Annual Report 2009-2010

2

Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries.

Contents

3 Foreword–JuliaSomerville,ChairmanoftheAdvisoryCommittee

4 Director’sReport–PennyJohnson

16 AdvisoryCommitteemembersandGACstaff

17 Acquisitions 28 Annex1–Listofworkslenttopublicexhibitions

32 Annex2–Listoflong-termloansoutsideGovernment

3

Foreword

I’malwaysimpressedbythesheervolumeofworksofartfromtheGovernmentArtCollection(GAC)whichareonthemoveatanyonetime.SomearereturningtotheGACpremisesforconservationorre-selection.Othersareontheirwaytonewlocations.Thisyear,inparticular, there was a huge re-hang in the British Ambassador’sResidence in Moscow. Around 90 works were installed, markingtheendofafour-yearrefurbishment.EachyearwehavesucceededinaddingworksbyinternationallyacclaimedartiststotheCollection.OurmajoracquisitionwasCorneliaParker’sRorschach (Endless Column III)(2006);astrikingexampleofhertrademarksuspendedand flattenedsilverplate.TheAmbassador’sResidence inParis isdestinedtoreceivethismagicalwork.

TheGACalsocommissionsartandthisyearweworkedwithartistsonprojectsintwonewForeignandCommonwealthOfficebuildings:in Madrid, a colourful and playful work by Marte Marce and inBrussels, works by Robert Holyhead and an entertaining A- Z ofBelgiumbyDonaldUrquhart.SuchprojectsalongwiththedisplaysareonlypossiblebecauseoftheexpertiseoftheGACteam,whichhas been built up over the years. I also commend them for theirdiligenceinrunningtheCollectiononarelativelysmallbudgetthathasremainedstaticsince2002/03andisbeingfurtherchallengedinthiscurrentdemandingeconomicclimate.

ItissatisfyingtonotetheincreasingpublicinterestintheworkoftheGACasseenbythepopularityoftheOpenHouseandtours.Weareallveryexcitedabouttheproposedfifteen-monthexhibitionattheWhitechapelGallery,whichwillbethebiggestopportunityyetforpublicexposure.TheDirectorandherteamarealreadyplanninghardfor it.OnthesubjectoftheDirector, Ishouldliketosayhowdelighted we all are at the Honour bestowed on Penny Johnson.Her CBE is a fitting recognition of the distinction with which sheleads the Collection. On behalf of the members of the AdvisoryCommittee,Icansayweareveryluckytohaveher.

In a similar vein, I should like to congratulate Penelope Curtis, amemberoftheCommitteeandtheformerDirectoroftheHenryMooreInstituteinLeeds,whohasbecomeDirectorofTateBritain.We’resogladthatthismeansshestayswithusasanEx-Officiomember.

IconcludebythankingthewonderfulteamattheGAC,whoworkwithsuchskillanddedicationonbehalfoftheCollection.Mythanks,too,tothemembersoftheAdvisoryCommittee,foralltheadvice,supportandjudgementtheyoffertotheDirectorandherteam.

Julia SomervilleChairman

4

Rorschach

(Endless

Column III)

byCorneliaParker

5

Director’s Report

One of the highlights of this year has been the excitement ofknowing that theGACwill for the first time in its113yearhistorystageanexhibitionof itsworks inapublicgallery. It is tobeheldat London’s pioneering Whitechapel Gallery. The exhibition, theGAC’s contribution to the Cultural Olympiad, will run for fifteenmonths from June 2011, up to and including the period of theOlympicGames.Itwillfeatureachangingdisplayofworkspickedbyarangeofguestselectors.InrecentyearstheGAChasactively

increased access to the Collection through itswebsiteandtoursofitspremises,includingOpenHouseandweeklyguidedtours,allofwhichareregularly oversubscribed. We have also had arangeofmediacoverage,includingsuchpositivecommentsas:‘……the GAC itself is a surprisingly extensive, high quality and enterprising affair’(MartinGayford,Bloomberg)thathavehelpedtoraiseourpublicprofile.Thefirstexhibitionat theWhitechapelGallerywillthereforepresentuswitha unique and timely opportunity to show to thewiderpublicourCollectionandroleinpromotingBritish art, culture and history in GovernmentbuildingsintheUKandaroundtheworld.

New acquisitions

Weare continually developing theCollection througha rangeofdifferentacquisitions.Thisyear,unusually,anumberofsculpturalworks have been added, including Cornelia Parker’s stunning Rorschach (Endless Column III) (2006). This piece features14 silver-plated objects suspended on wires – objects such asa candelabra, ladle and fruit basket– that have been flattenedsymmetricallybya250-tonindustrialpress.Thisfloating,mirroredwork was bought with the intention of placing it in one of ourhistoric locations where silver is of particular significance andwhereitwouldthereforehaveparticularresonance.Nelson’s Ship in a Bottle (2009)byYinkaShonibare isamodel for themuchlargersculpturesitedonTrafalgarSquare’sFourthPlinth.Inbothversions,thereplicaship,completewithDutchwaxprintedcottontextilesails,sitswithinanacrylicandglassbottle.Whilereferringto the craft of making a ship in a bottle, Shonibare’s work alsoalludestoBritishmaritimehistoryandthestoryofmulticulturalismintheUKtoday.

Wealwaystrytoacquireworksofartfromartistsnotyetrepresentedin the Collection. This year we bought two particularly strongexamples from the 1960s and 1970s. White Diagonal (1963),is an elegant, minimalist wall-mounted construction of stainless

Whitechapel

Gallery

Photograph:

©GavinJackson

6

steel,formicaandwoodbyMaryMartin,anartistmuch admired by contemporary practitioners.Following a fascinating visit to his studio, weacquired Frank Bowling’s Kaieteurtoo (1975),a semi-abstract acrylic painting on canvas,createdbypouringpaintdirectlyontothecanvasandnamedafterawaterfallinGuyana,wheretheartistwasborn.

Until this year there were no examples of PaulGraham‘s work in the Collection. He is nowrepresented by a series of eight photographsTexas (Sunset Hoops)(2005),fromtheelegiacseries a shimmer of possibility, a photographicshort story of life in contemporary America. WealsoacquiredSeascape (2009), a seriesof fivedigital inkjet prints, in which Susan Collins hasused digital technology to make contemporaryimages that explore the familiar genre of marinepainting. Collins installed webcams at five keytownsalongthesoutheastcoastofEnglandfromMargate inKent toStokesBay inHampshire, tocapturetheimagesinrealtime.

Historicalworksaresought,inparticularthosethathaveaconnectionwithaspecific location.Wewerefortunatetofindatauction,The Governor’s House, Colombo, Sri Lanka (1846-1849) a penciland watercolour drawing by Andrew Nicholl. Thought to havebeenbuiltin1764,thebuildingwasbrieflyusedasaresidencebyFrederickNorth (1766-1827), theFirstBritishGovernorofCeylon.Similarly,A View of the Country House of J. Falcon Esq., H.M. Consul General at Algiers (c1800),awatercolourbyanunknownBritish19th century artist of another formergovernmentbuilding,waspurchasedfromaprivatevendor.

