aperture

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+ Aperture, F-Stops, and More Essential Digital Photography

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Information about controlling Aperture on your camera.

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Page 1: Aperture

+

Aperture, F-Stops, and More

Essential Digital

Photography

Page 2: Aperture

+ “The important thing is not the camera but the eye.” ~ Alfred Eisenstaed

Page 3: Aperture

+ WAYS TO MAKE A GOOD PHOTOGRAPH

Control exposure ApertureShutter speed ISO

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+ UNDERSTANDING EXPOSURE

The Camera as a Window example:

Aperture is the size of the window. If the window is bigger more light gets through and the room is brighter.

Shutter Speed is the amount of time that the shutters of the window are open. The longer you leave them open the more that comes in.

Imagine that you’re inside the room and are wearing sunglasses. Your eyes become desensitized to the light that comes in (it’s like a low ISO)

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+The Aperture

Before light reaches film or a light sensor, it must pass through an opening called an Aperture.

The aperture is like a pupil of the eye. You can control the aperture by setting the Aperture Opening, also known as an F-Stop.

Small F-stop Number = Large Opening / More Light

Large F-stop Number = Small Opening / less light

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+WHICH ONE?

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+ PROGRAM Mode

• Aperture and shutter speed are set by the camera, but can be shifted using the control dial, with the exposure staying the same

• Great for quickly getting a photograph without having to think too hard about settings

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+ AV-APERTURE PRIORITY

• AV means aperture value

• Manually control the aperture while the camera sets the matching shutter speed

• Particularly useful to control a stationary object where you don ’t need to control the shutter speed

• Choosing a larger aperture (f/stop) means the lens will get smaller and it will let less light in so a larger depth of field (more of the area in focus), but your camera will choose a faster shutter speed and vice versa

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+ MANUAL

• Full control over camera settings such: shutter speed, aperture, ISO, white balance and exposure compensation

• Gives you the flexibility to set your shots the way you want them to be

• Can result in creative and non-traditional exposures

Page 10: Aperture

+ PORTRAIT MODE

An automatic mode with emphasis on settings for a perfect portrait shot.

Sets a wide aperture of the lens so that the background behind your subject is softly focused (shallow depth of field)

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+ LANDSCAPE MODE

Narrows the aperture, so both the subject and background stay sharp (deep depth of field)

Foreground, middle ground, and background are all in focus

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+ MACRO/CLOSE-UP MODE

An automatic mode with emphasis on settings for close-up photography

Commonly used to photographing flowers, insects and other small items

Creates a very shallow depth of field

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+APERTURE

The aperture of a lens is the diameter of the lens opening

The larger the diameter of the aperture, the more light reaches the film / image sensor

Aperture is expressed as F-stop, e.g. F2.8 or f/2.8

The smaller the F-stop number (or f/value), the larger the lens opening (aperture)

Controls depth of field

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+APERTURE

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Please refrain from taking such a boring image

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+ IS THIS SHALLOW D.O.F?

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+ IS THIS?

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+ SHALLOW OR DEEP D.O.F.?

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+Balancing Shutter and Aperture

Exposure is about different combinations of shutter speed and f-stop settings.

These combinations can drastically affect the finished picture.

For example, the following three pictures have been given an equal amount of light, but the f-stop and shutter combinations make each one unique.

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+Depth of Field EXERCISE – At Home

The goal of the assignment is to demonstrate to yourself that you are capable of manipulating aperture on your camera. 

Take several photographs at different aperture settings of the same subject.

With an SLR set it to Aperture priority (Av mode). Change the aperture from a wide aperture to a very narrow aperture. With a point and shoot try using, Macro mode, Portrait mode, and Landscape mode.

Look for difference in depth of field

Page 25: Aperture

+Depth of Field EXERCISE

Pick a partner

Stand away from your partner

Take a photograph of their face only with your lens unzoomed

Zoom in and shoot but only fill the frame with their entire face again

See the difference in depth of field