple
Diagram showing the location of Sculpture on the Parthenon Olympia has only Pedimental Sculpture And Metopes (no frieze)
Olympia East Pediment (below)
Olympia West Pediement (right)
Olympia East Pediment Chariot Race – Pelops races Oinomaos for the hand of Hippodameia (Oinomaos’ Daughter)
Pelops and Hippodameia (above) Old Seer (right)
West Pediment: Battle of Lapiths and Centaurs
Apollo
Lapiths and Centaurs W. Pediment
Apollo (W. Pediment)
Herakles cleans the Augean Stables, Athena “helps”
Zeus Temple (metope)
That’s It!
Early Classical 480-450 B.C.E. Ethos and Pathos
The same contrast between Mind and Action On the opposites of a vase by the Niobid Painter
Here Pollitt calls it a contrast between ethos (character) and pathos (experience)
Parallel to the contrast between mind and action is a contrast between pattern and motion – or, as they are found in a single image, “rhythmos” the form of motion
Myron’s Discus Thrower Copy of Grk original of ca 460
Herakles from Aphia Temple ca 480
Rhythmos also in the figure of god from Artemision 470-450
The Classical Moment 450-430 B.C.E.
Pythagoras’ Numbers And Polykleitos’ Canon “
East Frieze Seated Gods
West Frieze Animated Horsemen
North Frieze: Procession grows more settled as it moves east
South Frieze: Procession grows More settled as it moves east
Cult Statue
Polykleitos
Original Greek Bronze Figures
Achilles Painter 460-440 B.C.E.
Kleophon Painter