WeweredelightedtoacceptagiftofvariousprintsfromthecollectionofLieselSchwab,arrangedbyherdaughter,BaronessNeuberger,inrecognitionofthewelcomeSchwabreceivedinBritainasarefugeefrom Nazi Germany. These included Mrs Pott (1971), an etchingby Edward Burra; lithographs from Twelve Portraits (1902) andLondon Types(1899),twoportfoliosbySirWilliamNicholson;andtwoscreenprintsbyRobynDenny.

Kaieteurtoo

byFrankBowling

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Ministerial displays

During the year, Government reshuffles prompted new displays in anumberofministerialoffices,includingYvetteCooper,SecretaryofStateforPensions;LiamByrne,ChiefSecretarytoHMTreasuryandEdMiliband,SecretaryofState forEnergyandClimateChange.BenBradshawwasappointedastheSecretaryofStateofourDepartmentandheselectedtherecentlyacquiredpaintingKaieteurtoo(1975),byFrankBowling,History of the World (1998), a screenprint relating to Acid Brass, a musicalperformance piece, by Jeremy Deller; and an intriguing late VictorianpaintingofExeter,theMinister’sownconstituency.

LordMandelson’sselection forhisofficeasLordPresidentof theCouncil at the Cabinet Office included digital landscape printsby Julian Opie, which present a carefully controlled look at ourenvironmentmediatedthroughacomputerscreen.Healsoselectedthe photograph Lucian Freud painting the Queen (2001), byDavidDawsonofwhichhedescribes inhisautobiographyas’…awonderfulphotoofLucianFreud,brush inhand,standing in frontof the Queen, crown on head but otherwise in un-regal garb, ashe painted her portrait’. Margaret Hodge returned as Minister ofCultureandchoseagroupofmodernandcontemporaryworksbyZarinaBhimji,BarbaraHepworth,GraysonPerryandMaryMartin.

Lucian Freud

painting the

Queen

byDavidDawson

8

10 Downing Street

In 10 Downing Street, our most prestigious UKlocation, a few alterations were made to thedisplays. The changing six monthly presentationof contemporary art in the Ante Room on theFirst Floor was installed in May. This includedthe recently acquired colourful abstract paintingMasks(2006),byDanPerfectandOverlook XIII(2007),byGillianCarnegie,apaintingofamock-Tudorbuilding–aviewfamiliar totheartist fromthewindowofherhome.

Every year a public museum and gallery basedoutsideLondon lendsa selectionofworks for ayear-longdisplayat10DowningStreet.Theworks

tendtofocusonartistsandplacesconnectedtotheparticularlendingvenueandaredisplayedinthemaincorridorfromtheLiftLobbytotheCabinetRoom,wheretheyareseenbynearlyallvisitorstothebuilding.ThisyeartheUlsterMuseum,Belfasthaslentnineworksofart includingalivelypaintingof jockeys,The Weighing Room, Hurst Park (1924)byJohnLavery; theatmospheric,moodyThe WatcherbyGeorgeWilliamRussell;andathicklypaintedlandscapeOn Through The Silent Lands(1951)byJ.B.Yeats,thoughttobeinspiredbythepoignantpoem,RememberbyChristinaRossetti.

Afterbeingondisplay inDowningStreet–or indeedany location– forasignificantperiodof time,works tendtobecome identifiedwiththatparticularplace.AworkassociatedinrecentyearswiththePillaredRoom,oneoftheStateReceptionrooms,istheportraitofAdaLovelacebyMargaretCarpenter.ThisportraithasreturnedtoDowningStreetfollowingitstemporarydisplayintheAmbassador’sResidence inAthens,where it replacedthefamousportraitofherfatherLordByronbyThomasPhillipswhenthisworkwasfeaturedin theexhibition:The Lure of the East: British Orientalist Painting. Another painting from this room, the portrait of Sarah Duchess of Marlborough by Charles Jervas, was removed for display inMarlborough House in time for their tercentenary celebrations. Initsplace,aportraitofArabella Hunt (1662-1705) Playing a Lute(1692)byGodfreyKneller,washung,havingrecentlybeenreturnedfromtheAmbassador’sResidence,Washington.

A group of modern and contemporary works of art at GCHQ inCheltenhamwasincludedinthenewdisplaysthattheGACinstalledin the UK this year. These included works with an internationalmathematicaltheme.WealsoselectednewworksfordisplayintheofficeoftheChiefoftheSecurityIntelligenceService.

Arabella Hunt

(1662-1705)

Playing a Lute

byGodfreyKneller

9

Foreign & Commonwealth Office (FCO) Displays

TheGAC’slargestandmostlengthydisplayprojectinrecentyearswascompletedinMarchwhenweinstalledabout90worksofartintherefurbishedBritishAmbassador’sResidenceinMoscow,a1890s building located opposite the Kremlin. Built to house theart treasuresofPavelKharitonenko,whomadehis fortune fromthe sugar beet industry in Ukraine, the mansion was designed

by the Russian theatrical designer and brilliantturn-of-the-century architect, Fyodor Schekhtel.The FCO’s project to refurbish and rewire thebuildinggaveustheopportunitytoreturnworksof art that had not been back to the GAC formany years and to have them conserved andreframed as required. We also selected newworks of art from the Collection that resonatewiththearchitectureandemphasiseBritishlinkswith Russia. These included a group of worksreflecting Peter the Great’s visit to England in1698; a small collection of early 20th centurypaintingsechoingmodernistRussianstylesandDerek Boshier’s I Wonder What My Heroes Think of The Space Race(1962).

InJune,wevisitedtheEmbassyandResidenceinCopenhagentoinspecttheconditionoftheAndyGoldsworthysculptureSlate Cone(1987-88)andtolookatlocationsforre-sitingtheDameBarbaraHepworth sculpture Hollow Form with Inner Form(1968).TherestorationoftheGoldsworthysculptureandthe installationofothernewworkswere made in time for the UN Climate ChangeConferenceinDecember2009.

InNewYork,thearrivaloftherecentlyappointedDeputyAmbassadortotheUnitedNationsgaveusthechancetomakesomechangesto the displays. Andy Warhol’s portrait of Queen Elizabeth II of the United Kingdom (1985)was rehung in theConsul-General’sResidenceinthecity;severalworkswerereturnedtotheGACandagroupofnewworkswereinstalled,allwithappropriateconnectionswiththeUSA.TheseincludedtwopaintingswhichweretransferredfromtheAmbassador’sResidence,Washington:Pequod(1967)byRogerHiltonnamedafterthewhalingshipinHermanMelville’sclassicAmerican novel Moby Dick; Texan Landscape (1963) by PeterLanyon,aBritishartisthugely influencedbyAmericanabstractionandI Love the World (Simple Cubic Array)(2000)byJonathanParsons,itsvibrantgridechoingManhattan’sstreetpattern.

