apb: creating a powerful customisation system for a persistent online action game maurizio sciglio...
TRANSCRIPT
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APB: Creating a Powerful Customisation System for a Persistent Online Action Game
Maurizio SciglioSimon Taylor
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Outline
Goals Initial Design Refinements Demo Scalability Conclusions
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GOALS
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What is APB?
“Persistent Online Action Game” Shared player-space Fast-paced 3rd-person gameplay RTW-run backend Customisation a key selling point PC initially Unreal Engine 3
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Decal Application – Forza
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Decal Application – Forza
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Decal Application
Not just vehicles; characters too Characters are harder:
More complex shape/UV mapping Heterogeneous surface (clothing, hair,
etc.) Complex masking for clothing
Therefore, simple UV-space composition not possible
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Other Requirements
Face & body customisation Hair styles Clothing application with large
variety of available styles Decal application
Tattoos on skin Print on clothes
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MMO Concerns
Large player count Limited bandwidth No upfront “Lobby”
Players enter and leave at any time
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INITIAL DESIGN
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Parametric Description
Final assets (meshes & textures) are big E.g. 1 MB for a 1024x1024 DXT5
texture Bandwidth is expensive
Can’t send final assets over the network
Therefore, describe assets parametrically
Build final assets on clients Fundamental principle of the system
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Morphing
Fundamental mesh operation Standard additive morphing
Used for Body & Facial modification Sliders control individual target
weights
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Decals / Tattoos
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Skin Tone
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Skin Pigment
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Skin – Additional Features
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Clothing Customisation
Rendering / memory cost independent from the number of items
One mesh to rule them all! Clothing mesh must be merged with
the base mesh Texture must be combined with the
base texture
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Clothing – Morph Item
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Clothing – Extra Mesh Item
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Mesh Culling
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UV Layout
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UV Layout
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Character Materials
Main goals: Single draw call per character Support multiple materials
BRDF decompositions stored in a 3D texture N dot L R dot V
Per-pixel material selection
Phong decomposition
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REFINEMENTS
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Decal Projection Issues
Slow to construct Large data size Layer count had to be restricted
Artists didn’t like this In most cases, not actually
required Solution: Symbols
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Symbols
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Distance-Field Encoding
Regular TextureDistance-field encoded
[http://www.valvesoftware.com/publications/2007/SIGGRAPH2007_AlphaTestedMagnification.pdf]
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Height Scaling
Customisable character height Per-bone non-uniform scaling Many issues
Artist time Animation issues Collision implications Fairness Bugs!
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Height Scaling
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Projection Seams
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Projection Seams
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Hair-Clothing Interactions
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Original
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With Fitting Morphs
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Demo
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SCALABILITY
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Bandwidth
…is expensive Even parametric representation is
big Bandwidth is n2 in player count
Must minimise data size Quantise parameters zlib compress all data
Average ~4 kB per character Limit complexity user can create
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Background build
Assets built during gameplay Two options
Threads Time-slicing
Problems with threads No multithreaded D3D access Less control
We chose time-slicing
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The Correct Choice?
Time-slicing brings its own issues Developer time Frame-rate spikes No true parallelism
In hindsight, threads were maybe the better option
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Memory Management
Memory use for customised assets is huge
Too slow to build on-demand Therefore, must write out assets to
disk cache Textures and meshes streamed
from cache files Total memory usage capped Not persistent
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RESULTS & CONCLUSIONS
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Future Work
Blend-weight morphing Physics simulation on hair and
clothes Improved hair rendering DXT Compression Better descriptor compression Persistent disk cache
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Conclusions
Customisation needs time and resources Roughly 50% of graphics team
workload Significant proportion of memory and
CPU/GPU resources dedicated to it Get art pipeline sorted first Flexibility is key
For artists and players Distance fields are fantastic