applause magazine, mar. 8-13, 2016
DESCRIPTION
In-theater magazine produced for the Denver Center for the Performing ArtsTRANSCRIPT
APPLAUSE
Minumum Width .75”Maximum Width 2”
Minumum Width 2”Minumum Width 2”
Primary Logo
One Color Logo
Logo w/ Division
Minimum Size Requirements
One Color Reversed Logo
Gradient Reversed Logo - Web Use Only
PRIMARY LOGO + VARIATIONS
VOLUME XXVII | NUMBER 6 | MAR – MAY 2016
RIVERDANCE THE 20TH ANNIVERSARY WORLD TOUR
Also Playing: Sweeney Todd
Disney’s Newsies
p28
p16
p24
The
Cas
t o
f R
iver
dan
ce —
The
20
th A
nniv
ersa
ry W
orl
d T
our
. P
hoto
gra
phe
r: R
ob
McD
og
all.
Introducing
Tea’s Destination StoreIn Boulder & Denver
www.nestchildrensboutique.com
Near Cherry Creek North2940 E. 6th Ave.
Denver, CO 80206720-287-1372
Denver
The Village2525 Arapahoe Ave. H-12
Boulder, CO 80302720-524-7676
Boulder
2800 E 6th AveDenver, CO 80206firebirdbooksandtoys.com
Next door to Nest585 Milwaukee StreetDenver, CO 80206
Build. Create. Imagine. Share. Explore. A boutique for girl’s ages 8 to 14
Member FDICNOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY
NOT ADEPOSIT
NOT FDICINSURED
NOT BANKGUARANTEED
MAY LOSEVALUE
Investment Management, Trust and Estate Settlement products are:
Member FDICNOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY
NOT ADEPOSIT
NOT FDICINSURED
NOT BANKGUARANTEED
MAY LOSEVALUE
Investment Management, Trust and Estate Settlement products are:
4 denvercenter.org
SREBEL, REBEL
Since the start of this theatre season, I’ve been asking questions in this column. Are we welcoming enough to tech-savvy audience members? Where do you get your arts and entertainment news? What’s important to you in a cultural facility? As a recent transplant to Denver, I have my share of observations. And I definitely have opinions on the questions I’ve posed. But I want to know what you think. You are my partners and, together, we’re going to shake things up. Now, you may not think of yourself as a rebel. Very few rebels do. The reality, though, is that simply by expecting a modern theatre-going experience, you’re shaking things up every time you attend a live event. Live theatre is an art form that has been around for over two thousand years. Over that time, it has continuously evolved and reconsidered its potential. There has never been a time like this, though. Personal (and professional) technology is upending everything about the theatrical experi-ence, from your first search for tickets on your smart phone to the last selfie you post before heading home. There’s something new seemingly every day and the DCPA wants to lead the way. That said, it’s not all new. We still have stages, actors, sets, props and wardrobe. We still have playwrights and directors and stage managers and crew. Mix well and you have theatre. But then again, now we have “immersive” theatre like our upcoming summer production called Sweet & Lucky that forgoes seats and stages for wandering through theatrical spaces. We have jukebox musicals, dance mash-ups, cirque and other forms traditionalists might not even recognize. Here at the DCPA, we’re even updating some of our theatres (currently The Space Theatre in the Bonfils Complex) to accommodate the new, high-tech, demands of modern theatre making. But here’s the big question — should live theatre stay the same or become something new? As we move forward, what do you think the future of live theatre should be? What kind of programming should we embrace? Should we stay rooted in the past with traditional stagings and scripts? Should we tear up the rulebook and see what happens? If we do either, will you attend more or less? Because whatever we do, you complete it. You are the reason we’re here and we want to hear from you. The revolution will not be televised — but it may be staged.
Let us know your thoughts at denvercenter.org/sightline.
SCOTT SHILLERPresident and CEO
SIGHTLINEB Y S C O T T S H I L L E R
LETTERS TO THE CEOIn Applause No. 4, CEO Scott Shiller gave an overview of the City’s plans to reimagine the Arts Complex and asked you to offer ideas for this “Next Stage.” Excerpts from your responses follow. To read all of the comments, visit denvercenter.org/news-center.
With a dedicated Family Theatre, Denver Center could become an innovator in works specifically for children, creating pieces that teach young audiences important life lessons without talking down to them… [and] provide a safe and fun respite for families to enjoy an unforgettable experience together. — Rebecca H.
A Music Arts Complex…which would include an award winning venue(s) capable of accommodating performances and music festivals...talented local musicians as well as established bands…. [It] would include a trendy bar…, a coffee house…, a small per-formance area, practice spaces and possible local artisan co-op area. — Kirsten A.
Totally rebuild the Buell Theatre audience area. Too many sound problems throughout the space. Grade the orchestra so that I can really see the stage even if a 6’ 5” man sits in front of me. Take out some of the seats. — Barbara D.
What a waste of money…. Put money, if you have it, into productions. — Bob
Replace the current parking garage…with an open public park-like space…. This would allow for gathering and event space, as well as give unobstructed views of the beautiful Ellie Caulkins Opera House and facades of other theatres. — Erica
A solution to the parking problem and some restaurants would be great improvements. — Steve S.
A coffee house sounds good to me!… And the idea of tearing down Boettcher and putting in an amphitheater sounds TERRI-BLE! Who wants to deal with traffic noise and fumes while trying to hear a concert? — Joellyn
Time-honored commitment.
You’ve dedicated your life to your craft, and that’s afforded
you many great accomplishments. You deserve a more
prestigious banking relationship, one with a solid foundation
steeped in tradition. One with relationship service and
solutions designed to fit your lifestyle. One that values
commitment the way you do. Discover an unparalleled
banking experience today at MidFirst Bank.
Banking | Lending | Trust | Wealth Management
Cherry Creek – 101 Cook St. 303.376.3800
Downtown – 555 17th St. 303.376.5460
University Hills – 2805 S. Colorado Blvd. 303.376.3840
midfirst.com Member FDIC
TABOR CENTER | 1200 SEVENTEENTH STREET | SUITE 1900 | DENVER, CO 80202
DENVER | LAS VEGAS | LOS ANGELES | LOS CABOS | ORANGE COUNTY | PHOENIX | RENO | SALT LAKE CITY | TUCSON
www.swlaw.com
Understandingwhat makes you unique.®
Because there is more than one way to make a difference.TM
Snell & Wilmer is proud to support the arts.
Let the CU Cosmetics Experts Swing You
Into Spring!
©2016 CU Cosmetics. All Rights Reserved.
Leg Vein Procedures
10%off.* * Some exclusions may apply.
www.cu-cosmetics.com
Denver Office (303) 724-7770
NEW! Colo. Springs Office
(719) 531-5400
Skin | Laser | Surgery
Time-honored commitment.
You’ve dedicated your life to your craft, and that’s afforded
you many great accomplishments. You deserve a more
prestigious banking relationship, one with a solid foundation
steeped in tradition. One with relationship service and
solutions designed to fit your lifestyle. One that values
commitment the way you do. Discover an unparalleled
banking experience today at MidFirst Bank.
Banking | Lending | Trust | Wealth Management
Cherry Creek – 101 Cook St. 303.376.3800
Downtown – 555 17th St. 303.376.5460
University Hills – 2805 S. Colorado Blvd. 303.376.3840
midfirst.com Member FDIC
8 denvercenter.org
1. THEATRE COMPANY actor Adeoye participates in a video project to commemorate Black History Month. The cast of All the Way read the Civil Rights Act of 1964 for the project, which has received more than 64,000 views. Tune in at youtube/denvercenter. 2. DCPA supporter Phil Munishor is applauded by the cast of FADE for his recent gift from The Joan and Phill Berger Charitable Fund to support both the play and renovation of The Space Theatre. 3. DCPA EDUCATION welcomed a packed house of middle and high school students to its Student Matinee of As You Like It. 4. Westin Denver Downtown General Manager John Everett and Executive Assistant Debbie Smith peruse auction items at the SATURDAY NIGHT ALIVE Patron Party hosted by their hotel. 5. BROADWAY guests gathered for the 2016/17 season announcement, featuring the pre-Broadway debut of Frozen. Photos by John Moore and Amanda Tipton Photography.
1
5
3
4
IN THE SPOTLIGHT
Denver Center for the Performing Arts’
biggest stars step into the spotlight — actors, designers, students and you.
2
BOARD OF TRUSTEESDaniel L. Ritchie,
ChairmanWilliam Dean Singleton,
Sec’y/TreasurerRobert Slosky,
First Vice Chair Margot Gilbert Frank,
Second Vice ChairDr. Patricia Baca Joy S. BurnsIsabelle ClarkNavin DimondL. Roger Hutson Mary Pat Link Robert C. NewmanHassan SalemRichard M. Sapkin Martin SempleTara Smith Jim SteinbergKen TuchmanTina WallsLester L. WardDr. Reginald L. WashingtonJudi WolfSylvia Young
HONORARY MEMBERSJeannie Fuller M. Ann PadillaCleo Parker Robinson
HELEN G. BONFILSFOUNDATION BOARD OF TRUSTEESLester L. Ward,
President EmeritusMartin Semple, President Judi Wolf,
Sec’y/TreasurerDaniel L. RitchieWilliam Dean SingletonRobert SloskyJim SteinbergDr. Reginald L. Washington
EXECUTIVE MANAGEMENT Scott Shiller,
President & CEOClay Courter,
Vice President, Facilities & Event Services
John Ekeberg, Executive Director, Broadway
Vicky Miles, Chief Financial Officer
Jennifer Nealson, Chief Marketing Officer
Kent Thompson, Producing Artistic Director, Theatre Company
Charles Varin, Managing Director, Theatre Company
David Zupancic, Director of Donor Relations
APPLAUSEM A G A Z I N E
VOLUME XXVI I | NUMBER 6 | MAR – MAY 2016
EDITOR: Suzanne YoeCREATIVE DIRECTOR: Rob Silk
ASSOCIATE EDITOR: John MooreSENIOR ART DIRECTOR: Adam Obendorf
ART DIRECTOR: Kyle Malone DESIGNERS: Kim Conner, Brenda Elliott
CONTRIBUTING WRITER: Carolyn Michaels
Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with
The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is
prohibited. Call 303.893.4000 regarding editorial content.
303.893.4000 | denvercenter.org Denver Center for the Performing Arts is a not-for-profit organization dedicated to creating unforgettable shared
experiences through Broadway musicals, world-class plays, educational programs and inspired events.
Minumum Width .75”Maximum Width 2”
Minumum Width 2”Minumum Width 2”
Primary Logo
One Color Logo
Logo w/ Division
Minimum Size Requirements
One Color Reversed Logo
Gradient Reversed Logo - Web Use Only
PRIMARY LOGO + VARIATIONS
Angie Flachman, PublisherFor advertising 303.428.9529
or [email protected] coloradoartspubs.com
Applause magazine is funded in part by
PERSONAL | BUSINESS | WEALTH MANAGEMENT
“I bet I can” usually wins that bet.
There are those who wish and those who do. At U.S. Bank, we offer competitive products and services that will help you do. Because when you feel confident in your plans and secure that you don’t have to do it alone, the impossible suddenly becomes, well, possible.
With so many award-winning, crowd-pleasing choices at our fingertips, we’re able to bring the best of Broadway to Denver year after year. Start counting down the days to the spectacular shows we have in store and become a subscriber to see them all from the best seats at the best price — up to 25% off.
BROADWAY’S BIGGEST NEW HIT!
FILE BUILT AT 100% SCALE · FINAL VERSION, (SENT HI-RES PDF & COLLECTED FILES VIA FTP, JANUARy 27, 2016 4:46 PM) · FILE BUILT AT 100% SCALE
AUG 25 – SEP 11, 2016BUELL THEATRE
DEC 20 – JAN 1, 2017BUELL THEATRE
SEP 27 – OCT 9, 2016BUELL THEATRE
OPENS FALL 2016GARNER GALLERIA THEATRE
ANNOUNCING OUR 2016/17 BROADWAY SEASON...
Subscribe today for as low as 8 payments of $51.25
DENVERCENTER.ORG/SUBSCRIBE | 303.893.4100
Photo credits, L to R: Finding Neverland, Laura Michelle Kelly, photo by Carol Rosegg; Fun Home, Beth Malone, Sydney Lucas, Michael Cerveris, photo by Jenny Anderson; The Phantom Of The Opera, Chris Mann and Katie Travis, photo by Matthew Murphy; the 2016 national touring cast of Roundabout Theatre Company’s Cabaret, photo by Joan Marcus; the original Broadway cast of An American in Paris, photo by Matthew Murphy; The Curious Incident of the Dog in the Night-Time, Alex Sharp, photo by Joan Marcus.
