anna dot - bombon projects · anna dot is an artist and researcher at the department of...
TRANSCRIPT
ANNA DOT
Anna Dot is an artist and researcher at the Department of Translation, Interpretation and Applied Languages of the University of Vic. Her projects focus on translation and communication processes, paying special attention to the processes of reading and writing as well as digital technologies. Anna Dot often uses tools that explore text as if it was a cumulative technology.
Anna Dot’s (Vic, 1991) projects have been shown at Fundació Antoni Tàpies in Barcelona; La Capella in Barcelona; Bòlit Center of Contemporary Art in Girona; Museu de la Pell in Vic or La Capella de Sant Roc in Valls. Outside of Catalonia, she has participated in the 2018 OpenStudio program in Madrid and has exhibited at Plataforma Revolver in Lisbon; at the Kunsthalle Mainz in Germany and at Galería Tiro Al Blanco in Guadalajara, in Mexico. She will soon be a resident in Denmark as a guest artist for the European Participatory Arts for Invisible Communities (PAIC) and will exhibit at Muzej savremene umetnosti Vojvodine in Novi Sad, Serbia.
Al principi, (exhibition view)Bombon projects,
Barcelona, 2018
ANNA DOT
Al principiBombon projects,
Barcelona, 2018
Willing to discover some method to answer this question, the exhibition “In the beginning,” uses Bombon’s space as a
laboratory for an experimental archaeological research. The project starts from the observation of the visible and invisible
marks of the past that can be found in the gallery’s space in order to deal with them as if they were clues of other times that
allow us to imagine and reconstruct a possible scenery of the beginning of this space.
ANNA DOT
Al principiBombon projects,
Barcelona, 2018
ANNA DOT
Al principi, (exhibition view)Bombon projects,
Barcelona, 2018
ANNA DOT
Una muntanya a dins de casa (exhibition view),Bombon Projects,
Barcelona, 2018
It is said that in Vic there is a house build on a mountain. It is also said that if you make a hole on the floor of some first
floor’s rooms, you will find rock. At Arc de Triomf”s underground station (Barcelona) I step on the pieces of a broken floor
tile. cruc-cruc. The ceramic shards are unstable and unstucked on the paving. They follow the swing of my weight caused by
my body’s movement. Strength and balance in flow; my body, the space and the earth. The image of a raw pea under a floor
tile or a mountain inside home.
ANNA DOT
Una muntanya a dins de casa,2017
InstallationBombon projects
ANNA DOT
Great Panorama! Visual, auditive, real! At the Venetian Towers, with Aldo Urbano within the pro-gramm Composicions, curated by Alexandra Laudo and Glòria Picazo,
Barcelona Gallery Weekend 2018.
ANNA DOT
Lectura de ruïnes,Heinrich Ehrhardt,
Madrid, 2018
Sound installation (fan, 3 speakers, graphite intervention on the floor).
The biblical excerpt that narrates the Babel’s myth has built in our imaginaries the idea of a tower. Considering this, we can
ask ourselves: what is the state of this text, after the divine windstorm that brought the falling of the tower and the confu-
sion of the tongues? How does the landscape of the Babel’s ruins sound like?
To find an answer, I used all the letters from the Babel’s excerpt to assemble some kind of tower (or, at least, a little pile of
tiny pieces of paper) and then, all of a sudden, I don’t know exactly what it was (a bad omen, a sigh of dislove or maybe, just,
a gust of wind) devastated my construction, leaving a mess of printed hebrew letters on my desk; a ruinous landscape.
I read it, with the hope of finding some kind of secret message, a path, a dream of the past. The sound installation is the
result of transposing this soundscape to an exhibition space.
ANNA DOT
Lectura de ruïnes,Heinrich Ehrhardt,
Madrid, 2018
ANNA DOT
Reaparició(Performance)
Bianyal, Vall de Bianya, 2017
A group of people follow a path across a centenarian oak forest in Vall de Bianya. They see 5 people from afar who walk
towards them. At a certain moment, those 5 people stop walking and stare at the group. The distance between the ones and
the others is big enough not to see the others clearly. They maintain mutual glances for a while.