I Wonder What

My Heroes Think

of the Space Race

byDerekBoshier

10

Further changes to the displays in New York were made in earlyMarch following the appointment of a new Ambassador to theUnitedNations.RichardHamilton’sprintRelease (1972)and twopaintings, Bridge (2000) and Field Hospital (2000) by AlisonTurnbull,arenowdisplayedthere.GaryHume’spaintingAmerican Tan XX (Gloss) (2006-7) wastransferredtotheResidenceoftheDeputyAmbassadortotheUN.AlsoinNewYorkduringtheArmoryShowweekinearlyMarch,theConsul-GeneralhostedabreakfastreceptionathisResidenceincelebrationofSusanCollis,theBritishartistcommissionedforthe2010ArmoryShow.

TheGACmadeanumberofvisitsabroadthisyeartolocationsthatwehadnotbeentobefore.TheseincludedtheResidencesoftheConsulGeneralinJerusalem;AbujaandLagosinNigeria,andtheHighCommissionerinDhaka,Bangladesh.AtthelatterResidence,severalThames river viewswerechosen for theDiningRoom,asthesewereappropriate in thecontextofBangladesh’sownfluvialtopography. InPodgorica, thecapitalofMontenegro,we installeddisplaysinthecombinednewResidenceandEmbassybuildingin

May. The displays incorporatehistorical, modern andcontemporary works, includingSentimental Meandering of a Fictitious Past (2008), apainting by Rhea O’ Neill andMirror(2008),aportfolioofsixprintsbyBernardCohen.

Wealsorevisitedsomelocationsabroadthatwehadnotseenforsometimetochecktheconditionof works of art and reviewdisplays. These included OsloandTelAviv,whereseveraloftheCollection’simportantworksareondisplay in theAmbassador’s

Residence, including Jerusalem, Interior of the Armenian Church (1925) byDavidBombergandView of Jerusalem from the Mount of Olives (1855) by David Roberts. We made similarvisitstotheAmbassador’sResidencesinbothStockholmandSofia,andwearenowworkingtowardsanewdisplayatbothlocations.

Following the closure of FCO buildings in Berlin, works werecollectedfromtheformerResidenceoftheDeputyHeadofMissionandsomeworksweretransferredtotheAmbassador’sResidencein the city, while works were returned to the GAC following theclosureoftheResidenceinPeshawar.

Jerusalem,

Interior of the

Armenian Church

byDavidBomberg

11

Foreign & Commonwealth Office Projects

This year, on behalf of the FCO, we commissioned and acquiredworks of art for three projects – in Madrid, Brussels and Algeria.InMadrid, a site-specificpiece I am throwing the ball (2009)byMartaMarcéaSpanishbornartist livinginLondon,wasinstalledin

the stairwell between the 38th and 41st floors ofthenewBritishEmbassyoffices.Marcé’scolourful,playfulworkofcirclesandlinesbouncingacrossthespace is inspired by playing games and exploreshow the elements of risk and chance relate toour lives. Liliane Lijn’s Clear Light Mars Koan(2008),akineticsculpture,wasinstalledinthemainreceptionareaof theEmbassy.Thewhitecone isinterspersedwithfourilluminatedconcentriccirclesthat alternate between white and red, creatingsubtlevisualchanges.VisitorscanalsoseeLament for Ignacio Sánchez Mejías (1989), a newlypurchased suite of etchings and watercolours byTerry Frost that focus on Federico Garcia Lorca,Spain’sbest-knownmodernpoetanddramatist.In1989FrostremarkedthathehadbeeninlovewithLorca’s poetry for 15 years and these dramatic,abstractworks –predominantly in red,blackandwhite–arethefruitsofthislongobsession.

In Brussels, we developed an art strategy forthe refurbished building of the offices of the UKPermanentRepresentationtotheEuropeanUnion.A visit there in early September confirmed thepotential for a site-specific work of art, and theartistRobertHolyheadwascommissionedtocreatemanifestationsfortheglasspanelsintheReceptionandFirstFloorwindows.Theworkwashandpaintedbeforebeingtransferredtotheglass,andtheblocksofcolourretainthedepthofpigmentoftheoriginalpainting, creating exciting new configurations ofvaryingdensitythroughtheglass.

DonaldUrquhartwasalsocommissioned tocreatea triptych–A Picture Alphabet of Belgium (Atomium to Zeebrugge)(2010)–ahumorous lexiconofwordsand images relating to thecityofBrussels and its history, in which F is for frites, G is for GalileoandHisforAudreyHepburn.OtherworksinstalledincludedThree Fluctuations in Contrary Rhythm (Parts I-III) (2009), threescreenprintsoflandscapesfeaturingtiny,flickeringblocksofcolourbyJamesHugonin;London True Stories(2006)aphotographby

I am throwing

the ball

byMartaMarcé

12

Hannah Collins depicting a fantastic panoramic view of London;andaseriesofcolourfulwittygouachedrawingsonpaperbyPeterMcDonaldofpeopleengagedinarangeofeverydayactivities.

For the newly built British Embassy in Algiers, designed by JohnMcAslan and Partners, a striking egg-shaped sculpture Miami Dizzle XV (2008)bySintaTantrawas installed inFebruary.WorkalsobeganonselectingtheartiststobecommissionedforthenewEmbassyinTbilisi,Georgia.

Research & Interpretation

Inmuch the sameway that art galleriesprovideinformationabouttheworksofartondisplay,weprovide the recipientsofourworkswitha rangeof interpretative material. This year informationwas prepared for a range of locations andindividuals including Alistair Darling, Chancellorof the Exchequer; Ed Miliband, Secretary ofState for Climate Change; and Rosie Winterton,MinisterforStateforWorkandPensions.Abroad,wehaveprepared information forAmbassadors’Residences in Oslo, Berlin, Copenhagen,Podgorica, Moscow, New York and Reykjavik,andforEmbassiesinDohaandBelgrade.

New information on the provenances of manyworks in the Collection has been unearthedthrough researching GAC works in the archivesof the Fine Art Society. An almost completeprovenance has been established for The Monument (c.1916–17) by James Pryde, which

waslenttotheexhibitionSculpture in PaintingattheHenryMooreInstitute, Leeds. Extensive research to establish the sitter of ouronlypaintingbyHenryRaeburn resulted inanarticle focusingontheartist’sportraitofDr. James Hamilton (1749–1835) (c1790);andmaterialrelatingtoitsidentificationbyPhilippaMartin(CuratorResearch/Information:Historical).ThiswaspublishedintheautumneditionofThe British Art Journal.AnumberofpublicationswereproducedbyFCOlocationsthisyearwithtextcontributedbytheGAC.LeafletswereissuedforthenewBritishEmbassyoffice inMadridand for thenewlycommissionedworks by Conrad Shawcross, Lothar Götz, Martin Boyce andNathanielRackoweattheMinistryofJusticeinLondon.WhileintheUSA,apublicationabouttheConsul-General’sResidenceinBostonwaspublishedlocallytomarkthe200thanniversaryofthehouse.