JAN 10 – 22, 2017THE ELLIE
COMING SUMMER 2017BUELL THEATRE
MAR 8 – 19, 2017BUELL THEATRE
MAY 30 – JUN 18, 2017THE ELLIE
AND YOUR FAVORITE NIGHTS OF THE YEAR.
BROADWAY 2016/17 SEASON SPONSORS
DEC 6 – 11, 2016BUELL THEATRE
FEB 15 – 19, 2017BUELL THEATRE
MAR 21 – 26, 2017BUELL THEATRE
MAY 19 – 21, 2017THE ELLIE
GET PRIORITY ACCESS TO THESE ADDED ATTRACTIONS WHEN YOU SUBSCRIBE
©D
isn
ey
DA
RR
EN
CR
ISS
IN T
HE
BR
OA
DW
AY
PR
OD
UC
TIO
N O
F H
ED
WIG
AN
D T
HE
AN
GR
Y IN
CH
. PH
OTO
: JO
AN
MA
RC
US
12 denvercenter.org
“RIDICULOUSLY POLITE!” — BOX OFFICE AGENT
“Her TECHNOLOGICAL WIZARDRYkept my phone dim and silent!”
— MOM
“I’m SPEECHLESS! And she was, too” — THE PERSON IN FRONT OF YOU
“She gave her child FLAWLESS DIRECTION.” — THE GUY WITH THE BOW TIE
“A BOLD, BREATHTAKING REMINDER of the power of courtesy.”
— THE CAST AND CREW
We won’t tell you how to behave. But everyone’s a critic. Please remember, the theatre experience depends on all of us — not just the performers on stage.
Pho
to b
y A
dam
s V
isua
l Co
mm
unic
atio
n
AL PACINOU P C L O S E A N D P E R S O N A L
J F S E X E C U T I V E L U N C H E O N
EXCLUSIVE 90-MINUTE PERFORMANCEWednesday, April 13, 2016, Noon to 2:00 p.m.
Hyatt Regency Denver at Colorado Convention Center
TICKETSTickets are available for purchase on March 18
at www.jewishfamilyservice.org/luncheon.
For more information, contact Lisa Benoit at 720.248.4633 or [email protected].
14 denvercenter.org
YOU DESERVE THE BEST. SUBSCRIBE TODAY!David Zupancic at 303.446.4811 • Melissa Olson at 303.446.4840
denvercenter.org/subscribe
Generously Sponsored by:
DRINK, DINE AND DELIGHT IN THE CULTURE OF DOWNTOWN DENVERThere’s nothing quite like the excitement of a live performance — that is, until you enjoy the premium benefits of our Best of Broadway Society. Treat yourself to first-class service before, during and after the show with front-and-center orchestra seats, pre-theatre cocktails, dinner at Kevin Taylor’s at the Opera House and private intermission amenities for most shows.
The 2016/17 Best of Broadway Society includes tickets to eight productions:
AUG 26 OR SEP 9, 2016
JAN 10 OR 13, 2017 MARCH 9 OR 10, 2017 SUMMER DATE TBA
SEP 27 OR 30, 2016 FALL SHOW: DATES TBA
BROADWAY’S BIGGEST NEW HIT!
FILE BUILT AT 100% SCALE · FINAL VERSION, (SENT HI-RES PDF & COLLECTED FILES VIA FTP, JANUARy 27, 2016 4:46 PM) · FILE BUILT AT 100% SCALE
MAY 30 OR JUN 2, 2017
DEC 20 OR 23, 2016
©D
isn
ey
1393 South Santa Fe Drive | Denver, CO 80223 | 303-989-8895 | UrbanLightsDenver.com
Love Your Space.Urban Lights is Showroom of The Year Winner presented by Residential Lighting Magazine. No matter your taste or space limitations, Urban Lights can help. Expertise is always included. Urban Lights is the largest lighting showroom in Colorado, with over 20,000 sq. feet of distinctive lighting for every lifestyle.
16 denvercenter.org16 denvercenter.org
Illus
trat
ion
by
Kyl
e M
alo
ne
Pho
tos:
Ab
ove
– L
ind
a M
ugle
sto
n in
The
Uns
inka
ble
Mo
lly B
row
n; R
ight
– R
ob
ert
Pet
koff
in S
ense
& S
ensi
bili
ty t
he M
usic
al. P
hoto
s b
y Je
nnif
er M
. Ko
skin
en.
IIt didn’t take long for Broadway star Robert Petkoff to learn the DCPA Theatre Company would be performing his favorite musical, Sweeney Todd, with Colorado gypsy punk band DeVotchKa adding its own sanguine flavoring to Stephen Sondheim’s classic orchestrations. “DeVotchKa is my sister’s favorite band,” said Petkoff. “When she found out, she wrote me right away and said, ‘Oh my God, I have to get out to Denver and see this.’” Now Petkoff’s sister has two reasons come to Denver. Her brother, an award-winning veteran of six Broadway productions, is playing the title role of the barbarous barber. “But put DeVotchKa at the top of the list,” he said with a laugh. “I am reason No. 2.” The Petkoff siblings are not the only ones excited to see what happens when Sweeney Todd bleeds DeVotchKa’s Latin and Slavic-infused aural amalgam into Sondheim’s perhaps most powerful (and unquestionably most homicidal) score. “DeVotchKa will attract a completely different kind of audience,” Petkoff said. “And boy, anytime you can bring a whole new swath of people into the theatre who don’t normally come is a great, great thing.” Petkoff and DeVotchKa frontman Nick Urata have their own affinities for Sweeney Todd dating back to their very different childhoods. Petkoff remembers hearing the vinyl cast recording in 1979 when he was in high school and the record was hot off the presses. “I was blown away, both by how complex the story is, and by how incredible the music is,” Petkoff said. “I just instantly fell in love. I knew I wanted to play that role one day.” DeVotchKa has been blurring distinctions between art forms for more than 15 years, notably with its wildly popular annual concerts at Red Rocks with the Colorado Symphony Orchestra. Music fans have been spellbound by the band’s theatricality dating all the way back to its earliest appear-ances at small Boulder music clubs when Urata and bandmates Jeanie Schroder, Shawn King and Tom Hagerman would enter from the back of a darkened house guided only by the string of lights that line Schroder’s sousaphone. “I can’t think of a more perfect platform for us than Sweeney Todd,” Urata said, “being that we like coming from a dark and twisted place, and this is the ultimate dark and twisted musical opera.” Petkoff’s co-star is Linda Mugleston in the delicious role of Mrs. Lovett, maker of those curiously delicious meat pies. Petkoff and Mugleston have theatrical bloodlines that crisscross Denver and run deep down into Broadway’s sidewalk cracks. Petkoff appeared in the DCPA’s Tantalus, a 10-play epic Trojan War cycle in 2000 — nothing less than the largest theatre project in the 2,500-year history of the theatre. He returned in 2012 for the world premiere of Sense & Sensibility, The Musical and in the Broadway tour of Spamalot in 2007. Mugleston’s Theatre Company credits include The Unsinkable Molly Brown, Quilters and A Christmas Carol. When the Theatre Company forays into musicals, Mugleston said, they always have something in common with the company’s nationally-acclaimed world premiere plays: Even when telling a familiar story, there is something new about them. “The Denver Center is always innovative, no matter what they are doing,” Mugleston said. “The creativity is always very high-end, and it never feels like run-of-the-mill, normal fare. It’s always exciting.” The Sweeney Todd stars appeared together briefly in the 2011 Broadway revival of Anything Goes, during which they swear no throats were slashed. Surprisingly, neither has
SWEENEY TODD: A DELICIOUS TAKE ON THE BARBAROUS BARBER
B Y J O H N M O O R E
Illus
trat
ion
by
Kyl
e M
alo
ne
Pho
tos:
Ab
ove
– L
ind
a M
ugle
sto
n in
The
Uns
inka
ble
Mo
lly B
row
n; R
ight
– R
ob
ert
Pet
koff
in S
ense
& S
ensi
bili
ty t
he M
usic
al. P
hoto
s b
y Je
nnif
er M
. Ko
skin
en.
DCPA Trustee Judi Wolf has been playing in costumes since she was six. “I started in my mother’s ballgowns,” she said. “I would put them on and get completely lost in them.” Wolf has been a staunch supporter of the DCPA since the first opening night in 1979, and openings continue to be a very big deal to Judi Wolf. She wore a toga to the opening of the 10-hour epic Greek cycle Tantalus in 2000. She arrived at The Little Mermaid in 2007 dressed as Ariel’s mother where she held fish-shaped balloons while her household manager blew bubbles in her wake. There are method actors and there are method dressers. Imagine what the audience thought when Wolf arrived at The Man Who Came to Dinner in 1990 wearing a cocktail dress and riding in a wheelchair. Reminiscent of the play’s cranky protagonist Sheridan Whiteside who spends the play in a wheelchair, Wolf says she needed it. “I had tripped,” she said, “so I rode to the opening in an ambulance with ice on my knee and ankle. It was opening night. I wasn’t going to miss it.” Wolf is a Denver native with a master’s degree in international relations from the University of Denver. She taught Spanish at Graland Country Day School and was named as the Fine Arts Foundation Citizen of the Arts in 2012. She has sponsored the Costume Corner column in Applause magazine for the past five years because she believes the costume arts must be championed. “What is theatre without costumes?” she said. “It’s radio!” We would like to give Judi Wolf a round of applause for her generous contribu-tions toward our costumes and, of course, for her unflagging flair for the dramatic.
COSTUME COLUMN
ever before appeared in
a production of Sweeney
Todd. Sondheim,
now 86, has been uncommonly encourag-
ing of young artists wanting to experiment with Sweeney Todd, which first shocked Broadway audiences under the direction of Hal Prince in 1979. It has since been presented in forms ranging from
opera to an intimate chamber piece. The musical was revived on Broad-way in 2004 with only 10 actors all playing their own instruments. In 2014, Sondheim gave his permission for the Landless Theatre Company to concoct a “prog-metal” version in Washington D.C. That’s a form that blends classical music and jazz while using metal to highlight some of the darker elements of the story. Permission to let DeVotchKa envelop Sondheim’s score with DeVotchKa’s signature horns, accordion, violin and percussion was handed down by the master himself. Urata’s stated goal for the piece is “to make it loud and proud.” And if that sounds too experimental for theatre purists, Urata said, consider that West Side Story was once experimental theatre. “If I know anything about Sondheim, it’s that he is very open-minded,” said Urata. “I think that’s why we all love him.” That’s because “first and foremost, Sondheim is an artist,” Mugleston said. Anytime you tell a story, Petkoff added, “who is telling the story changes that story. So people who come to see this show may have an idea what should be in their heads based on what they have seen before. But we have this great opportunity in Denver to tell our own version of the story, and adding DeVotchKa will make it a really unique version of that story.
This is how theatre breathes and grows and evolves.” When you change the orchestra-tions, you are not changing the actual notes, Petkoff said, “you are changing how an audience hears them — the rhythm. The style.” “I get why a playwright might say, ‘Listen, you need to say every word that I wrote.’ But with a musician, you understand that while he wrote every one of those notes, there are so many different ways to play them. And yet, you are still playing the song.”
Imagine, he said, what Broadway audiences who grew up on Camelot and My Fair Lady thought when they first sat watching Jesus Christ Superstar in 1971. “They were outraged,” he said. “’That’s not a musical!’ they said. But there was an influx of younger people who came and became lifelong lovers of theatre. The same thing is happening with Hamilton on Broadway today. There are people who have never been to a Broadway musical and they are standing and screaming in fits of ecstasy watching Hamilton. It’s wonderful for theatre because we need to change and we need new blood, and this is how you do it.”
SWEENEY TODDAPR 8 – MAY 15 • STAGE THEATREASL interpreted, Audio described & Open Captioned performance: May 1, 1:30pmTickets: 303.893.4100 denvercenter.orgGroups: 303.446.4829
DCPA Founder Don Seawell refused to wear one of Judi’s furs to a costume benefit. So to complete the look of the Viking Warrior, he tossed her bathroom rug over his shoulder.
“The Denver Center is always innovative, no matter what they are doing,” Mugleston said. “The creativity is always very high-end, and it never feels like run-of-the-mill, normal fare. It’s always exciting.”
Celtic Tales of Love & WarMarch 11-13
Newman Center for the Performing Arts
303-832-HORN(4676) | www.denverbrass.orgwww.newmantix.com/denverbrass
Featuring Brass, Bagpipes,Fiddles, Irish Tenor, Irish &Scottish Dancers
Colorado Remembers
The Ultimate FreeAmerican Concert atthe Colorado FreedomMemorial!
May 28 - 2pm
ARE YOU STRUGGLING TO HEAR TONIGHT’S PERFORMANCE?
At Colorado Tinnitus and Hearing Center We Can Help!
We will help you discover which hearing aid is best for you. The only way to know this is by wearing the hearing aid in your day to day life.
We are Introducing the Try-it-First, Hassle Free, Pressure Free, Deposit Free, Risk Free Hearing Aid Test Drive.