The action finishes when the group of people on a path stop seeing the others.
The title “Reappearance” is a direct reference to the action entitled “Appearance” developed by Collective Actions on the
13th March, 1976, outside Moscow.
ANNA DOT
Reaparició(Performance)
Bianyal, Vall de Bianya, 2017
ANNA DOT
“Donar un lloc a la confusió”. Roureda monumental de la Torre, a la Vall de Bianya. 14 i 15 d’octubre de 2017.
ANNA DOT
Prototip d’una torre de Babel,ADN Gallery,
Barcelona, 2017
A group of people follow a path across a centenarian oak forest in Vall de Bianya. They see 5 people from afar who walk
towards them. At a certain moment, those 5 people stop walking and stare at the group. The distance between the ones and
the others is big enough not to see the others clearly. They maintain mutual glances for a while.
The action finishes when the group of people on a path stop seeing the others.
The title “Reappearance” is a direct reference to the action entitled “Appearance” developed by Collective Actions on the
13th March, 1976, outside Moscow.
ANNA DOT
Exhibition view of I felt like I had myself walked into a visualization
ADN PlatformBarcelona, 2017
ANNA DOT
Història de la representació gràfica de la torre, 2017ADN Gallery, Barcelona
ANNA DOT
Les pedres del camí, 2017Installation
3D prints with LayBrick and àudio
The Catalan and Spanish version of “stepping twice into the same river” would be, literally, “to step twice with the same
stone”. In this sentence the word “stone” functions as a sinonym for “mistake” or “error”, so that “to step twice with the
same stone” would be the same as saying “to make the same mistake twice”. Considering this, we can ask ourselves about
the shapes of mistakes. Would it be possible to turn mistakes into visible forms that were recognizable as rocks in a path?
To experiment with this we took the novel Don Quijote de la Mancha, by Miguel de Cervantes, in which the main character
becomes self proclaimed knight (in a way that totally contradicts the law!) and tries to live all the adventures he had read in
cavalry novels. In this process he makes a series of mistakes. We interpret them as descriptions of the difference between
expectations and reality.
ANNA DOT
Until I am not longer able to stand,2016La Capella, Barcelona
On 24 September 2013, Texas senator Ted Cruz announced to the press that he would speak as long as he could maintain
himself upright – “until I am no longer able to stand,” he said – in opposition to Obama’s proposed health care reform
known as Obamacare. The next day he delivered a 21-hour faux filibuster, which is the practice of giving a prolonged speech
with the aim of paralysing parliamentary debate and blocking the approval of a law.
Until I am no longer able to stand proposes to convert the Espai Cub into the stage for creating a filibuster speech to take
place on the last day of the project exhibition. It will be delivered in order to delay as long as possible the scheduled closing
of La Capella. During the exhibition, the Espai Cub will be prepared to become a space that facilitates preparation of the
final speech, and open rehearsals will be held prior to the last day. The working process, then, appropriates the rules of
filibustering to try to close the doors of La Capella later than planned. There will be a reflection on this process, and a num-
ber of relationships with other concepts and different references will be presented, such as filibuster speeches delivered
throughout history, the literature and modus operandi of Michel de Montaigne, drift, horror vacui and blind text, among
others.