The Monument

byJamesPryde

13

WehavestartedworkonanewpublicationfortheHMAResidencein Paris to update the current British Embassy, Paris: The House and its Works of Art(published1992).TimKnox,DirectorofSirJohnSoane’sMuseumandtheFCO’sHistoricalAdvisor, is researchingand providing the text, augmented by the GAC’s account of theinterweaving connections between the major paintings located intheResidenceandthehistoryofthebuildingitself.

ThewebsiteiscurrentlybeingredevelopedwiththelaunchplannedforAutumn2010.Wehavefilmedinterviewswitharangeofpeopleassociated with the Collection for the new website – includingartists,anarchitect,formerandcurrentAmbassadors–andsomeofthesevideopodcastsarenowavailabletoviewonyoutube.com.

Conservation

Underpinningthedisplaysisanongoingprogrammeofconservationthatincludesreframing,remountingandrestorationwork.Overtheyear148oilpaintingsand87worksonpaperunderwentconservationtreatmentand357wereconditionchecked.AmongtheoilpaintingsconservedweretheatmosphericviewsofThe Great Geyser(1790)andThe New Geyser(1790)byEdwardDayes,usuallyondisplayat the Ambassador’s Residence in Reykjavik; Nest of the Siren(1930)byPaulNashrecalledfromtheAmbassador’sResidencein

RomefortheexhibitionPaul Nash: the Elementsat the Dulwich Picture Gallery and Arabella Hunt (1662-1705) Playing a Lute (1692) byGodfrey Kneller, recalled from Washington fordisplay in 10 Downing Street. Works on paperthat required conservation included Harbour Scene by Frances Hodgkins and nine botanicalprintsinpreparationforanewdisplayattheHighCommissioner’s Residences, in Wellington, NewZealandandDhaka,Bangladeshrespectively.

Over 200 works of art were framed includingRock and Sand Hills overlooking the Sea at Arzila (1963) by Euan Uglow for display atthe Ambassador’s Residence, Rabat; the High Street (1938) lithographs by Eric Ravilious; theacrylic painting 5/70 (1970) by Jeremy Moon;Versailles1966byTessJaray;I Wonder What My Heroes Think of The Space Race(1962)byDerek Boshier for the Ambassador’s ResidenceinMoscow;thegouachepaintingFirst Study of Vapour (1970) byBridgetRiley;andGrey Aspect 2(1967)byPrunellaClough.

The New Geyser

byEdwardDayes

14

OtherframesthathaverequiredrestorationincludeBattlefields of Britain(1942)byC.R.W.Nevinson,thefirstcontemporarypaintingto enter the Collection in 1942, Charles Spencer, 3rd Duke of Marlborough (1706-58)(c1719)byJohnVanderbankandLionel Cranfield Sackville, Ist Duke of Dorset (1688-1765) (1719)byGodfreyKneller.

Loans to Public Exhibitions

WearekeentolendworksfromourCollectiontopublicexhibitionsbecauseourworksarenotalwaysasaccessibleas inotherpubliccollections.ThisyearwehavelentworkstopublicexhibitionsintheUK includingDancing in Peckham (1994), a video filmbyGillianWearingtoParty!atTheNewArtGallery,Walsall;Threshing, Kent(c1942-3),apaintingbyEvelynDunbartoThe Land Girls: Cinderellas of the Soil at Brighton Museum and Art Gallery; and Untitled (Artist’s Impression of Eternity Chamber)(2007),adrawingbyCharlesAverytoWalking in My MindattheHaywardGallery,London.LoanstogalleriesoutsidetheUKincludedPeter’s I(2007)apaintingbyHurvinAndersontoBarbershop SeriesatStudioMuseumHarlem,NewYorkandView of Florence from Villa San Firenze(1862)apaintingbyEdwardLear,whichwas lent to theMuseod’ArtedellaCittàdiRavennainItaly.AfulllistofworkslentthisyearisinAnnex1.

An Appreciation

The highly committed and talented team who work at the GACare largely interdependent.Forexample,whenanewworkofartenters the Collection everyone has a part to play, from purchaseto documentation and from copyright clearance to photographicrecord. Likewise, each new selection involves everyone in theteamfromcheckingtheconditionofworkstoarrangingtransport,

Threshing, Kent

byEvelynDunbar

15

and from recording location changes to preparing interpretation.Achieving the sheer number of displays and moves of works ofart each year is testament to the professionalism, expertise anddedicationofmycolleagues,whomIwishtothankmostprofoundlyfortheircontinualhardwork,energyandgoodhumour.

We also benefit from an experienced, astute and knowledgeableAdvisory Committee, which supports and encourages. I wish toexpress my appreciation to them for the time they give us andfor their wise counsel and judgement. In particular, I would liketo thankJuliaSomerville, theChairman, forherunstintingadvice,commitmentandlivelyapproach.

Looking Forward

We are looking forward to the next few years as a time whenwe can fulfil our aim of providing even more public access totheCollection.Thiswillbeheightenedbythefifteenmonthsthatthe GAC exhibition features at the Whitechapel Gallery during2011-2012,aswellasby the launchofournewwebsite,with itsfocus on themes and topical subjects, including several newlycommissioned video podcasts of interviews with artists. All inall, it isanexcitingandchallengingprospectaheadforeveryoneat the GAC as we prepare for unprecedented public access to,scrutinyof,andinterestintheCollection.

Advisory Committee

JuliaSomerville ChairmanDavidA.Bailey Independent-SeniorCurator,AutographIwonaBlazwickOBE Independent-Director,WhitechapelArtGalleryDrPenelopeCurtis Independent-Curator,HenryMooreInstitute(untilMarch2010)DrAndrewRenton Independent-DirectorofCurating-GoldsmithsCollegeSarahShalgosky Independent-Curator,MeadGalleryStephenDeuchar ExOfficio–Director,TateBritain(untilDecember2009)with Sir Nicholas Serota Ex Officio – Director, TateMickElliot ExOfficio–Director,Culture,DCMSPennyJohnson ExOfficio–Director,GovernmentArtCollectionSandyNairne ExOfficio–Director,NationalPortraitGalleryNicholasPenny ExOfficio–Director,NationalGallery

GAC Staff

JulesBreeze RegistrarChrisChristophorou CollectionTechnicianChantalCondron Curator:Information&Research-Modern(part-time)MartinFew CollectionTechnicianAdrianGeorge Curator:CollectionProjectsRogerGolding Curator:DocumentationTonyHarris NewMediaOfficerGaryHenson Director’sAssistant&AdministratorNickyHodge Curator:Information&Research-Modern(part-time)PennyJohnson Director&HeadofDivisionRobertJones CollectionOfficerTungTsinLam NewMediaOfficerPhilippaMartin Curator:Information&Research-HistoricalCliveMarks SeniorAdministratorAndrewParratt Curator:CollectionServicesJuliaToffolo SeniorRegistrar&DeputyDirector

Advisory Committee members and GAC staff

16

17

Acquisitions

BrionyAnderson(born1982)A Study for Raeburn 47 (with portrait removed)oilonprimedpaper,26.3x17.3