Here’s How it Works1) Schedule an appointment for a complimentary
hearing screening.2) If we find you have a hearing loss you can take
home state of the art hearing aids to try them in your own environment for 2 weeks.
3) Special Discounts when you mention this ad.4) Offer Expires June 30, 20165) Call 303-534-0163 to Schedule Your Appointment!
Colorado Tinnitus and Hearing Center, Inc.2390 South Downing Street #D, Denver, CO 80210
www.helpforringing.com
Fine Art Associates1949 Pearl St Boulder CO
Featuring New Work By
(303) 413-1000 www.faaboulder.com
Chris Campbell, Scarlett Kanistanaux, and Claire McArdle
Free Tours!Info & group tour reservations: 303.581.1202
OPEN EVERY DAY except major holidays
4600 Sleepytime Drive, Boulder • celestialseasonings.com
©20
13 C
eles
tial S
easo
ning
s, In
c.
See. Taste. Smell. Experience.
Take the FREE Celestial Seasonings tour – voted one of the Top Ten Free Tours in the country!
20 denvercenter.org
I
UPCOMING SHOWSRiverdance — The 20th Anniversary World Tour Now – Mar 13
How I Got Over: Journeys in Verse Mar 18, 19, 25 & 26
Disney’s Newsies Mar 23 – Apr 9
Dixie’s Never Wear a Tube Top While Riding a Mechanical Bull... Mar 30 – Apr 24
Sweeney Todd Apr 8 – May 15
Cult Following Apr 29 & 30, Jun 3 & 4
The Realish Housewives of Cherry Creek: A Parody May 3 – 22
once May 24 – 29
NETworks presents Disney’s Beauty and the Beast Jun 7 – 12
The Sound of Music Jun 21 – 26
Beautiful — The Carole King Musical Jul 19 – 31
The Phantom of the Opera Aug 25 – Sep 11
An Act of God Opens Fall 2016
The Glass Menagerie Sep 9 – Oct 16
Roundabout Theatre Company’s Cabaret Sep 27 – Oct 9
Frankenstein Sep 30 – Oct 30
A Christmas Carol Nov 25 – Dec 24
The SantaLand Diaries Nov 25 – Dec 24
Hedwig and the Angry Inch Dec 6 – 11
Finding Neverland Dec 20 – Jan 1, 2017
Fun Home Jan 10 – 22, 2017
The Christians Jan 27 – Feb 26, 2017
Colorado New Play Summit Feb 11 – 12 & 17 – 18, 2017
Motown The Musical Feb 15 – 19, 2017
An American In Paris Mar 8 – 19, 2017
Kinky Boots Mar 21 – 26, 2017
Disgraced Mar 31 – May 7, 2017
The Secret Garden Apr 21 – May 28, 2017
The Illusionists May 19 – 21, 2017
The Curious Incident of the Dog in the Night-Time May 30 – Jun 18, 2017
Frozen Coming Summer 2017
SCFD: YOUR TAX DOLLARS REFLECTED ON STAGEIn 1988, metro area voters approved a 1¢ on $10 sales tax to support arts and culture. The Scientific and Cultural Facilities District (SCFD) now distributes nearly $55 million to 275 organizations throughout our community. But how has this investment diversified as the community has evolved? At the Denver Center for the Performing Arts, SCFD funds have enabled us to better reflect the diversity of our community through a number of programs. Here are some recent examples:
DIVERSE VOICES In addition to a commitment to colorblind casting (as evidenced in the Theatre Company’s recent production of As You Like It), the DCPA is excited to feature a regular mix of programming by, for and starring individuals from a variety of backgrounds. Titles such as Kinky Boots, Drag Machine, One Night in Miami…, Jackie and Me, FADE and Just Like Us among many, many others reflect the diversity within our community and our commitment to new voices on our stages. But our biggest commitment to new voices is the Women’s Voices Fund — a first-of-its-kind endowment designed to foster the work of a clearly underrepresented voice in American theatre. This initiative has enabled our Theatre Company to commission 15 female playwrights, hire 17 female directors and contribute to 10 world premiere plays by women — all in the past decade.
ACCESSIBILITY Thanks in part to the SCFD, we have grown our accessibility services to include ASL interpretation, Audio description, Open Captioning, Braille and large print programs, and tactile tours. Improvements to seating, entry/exit routes and enhanced listening systems are planned as part of our Bonfils Theatre Complex renovation.
AFFORDABILITY Our brand new DCPAccess program provides twice as many $10 tickets to each Theatre Company production plus significantly discounted tickets to select Broadway shows. Plus, our popular $10 student ticket program, military and senior rush tickets help eliminate barriers to attendance. Finally our new Radvantage membership for guests ages 18-30 offers substantial discounts to a variety of programs all year round.
NEW AUDIENCES While performing arts are often viewed as having aging audiences, we’ve launched a variety of programs to attract a younger crowd. Kids Night on Broadway provides a minimum of 200 free tickets for youth to designated Broadway performances. In addition to extensive in-school and on-site school programs, we now host both a High School Playwriting Competition and a High School Musical Theatre Competition. And our newest focus on Millennial engagement is evidenced through our innovative Off-Center programming and our new off-site, immersive production scheduled for late Spring.
For more information on these programs and many more, please visit denvercenter.org. P
hoto
s L
to
R: b
y Jo
hn M
oo
re;
Kyl
e Ta
ylo
r P
arke
r in
Kin
ky B
oo
ts, P
hoto
by
Mat
thew
Mur
phy
.
ChildrensChorale.org/Auditionor 303.892.5600
Audition and let your inner voice sing!
All children in 1st through 4th grades, who love to sing and perform shouldREGISTER TO AUDITION TODAY!
Financial Assistance available
We will never tell you to use your “inside voice”!
For Local Service Call
888.541.2648
For the Fine Arton Your Floors
WORLD’S MOST EXPERIENCED CLEANERS OF AIR DUCTS, CARPET,
UPHOLSTERY, DRAPERY, AREA RUGS, NATURAL STONE AND TILE & GROUT
y Hand Cleaning by Coit’s Experts
y Repair, Reweave, Restore
y Pickup and Delivery
y Guaranteed Cleaning
y Free Estimates
For Local Service Call
888.541.2648
22 denvercenter.org
POWERFUL PERFORMANCES. PASSIONATE ARTISTRY.STORIES THAT TRANSPORT AND TRANSFORM YOU.
PLUS TWO WORLD PREMIERE PRODUCTIONS!
ANNOUNCING THE 2016/17 THEATRE COMPANY SEASON
For the best seats, biggest savings, and most flexibility, become a subscriber today!
Renew or subscribe today at denvercenter.org/subscribe
SEP 9 – OCT 16 SEP 30 – OCT 30 NOV 25 – DEC 24
JAN 27 – FEB 26, 2017 MAR 31 – MAY 7, 2017 APR 21 – MAY 28, 2017
SEASON SPONSORS
Due to the nature of theatrical booking, all productions, prices and dates are subject to change.
RIV
ER
DA
NC
E
Abhann Productions Presents
Starring
PRINCIPAL DANCERS: Maggie Darlington, Ciara Sexton, Chloey Turner,
James Greenan, Bobby Hodges, Jason O’Neill
The Riverdance Irish dance troupe, musicians and singers and featured International soloists.
Set Designer Costume Designer ROBERT BALLAGH JOAN BERGIN Sound Designer Lighting Designer MICHAEL O’GORMAN JOHN COMISKEY Projection Animation Poetry Written by LUIS POVEDA THEO DORGAN Orchestrations by Press Representative NICK INGMAN and BILL WHELAN Polk & Co.
Executive Producer JULIAN ERSKINE
COMPOSER BILL WHELAN
PRODUCCER
MOYA DOHERTY
DIRECTOR JOHN McCOLGAN
AND SEASON SPONSORS
RIV
ER
DA
NC
E CAST
The Riverdance Irish Dance Troupe
Principals:
Maggie Darlington, Ciara Sexton, Chloey Turner,
James Greenan, Bobby Hodges, Jason O’Neill
Troupe:
Ellen Bonner, Stephen Brennan, William Bryant , Darren Casey, Brendan Dorris, Julia Gats, Katie Hands, Aoife Kennedy, Mia Leonelli, John Lonergan, Patrick O’Mahony, Andrew O’Reilly, Louise
O’Sullivan, Gianna Petracic, Natasia Petracic, Lauren Smyth, Callum Spencer, Sarah Woods
The Riverdance Band
Pat Mangan Fiddle / Musical Director
Mark Alfred Drums / Percussion / Bodhrán, Matt Bashford Uilleann Pipes / Low Whistle / Tin Whistle,
Ken Edge Saxophone
The Riverdance Singers and Drummers
Members of the Company
The Riverdance Baritone Soloist Rohan Pinnnock-Hamilton
The Riverdance Flamenco Soloists
Marita Martinez-Rey
The Riverdance Russian Ensemble
Rifat Gabdulkhakov, Natia Mangan, Katrina Meske, Alexander Safonov, Ana Turcan, Eugeniu Turcan
The Riverdance Tappers Rohan Pinnnock-Hamilton
Christopher Broughton
Poetry Narrated by
John Kavanagh
ORINGAL PRINCIPAL IRISH DANCE CHOREOGRAPHY – MICHAEL FLATLEY
ORGINAL CHOREOGRAPHY BY MAVIS ASCOTT, JEAN BUTLER, JOHN CAREY, BRENDAN DE GALLAI, COLIN DUNNE, CAROL LEAVY JOYCE, EILEEN MARTIN,
PAULA NIC CIONNATH, MARIA PAGES, TARIK WINSTON
At certain performances, alternative principal performers will dance the principal roles. Cast and content may be subject to change without prior notice.
The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches. The use of cell phones in the theatre is prohibited.
RIV
ER
DA
NC
EMUSICAL NUMBERS
ACT ONE
Reel Around the Sun............................................... The Riverdance Irish Dance Male Principal & Troupe
The Heart’s Cry ..................................................................................................................The Riverdance Singers
The Countess Cathleen .........................................................The Riverdance Female Irish Dance Principal & Troupe and Russian Folk Dancers
Caoineadh Chú Chulainn (Lament) .......................................................................The Riverdance Irish Piper
Thunderstorm ...........................................................The Riverdance male Irish Dance Principal & Troupe.
Firedance ................................................................................................. Flamenco Soloist and the Riverdance Male Irish Dance Troupe
Shivna ...................................................................... The Russian Folk Dancers and the Riverdance Singers
Slip into Spring – The Harvest .................................................................................The Riverdance Musicians
Riverdance ..............................................................................................The Riverdance Irish Dance Principals & Troupe, Singers and Drummers
ACT TWO
American Wake ...................................................................The Irish Dance Troupe and Riverdance Singer
Heal their Hearts – Freedom ................................................................................................The Baritone Soloist
Trading Taps .................................................................................. The Riverdance Male Irish Dance Principal & Male Troupe and the American Tappers
Macedonian Morning /The Russian Dervish .......................................................The Riverdance Musicians & The Russian Folk Dance Troupe
Andalucía ................................................................................................................................. The Flamenco Soloist
Anna Livia ..............................................................The Riverdance Female Irish Dance Principal & Troupe
Slow Air & Tunes ...........................................................................................................The Riverdance Musicians
Heartland .............................................................................The Riverdance Irish Dance Principals & Troupe
Finale .........................................................................................................................................................The Company
RIV
ER
DA
NC
E WHO’S WHO IN THE CAST
BILL WHELANComposer
As a composer, Bill Whelan has written extensively for theatre, dance, film and the concert stage. His film work includes Dancing at Lughnasa starring Meryl Streep, Some Mother’s Son featuring Helen Mirren and Lamb with Liam Neeson. Music for television includes “The Seven Ages,” Sean Ó Mordha’s history of the Irish State. He was appointed composer to the W.B. Yeats International Theatre Festival at Dublin’s Abbey Theatre in 1989, writing original music for 15 Yeats’ plays. His adaptation of HMS Pinafore received a Laurence Olivier Award nomination.
The Seville Suite was commissioned for Ireland’s National Day at Expo ’92 and was performed at the Maestranza in Seville. It has since received performances around the world including La Coruna, Shanghai, Caracas and New York. The Spirit Of Mayo followed in 1993 and was performed by an 85-piece orchestra and chorus in Dublin’s National Concert Hall. He was honoured with the 1997 Grammy Award for ‘Best Musical Show Album’ for the lyrics and music of Riverdance. The album is a certified Platinum record in the US, Ireland and Australia. The Connemara Suite, a trilogy of pieces written for chamber orchestra, premiered in Carnegie Hall in March 2005.
Bill Whelan’s Symphonic Suite from Riverdance has received its first performance in 2013. Linen & Lace, a flute concerto for Sir James Galway, was commissioned by Lyric FM to mark the Limerick City of Culture in 2014. A new musical, The Train, with lyrics by Arthur Riordan and music by Bill Whelan was performed in Limerick and Dublin in October 2015.