ANNA DOT
Born in Vic, 1991
StudiesResearch fellow at Department of Translation, Interpretation and Applied Languages, Uni-versitat de Vic – Universitat Central de Catalunya.Postgrade in Comparative Literature and Electronic Literature – IL3, BarcelonaMA in Digital Art Curatorship – ESDI, BarcelonaGraduated in Fine Arts – Universitat de Barcelona
Projects and collaborationsCurrentlyArxiu A/M (collaborator)Beyond Text (a project on arts based research, by the group RECAP, at University of Chester – participant as artist and researcher)Associació d’Escriptors en Llengüa Catalana (member)Festival Plaga (member of the organizing team, with Supterranis) A*DESK (contributor)Festus Festival (member of the Visual Arts commission) Morir de frío (cofounder)PastArt i Escola (consultant)Ciclo del Siglo 2014 (member of the organizing team, with Estel Boada and Enric Farrés)Encuentros (contributor)Gent Normal (contributor)La Dosi Cultural (contributor)Llucifest 2013 (member of the organizing team, with Estel Boada and Xavi Rodríguez)
Exhibitions, Presentations and performancesGroup exhibition SINOPSI · with Carmen Alvar Bertran, Aïda Andrés Rodrigálvarez, Marc Badia, Claudia del Barrio, Vilma Bravo i Blanca Utrillas Gracia, Léo Dorfner, Anna Dot, Shaun Fraser, Alberto Gil Cásedas, Ariadna Guiteras, Abel Jaramillo, Julia Llerena, Pablo del Pozo, Antonio Rincón, Francesc Ruiz Abad, Bruna Ruiz Planella, Javier Vázquez, Pablo Vindel · within Art Nou 2018, curated by David Armengol · La Capella, Barcelona (04/10 – 11/11/2018).
Intervention | | · with Aldo Urbano · within the programm Composicions, curated by Alexandra Laudo and Glòria Picazo · Barcelona Gallery Weekend 2018 · Venetian Towers, Barcelona (27 – 30/09/2018).
Solo exhibition Al principi, · within Art Nou 2018 · Bombon Projects, Barcelona (02 – 21/09/2018). Art Nou Award 2018.
Lecture Caer dos veces con la misma piedra or how to objectify mistakes · at Electronic Literature Organization Conference 2018 · Universitat del Quebec a Montreal, Canada (15/08/2018).
Group exhibition Mind The Gap! / Attention à la marche! · curated by Sophie Julien and Hugo Marchand for Electronic Literature Organization · with Tom Abba, Duncan Speakman, Lucas Baisch, Pasty Baudoin, Nick Montfort, Kyle Booten, Alan Bigelow, Justine Bizzocchi, Jim Biz-zocchi, Mez Breeze, Soren Bro Pold, Andy Campbell, John Cayley, Qianxun Chen, Istvan Chung, Heloïse d’Almeida, Boris Du Boullay, Delphine Gauly, Lucie Plançon, Marjorie Terral, Guillaume Verguin, Jules Deslandes, Steve Diapola, Anna Dot, Tina Escaja, Caitlin Fisher, Tony Vieira, Harriet Fisher, Stella Fisher, Mehitabel Glenhaber, Richard Holeton, Eduardo Kac, Cal Lafontain, Michaël Lafontaine, Sophie Latouche, Michel Lefebvre, Eva Quintas, Erik Loyer, Will Luers, Judy Malloy, Piotr Marecki, Mark Marino, Maria Mencia, Stuart Moulthrop, John Murray, Jason Nelson, Laura Okkema, Manuel Portela, Isabelle Raynauld, Joellyn Rock, Anastasia Salter, Winnie Soon, Alan Sondheim, Christy Sheffield Sanford, Shanmugapriya T., Anne Sullivan, Anna Tolkacheva, Sarah Van Dierdonck, Theodora Walsh, Marcelina Wellmer, Laura Zeyla · at Centre de Désign, Universi-tat del Quebec a Montreal, Canada (13 – 17/08/2018).
Paper “Grup d’ús. Una experiència d’art i traducció col·laborativa a l’era digital” · at VII Simposi
20152014
2009 - 2013
since 2017
since 2015since 2013since 2012since 2011
2014 - 20162014
2013 - 20162011 - 20132015 - 2016
2013
2018
Internacional de Joves Investigadors en Traducció, Interpretació, Estudis Interculturals i Estudis de l’Àsia Oriental · Universitat Autònoma de Barcelona, Bellaterra (29/06/2018).
Conference “Viure traduint” · at the seminar apertus 02 NOITCELFER (REFLECTION) · coordi-nated by Jordi Canudas, Montse Romaní and Gabriel Virgilio with the support of Fundació Han Nefkens · Escola Massana Centre d’Art i Disseny, Barcelona (29/06/2018).