18288

A Study for Raeburn 56 (with portrait removed)oilonprimedpaper,23.9x14.5

18289

purchasedfromtheartistat£1,720forthetwo

FionaBanner(born1966)Book 1/12009blockprintonmirrorcard,63x44

purchasedfromtheMultipleStoreat£517.50

18262

ClaireBarclay(born1968)A Life Livelier 1-102009setof10screenprints,each59.8x42.2or42.2x59.8,editionnumber1/3

purchasedfromDoggerfisher,EdinburghfordisplayintheBritishEmbassyandUKRepresentationto

theEUbuilding,Brussels,at£5,692.50usingForeignandCommonwealthOfficefunds

18314/1-10

JohnBell(1811-1895)Henry Reeve CB DCL (1813-1895) Clerk of Appeals 1837-1853 and Registrar of the Privy Council 1853-1887c1865marblebust,36x42x21

originallyacquiredbythePrivyCouncilOffice,notpreviouslyinventoried

18287

RutBleesLuxemburg(born1967)EastcotefromtheseriesPiccadilly’sPeccadilloes2007c-typephotographicprint,101x127,editionnumber4/5

18321

Manor HousefromtheseriesPiccadilly’sPeccadilloes2007c-typephotographicprint,101x127,editionnumber4/5

18322

purchasedfromUnionGalleryat£9,400forthetwo

FrankBowling(born1936)Kaieteurtoo1975acryliconcanvas,185.5x105.5

purchasedfromRolloContemporaryArtat£17,500

18271

Catalogue details

Measurementsareincentimetres,heightprecedeswidth.ThepricesincludeVATwhereapplicable.

Inventorynumberislistedattheendofeachentry,worksarelistedinalphabeticalorderbyartistand

mixedportfoliosarelistedseparatelyattheend.

18

EdwardBurra(1905-1976)Mrs Pott1971etching,artist’sproof

giftfromthecollectionofLieselSchwab,inrecognitionofthewelcomeshereceivedinBritainasa

refugeefromNaziGermany,arrangedbyherdaughterBaronessNeuberger

18275

HannahCollins(born1956)True Stories London 12006-2008colourphotograph-digitalcolourprintonphotographicpaper,175x235,artist’sproof1

purchasedfromPurdyHicksfordisplayintheBritishEmbassyandUKRepresentationtotheEU

building,Brussels,at£13,196.25usingForeignandCommonwealthOfficefunds

18299

SusanCollins(born1964)Seascape, Stokes Bay, 18th October 2008 at 18:44 pm2009digitalinkjetprint,82.6x108.3,editionnumber1/3

18272/1

Seascape, Pagham, 23rd November 2008 at 17:31 pm2009digitalinkjetprint,82.6x108.3,editionnumber23/50

18272/2

Seascape, Bexhill-on-Sea, 29th October 2008 at 16:55 pm2009digitalinkjetprint,82.6x108.3,editionnumber23/50

18272/3

Seascape, Folkestone, 31st October 2008 at 15:30 pm2009digitalinkjetprint,82.6x108.3,editionnumber23/50

18272/4

Seascape, Margate, 31st October 2008 at 15:38 pm2009digitalinkjetprint,82.6x108.3,editionnumber23/50

18272/5

purchasedfromtheDeLaWarrPavilion,Bexhill-on-Seaat£6,037.50forthefive

JohnMansfieldCrealock(1871-1959)Sir Charles Henry Lawrence Neish (1857-1934) civil servant; Registrar of the Privy Council 1909-19341926oiloncanvas,71.2x59

originallyacquiredbythePrivyCouncilOffice,notpreviouslyinventoried

18286

JamesFrancisDanby(1816-1875)Port of London: Greenwich Palace1871oiloncanvas,61.2x91.2

originallyacquiredbytheBritishHighCommission,Wellington,NewZealand,1991,notpreviously

inventoried

18284

19

It’s Not About

Me by

PeterMcDonald

20

MatthewDarbyshire(born1977)Untitled: Shelves No. 62009variousglassandplasticobjectsonthreeshelfunitswithperspexcovers,151x110x26

purchasedfromHeraldStreetGalleryat£7,150

18255

JeremyDeller(borm1966)History of the World1998screenprint,66x111.5,editionnumber80/100

purchasedfromPaulStolperLimitedat£2,760

18259

RobynDenny(born1930)Untitled from The Paradise Suite1969screenprint,84.2x65.4,editionnumber5/75

18273

Outline 31962-1967screenprint,75x59,artist’sproof

18274

giftsfromthecollectionofLieselSchwab,inrecognitionofthewelcomeshereceivedinBritainasa

refugeefromNaziGermany,arrangedbyherdaughterBaronessNeuberger

CerithWynEvans(born1958)Permit yourself to...fromtheBillboardforEdinburghseries2009screenprint,38.2x45.8,editionnumber23/50

purchasedfromInglebyGallery,Edinburghat£287.50

18260/4

copyafterSamuelLukeFildes(1843-1927)King George V (1865-1936) Reigned 1910-36 oiloncanvas,280x183

oldMinistryofWorksacquisition,notpreviouslyinventoried

18315

LukeFowler(born1978)Location recording, Bamberg2007c-typephotographicprint,30x45,editionnumber1/3

18316

Cairngorms and Garrioch Road2007c-typephotographicprint,30x45,artist’sproof

18317

Collective Memory and Social Theory (Card File Archive)2009c-typephotographicprint,30x45,editionnumber2/3

18318

purchasedfromTheModernInstitute,Glasgowat£2,484forthethree

21

LotharGötz(born1963)five design proposal drawings for Round Trip, site-specific installation in the Ministry of Justice building, Petty France, London2007Carand’Achepencilandpencilonpaper,84x59.5,29.6x42,29.6x42,29.6x42,29.6x42

presentedbytheartist

18294and18295/A-D

PaulGraham(born1956)Texas (Sunset Hoops) 1-82005setof8pigmentprints,varioussizes,editionnumber2/5

purchasedfromAnthonyReynoldsGalleryat£29,242.03

18313/1-8

DavidHockney(born1937)Winter Road near Kilham2008inkjetprintedcomputerdrawingonpaper,122.7x94.2,editionnumber22/25

purchasedfromAnnelyJudaat£7,000

18296

RobertHolyhead(born1974)Untitled (Brussels)2009Manifestation:self-adhesivevinylonglasspanelsintwoparts,275x242.6and191.5x244

commissionedfortheBritishEmbassyandUKRepresentationtotheEUbuilding,Brussels,at

£11,463.97usingForeignandCommonwealthOfficefunds

18323and18294

JamesHugonin(born1950)Three Fluctuations in Contrary Rhythm (Parts I, II and III)2009setofthreescreenprints,each97.7x83.7,editionnumber10/45

purchasedfromInglebyGallery,EdinburghfordisplayintheBritishEmbassyandUKRepresentation

totheEUbuilding,Brusselsat£7,417.50usingForeignandCommonwealthOfficefunds

18311/1-3

TomHunter(born1965)Sandy Cove from the series Dublin Bay Bathing Places2006c-typephotographicprint,76.2x96.5,editionnumber2/5