Bill’s production and arranging credits include U2, Van Morrison, Kate Bush, Richard Harris, Planxty, The Dubliners and many traditional world musicians and performers. He is a member of the Boards of Berklee College of Music in Boston, The University of Limerick, Crash Ensemble and Music Generation, the newly established music education body for Ireland. He has completed a co-teaching course with Pulitzer Prize-winning poet, Paul Muldoon at Princeton University and was recently appointed adjunct Professor to Trinity College Dublin’s School of Drama, Film and Music. Bill Whelan is a Fellow of
the Royal College of Music and is the recipient of many International Awards including the Spirit of Ireland Award in New York.
MOYA DOHERTYProducer
Moya Doherty’s career includes theatre, radio and television journalism and an award-winning track record in television production, both in Ireland and the UK.
Moya was the Commissioning Producer and originator of Riverdance for the Eurovision Song Contest of 1994; she is a founding Director of Tyrone Productions, Ireland’s leading independent television production company, whose many credits include “Beckett on Film” and the Opening Ceremony of the Special Olympics World Summer Games (held in Dublin in June 2003), and drama credits including “Ros na Rún,” now in its 20th season, for TG4 and “Quirke,” a major co-production with the BBC, starring Gabriel Byrne.
Moya is Chair of RTÉ, Ireland’s national public broadcasting service. She is a writer and broadcaster and has co-presented a number of radio arts documentaries on George Bernard Shaw, John McCormack and Paddy Kavanagh, amongst others. She is a founding Director of Today FM radio station. She has sat on a number of arts-related boards, including Chair of the Dublin International Theatre Festival for seven years, The Ark Children’s Theatre in Dublin, Business to Arts and the Board of the Abbey Theatre.
She is the Producer of the new music and dance stage spectacular Heartbeat of Home which had its world premiere in Dublin in October 2013 2013 and has toured extensively in North America and China. Awards and honours include: Veuve Clicquot Business Woman of the Year, Ernst & Young Entrepreneur of the Year, and honorary doctorates from the University of Ulster and the National University of Ireland in recognition of her success and her ongoing commitment to the arts in Ireland.
JOHN McCOLGANDirector
John McColgan’s career as a multi-award-winning producer and director began in the mid-seventies at RTÉ Television where he went on to become Head of Entertainment. While in RTÉ he
produced and directed a wide range of programming from light entertainment to drama to documentary. He was awarded a Jacob’s Television Award in 1980 for ‘the consistently high quality of his entertainment programming’. He was also Head of Weekend Entertainment at TVAM – ITV’s breakfast television service.
He played a key role in the evolution of Riverdance from the original seven minute dance number and went on to direct the full stage-show spectacular.
John has been closely involved with the Abbey Theatre – he was on the Board of the theatre for five years, served as Chairman of the Abbey Centenary Committee and directed a critically-acclaimed production of Dion Boucicault’s 19th century melodrama The Shaughraun. In May 2011 he produced a major theatrical event marking the historic State visit of Queen Elizabeth II to Ireland. John is the director of the new music and dance stage spectacular Heartbeat of Home which had its world premiere in Dublin in October 2013 and has toured extensively to universal acclaim in North America and China.
John has received many awards during his career, including an Honorary Doctorate of Law from the National University of Ireland, in recognition of his services to the arts and entertainment industry.
RIVERDANCE CAST & BAND
The Riverdance Irish Dance TroupeThe Riverdance Irish Dance Troupe are world-class Irish dancers. They hail mostly from Ireland, but also from Britain, the United States, Canada and Australia. Between them the dancers can boast of hundreds of championships won in Ireland and abroad. Most started dancing at three or four years of age at local dance schools and progressed to world championship level before being chosen to perform in Riverdance. The dancers would have known and competed against each other at various competitions, including the World Championships. Riverdance has given them the opportunity to perform together for the first time in a non-competitive way. The grace and eloquence of their soft-shoe dance and the power and precision of their hard-shoe routines clearly display the endless hours of practice and their dedication to the art of Irish Dance.
RIV
ER
DA
NC
EThe Riverdance Principal Dancers
Maggie DarlingtonMaggie began dancing with the Claddagh School of Irish Dance in California. She won four North American Championships, two All-Ireland Championships and in 2007 won the World Irish Dancing Championships. In 2010 Maggie performed the lead role in Busch Gardens’ production Celtic Fyre and originated the lead female role in Battle of the Dance. She joined the cast of Riverdance in 2011.
Ciara SextonCiara started dancing at the age of three under the instruction of Marion Turley in the West Midlands, UK. She has won numerous titles including five World and All-Ireland Championships. Her professional dance career began with Lord of the Dance, in which she performed the lead role. Ciara choreographs regularly for dance company, Celtic Feet and has toured with the troupe in the production of Excalibur – A Celtic Rock Opera. In 2012, Ciara became involved in Heartbeat of Home and toured with the show internationally as a lead dancer.
Chloey TurnerEnglish-born, Chloey started Irish dancing with Jenny Flower (Matthews Academy) and has competed at national and international feiseanna, qualifying for the world championships every year. Chloey is a keen athlete and a qualified personal fitness trainer. Chloey joined Riverdance in 2008, touring Europe, Japan and China and one of her highlights was performing at Radio City, New York.
James GreenanJames lives in Co. Cavan and danced with Scoil Rince Mona Ni Rodaigh. He won several prestigious World Championships, All Irelands, Great Britains, North Americans and Ulster titles in both solo and Céilí competitions. He toured with Gaelforce and Dancemasters and with Noctu in New York. His career with Riverdance began in 2011 and he has performed with the show in North America, China, Brazil, Argentina and at the Gaiety Theatre, Dublin.
Bobby HodgesBobby was six when he started dancing in his hometown of Bristol. After an illustrious career as a competitive Irish dancer, winning ten world titles, he joined the cast of Lord of the Dance.
After just six weeks in the show, he was cast as the principal lead. In 2012 he joined the cast of Prodijig to help create their debut show Footstorm. Bobby went on to be cast as a lead dancer in Heartbeat of Home which has toured internationally and is now thrilled to be performing lead in Riverdance, the show that inspired him to pursue dance.
Jason O’NeillJason started dancing at the age of five alongside his six sisters. Under the tuition of the Armstrong school in Belfast he developed a deep-rooted passion for rhythm. Jason has been a lead dancer with Prodijig’s Footstorm and with Heartbeat of Home and is truly honoured to attain lead role in three shows. As an avid traveller he has now performed in 200 cities worldwide. Jason is delighted to join Riverdance again for its remarkable 20th anniversary.
The Riverdance Band
Pat Mangan Fiddle / Musical DirectorTwo-time All-Ireland fiddle champion Patrick Mangan is from Brooklyn, New York, where he was introduced to traditional music at an early age. He grew up playing alongside legendary Irish musicians from both sides of the Atlantic. At aged sixteen, Patrick appeared in Riverdance On Broadway, becoming the youngest fiddler in the show’s history. Since then he has toured extensively, playing to enthralled audiences around the world. In addition to his love of the stage, Patrick is also an award-winning composer. His debut CD, Farewell to Ireland is available now at www.cdbaby.com/mangan.
Mark Alfred Drums / Percussion / BodhránA native of Monaghan, Mark began playing drums at the age of four. He studied at the Royal Irish Academy of Music in Dublin and then the Performing Arts College. He is now one of Europe’s most sought after, and highly regarded, drummers and is constantly in demand from a host of leading stellar international music acts. His very individualistic and energetic style has seen him play with many international acts including Lionel Richie, Simply Red, Katie Melua, Josh Groban, The Corrs, The Divine Comedy, Lemar, Gary Moore, Mary Coughlan, Ronan Keating, Westlife, Girls Aloud, Donnie Osmond, and the late Christy Hennessy. Mark Alfred uses and
proudly endorses: Pearl Drums, Zildjian Cymbals, Evans Drumheads, Vater Drumsticks, Protection Racket Cases.
Ken EdgeSaxophoneKenneth Edge began his career in music by winning RTÉ’s ‘Young Musician of the Future’ competition in 1983. Since then, Ken has performed with some of the greatest musicians and orchestras in the world. Composers such as Shaun Davey, Micheál Ó Súilleabháin and John Buckley have written new pieces especially for Ken. Aside from his performing career, Kenneth has held the posts of Music Director of Ireland’s CoisCéim Dance Theatre Company, for which he composed the scores for five of their productions, and Artist-in-Residence at the University of Limerick.
The Riverdance Russian EnsembleThe Riverdance Russian Ensemble combines elegance and grace with verve, dynamism and joyous physicality. The company’s dancers come from a diverse mix of cultural backgrounds. What they have in common is a dedication to dance and many years of training and performance in pursuit of perfection in their chosen art. Working as individual performers, they have come together for Riverdance, where they will share their individual talents and fuse the many elements that have gone into the development of their own unique style of dance.
The Riverdance Flamenco Soloist
Marita Martinez-ReyFlamencoMarita was born in Úbeda, Jaén, Spain. She graduated in Spanish Dance from the Royal Conservatory of Córdoba in 2001 and a year later in Classical Ballet with AraLeo Moyano. She also studied Flamencology, Cátedra de Flamencologia de Córdoba, as well as BA (Hons) in Music and History studies at the Universidad Complutense in Madrid. Her professional experience started in the opera El Cid with Placido Domingo which was performed in La Maestranza, Seville in 1999. She joined the Ballet Gallego Rey de Viana for a year in the production Vira ó Vento. After that, she returned to Madrid, where she has worked with several companies. In 2005 she joined the Compañia Antonio Gades where she has worked in the productions Carmen, Bodas de sangre and Fuenteovejuna.
RIV
ER
DA
NC
E The Riverdance Tappers
Rohan Pinnock-Hamilton Tapper/ Baritone Rohan began his training at the Audrey Spencer Dance Academy and at the Scala Performing Arts Academy. As a young actor Rohan was a series regular in Children’s Ward (Granada TV) and as a young dancer won the title of North England Tap Champion. He then went on to train at The Urdang Academy, London. Since graduating he has appeared in Mary Poppins, Somebody’s Son, Hairspray, Riverdance, Joseph and the Amazing Technicolor Dream Coat, Hair, Some Like It Hip-Hop and The Scottsboro Boys. He has also appeared as a backing dancer for recording artists such as Beverly Knight, Lemar and Kanye West. Rohan is delighted to be returning to Riverdance for this anniversary tour.
Christopher Broughton Born and raised in Los Angeles, CA, Christopher Broughton began dancing at the age of 12 and never looked back. Under the instruction of Paul and Arlene Kennedy at Universal Dance, he immediately became a member of the Kennedy Tap company. An an instructor, performer and choreographer, his art has taken him everywhere from St. Louis and Washington D.C. to Brazil, Finland, Cuba, Italy, Germany and beyond. Broughton has performed and toured the world with such greats as Jason Samuels Smith, Chloe Arnold, R&B singer MYA and Ted Levy. Company work has included national and international tours with Dorrance Dance, Magic of The Dance, and Rasta Thomas’ Tap Stars; as well as participating in The Cotton Club Parade at NY City Center. Christopher Broughton owes his sincerest gratitude to his sister Chantel Heath, who introduced him to the world of dance, Tonie Nicholas, son of the legendary Fayard Nicholas, and Paul and Arlene Kennedy; without whom, he wouldn’t be where he is today.
THE BUELL THEATRE is part of the Denver Performing Arts Complex, owned and operated by the City and County of
Denver, Arts and Venues.
CITY & COUNTY OF DENVER Michael Hancock, Mayor
ARTS AND VENUES Kent Rice, Director
For information call: 720.865.4220
STAY IN TOUCH WITH RIVERDANCE
www.riverdancestore.comwww.riverdance.com
facebook.com/riverdancetwitter.com/riverdance
youtube.com/riverdanceinstagram.com/riverdance_ official
DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING
SUPPORT IN ITS 2015/16 BROADWAY SEASON
PLEASE BE ADVISED Please be advised that once the show begins:
• LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.
• PHOTOS, RECORDING & CELL PHONE USE are prohibited.
• CHILDREN 4+ are welcome in our theatres and must be ticketed.
• DRINKS are allowed in provided containers.
• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.
• BRAILLE PROGRAMS are available with 2 weeks’ notice to [email protected] or 303.893.4836.