Group exhibition El 85% de la matèria · curated by Caterina Almirall · with Xavier Arenós, Anna Dot, Moosje M. Goosen, Glòria Martín, Mariona Moncunill, Larisa Sitar, Daniel Steegmann Man-grané, Aldo Urbano · MAC Mataró Art Contemporani, Mataró (09/06 – 25/07/2018).
Group exhibition Y escucho tus pasos venir · curated by Pablo Flórez · with Lucía C. Pino, June Crespo, Anna Dot, Rosa Tharrats · at Galería Heinrich Ehrhardt, Madrid (09/06 – 25/07/2018).
Workshop Taller de persones llibre · at La Panera Centre d’Art de Lleida (13/01/2018).
Presentation about my work at the school Avenç, Sant Cugat del Vallès (12/01/2018).
Sessió d’accions: Constel·lació Cravan: Mina Loy, Olga Sacharoff, Otho Lloyd, Francis Picabia · curated by Eduard Escoffet. With Anna Dot, Laia Estruch, Laura Llaneli, Clàudia Pagès and Maria Sevilla · at Museu Picasso, Barcelona (11/01/2018).
Oral exhibition from The Hypothalamus Collection + AAA (Arnau Musach, Arnau Ricart and Adrià Ballús) · at El 85% de la matèria, Centre d’Art Maristany, Sant Cugat del Vallès (16/12/2017).
Group exhibition 10a Biennal d’Art Leandre Cristòfol · with Elena Alonso, Irene de Andrés, Erick Beltran, Mauro Cerqueira, CRU, Anna Dot, Núria Güell, Bouchra Khalili, Ella Littwitz, Pol Mer-chan, Jordi Mitjà, Itziar Okariz i Aimar Pérez Galí · Centre d’Art la Panera, Lleida (4/11/2017 – 28/01/2018).
Group exhibition Una exposición a dos voces · With Jon Mikel Euba, Beatriz Olabarrieta, June Crespo, Leonor Serrano, Elena Alonso, Fran Meana, Daniel Steegmann Mangrané, Belén Zahera, Cristina Garrido, Juan López, Irma Álvarez-Laviada · curated by Andrea Rodriguez Novoa and Verónica Valentini · Plataforma Revólver, Lisboa (16/11/2017 – 20/01/2018).
Group exhibition El 85% de la matèria · with Anna Dot, Moosje M. Goosen, Glòria Martín, Mariona Moncunill, Larisa Sitar, Daniel Steegmann Mangrané, Aldo Urbano · curated by Caterina Almirall · Centre d’Art Maristany, Sant Cugat del Vallès (23/11/2017 – 25/02/2018).
Solo exhibition I felt like I had myself walked into a visualization · curated by Francesco Giaveri · ADN Platform, Sant Cugat del Vallès (25/11/2017 – 28/04/2018).
Intervention “Donar un lloc a la confusió”, “Reaparició” and “Fora de focus” · at Bianyal 2017, coordinated by Associació Binari at Vall de Bianya. (14 – 15/10/2017).
Group exhibition Sortir-se de la línia · curated by Rita Andreu. With Azahara Cerezo, Anna Dot, Enric Farrés Duran, Mireia Ferrón, Francesc Ruiz Abad, Irene Solà i Damià Vives · Bòlit, Centre d’Art Contemporani, Girona. (17/06 – 11/09/2017)
Group intervention Las novelas son para el verano · organized by Anna Pahissa. With Ignasi Aballí, Caterina Almirall, Rafael Arocha, Erick Beltrán, David Bestué, Sergi Botella, Fito Conesa, Anna Dot, Enrique Doza, Eduard Escoffet, Laia Estruch, Enric Farrés Duran, Rafel G. Bianchi, Àlex Gifreu, Núria Gómez Gabriel, Emiliana Larraguibel, Pere Llobera, Martí Manen, Jordi Mitjà, nyamnyam, Aimar Pérez Galí, Xavi Ristol, Francesc Ruiz, Ariadna Serrahima, Aldo Urbano, Oriol Vilanova. · Múltiplos, Barcelona. (01 – 31/07/2017)
Intervention “La Performance” · as part of the program On és la performance?, coordinated by Joana Roda at Centre d’Art Maristany, Sant Cugat del Vallès. (19/07/2017)
Group exhibition 13.881 · working with Garvin Agyema, Mohamed Borji, Ijeoma Brown, Aicha Danine, Mohamed El Har, Ayoub El Kadouri, Setou Mariko, Meri Payan and Blai Marginedas. Within the program Factor (26), coordinated by Elisenda Soler and Marina Mascarella at Escola d’Arts Plàstiques Municipal de Torelló.(19/05 – 16/06/2017)
Performance “International Standard White Noise” · Participation in the program FORMS OF ECLIPSE Lee Lozano · curated by Valerio del Baglivo, at BAR Project, Barcelona (27/05/2017).