18319

Bull Wall from the series Dublin Bay Bathing Places2006c-typephotographicprint,76.2x96.5,editionnumber2/5

18320

purchasedfromPurdyHicksat£9,987.50forthetwo

YousufKarsh(1908-2002)Sir Winston Leonard Spencer Churchill (1874-1965) Prime Minister1941photolithograph,58x46.2,editionnumber11/100

purchasedfromJuliaDuckworthCaseat£627.21

18292

22

LauraLancaster(born1979)Untitled2008oilandenamelonboard,30x21

18266

Untitled2008oilandenameloncanvas,33x25.7

18267Untitled2008oilandenameloncanvas,25.5x30.5

18268

purchasedfromWorkplaceGallery,Gatesheadat£4,398.75forthethree

MartaMarcé(born1972)I am throwing the ball2009site-specificinstallation:self-adhesivevinylonglasspanels

commissionfortheBritishEmbassy,Madridat£27,792.45withForeignandCommonwealthOffice

funds

18269

London (Garrick)

2008

byJohnRiddy

23

MaryMartin(1907-1969)White Diagonal1963stainlesssteel,formicaandwoodconstruction,85x85x10.4

purchasedfromAnnelyJudaFineArtat£22,000

18270

PeterMcDonald(born1973)Le Gavroche2009acrylicgouacheonpaper,21x29.7

18300

Le Gavroche 22009Acrylicgouacheonpaper,30x21.2

18301

It’s Not About Me2009acrylicgouacheonpaper,29.5x21

18302

Venice Biennale Vernissage2009acrylicgouacheonpaper,21x29.7

18303

Auction2009acrylicgouacheonpaper,21x29.7

18304

Works on Paper2009acrylicgouacheonpaper,21x29.7

18305

Museum Carpet Painting2009acrylicgouacheonpaper,21x29.7

18306

Disco2009acrylicgouacheonpaper,21x29.7

18307

Car Boot Sale2009acrylicgouacheonpaper,21x29.7

18308

Family in the Museum2009acrylicgouacheonpaper,21x29.7

18309

Rolled Carpets2009acrylicgouacheonpaper,21x29.7

18310

purchasedfromKateMacGarryfordisplayintheBritishEmbassyandUKRepresentationtotheEU

building,Brusselsat£9,487.50forthesetofeleven,usingForeignandCommonwealthOfficefunds

AndrewNicholl(1804-1886)The Governor’s House, Colombo, Ceylon (Sri Lanka)1846-1849pencilandwatercolourheightenedwithtouchesofbodycolouronpaper,30x45

purchasedfromChristie’s,7May2009(lot189)at£2,832.50

18263

24

SirWilliamNicholson(1872-1949)Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum (1850-1916)lithograph,29.3x26.3

18277

Eleonora Duse (1858-1924) actresslithograph,29.1x26.8

18278

Thomas Alva Edison (1847-1931) inventorlithograph,35.2x27.4

18279

Li Hongzang (1823-1901) Chinese politician, general and diplomatlithograph,29.5x27.1

18280

Sadayakko (1871-1946) Japanese actress and dancerlithograph,29.2x26.7

18281

fromTwelvePortraits(SecondSeries)1902

Bluecoat Boylithograph,32.3x27.8

18282

Guardsmanlithograph,33.2x27.1

18283

fromLondonTypes1899

giftsfromthecollectionofLieselSchwab,inrecognitionofthewelcomeshereceivedinBritainasa

refugeefromNaziGermany,arrangedbyherdaughterBaronessNeuberger

CorneliaParker(born1956)Rorschach (Endless Column III)200614silver-platedobjectscrushedby250tonindustrialpress,suspendedfromwire,2.5x426x41

(installationheightvariable)

purchasedfromFrithStreetGalleryat£57,500

18297

DanPerfect(born1965)Masks2006oilandacryliconlinen,183x213.5

purchasedfromAnneBerthoudat£10,710

18256

GraysonPerry(born1960)Map of Nowhere2008etching(fiveplatesononesheet),153x113.5,editionnumber47/68

purchasedfromTheParagonPressat£13,225

18258

25

Nelson’s Ship in a

Bottle

by

YinkaShonibare

26

NathanielRackowe(born1975)LP132008-2009illuminatedkineticsculpturalinstallationinthreeparts,253.6x458.8x42.5,252.6x282.8x42.5,

252.6x282.8x42.5

commissionedfortheMinistryofJustice,Londonat£64,250fromMinistryofJusticefunds

18291

JohnRiddyborn1959)London (Garrick), 20082009archivalpigmentprint,72x93,editionnumber3/5

18264

London (Marylebone), 20082009archivalpigmentprint,72x93,editionnumber1/5

18265

purchasedfromFrithStreetGalleryat£9,200forthetwo

JohnRidgewell(1937-2004)The Old Wall 1965oiloncanvas,101.7x127

presentedbyCabotCarbonLtd.,EllesmerePort

18290

YinkaShonibare(born1962)Nelson’s Ship in a Bottle2009plastic,Dutchwaxprintedcottontextile,cork,acrylicandglassbottle,41.3x66x35.5,edition

number3/9

purchasedfromStephenFriedmanGalleryat£20,700

18312

BobandRobertaSmith(born1963)Bring Back Edinburgh’s TramsfromtheBillboardforEdinburghseries2009screenprint,38.2x45.8,editionnumber23/50

purchasedfromInglebyGallery,Edinburghat£287.50

18260/3

SintaTantra(born1979)Miami Dizzle XV2008vinylandpaintonPerspex,263x194

purchasedfromMonikaBobinska,LondonforthenewBritishEmbassy,Algiersat£3,000using

ForeignandCommonwealthOfficefunds

18298

JoeTilson(born1928)21st1964screenprintandmixedmediacollageonpaper,101.5x76.2,editionnumber8/40

purchasedfromAdamGahlinFineArtat£2,000

18261

27

JulianTrevelyan(1910-1978)Leningrad1961etchingandaquatint,81x57.3,editionnumber48/50

giftfromthecollectionofLieselSchwab,inrecognitionofthewelcomeshereceivedinBritainasa

refugeefromNaziGermany,arrangedbyherdaughterBaronessNeuberger

18276

unknown,British19thcenturyA View of the Country House of John Falcon Esq., H. M. Consul General at Algiersc1800watercolouronpaper,25.7x35.7

18285

purchasedfromDr.RTLongstaffe-Gowanat£1,150

DonaldUrquhart(born1963)A Picture Alphabet of Belgium (Atomium to Zeebrugge)2010inkonpaper(inthreeparts),59.2x41.9each

purchasedfromHeraldStreetGalleryfordisplayintheBritishEmbassyandUKRepresentationtothe