STAFF LISTING
For Abhann Productions LimitedDirectors ...........................................Moya Doherty,
John McColgan, David OrrExecutive Manager ............................Paula BurkeRiverdance Dublin Production OfficeAssociate Director ...................... Padraic MoylesContracts Manager ..........................Sean O’BrienDigital & Online Manager ........Mary O’DonnellCostume Shop Supervisor .......... Monica EnnisProduction Coordinator .................Laura GriffinAccountant ................................... Dominick TigheProduction Assistant ..............Niamh O’ConnorProduction Office Assistant ....... Alan Bradley Tapper casting / coaching .............Richard Pitt Original Design CreditsLighting Design................................Rupert MurrayCostumes for Riverdance Eurovision ...............Margaret CrosseCostumes for Riverdance – The Show ...........................Jen KellyProjection Animation ................Benjamin PearcyNORTH AMERICAN TOUR STAFFNorth American Press RepresentativePolk and Co.Production Manager ...................... Marie Barrett Company Manager ........................... Jesse WhiteAssistant Company Manager .....Alan ParamoreProduction Stage Manager .......Marc AndersonTechnical Stage Manager ...............Emma DoyleIrish Dance Captains ....................Brendan Dorris
Andrew O’ReillyRussian Dance Captain .................Natia ManganProduction Carpenter .................Jon RodriguezHead Carpenter ............. Steven Todd WhitakerProduction Electrician ..........Craig CaccamiseHead Electrician ............................Adam LansingAssistant Electrician/Carpenter .....Brandi FucciAssistant Electrician ........................Joel Bulthuis Advance Sound ...Sean McKeown/Kevin McGingHead Sound/Monitors ................ Isaac SheppardAsst Sound /FOH Mixer .............Daragh MurphyWardrobe Supervisor ..................... Brigid BrownWardrobe Assistant ...........................Katie Dean Medical Officer/ Physiotherapist .............. Fiona McCabe, MISCPMassage Therapist ............................... Keith WardMerchandising .......................SEE Merchandising www.seemerch.com / www.riverdancestore.com International Representation ...............Second Symphony LtdNorth American Representation ......... WME Entertainment LLCCredits and AcknowledgementsDance Flooring and Covering .........................American HarlequinFibre Optics & Starcloths .....I. Weiss & Sons Inc.Show Scrim ..............................................RosebrandLighting, Video, LED Screen ..... High Res/ VER Sound Equipment ............................... Clair GlobalTrucking Provided by ...........................Janco Ltd.Make-Up provided by ...................................... MACDrums provided by .....................................PEARLCymbals provided by ................................. ZildjianDrumheads provided by .............................EvansDrumsticks provided by ...............................VaterProtection provided by ................Racket CasesDigital Media ........................Situation Interactive
Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719
Linda AckerschottCarrie BreidenbachVonnie CloughJanel CloughCraig CoryCyndie CoryLaura CotugnoSteve DaviesAnne DavisCarolyn DoreDeborah Guess
AnnSue GunterJudy HolabirdLeslie LambertSharon Millikan-HaleCallie MorrowYolanda PollockDave PooleLiz SpadiAmy TepelMarybeth TscherpelBarb Wilson
LED Projection Updates ................. Luis PovedaPhotography .........Deidre Buck, Barbara Corsico, Julian Erskine, Hugo Glendenning, Jack Hartin, Tom Lawlor, Joan Marcus, John McColgan, Rob McDougall, Sean Breithaupt & Yvette Monahan
The producer would like to give special acknowledgement to:RTÉ Commercial Enterprises LimitedPaul McGuinness - Principle Management, Liam Miller, Maurice Cassidy, Tommy HigginsThe Office of Public WorksThe National Gallery of IrelandElements of the Ardagh Chalice and other artifacts by kind permission of the director of The National Museum of Ireland
The musicians employed in this production are members of the American Federation of Musicians.
Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E)
ATPAM The Press Agents, Company and House Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.
MAR 23 – APR 9 • BUELL THEATRE
Minumum Width .75”Maximum Width 2”
Minumum Width 2”Minumum Width 2”
Primary Logo
One Color Logo
Logo w/ Division
Minimum Size Requirements
One Color Reversed Logo
Gradient Reversed Logo - Web Use Only
PRIMARY LOGO + VARIATIONS
DENVERCENTER.ORG303.893.4100 • GROUPS 10+: 303.446.4829
SEASON SPONSORS:
©D
ISN
EY
MAY 24 – 29 • THE ELLIE
Minumum Width .75”Maximum Width 2”
Minumum Width 2”Minumum Width 2”
Primary Logo
One Color Logo
Logo w/ Division
Minimum Size Requirements
One Color Reversed Logo
Gradient Reversed Logo - Web Use Only
PRIMARY LOGO + VARIATIONS
DENVERCENTER.ORG303.893.4100 • GROUPS 10+: 303.446.4829
SEASON SPONSORS:
Orig
inal
Aus
tralia
n C
ompa
ny. P
hoto
by
Jeff
Busb
y
explore your world
Explore your world with summer camps at the International School of Denver. With experienced counselors, new themes weekly and camps offered in English, French, Mandarin, and Spanish, you can choose from options like Art Around the World, Engineering, Le Chef, Ultimate Frisbee and more!
Visit www.isdenver.org/camps to register today!
Summer Camps
June 6 - August 5 l Ages 3 - 14
Liz Sharrer, Chair 303.295.8000 [email protected] 555 17th Street, Suite 3200 Denver, Colorado 80202
Because Drama Belongs in the Theater.
Innovative, Straight-forward
Legal Solutions that Deliver Results…
Not Drama
Proud Supporter of the Arts
24 denvercenter.org
The
Tre
e o
f Li
fe f
rom
The
Lio
n K
ing
Nat
iona
l To
ur. ©
Dis
ney.
Pho
to C
red
it:
Joan
Mar
cus.
IIf not for the spunky street urchins who pedaled papers on Denver’s street corners in the early 20th century, Mile High Stadium might not be named after the Sports Authority retail giant today. Nathan Gart, patriarch of the Gart Brothers sporting goods empire that has since morphed into Sports Authority, was an entrepreneurial Denver Post newsboy who owned the corner of 16th and Lawrence streets. He learned at age 12 how profitable it could be to buy watches and rings from his regular customers, mark them up and re-sell them. He opened his first store in 1928 selling fishing rods with $500 he saved from hawking one screaming headline at a time. Gart is just one notable character in the colorful history of Denver’s newsboys, whose plight was positively Dicken-sian. In 1901, The Denver Times claimed that most newsboys, almost all of whom were orphans, cripples or runaways, made 10 to 15 cents a day selling papers they sold for a nickel. The newsies looked on one boy who made 40 cents a day as “a bloated aristocrat,” the paper reported. America’s most famous champion of newsboys was Horatio Alger, whose stories presented newsboys as exploited young heroes who succeeded through a mixture of pluck and luck. That is until Disney released Newsies, the 1992 musical film that introduced Christian Bale. The story, inspired by the real-life New York newsboys strike of 1899, was made into a Broadway musical in 2012 with music by Alan Menken, lyrics by Jack Feldman and a book by Harvey Fierstein. But if legend is to be believed, Denver’s newsboys were a much tougher lot than those striking, high-stepping New Yorkers.
Benny Bee, a crackerjack Denver Post newsboy in his time, was arrested while visiting New York and charged with “disturbing the peace and tranquility of Manhattan,” according to Bill Hosokawa’s enthralling history of The Denver Post, Thunder in the Rockies. His crime? “Demonstrating to New York newsboys how papers were sold in Denver.” Benny Bee reportedly introduced the profitable practice of “bootjacking” to his Big Apple counterparts. That’s when newsboys would mix in outdated editions of the daily paper with those that were hot off the presses and sell them to unsuspecting customers as the latest news. This was at a time when apocalyptic shouts of “Extra! Extra!” were ubiquitous on Denver street corners. Extras were special mid-day updates to the daily newspaper that would trumpet breaking and often trumped-up news scoops. According to Hosokawa’s book, Denver’s five competing daily newspapers would issue an “extra” at the least provocation, sometimes several times a day. Burn-ing oil fields, the bubonic plague or stolen babies were all handy tools to help newsboys sell more papers. But as soon as any new edition was printed, hundreds of now dated editions were relegated to the trash heap. Until bootjacking. The decade after World War I was a time when news-papers were Americans’ only source of reasonably real information. TV was unknown and radio was still a novelty. This was the golden era of yellow journalism, and Denver’s dailies were quick to embellish any story or stoke any flame to sell more papers. In the 1890s, The Denver Post’s down-town office became known as “The Bucket of Blood.” It may have been a period of contemptible journalism, but it also was the best show in town. The Post, co-founded
EXTRA! EXTRA! DENVER’S OWN “NEWSIES” HAD A COLORFUL PASTB Y J O H N M O O R E
Ori
gin
al c
om
pan
y, N
ort
h A
mer
ican
To
ur o
f D
isne
y’s
New
sies
. ©
Dis
ney.
P
hoto
by
Dee
n va
n M
eer.
The
Tre
e o
f Li
fe f
rom
The
Lio
n K
ing
Nat
iona
l To
ur. ©
Dis
ney.
Pho
to C
red
it:
Joan
Mar
cus.
by Frederick Bonfils and Harry Tammen, once hired comedian Charley Murray to jump off its 12-story building. A crowd of 25,000 gathered to watch what turned out to be a dummy thrown off the roof. Tammen’s mantra: “The public not only likes to be fooled — it insists upon it.” And newsboys were part of the show — literally. They regularly got together and staged corner minstrel shows for spare change. Denver’s newsboy tradition dates back to 1870, when young carri-ers would deliver copies of the Rocky Mountain News on horseback to houses that were considered far out on the prairie in those days — we’re talking what is now 7th Avenue and Broadway. “More than once, herds of antelope sped out of my way as I rode out,” Theodore De Harport once said of his earliest newsboy days.
On October 14, 1925, Denver Mayor Benjamin Stapleton signed an ordinance making it illegal for newsboys to sell papers on the street. Newsboys over age 12 — “and newsgirls over 21” — would be permitted to sell papers, but only with a free license. And the practice of calling out headlines was made a criminal offense. In a 1959 retrospective, the Rocky Mountain News interviewed Edward J. Keating, presiding judge of Denver’s District Courts, about his days as a newspaperboy 35 years earlier. He claimed “the majority of judges in Denver and Colorado courts today earned their first dollars toward their educations by delivering newspapers.” Keating used his earnings to pay his tuition at Cathedral High School, which he parlayed into a college scholarship. “The newspaperboy of today has raised his work to such a high level of respect,” he said, “it has become a mark of pride for every prominent businessman and civic leader who can link his early career with the profession.”
DISNEY’S NEWSIESMAR 23 – APR 9 • BUELL THEATREASL interpreted, Audio-described and Open Captioned performance: Apr 3, 2pmTickets: 303.893.4100 • denvercenter.org • Groups: 303.446.4829
COMING UP FROM BROADWAY:
NETWORKS PRESENTS DISNEY’S BEAUTY AND THE BEASTAfter playing for more than 35 million people worldwide in 13 countries, it’s hard to imagine that the music from 1992’s Beauty and the Beast (returning to The Buell June 7 – 12) was never supposed to be written. Here are some little known facts about the beloved Disney soundtrack from animation historian and critic Charles Solomon.
• Artists began to submit storyboards for the film in 1983, which was originally slated to be non-musical. Husband and wife Richard and Jill Purdum were chosen to develop their idea, but after 10 weeks of storyboarding, it was deemed too dark.
• The Little Mermaid premiered in the middle of the process, and its success shifted the focus of the project. Walt Disney Studios head Jeffrey Katzenberg “envisioned the concept of a Broadway musical brought to animation by Howard Ashman and Alan Menken,” said writer Linda Woolverton.
• The song “Human Again” was cut from the movie because it added 11 minutes to the length and created a strange time gap for the supporting characters.
• The title song “Beauty and The Beast” won the 1992 Oscar for Best Original Song. Producer Don Hahn recalls Angela Lansbury’s recording session: “She went into the booth and sang ‘Beauty and the Beast’ from beginning to end and just nailed it. We picked up a couple of lines here and there, but essentially that one take is what we used for the movie.” And the rest, they say, is history.
Sam
Har
tley
as
the
Bea
st a
nd B
roo
ke Q
uint
ana
as B
elle
in D
isne
y’s
Bea
uty
and
the
Bea
st. P
hoto
by
Mat
thew
Mur
phy
.
“The public not only likes to be fooled — it insists upon it.” — DENVER POST CO-FOUNDER, HARRY TAMMEN
Ori
gin
al c
om
pan
y, N
ort
h A
mer
ican
To
ur o
f D
isne
y’s
New
sies
. ©
Dis
ney.
P
hoto
by
Dee
n va
n M
eer.
A group of children, probably delivery boys and girls, pose outside of The Denver Post on 16th Street. A sign reads: “The Denver Post, Every Day in the Year.” By Harry H. Buckwalter (between 1890 and 1910).
A portrait of Tom Payne, a Denver Post newspaper delivery boy (between 1900-1920).
26 denvercenter.org
Join our Women with Hattitude benefit for the Women’s Voices Fund at the Denver Center for the Performing Arts. Enjoy a delicious lunch, a surprise musical performance and a colorful parade of the day’s best hats — all to help
women playwrights and directors be heard.