Curation of L’efecte vora · Group exhibition with Amine Asselman, Juan González, Julia Llerena,
2018
2017
ANNA DOT
Amaia Molinet, Eriz Moreno, Edu Ruiz, Julia Salgueiro, Sergi Selvas · Sant Andreu Contemporani, Barcelona (08/04 – 20/05/2017).
Group exhibition Lockers V2 · Project by Diego Díez and Borja Llobregat · Stedelijk Museum, Amsterdam (12/05/2017).
Intervention “About the disappearance of the mountains and the day when I found them at home” · Beyond Text program · at Universitat de Vic – Universitat Central de Catalunya, Vic (12/05/2017).
Participation in the round table “La participació serveix per a tot? Realitats i ficcions” · with Fabiola Mora, Jordi Lafon, Ramon Parramon, Judit Font and Sonja Vuk, member of Participato-ry Art for Invisible Communitites (PAIC), organized by ACVic, Centre d’Arts Contemporànies de Vic (27/04/2017).
Performance for La habitación de los libros prohibidos, by Alicia Framis. Acting with Anna Pa-hissa and Cloe Masotta under the directions of Framis, at Blueproject Foundation, Barcelona (20/04/2017).
S’amagaven darrere els arbres was nominated for the Premis ACCA (Awards by the Associació Catalana de Crítics d’Art).
Presentation of the project S’amagaven darrere els arbres within the context of the exhi-bition “Caminar sobre el gel”, curated by David Armengol at Arts Santa Mònica, Barcelona (29/03/2017).
Group exhibition Creure en 10 coses impossibles abans d’esmorzar, curated by Irene Solà and Arnau Musach at Museu de l’Art de la Pell, Vic.
Presentation of the publication Until I am no longer able to stand (Espai Cub, Barcelona Producció 2016) and the series of drawings “Anotacions al marge”, by Rafel G. Bianchi, with David Armengol and Raimon Guirado, at Llibreria Múltiplos, Barcelona.
Presentation of L’Infern, with Jordi Daví and Jaume Coll i Mariné, at El Casino, Vic.
Solo exhibition “Ci siamo. Omaggio alle famiglie Milella e Ibrahimaij”, at Sala d’exposicions d’El Casino, Vic. Curator: Ernest Crusats.
Performance “S’amagaven darrere els arbres”, Ruta Walter Benjamin 2016, Banyuls sur mer – Portbou (invited by Nau Cocleaand MUME).
Solo exhibition “Until I am no longer able to stand”, at Espai Cub, La Capella, Barcelona.
Artist in Residence at Nau Coclea, Camallera.
Curator of Pantalla CCCB in collaboration with LOOP 2016. Working with artists Job Ramos (May) and Irene Solà (June).
Jury member for the Miquel Casablancas 2016 Award, Sant Andreu Contemporani, Barcelona.
Group exhibition “El món existeix per arribar a un llibre” curated by Anna Pahissa, for La Panera on-line.
The book “Goethe zum vergnügen” is exhibited at “Perquè hi haurà un dia que no podrem més, i lla-vors ho podrem tot” in an installation by Nyam Nyam, at Centre de Documentació, La Panera, Lleida.
Presentation of “Documents” and “L’infern” at Casino Olotí, Olot, within the context of “Res a dir”, a series of presentations organized by Associació Binari.