EUbuilding,Brusselsat£7,931.25usingForeignandCommonwealthOfficefunds

18325

MarkWallinger(born1959)Mark Wallinger is InnocentfromtheBillboardforEdinburghseries2008screenprint,38.2x45.8,editionnumber23/50

purchasedfromInglebyGallery,Edinburghat£287.50

18260/1

RachelWhiteread(born1963)UntitledfromtheBillboardforEdinburghseries2008archivalinkjetprint,38.2x45.8,editionnumber23/50

purchasedfromInglebyGallery,Edinburghat£287.50

18260/2

BedwyrWilliams(born1974)Bard Attitude2005c-typephotographicprint,99.6x88.9,editionnumber2/5

purchasedfromCeriHandGallery,Liverpoolat£2,000

18293

28

Annex 1List of works lent to public exhibitions

The Face And Figure Of Shakespeare: How Britain’s 18th Century Sculptors Invented A National Hero

OrleansHouseGallery,Twickenham,18April–7June2009

LouisFrancisRoubiliac William Shakespearec.1758 oiloncanvas

20

SkiesNottinghamCastleMuseum&ArtGallery,8May–12July2009

C.R.W.Nevinson Battlefields of Britain1942 oiloncanvas

0/5

AbrahamPether A Castle and Lake by Moonlight oiloncanvas

7253

JulianOpie distant music water traffic2000 lambdaprintlaminatedtoacrylicsheet

17530

cowbells tractor silence2000 lambdaprintlaminatedtoacrylicsheet

17532

truck birds wind2000 lambdaprintlaminatedtoacrylicsheet

17536

Special Loan to St. Mary Magdalene ChurchHucknall,Nottinghamshire.(LordByron’sburialplace),19–29May2009

ThomasPhillips Lord Byron1814 oiloncanvas

1976

Walking in my MindHaywardGallery,London,23June–29September2009 CharlesAvery Untitled (Artist’s Impression of Eternity Chamber)2007 pencil,ink,gouacheandpenonpaper

18147

29

Just around the cornerCasaEncendidaArtCentre,Madrid,30June–30August2009

RichardWentworth Time and Place 2004 1945Italian/GermandictionaryandmodernSwisswatches

18055

Hurvin Anderson: Barbershop SeriesStudioMuseum,Harlem,NewYork,USA,15July–25October2009

HurvinAnderson Peter’s I2007 oiloncanvas

18156

Nino Costa e il Rinnovamento del Paesaggio Europeo: Da Corot a Leighton dai Macchiaioli Alla Scuola EtruscaCastelloPasquini,Castiglioncello,18July–1November2009

GeorgeJamesHoward,9thEarlofCarlisle The Baths of Caracalla, Rome1890s oiloncanvas

13897

The Dark Monarch: Magic and Modernity in British ArtTateSt.Ives,10October2009–10January2010TownerGallery,Eastbourne,23January–21March2010

PaulNash Event on the Downs1934 oiloncanvas

8536

notshownatTownerduetoclashwithloantoDulwichArtGalleryexhibition

Monster Field1938 photograph

14235

The Land Girls: Cinderellas of the SoilBrightonMuseum&ArtGallery,3October2009–14March2010

EvelynDunbar Threshing, Kentc1942-1943 oiloncanvas

139

EdwardBurra The Cabbage Harvestc1943-5 watercolouronpaper

5039

30

Sculpture in PaintingHenryMooreInstitute,Leeds,10October2009–10January2010

JamesPryde The Monumentc1916-17 oiloncanvas

16724

Edge of AbstractionMascallsGallery,PaddockWood,Kent,8January–13February2010

KeithVaughan Village in Ireland1954 oilonhardboard

2852

JohnPiper Slopes of the Glyders, Walesc1943 oiloncanvasboard

6051

Welsh Landscape1940s chalk,gouacheandinkonboard

15134

BryanWynter Landscape with Ruined Minec1949-50 temperaonpanel

15030

Paul Nash: The ElementsDulwichPictureGallery,London,10February–9May2010

PaulNash Event on the Downs1934 oiloncanvas

8536

Nest of the Siren1930 oiloncanvas

6828

Party!TheNewArtGallery,Walsall,12February–18April2010

EricRavilious Wedding Cakes1938 lithograph

18228/9

31

GillianWearing Dancing in Peckham1994 video

17286/5

The Pre-Raphaelites and ItalyMuseod’ArtedellaCittàdiRavenna,27February–6June2010

GeorgeJamesHoward,9thEarlofCarlisle The Baths of Caracalla, Rome1890s oiloncanvas

13897

EdwardLear View of Florence from Villa San Firenze1862 oiloncanvas

6950

Without from WithinDjanoglyArtGallery,Nottingham,6March–2May2010

VictorPasmore Window, Finsbury Park1933 oiloncanvas

6683

JohnBratby Window, Dartmouth Row, Blackheathc1954 oilonhardboard

16935

JeanCooke Union Wharf oiloncanvas

6420

32

Annex 2List of long-term loans outside Government

Bramshill House, Hook (Police Training College)

DanielMytens King Charles I (1600-49, Reigned 1625-49) oiloncanvas

3365

British Library: India Office Library

ThomasHickey Mrs. Johnson, the Begum Johnson oiloncanvas

14528

Fort St. George Museum, Chennai

WilliamCarroll King George V (1865-1936, Reigned 1910-36) Mary, Princess of Teck (1867-1953) Queen of King George V oiloncanvas

12450&12451

FranzXaverWinterhalter Queen Victoria (1819-1901, Reigned 1837-1901) oiloncanvas

12452

Historic Royal Palaces Agency: Banqueting House

DanielMytens King Charles I (1600-49, Reigned 1625-49) oiloncanvas

4594

afterJohnMichaelRysbrack Inigo Jones (1573-1652) plasterbust

11493

H.Terasson His Majesty’s Royal Banqueting House of Whitehall print

15537

33

Historic Royal Palaces Agency: Hampton Court Palace

JanvanOrley King William III as Solomon oiloncanvas

4987

A.N.Stewart Scale Copy, East Wall, King’s Staircase, Hampton Court (after Antonio Verrio) painting

14848

W.J.Macleod Scale Copy, Queen’s Drawing Room, Hampton Court, Ceiling painting

14950

V.C.Hardingham Scale Copy, Queen’s Drawing Room, Hampton Court, Chimney Wall Scale Copy, Queen’s Drawing Room, Hampton Court, Side Wall Scale Copy, Queen’s Drawing Room, Hampton Court paintings

14951,14952&14953

Historic Royal Palaces Agency: HM Tower of London (Bloody Tower) unknown,British16thcentury Sir Walter Raleigh (c1552-1618)c1590 oiloncanvas

0/299

Historic Royal Palaces Agency: HM Tower of London (Crown Jewels Display)

afterJamesGunn HM Queen Elizabeth II (born 1926, Reigned 1952- ) oiloncanvas

12674

Historic Royal Palaces Agency: HM Tower of London (Queen’s House)

JohannSpilbergII The Tower of Londonc1689 oiloncanvas

1205

34

ThomasMalton The Tower The Great Court of the Tower print

5688&5689

Samuel&NathanielBuck The Tower of London: The South View The Tower of London: The West View The Tower of London: The North View prints