THU, MAY 5 • SEAWELL GRAND BALLROOM • 11:30AM DENVERCENTER.ORG/HATS • 303.572.4593
Sponsored by MARGOT & ALLAN FRANK
JAMIE ANGELICHE VENT CHAIR
WOMEN with HATTITUDE
WEAR A HAT THAT SPEAKS VOLUMES
Photos by Custom Creations Photography
Helping to Support Culture in Our Community and in Our State
Employment Litigation &
Employment Law Advice
We provide guidance for in-house counsel, Human Resources, individuals, and companies of all sizes.
Litigation help in non-competes, trade secrets, and discrimination and retaliation claims.
www.mlgrouppc.com303.597.4000
28 denvercenter.org
IIt began as a one-time, seven-minute performance: the intermission entertainment at the music sensation Eurovi-sion, a yearly contest that has launched the likes of Celine Dion and ABBA. The segment opened with the haunting sounds of the Celtic choir Anuna. Then a lone dancer came center stage in a simple black dress. Arms flush at her sides, she cavorted across the boards in an intricate pattern of steps and kicks, accompanied by a fast fiddle. Next came a leaping Michael Flatley, his shoes keeping time with a corps of Irish drums. And out of the shadows emerged two dozen more Irish dancers, storming the stage in a lightning-quick precision of steps, heels tapping in percussive rhythm and giving a performance of Irish dance unlike anything anyone had ever seen. Julian Erskine, senior executive producer of Riverdance, remembers that night. “It’s hard to describe just how enormous [the audience reaction] was. Not just in the Eurovision venue, where the entire audience let out a spontaneous roar and jumped to [its] feet, but also across all the Irish radio and TV stations and newspapers where it was the number one topic of discussion.” Such a buzz was created that by the time the routine was repeated live on Irish national television the following Saturday, nearly the entire country was watching to see what the fuss was about. Erskine and the rest of the creative team didn’t quite know what they had on their hands. With the instant popularity of the act, they planned to follow up the Eurovision performance with a full-length dance show to play Dublin. “The original hope,” he said, “was for a one-month run.”
That was 1994. Twenty-two years later the worldwide phenomenon of Riverdance continues to play to enthusiastic audiences across the globe. To Americans today, the immense and immediate popularity of River-dance in Ireland may seem odd. Why the fuss? Isn’t Irish dance ingrained in the culture? Not like this, said Erskine. “It was a unique event, especially for Irish audiences. We were not used to seeing Irish dancing as a form of entertainment, and never on such a big scale. Prior to Riverdance, Irish dancing was a low-key cultural pastime, reserved for competitive amateurs and now and then for small-scale tourist attractions…. This show was the first of a new kind of entertainment.” Immediately upon opening the show in Dublin in February 1995, the creative team was invited to bring it to London. Soon, worldwide invitations began pouring in and, Erskine said, “it was clear that the show had a much wider appeal and was not limited to playing to Irish audiences.” Celtic music and culture were already gaining fresh popularity in the US, so taking the show across the pond seemed like a natural step. Erskine: “Our first taste of the American reaction was in March 1996 when we came to Radio City Music Hall for St. Patrick’s week. It was fantastic! We were sold out before we arrived and the whole week was one long celebration.” So just what is so fascinating about Riverdance? To start, there’s the music of composer Bill Whelan, which includes Irish Uilleann pipes and the Bodhran, a handheld drum covered with goat’s skin and played with a wooden stick. When joined with the fiddle, these instruments form
RIVERDANCE: THE THRILL THAT NEVER STOPS B Y G E N E V I E V E M I L L E R R
iver
dan
ce L
ine.
Pho
tog
rap
her:
Jac
k H
arti
n
the traditional Irish “seisiun” trio, but to quote Erskine, “Perhaps the least known instruments in the show are the dancers’ shoes. With their hard heels, soles and tips, the dancers are not only able to beat out a rhythm, but they can also make music by using their shoes to create bass and tre-ble notes.” The steps, multiplied by 20 dancers all moving in time together, create music of their own. Those dancers are the heart of the show — skilled athletes whose precise execution may be rivaled only by the Rockettes. When asked if that point-perfect unison is achieved by endless hours of rehearsal or great choreographic direction, Erskine assessed it as a bit of both. “Mostly it’s down to the competitive background of Irish dance. All of our performers are championship-winning dancers and as such, perform with extreme precision and exceptional timing, usually under intense pressure.” As most of the dancers have been competing since they were toddlers, this precision and style are deeply rooted. “What seems extraordinary to the audience seems ordinary to the dancers,” he said.
Riverdance returns to Denver after a seven-year absence during which the show toured Asia. During its 2008 engagement, Erskine was uncertain about what lay ahead for the show, but given the enthusiastic embrace Americans have for the show he then said, ”I would never rule out Riverdance, in some form or other, returning to the US in the future. We’re just happy that that future ended up including a stop in Denver during its 20th anniversary world tour.
Genevieve Miller previously served as the DCPA’s Director of Publicity & Promotions and is now General Manager at Broadway Across America in Cincinnati.
RIVERDANCE — THE 20TH ANNIVERSARY WORLD TOURMAR 8 – 13 • BUELL THEATRETickets: 303.893.4100 • denvercenter.org • 303.446.4829
29
Riv
erd
ance
Lin
e. P
hoto
gra
phe
r: J
ack
Har
tin
COMING UP FROM BROADWAY:
ONCEThe film once became a sleeper hit of 2007, winning over the hearts of critics and audiences alike with its intimate look into the unrequited romance of two musi-cians. The simple plot, shoestring budget and minimal acting credits gave the movie a sense of reality that most Hollywood affairs miss. Its award-winning soundtrack (Oscar for Best Original Song for “Falling Slowly”) was the magical thread that con-nected the plot and punctuated its most emotional moments. After all of this, then, it might seem like it would feel out of place on the Broadway stage (returning to Denver May 24 – 29), not necessarily known for subtlety and intimacy. But like the movie, the magic lies in the music and in the people who are playing it. “once has a very huge fan base for the movie and these songs,” said Music Super-visor and Orchestrator Martin Lowe. “[It’s] a huge responsibility to me and to the cast, to deliver those songs to the audi-ence as people remember them while still giving them something that’s new.” The actors have gotten to bond as a band as well as a company. The excite-ment to perform as musicians is palpable in the show. “The fact that we put all of our feeling and love into our instruments, you can sense it in the air,” said Cristin Milioti, who starred in the original Broadway produc-tion. “I have never been lifted so much by an action on stage as I have playing an instrument, making a sound.” We invite you to be lifted with the cast on a journey into the passionate, magical story of once.
Sam
Cie
ri a
nd M
acke
nzie
Les
ser-
Roy
and
the
ON
CE
to
ur c
om
pan
y. ©
Jo
an M
arcu
s
Riv
erd
ance
, Am
eric
an W
ake.
Pho
tog
rap
her:
Ro
b M
cDo
gal
l
30 denvercenter.org
“ For five years, we’ve sponsored the [DCPA’s Saturday Night Alive] silent auction and helped raise thousands of dollars for Arts in Education programs.… We appreciate the opportunity to align our bank with this important access to the arts.”
— BILL SULLIVAN, CSBT PRESIDENT & CEO
AAt Colorado State Bank and Trust (CSBT) we believe that people do business with people they like and respect. It’s about similar values. “That’s why we are pleased to support the Denver Center for the Performing Arts and Saturday Night Alive,” said Bill Sullivan, CSBT President and CEO. “For five years, we’ve sponsored the silent auction and helped raise thousands of dollars for Arts in Education programs. The DCPA uses proceeds to take arts to the classroom, so in many cases, children are seeing a theatre performance for the first time. We appreciate the opportunity to align our bank with this important access to the arts.” In 2003, CSBT joined forces with BOK Financial (BOKF), one of the top 25 U.S.–based banks. CSBT has served Colorado since 1908 and BOKF has also been in business for more than 100 years. This partnership enhances long-held mutual values. Today, CSBT has the sophisticated products, services and lending capacity of a large bank combined with the ability to deliver those solutions in a one-on-one, high touch, community-focused manner. “Clearly, we’re pleased to have this strength and flexibility,” said Bill. “We have the financial resources to support civic and community activities and the human resources to lend leadership and volunteer time to civic activities, nonprofit boards and community causes. It’s fair to say there’s strength in numbers. If the businesses that flourish here and the people who live and work here contribute as we can, we believe it’s time and money well spent.”
A PROUD SPONSOR OF DCPA’S SATURDAY NIGHT ALIVE SILENT AUCTION
APPRECIATE OPPORTUNITY TO ALIGN WITH THE ARTS
OPERACOLORADO.ORG303.468.2030
LORI LAITMAN MAY 7|10|13|15 2016The 2015-2016 Season is sponsored by:Ken & Donna Barrow. The Scarlet Letter is sponsored by Kenneth and Donna Barrow, Dave and Pam Duke,Noël and Thomas Congdon, Jeremy and Susan Shamos, Joy Dinsdale and Daniel L. Ritchie.
Through literary discussion, poetry, music and more – Opera Colorado will explore the themes of The Scarlet Letter.
EVENT SERIES
“Colorado’s Family Law Team”
The Harris Law Firm Plays a Different Tune by Controlling Costs and Limiting Litigation
The Harris Law FirmOffices located in Downtown Denver,
Englewood, Evergreen and Fort Collins
303.515.5000 www.harrisfamilylaw.com
For killer pie, minus the haircut, swing in to Humble Pie.
“Sweeney Todd Approved”
“Top of the Town” -5280Sweet & Savory Pies
Pie Shakes Coffee & Tea Apothecary-Inspired Cocktails
Colfax & Monroe HumblePieStore.com
BRING IN YOUR TICKET STUB for a Glass of wine with purchase of an entrée
WWW.CREPESNCREPES.COM
IN THE HEART OF WRITERS SQUARE
1512 LARIMER ST. 303.534.1620
2816 E. 3RD AVE. 303.320.4184
PRIME RIB SUNDAYS$16.00OPEN 4PM ON SUNDAY
Pre-theatre3 course dinner$35 per person
Open Mon-Sat, 5pm-Close
1512 LARIMER #38(In the heart of Writer Square)
303.595.860Owww.redsquarebistro.com
1585 LAWRENCE ST. • DENVER, CO 80202
JUST 4 BLOCKS FROM THE THEATRE
serving seafood,steaks & style
303.575.9000 • WILLIEGS.COM
Show your tickets and receivea free appetizer with yourpurchase of two entrées.
Offer good at both locations!
501 16th Streetmarlowesdenver.com
(303) 595-3700
519 16th Streetparamountcafe.com
(303) 893-2000
THINKDRINK
EATLOCAL
FREE PARKING WHEN YOU DINE WITH US!
Enjoy a meal with us before the show! When you show your tickets, get 10% off your meal or take
advantage of our 3-Course Theatre Dinner for $29. And, parking is FREE at Independence Plaza!
(LOCATED TWO BLOCKS FROM THE DCPA) 934 16TH ST. DENVER 80202 TEL (303) 893-2233
@ R I A LT O C A F E
“Dinner Lab is the nextgeneration of the pop-uprestaurant, the 2.0 of the
supper club.”
-Sky Dylan-RobbinsThe New Yorker
www.dinnerlab.com @dinnerlab #dinnerlab
American CuisineSteak, Seafood, Game, Vegetarian & Special Dietary Requests
1515 Market StreetDenver, CO 80202(303) 571-0011Check us on facebook for specials atwww.facebook.com/1515RestaurantCOMPLIMENTARY PARKING WITH DINNER ONLY16 Market Square
Baur’s Restaurant & Listening Lounge1512 Curtis Street Denver, CO
303.615.4000
Show your theater tickets and receive 10% off your
dining experience.
DINNER: Daily 5:00 pm – 10:00 pmBRUNCH: Fri – Sun 9:00 am – 2:30 pm
SOCIAL HOUR: Mon – Thu 4:00 pm – 6:00 pmFri – Sun 2:30 – 6:00 pm
Happy Hour, Walking Distance to DCPA, Valet Parking, Complementary Glass of Wine,
Beer or Free Dessert with Ticket Stub. Free Valet Parking with 2 Large Entrees and Ticket Stub!
1040 15th St., Denver, CO 80202(303) 534-0404
viandamerican.com
Specializing in the finest extra-virgin olive oils and balsamic vinegars from around the world.
LoDo1338 15th Street
(15th at Market) in LoDo303-974-5784
Tuesday-Saturday: 11-6pmSunday: 11-4pmClosed Mondays
Bring in your program for 10% off your purchase.
Littleton2660 Main Street
(Next to Savory Spice Shop)720-328-4783Monday: 10-5pm
Tuesday-Friday: 10-6pmSaturday: 10-5pmSunday: 11-4pm
1659 Wazee StreetAt the Historic Oxford Hotel
303.825.1107
Simply GreatSimply GreatSimply Great....