Presentation of my work and visit to the resident artists at Can Serrat, El Bruc.
Presentation of the poster “L’infern“, made with Jordi Daví and Jaume Coll Mariné, at Múltiplos, Barcelona.
“The Stomach of the Writers”, with Eduard Escoffet, directed by Marc Caellas and Jordi Nopca within the context of Kosmopolis 2016, at CCCB, Barcelona. [video]
January – April · Researcher in residency at MACBA Study Centre.
“Els garsots”, performance directed by Víctor García Tur in the launch of his book “Els Ocells”, at La Calders, Barcelona.
2017
2016
ANNA DOT
Jury member for the G.A.T. Literari competition.
“Per una banda o per l’altra”, workshop for families (adults and children from 0 to 5), with Jordi Mas within the context of the exhibition “Species of Spaces”, at MACBA.
Participation in the round table “La descentralització de l’art contemporani”, with Anna Palomo, Pau Hosta, Ramon Parramon and Jesús Vilamajó, at MGA: Manlleu Galeria d’Art, Manlleu.
Group exhibition “The Twilight Zone”, within the context of Festival PLAGA, Barcelona.
Presentation of The Hypothalamus Collection of Art at MICROS#2, Nau Estruch, Sabadell.
Launch of the books “Goethe zum Vergnügen” (Los Tambores, 2015), by Anna Dot, “Errores de obturación” (Los Tambores, 2014) and “From Work” (Biel Books, 2014), by Mirari Echavarri. At Múltiplos, Barcelona.
Jury member for the Brack/Nau Coclea/Singcat 2015 Fellowship.
Group exhibition ” Transformacions”, curated by Elisenda Soler at Escola d’Arts Plàstiques de Torelló, Torelló.
“Ella: allà i després”, a project by Estel Boada, Anna Dot and Daniel Moreno, curated by Ca-terina Almirall at Blueproject Foundation, Barcelona.
Group exhibition “111 Künstler/innen in einem Büro”, an installation curated by Thomas D. Trummer at Kunsthalle Mainz, Mainz, Germany. [+ info]
“EL IDIOMA”, a dialog on poetry with Mariano Mayer at Salamina, l’Hospitalet de Llobregat, Spain. [+info]
Group exhibition “¿Por qué no lo llamas entropía?”, curated by Juan Canela and Ariadna Ramonetti, within the context of Entropía Festival at Galería Tiro al Blanco, Guadalajara, México. [+info]
Lecture “Poetics of machine translation errors applied to artistic practices” in the context of Hybrid Practices in the arts, sciences, and technology from the 1960s to today organized by the Spencer Museum of Art at The Commons, Kansas University, USA.
Solo exhibition “Exercicis d’equilibris per a un niu”, curated by Marina Vives at Capella de Sant Roc, Valls, Spain.
Curation of “En altres paraules / In Other Words”: a group show with Irene Solà, Nenazas, Mi-guel Ángel Tornero, Jan Monsalvatje, Eugenio Tisselli and Hidrogenesse, at Can Felipa, Bar-celona, Spain. [+ info: review by Xavier Bassas Vila at Encuentros 28/02/2015, p. 12]
Round table about Miguel Ángel Tornero‘s project “The Random Series”, with Natasha Chris-tia and the artist, at Fundació Foto Colectània, Barcelona, Spain.
Participation in the project “Una mesa en la Verónica” with Ian Waelder and Virginia Torrente at La Verónica, Madrid. Invited by Diego Díez and Juan Jesús Torres.
Launch of the publication “Mentrestant allà.”, coordinated by Espai Nyam Nyam, Barcelona, and made in collaboration with Daví and Adicciones Porquesí.
Group exhibition “Ap(p)artment”, at MAIO, Barcelona. [+ info]
Intervention “És maco de veure” at El Casinet, El Masnou, with Estel Boada.
Lecture of @8Pilas, with Oriol Fontdevila. Within the context of the exhibition “El temps invertit”, at Can Felipa, Barcelona. [+ info]
Group exhibition “Goethe Dialoge” curated by Robert Punkenhofer, at Goethe Institut, Barce-lona. [Download the catalogue!]