5690,5691&7129

JohnMaurer A North West View of the Tower of London print

5692

G.Haiward&J.Gascoyne A True and Exact Draught of the Tower Liberties, Surveyed in the Year 1597 print

5693

FrederickNash View of the Bloody Tower Gateway of the Bloody Tower prints

7123&7124

DanielHavellafterJohnGlendall View of the Tower of London print

7125

P.R.Perry Tower of London and Tower Bridge1891 drawing

7127

afterWenzelHollar Castrum Royale Londinense vulgo The Tower print

7130

Maclure&Macdonald Tower of London print

7131

35

JacobusHoubraken Robert Carr, Earl of Somerset (1587-1645) Thomas Cromwell, Earl of Essex (?1485-1540) Robert Devereux, 2nd Earl of Essex (1566-1601) John Fisher, Bishop of Rochesteer (1459-1535) King Henry VIII (1491-1547, Reigned 1509-47) Queen Catherine Howard (d1542) Henry Howard, Earl of Surrey (?1517-47) Sir Thomas More (1478-1535) Sir Walter Raleigh (c1552-1618) prints

9571to9578&11951

LawrenceBarnettPhillips The Tower and Moat from the West print

14789

HenryPayne Yeoman Warder and Schoolboy drawing

14790

Renniard Yeomen Warders of the Tower of London in Full Uniform print

14791

EmilyCathcart Byward Tower with the Moat Flooded drawing

16260

The Honorable Society of King’s Inns, Dublin

JohnLavery High Treason, Court of Criminal Appeal: The Trial of Sir Roger Casement, 1916 oiloncanvas

0/128

HRH The Prince of Wales’s Household

ThomasRathmell The Investiture of the Prince of Wales, July 1969 oiloncanvas

8995

36

CarlToms Design for the Investiture of the Prince of Wales, Caernarfon Castle: Water Gate Entrance, Sketch 11969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Water Gate Entrance, Sketch 2 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Sketch Design for Dais, Canopy and Thrones 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: King’s Gate Entrance 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Queen Eleanor’s Gate 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Prince of Wales Coat of Arms 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Prince of Wales Feathers 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Welsh Dragon Design for Central Throne 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Sketch Design for Welsh Dragon 1969 Design for the Investiture of the Prince of Wales, Caernarfon Castle: Design for Orchestra Staging and Canopy 1969 watercolours

14387to14396

JohnPound Investiture 1969: Prince of Wales’ Robing Room 1968 Investiture 1969: Initial Sketch for General Seating 1969 Investiture 1969: Initial Sketch for General Seating 1969 Investiture 1969: Initial Sketch for General Seating 1969 Investiture 1969: Initial Sketch for General Seating 1969 watercolours

14397to14401

National Gallery, London

GiuseppeGabrielli Room 32 in the National Gallery, London1886 oiloncanvas

14990

National Media Museum, Bradford

JuliaMargaretCameron Captain Speedy and Dejatch Alamayou c1868 photograph

15529

37

National Trust: Morville Hall & Attingham Park

MosesGriffith Morville Hall 1794 View of Attingham Hall, Shropshire1792 drawing

11040&11043

Queen Mary’s School, Thirsk

afterSamuelLukeFildes King George V (1865-1936, Reigned 1910-36) oiloncanvas

0/786

afterWilliamLlewellyn Mary, Princess of Teck (1867-1953) Queen of King George V oiloncanvas

0/787

Royal Armouries: HM Tower of London

JanWyck Elevation of the Storehouse at the Towerc1710 drawing

45

FrederickNash Chapel in the White Tower View under Bloody Tower Plan of the White Tower, Dungeon Floor Dungeon or Prison Room in the White Tower Inscriptions in the Prison Room of the White Tower Plan of the White Tower, Chapel Floor State Room in the Upper Storey of the White Tower Inside of the Chapel Tomb in the Chapel Plan of the Prison Room in the Beauchamp Tower Prison Room in the Beauchamp Tower Inscription in the Prison Room, Beauchamp Tower Inscriptions in the Prison Room, Beauchamp Tower Inscriptions in the Prison Room, Beauchamp Tower Inscriptions in the Prison Room, Beauchamp Tower Inscriptions in the Prison Room, Beauchamp Tower In the Upper Prison Room, Beauchamp Tower Inscriptions in the Prison Room, Beauchamp Tower Beauchamp Tower from Tower Hill

38

Inscription in Salt Tower Inside of Bowyers Tower Bloody Tower Entrance under Bloody Tower Inside of Well Tower Byward Tower Inside of Byward Tower Inscriptions in Prison Room of Byward Tower Inscriptions in Prison Room of Byward Tower Drawings

11692to11717,11718A&11718B

Royal Armouries: Leeds

JamesSeymour Charles Powlett, 8th Marquess of Winchester (1685-1754) oiloncanvas

2622

Royal Institute of International Affairs, Chatham House, London

AbrahamPether Claybury Hall, Essex oiloncanvas

975

ValentineGreenafterJ.G.Huck Monument to William Pitt, 1st Earl of Chatham (1708-1778) Prime Minister in Westminster Abbey 1784 print

1544

Supreme Court of New Zealand, Wellington, New Zealand

PhilipRollos Queen Anne Silver Treasury Inkstand1702-03 Silver

DM16

University of Wales, Lampeter

PaulBrason Brian Robert Morris, Lord Morris of Castle Morris (1930-2001) painting

16804

39

Victoria & Albert Museum: The British Galleries

JosephWilton Francis Hastings, 10th Earl of Huntingdon (1728-89)1761 marblesculpture

273

JanSiberechts View of Longleat1678 oiloncanvas

4959

HeinrichvonAngeli Queen Victoria (1819-1901, Reigned 1837-1901) oiloncanvas

15470

Victoria & Albert Museum: The Silver Galleries

unknownmaker Pair of William & Mary Silver Candle Snuffers1693 DM47

unknownmaker William & Mary Silver Snuffer Tray1693 DM48

unknownmaker Pair of William & Mary Silver Candle Snuffers DM49

unknownmaker James II Silver Snuffer Tray DM50

unknownmaker James II Silver Snuffer Tray DM51

unknownmaker William & Mary Silver Snuffer Tray DM52

JosephBird Pair of Queen Anne Silver Candle Snuffers1707 Pair of Queen Anne Silver Candle Snuffers1707 DM53&DM54

QueensYard179aTottenhamCourtRoad,London,W1T7PA.

www.gac.culture.gov.uk

©CrownCopyrightOctober2010

Coverimages:

Clockwisestartingtop-left

MartaMarcéispicturednexttoherworkI am throwing the ball

attheBritishEmbassyMadrid

The Governor’s House, Colombo, Ceylon (Sri Lanka),by

AndrewNicholl

GraysonPerrypicturedduringhisinterviewforaGACpodcast

ConservationofAndyGoldsworthy’ssculptureSlate Conein

Copenhagen

White DiagonalbyMaryMartin