SEAFOOD AND STEAKS
mccormickandschmicks.com
Just 3 blocks from the theater complex 909 17th Street at Champa
Call 303.296.3525 for reservations
Four Diamonds AAAFour Stars - 5280 magazine
Chef Inspired / Fast Casual1512 Larimer St
Denver, CO 80202(corner of 15th and Larimer)
www.komotodo.com
BURRITO HAPPY HOURTuesday & Thursday 7-9pm
STORE HOURSSunday-Thursday 11am-9pmFriday-Saturday 11am-Late
10% OFF
your orderwith
this ad!
WWW.EATSNARFS.COM@SNARFSSANDWICHES @SNARFSHAPPENS
891 14th Street Ste. 160303-573-3939
(Champa St. between 14th & 15th)
RECEIVE $2OFF WHENYOU BRINGIN THIS AD
WE CATER
R
A DIVERSIFIED EATERY3927 W 32ND AVE • DENVER
TUESDAY-SATURDAY 5PM-CLOSECOCKTAIL HOUR DAILY 5-6:30PM
PURCHASE $100 GIFT CARD, GET A $25 GIFT CARD ON US!
SOLITAIRERESTAURANT.COM
Happy Hour, Walking Distance to DCPA, Valet Parking, Complementary Glass of Wine,
Beer or Free Dessert with Ticket Stub. Free Valet Parking with 2 Large Entrees and Ticket Stub!
1480 Arapahoe St., Denver, CO 80202(303) 844-5280
reuniongastropub.com
LAKEWOOD
303-988-2580AURORA
720-748-1260ARVADA
303-423-1307
SPORTS BARSLAKEWOOD
303-278-0363AURORA
303-338-2024
LAKEWOOD1535 S. Kipling Pkwy.
(Kipling & Florida)303-988-2580
AURORA2790 S. Havana St.
(Havana & Yale)720-748-1260
ARVADA12391 W. 64th Ave.
(64th & Ward)303-423-1307
SPORTS BARSLAKEWOOD
1535 S. Kipling Pkwy. Suite M
(Kipling & Florida)303-278-0363
AURORA2790 S. Havana St.
Suite X (Havana & Yale)
303-338-2024
1/2 PRICE ENTREE
Buy any entree, get 2nd of equal
or lesser value 1/2 price.
Limit 1 coupon per table / not valid at happy hour. Valid at
these locations only.
FREE MARGARITABuy 16 oz. House
Margarita, get 2nd of equal or lesser value.
Limit 1 coupon per table / not valid at happy hour. Valid at
these locations only.
Happy HourMon-Fri 2-5pm
Open 7 Days A WeekSun-Thurs 10:45-10 Fri, Sat 10:45-11
www.eltequilenomexrest.comwww.tequilasmexrest.com
www.eltequilenomexrest.comwww.tequilasmexrest.com
34 denvercenter.org
CLASS IS ALWAYS IN SEASONSERIOUSLY FUN TRAINING FOR CHILDREN & TEENSImprov | On-Camera | Acting | Playwriting | Performance
SPRING & SUMMERREGISTRATION IS OPEN
303.446.4892denvercenter.org/education
Pho
to b
y B
rian
Lan
dis
Fo
lkin
s
7711 S. Parker Rd. • Centennial303.690.4722 • TagawaGardens.com
Say “APPLAUSE”for $5 OFF!*
Grow Beauty & Joy!
all things garden - home decor/gifts • fairies • local foods • classes • family events
Proctor’s Garden
*(with $25 purchase)
Renew Your Look
• Neck Lift, Eyelid Lift, Brow Lift• Nose, Chin, Cheek, Ear Reconstruction
• Face Lift• Tummy Tuck • Liposuction
• Jaw Surgery • Craniofacial Deformities • Facial Tumors/Trauma • Cleft Palate/Lip• Obstructive Sleep Apnea• TMJ/Jaw Pain
Oral, Maxillofacial and Cosmetic Surgery
Randolph C. Robinson Md, dds, FaaCs, suRgeon
Dual Board Certified in Cosmetic and Oral Maxillofacial Surgery
Before BeforeAfter After
CoMpliMentaRy CosMetiC Consultation 303-792-2828
RobinsonCosMetiCsuRgeRy.CoM
Scan for more pictures.
36 denvercenter.org
WONDERING ABOUT THE WEATHER?
CBS4 HAS YOU COVERED!
WWondering what to wear to work tomorrow or how next week’s snowstorm will affect your weekend plans? The CBS4 weather team has you covered! When you want to know where to go, what to do and what weather to expect, the place to turn to is CBS4 and www.cbsdenver.com. On CBS4 you’ll find the CBS4 weather team of Ed Greene, Justin McHeffey, Lauren Whitney, Dave Aguilera and Chris Spears giving you the latest updates every day, on air and online. You’ll also hear about all of the fun things to do in Denver as we cover local arts and entertainment with the latest music, movie, event and restaurant reviews. And as a proud supporter of the Denver Center for the Performing Arts, CBS4 continues to bring you the latest theatre coverage each season. Anytime you want more information, just click on www.cbsdenver.com. It’s instant access to fun day or night. Watch for the CBS4 Chevy Mobile Weather Lab, Colorado’s most technologically sophisticated moving weather station. The mobile weather lab travels everywhere and broadcasts live weather data instantly from even very remote locations so you can have the most up-to-date and accurate reports.
A PROUD SPONSOR OF DENVER CENTER FOR THE PERFORMING ARTS
(r-l) CBS4 Weather Team of Chris Spears. Justin McHeffey, Dave Aguilera, Ed Greene and Lauren Whitney
For the last 50 years, The Nature Conservancy in Colorado has protected one million acres & improved 1,000 river miles across the state.
With your support, we will continue to protect & restore Colorado’s lands, forests & waters
for future generations.nature.org/colorado
THANK YOU
CONSERVINGCOLORADO
1966-2016
©Sophia Floyd
JUNE 18 - 19 | 2O16Conservatory Green at Stapleton Northfield
DenverArtsFestival.com
GEISSBUHLER
NEW NAME, NEW LOCATION, NEW WEEKEND!
Same Nationally Ranked Arts Festival
HOST SPONSOR
303.797.SINGwww.youngvoices.org
Young Voices of
ColoradoPrograms for children 3-18!
Come Sing With Us!
Auditions for 2nd-12th gradersMay 17 and June 7, 2016
No audition for children ages 3-6 - just sign up!
DOGTON ABBEY
You are cordially invited to
for
www.petaidcolorado.org/mutts-models
Seawell Grand Ballroom at the Denver Center for Performing Arts
May 21, 2016s a t u r d a y
38 denvercenter.org
AAt a time when the national theatre conversation is at last fixed on the sadly unchanging topic of gender disparity in American playwriting, the Denver Center’s 11th and largest annual Colorado New Play Summit turned into a veritable celebration of the woman’s voice. The two fully-produced world premiere plays that were presented for local and national audiences were written by women. Two of the four playwrights whose developing works were selected to be featured at this year’s Summit are women. The second-ever Local Playwrights’ Slam was curated by a company dedicated to supporting artistic contributions by women, and thus featured an all-female playwriting lineup. And the three teen playwrights whose works were chosen from a field of 212 statewide submissions to be presented in the third annual Regional
High School Playwriting Workshop and Competition are all Colorado female high-school students. “All of that gives me hope,” said Angela Astle, Executive Director of the Athena Project and host of the Local Playwrights’ Slam held in The Jones on February 13. “We’ve got a movement started that recognizes women are truly underrepresented in the American theatre. “Only 20 percent of all plays produced in this country are written by women, and we need to change that.” The 2016 Colorado New Play Summit, which last year expanded to two weeks to add additional development time and a second round of public readings, drew more local audiences and national industry leaders than ever before, with attendees coming from 25 states. Visitors represented companies ranging from The Roundabout
PHOTOS: 1. Members of the cast of Midwinter by Mat Smart 2. Guadalupe Zarate, Daniel Valdez, Cynthia Reifler Flores, and Vaneza Calderon rehearse American Mariachi by José Cruz González. 3. Tom Pearson and Zach Morris, Co-Artistic Directors of Third Rail Projects, and DCPA Playwriting Fellow Matthew Lopez at the Devised Work Panel 4. The cast and creative team of Two Degrees by Tira Palmquist 5. Commissioned Playwright Kemp Powers and actor Jason Delane. 6. Candy Brown, Josh Hartwell, and Jeffrey Neuman at the Regional New Play Development Panel. 7. Meet and Greet at the Summit 8. Colorado Playwright Rebecca Gorman O’Neill performs at the Local Playwrights’ Slam, curated and hosted by the Athena Project. Photos by John Moore.
11TH ANNUALCOLORADO NEW PLAY SUMMIT
B Y J O H N M O O R E
1 3 4
2
Theatre Company in New York, the Alley Theatre in Houston, the Arena Stage in Washington D.C., the Oregon Shakespeare Festival and, closer to home, the Creede Repertory Theatre, Su Teatro and Arvada Center. They were treated to fully staged performances of Theresa Rebeck’s The Nest, Tanya Saracho’s FADE, the four featured Summit readings, several panel discussions hosted by DCPA Theatre Company Playwright in Residence Matthew Lopez (The Legend of Georgia McBride) and a thrilling demonstration of the DCPA’s newest commission — Third Rail Projects’ upcoming immersive, experiential new work slated for May. The four featured Summit readings took audiences from 1616 England to present-day South Pole. Here’s a brief look at each:
• José Cruz González’s American Mariachi is a new piece inspired by women who overcame great obstacles to form their own mariachi groups in Los Angeles during the male-dominated 1970s.
• Lauren Gunderson’s The Book of Will tackles the history right after Shakespeare died by telling how his friends and fellow actors valiantly managed to publish the first folio of The Bard’s great works.
• Tira Palmquist describes her Two Degrees as “a cheery story about climate change.” Her main character is a female climate scientist but her play is really about grief, she said. “Grief for the planet, grief at large, grief on a more personal scale.”
• Mat Smart’s Midwinter was inspired by his time working at a research center on Antarctica. “One thing that’s interesting about the station is that the
people there fall in and out of love and have these epic relationships for, like, two weeks — and it’s very genuine,” said Smart, who calls his story a riff on A Midsummer Night’s Dream.
DCPA Theatre Company Producing Artistic Director (and Summit founder) Kent Thompson’s burgeoning commission program was on full display at the Summit as well. Commissioned playwrights are those who have been contracted by the Denver Center to write a new play for Thompson’s first right of refusal. Among those commissioned playwrights in attended included several handpicked to participate in the second-weekend Playwrights’ Slam. They included some of the biggest names in American playwriting, including Robert Schenkkan (All the Way, The 12), Kemp Powers (One Night in Miami…), Regina Taylor (Crowns), Rogelio Martinez (When Tang Met Laika), Anne Garcia-Romero, Lauren Yee and Andrew Hinderacker. The 2016 Summit also will go down in history as the first time an event held at the DCPA was livestreamed on HowlRoundTV, a peer-produced online network. Audiences around the world watched three Summit panel conversations on their computers. One featured Third Rail Projects founder Zach Morris (a Colorado native) and co-Artistic Director Tom Pearson talking about the company’s upcoming partnership with the DCPA. HowlRoundTV also broadcast a dialogue hosted by Lopez about the playwriting process, as well as the Playwrights’ Slam on February 19. The Colorado New Play Summit has grown into one of the nation’s premier showcases of new plays. In its first decade, 44 new plays were introduced at the Summit, and more than half have returned as fully staged Theatre Company productions.
THANK YOU TO OUR SUMMIT SPONSORS: Joy S. Burns, Clos du Bois Winery, Terry & Noel Hefty, Karolynn Lestrud, Robert & Carole Slosky and Daniel L. Ritchie. Special thanks to the Harold & Mimi Steinberg Charitable Trust for its continued support of new play development at the Denver Center for the Performing Arts.