Presentation of the project “Anuncia la feina un cop acabada”, by Daniel Moreno, at Fundació Joan Miró, Barcelona. With Irina Mutt, Daniel Miracle and the artist. [text “Daniel Moreno. Pica i fuig a la Fundació Miró”, by Palma Lombardo, published at Núvol]
Awarded with the BIAM 2014 Prize for “Static Explosion”.
2016
2015
2014
ANNA DOT
January – June · Artist in residence at Nau Estruch, Sabadell, with Estel Boada and Daniel Moreno Roldán.
Group exhibition “Present Indicatiu”: show of the finalists projects for the Miquel Casablan-cas Prize at Fàbrica Fabra i Coats, Barcelona.
De Kathedraal · at Nau Estruch, Sabadell, within the context of Festival Final d’Abril.
Presentation of the project Morir de Frío, with Alba Vilamala and Blai Marginedas at II Jorna-da d’Art i Cultura Contemporanis, Universitat de Girona.
Group exhibition “L’Assalt”, at Experimentem amb l’Art, Barcelona.
Café Dossier: portfolio presentation at Tabacalera, Madrid. (Selected)
Participation in the activity Six Ordinary Happenings, within the context of the exhibition “Allan Kaprow. Other Ways”, at Fundació Tàpies, with the students from the Escola d’Art i Superior de Disseny de Vic: Marta Ayats, Matheo Beltrán, Sergi Cardenas, Aina Garet, Pau Romero and Meritxell Sánchez.
Speech “Until I Am No Longer Able To Stand”, at Nau Estruch, Sabadell.
Intervention “Que oportú aquest silenci” for the Ciclo del Siglo‘s closure and render of “Con-cert Extraordinari”, with Estel Boada and Daniel Moreno Roldán, at Llibreria Siglo, Sant Cugat.
“Us estàvem esperant” with Morir de Frío, within the context of the exhibition “Des de la proximitat”, about Manolo Gómez’s artwork at Museu de l’Art de la Pell de Vic.
Group exhibition “Entre referents”, at Universitat de Barcelona.
Text about “L’escena invisible”, by Oriol Vilapuig, for the exhibition “Interaccions. Una mirada present del fons d’art de l’antiga Caixa Sabadell” at Espai Cultura, Sabadell.
Group exhibition “Mirant esverat a totes bandes”, with Estel Boada, Edgar Díaz, Daniel Moreno, Marcel Rubio i Aldo Urbano, at Can Juliana, Badalona.
Performance “Remembering Coyle remembering Ginsberg”, within the context of Llucifest, BLANCDEguix, El Masnou.
Group exhibition “Fuga: variations on an exhibition”, Fundació Antoni Tàpies, Barcelona.
Group exhibition “Foix/Espriu”, Casal del Barri de Poblenou, Barcelona.
Happening “Holidays”, Platja de la Nova Icària, Barcelona, within the context of LICRA.
Performance “Improvement Strategies”, within the context of the exhibition “Journeys to Utopia” at Central Saint Martins, London.
Video-installation “El Refugi” at Festival Plaga, Barcelona.
Performative lecture with Morir de Frío at Placa Turca.
Intervention 5, “King of the Nico” at Ciclo Macarena, curated by Estel Boada.
The project “Enseignement Universal. Langue Éstrangère” is selected by the Sala d’Art Jove.
Group exhibition “La deconstrucció del macarró” at Universitat de Barcelona.
Reading for Recitales para intérfono, curated by Eloi Dalmau.
Group exhibition “10 poesies il·lustrades” at V Forés Poesia i Música.
“La vuelta al mundo en 80 días” published as part of BABA Artzine #2 and showed at Arts Libris, Centre d’Arts Santa Mònica de Barcelona.
Participation in Festival Música 13 at Nau Coclea, Camallera.
The video-installation “Cadències” is showed at Festus, Festival d’arts al carrer, Torelló.
2014
2013
2012
2011