5 7
6
8
DCPAScott Shiller .............................................................President/CEO Eve Gordon ..........................Executive Assistant to the CEO
BROADWAY & CABARETJohn Ekeberg ..........................Executive Director BroadwayAlicia Giersch ....................................................General ManagerAlyssa Chacon ............ Operations Business AdministratorAbel Becerra ................................. Technical Director, Cabaret
DEVELOPMENTDavid Zupancic ................................Director of Development Shawn Bayer ...................................................Associate DirectorChelley Canales ..................................Development AssociateMegan Fevurly ....................................Development AssociateMelissa Olson .......................................Development Assistant Marc Ravenhill ................................................Associate Director Valerie Taron ...................................................Associate Director
EDUCATIONAllison Watrous .......................................Director of EducationJessica Austgen ...............................................Teaching Artist &
Shakespeare CoordinatorStuart Barr .................................Education Technical DirectorClaudia Carson ........................................Bobby G Coordinator Leslie Channell ............................................ Education RegistrarPatrick Elkins-Zeglarski ...............................................Education
Curriculum ManagerLinda Eller .............................................................................LibrarianTim McCracken.....................................................Head of ActingJannett Matusiak ...........................................Business ManagerMichelle Patrick ..................Corporate Training CoordinatorDavid Saphier .............School Coordinator/Teaching ArtistRachel Taylor ........ .At-Risk Coordinator & Teaching Artist Chloe McCleod, Justin Walvoord, Robyn Yamada ................................................... Teaching Artists
FACILITIES & EVENT SERVICESClay Courter ....Vice President, Facilities & Event ServicesJames Babcock, Dwight Barela,Clint Flinchpaugh, Michael Kimbrough ............... Engineers Quentin Crump ..............................................Security SpecialistTom Duffin ....................................Manager, Event Technology Caitlin Glasgo ...............................................Events Coordinator Stori Heleen ................................Event Technology Specialist Jaymes Kimbrough .................Event Technology Specialist Clint King ........................................................Security SupervisorTerry Koch ..........................Director, Facilities ManagementJohn Lower .............................................................Chief EngineerBrian McClain ............................................ Custodial SupervisorTara Miller, Danielle Porter, Brittany Schoede ............................................Events ManagersBrook Nichols ...............................Director, Event Technology Alyssa Stock ...................................Assistant Project ManagerWill Stowe ....................................Event Technology SpecialistTara Wenger ...Facilities/Event Services Business Manager Dawn Williams ....................................Director, Event Services Juan Loya, Carmen Molina, Blanca Primero, Judith Primero, Angeles Reyes Soto, Francisco Trujillo ...........................................................Custodians
MARKETING & SALESJennifer Nealson .................................Chief Marketing Officer Heidi Bosk ........................ Senior PR & Promotions ManagerNathan Brunetti ..................................................Digital ManagerKim Conner ........................................................Graphic DesignerFlora Jane DiRienzo ..............Director of Strategic ProjectsBrenda Elliott .....................................Senior Graphic DesignerBrianna Firestone ...................................Director of MarketingSimone Gordon ..................................................Project ManagerHope Grandon .........................................PR & Events ManagerJeff Hovorka ............................ Director of Sales & MarketingJennifer Kemps .......................................Group Sales ManagerEmily Kent .....................................................Marketing ManagerDavid Lenk.............................................................Video ProducerEmily Lozow ..........................................Marketing CoordinatorAdam Lundeen..................................... Website Administrator
Kyle Malone ...................................................................Art DirectorCarolyn Michaels ..........................................................CopywriterJohn Moore ...............................................Senior Arts JournalistAdam Obendorf ..........................................Senior Art DirectorBeth Osolin .....................Group Sales Business CoordinatorAllison Barber Pasternak .... Executive Assistant to the CMODonna Rossi ...........................Customer Experience DirectorJoseph Schurwonn......................................... Financial AnalystJill Schwager ..............Education Group Sales CoordinatorRob Silk ................................................................ Creative DirectorSuzanne Yoe ..........................Director of Marketing Services
& Cultural AffairsTHEATRE SERVICES Carol Krueger .................................Theatre Services ManagerAdam Alberti, Ethan Aumann, Nora Caley, Hadley Kamminga-Peck, LeiLani Lynch, Gregory Melton, Douglas Murphey, Joyce Murphey, Margaret Ohlander, Dylan Phibbs, Valerie Schaefer, Mica Ward ....................Theatre Company House ManagersTICKETING SERVICESJennifer Lopez ........................Director of Ticketing ServicesKirk Petersen ..........................................Assoc. Dir. of Ticketing
Services – Patron RelationsDavid Smith ............................................Assoc. Dir. of Ticketing
Services – Subscription ServicesJessica Bergin, Katie Clow-Pollard, Tristan Jungferman, Laura Kirby ......Box Office ManagersWilliam Dutton III..................................VIP Ticketing ManagerMicah White .............................................Subscription ManagerMalcolm Brown, Kevin Dykstra, Edmund Gurule, Elisabeth Link, Molly McDonough .....................Show LeadsKirsten Anderson, Ashley Brown, Scott Lix, Gregory Swan .......................Subscription AgentsMaggie Blumer, Rena Bugg, D.J. Dennis, Nicole Giordano, Jennifer Gray, Roger Haak, Rebecca Hibbert, Joel Innes, Alex Jannen, Noah Jungferman, Megan Kelly, Alia Kempton, Michael Lang, Daniel Lindsey, Brett Martinez, Shane Rodriguez, Hayley Solano, Ereece Thomas, J.P. Velez, Tomas Waples ....................................Ticket Agents
SHARED SERVICESVicky Miles ...............................................Chief Financial OfficerJennifer Jeffrey ..................................Senior Financial AnalystACCOUNTINGJennifer Siemers ..................................Director of AccountingSara Brandenburg, Michaele Davidson ....................................Senior AccountantsGeorgette Maddox ..........................................Payroll SpecialistKim Stewart .......................................................Staff AccountantHUMAN RESOURCESRegina Matthews ........................Director Human ResourcesBrian Carter ..................................Human Resources ManagerDonald Gabenski ............................................................ReceptionJamie Hawkins .....................................................HR Coordinator Monica Robles ...........................................Mailroom SupervisorINFORMATION TECHNOLOGYChris Calenzo ..................................................Help Desk AnalystJayson Cowley......................................Network AdministratorJim Hipp ................................................Associate Director of ITChristopher Hoge ......................VoIP/System AdministratorBobby Jiminez ........................ Senior Audienceview AnalystJohn H. Voorheis ...........................Manager of Infrastructure
THEATRE COMPANY Kent Thompson .......................... Producing Artistic Director ADMINISTRATIONCharles Varin ..................................................Managing DirectorRyan Meisheid ..........................Associate Managing DirectorAllison Taylor .................................................Company ManagerKerri Mirtsching ................................... Business Administrator Alie Quistberg ..........................Assistant Company Manager ARTISTICBruce K. Sevy ..............Director of New Play DevelopmentDouglas Langworthy ...........Literary Manager/DramaturgChad Henry ......................................................Literary AssociateEmily Tarquin ..................................................Artistic Associate/
New Play Coordinator
Grady Soapes .............................................Artistic CoordinatorEli Carpenter, Matthew Lause ........................ Artistic InternsPRODUCTIONJeff Gifford ..............................................Director of ProductionMelissa Cashion ...................Associate Production ManagerJulie Brou ..................Production & Artistic Office ManagerScenic DesignLisa M. Orzolek ...............................Director of Scenic DesignMatthew Plamp, Nicholas Renaud..............................Scenic Design AssistantsLighting DesignCharles R. MacLeod ..................................Director of LightingLily Bradford ....................................Lighting Design AssistantReid Tennis .............................................. Production ElectricianMultimediaCharlie I. Miller...................... Resident Multimedia SpecialistTopher Blair ...........................Multimedia Assistant/OperatorSound DesignCraig Breitenbach ..........................................Director of SoundTyler Nelson ......................................................... Sound DesignerAlex Billman, Frank Haas .............................Sound OperatorsStage ManagementChristopher C. Ewing ...............Production Stage ManagerMatthew Campbell, Rachel Ducat, Aja M. Jackson, Kurt Van Raden ................Stage ManagersD. Lynn Reiland ........................................Production AssistantCorin Ferris, Lexi Holtzer, Kristen Littlepage........... Stage Management ApprenticesScene ShopEric Rouse .........................................................Technical DirectorRobert L. Orzolek ....................Associate Technical DirectorJosh Prues ................................... Assistant Technical DirectorAlbert “Stub” Allison, Louis Fernandez III .........................................Lead TechniciansJustin Hicks, Brian “Marco” Markiewicz, Keli Sequoia, Mike Van Aartsen, Ross Wick ........................................................Scenic TechniciansProp ShopRobin Lu Payne ............................................Properties DirectorEileen S. Garcia ........................Assistant Properties DirectorJamie Stewart Curl, Charles Dallas, David Hoth, Georgina Kayes, Katie Webster .....................Props ArtisansPaint ShopJana L. Mitchell ..........................................Charge Scenic ArtistMelanie Rentschler .......................................Lead Scenic ArtistRachael Gibson ............................................................Paint InternCostume ShopJanet S. MacLeod .........................................Costume Director/
Costume Design AssociateMeghan Anderson Doyle .......Costume Design AssociateCarolyn Plemitscher, Louise Powers, Jacki Armit, Jackie Scott .................................................DrapersCathie Gagnon ................................................................First HandSheila P. Morris...........................................................................TailorKelly Jones, Ingrid Ludeke, Jenny Milne-Wright ............................................................ StitchersCostume CraftsKevin Copenhaver ...........................Costume Crafts DirectorShirleen DiFonzo ............................Costume Crafts Assistant WigsDiana Ben-Kiki ..............................................................Wig MasterHouse CrewDoug Taylor* .........................................Supervising StagehandMariah Becerra*, Jim Berman*, Jennifer Guethlein*, Stephen D. Mazzeno*, Miles Stasica*, Tyler Stauffer, Matt Wagner* (*IATSE Local 7 Stagehands) ............................... StagehandsWardrobeBrenda Lawson .......................................Director of WardrobeMaria Y. Davis, Taylor Malott ...........................Wig AssistantsRobin Appleton, Amber Donner, Kelly Jones, Anthony Mattivi, Tim Nelson, Lisa Parsons, Alan Richards ...................................................................... Dressers
DCPA TEAM
From catering to calla lilies, your Dignity Memorial® provider can help you plan every detail of a truly memorable send-off. It’s what we’re known for.
Olinger Chapel hillMortuary & Cemetery
Centennial
303-771-3960 OlingerChapelHill.com
Olinger MOunt lindOcemetery
Morrison
303-771-3960 OlingerMountLindoCemetery.com
The celebration of a lifetime begins here.
…with insightful news, new and independent music discovery, and exploration into
the world of classical music.
Connecting Colorado
www.cpr.org
Make the SMART choice today, save ENERGY year round with Duette® Architella®
The Blind Spot10027 W Remington Ave.,
Unit 200A, Littleton, CO Next to Big 5 Sporting Goods,
near Kipling and C470 M–F: 10am–6pm • Sat: 10am–4pm • Sun: Closed
303-973-1235
Duette® Architella® Honeycomb Shades
TheBlindSpot.bizServing the Denver Front Range since 1994
42 denvercenter.org42 denvercenter.org
For answers please visit denvercenter.org/news-center.
ACROSS
6 Named Denver Post’s top underground band of 2002
7 On Broadway, Newsies won Tony Awards for two categories: Score and ____
8 Famed owner of the New York Journal: William Randolph ____
14 Riverdance made its US debut at the legendary ____ Music Hall (Two words)
15 Mrs. Lovett’s first name
DOWN
1 Famed owner of the New York World: Joseph ____
2 Original male leader of Riverdance went on to create “Lord of the Dance”: Michael ____
3 Profession of the man who framed Sweeney Todd
4 City where the Newsies storyline takes place (three words)
5 He also wrote the music for A Funny Thing Happened on the Way To the Forum
9 When protesting workers refuse to work
10 City where Riverdance originated
11 What does Anthony buy for Johanna?
12 Star of Disney’s 1992 Newsies film: Christian ____
13 Leader of the Manhattan newsboys in Newsies: Jack ____
A NEW PUZZLE: READ ALL ABOUT IT! Newsies, Sweeney Todd and Riverdance trivia
As professionals who work in the realm of the imagination, we never plan the same event twice. Our team of on-site designers, event managers and technical specialists know how to take your vision of your big day and create something you’ve never imagined. Let us direct your award-winning event.
DENVERCENTER.ORG • 303.572.4466DIRECTORS ROOM • SEAWELL GRAND BALLROOM
YOU’VE WRITTEN YOUR LOVE STORY. LET US DIRECT IT.
Pho
to c
red
it: K
ellie
Pho
to.c
om
coloradosymphony.org T 303.623.7876 box office 1000 14th St., Denver, CO 80202 mon-fri: 10am - 6pm T sat: 12pm - 6 pm
P R E S E N T E D B Y S U P P O R T E D B Y
smile beautifully
CALL 303-341-4878 AND SCHEDULE YOURFREE* CONSULTATION!
* FREE CONSULT ONLY FORIMPLANTS AND ORTHODONTICS
Correct your smile with a comprehensive
dental implant solution from Dental Associates of Aurora.
• Privately owned practice
• Highly experienced specialists
• On-site lab technicians
• Competitive pricing
1075 S. Peoria St. Aurora CO 80012 | DentalAssociatesofAurora.com
GENERAL + COSMETIC DENTISTRYIMPLANTS | ORTHODONTICS
Single Implant Surgery and Crown
Only $1,985($2,400 off)
Consultation MUST occur before May 27, 2016