analysis - home.scarlet.behome.scarlet.be/spb15910/scores/analysis_charming_.pdf · • jazz...

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Trobador Research Group ANALYSIS composition by Bart Quartier CHARMING © 2012 Bart Quartier Score of ‘Charming’ is part of ‘Profils 24 essais pour vibraphone et piano’ – Bart Quartier edited by Henri Lemoine www.henrilemoine.com Ref.: Vol. 2 : HL27053 ‘Charming’ is recorded on the CD ‘Profiles 24 essays for vibraphone and piano’ De Werf 099 www.dewerf.be

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Page 1: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Trobador Research Group

ANALYSIS

composition by Bart Quartier

CHARMING

© 2012 Bart Quartier

Score of ‘Charming’ is part of ‘Profils 24 essais pour vibraphone et piano’ – Bart Quartier

edited by Henri Lemoine www.henrilemoine.com

Ref.: Vol. 2 : HL27053

‘Charming’ is recorded on the CD ‘Profiles 24 essays for vibraphone and piano’ De Werf 099 www.dewerf.be

Page 2: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Composi'on

thinking

intellect

intui'on

emo'on

1 © 2012 Bart Quar'er

Page 3: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Impro

Melody

Harmony

Rhythm

2 © 2012 Bart Quar'er

Page 4: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Pentatonics cluster -‐ 5 successive notes

max ## or 2bb

tension -‐ relax -‐ tension -‐ relax

© 2012 Bart Quar'er 3

Page 5: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Development chord progression

tension -‐ relax -‐ tension -‐ relax

open voicing

clusters

© 2012 Bart Quar'er 4

Page 6: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

5 © 2012 Bart Quar'er

Page 7: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

tension -‐ relax

2/3

6 © 2012 Bart Quar'er

Page 8: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

F min

Bb min

Bb min

Eb min

Ab maj

V III

II 7 III

V V V

V III

IV-‐

IV-‐

IV

b II

b II

III V IV lyd

I b II 7

I

Harmony func'ons

© 2012 Bart Quar'er 7

Page 9: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

8 © 2012 Bart Quar'er

Page 10: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Tonica Major augmented

1 3 #5 7 9

minor 1 b3 b7 9 11

Subdominant

phrygian 1 b2 b4 b6 b7

lydian 1 3 #4 5 9

minor 1 b3 5 b7 11

Dominant altered 1 3 7 b9 #9

Whole tone 1 3 b5 b6 b7

Pentatonics

Choice of notes characteris'cs

© 2012 Bart Quar'er 9

Page 11: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Melody

© 2012 Bart Quar'er 10

Page 12: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Relaxed Root P5 M3 b3 M6 b6 M2 m2 M7 b7 P4

Tense #4

© 2012 Bart Quar'er 11

Page 13: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Bass

© 2012 Bart Quar'er 12

Page 14: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Rhythm Harmonic rhythm

Seventh’s

ques'on -‐ answer

Q

Q

Q

A

A

© 2012 Bart Quar'er 13

Page 15: ANALYSIS - home.scarlet.behome.scarlet.be/spb15910/Scores/Analysis_Charming_.pdf · • Jazz composer’s)companion)–Gil) Goldstein)A)©1993 Advance)Music))) • Modal)JazzA) Composion

Sources

•  Fundamentals of Musical Composi'on -‐ Arnold Schoenberg -‐ Faber and Faber Limited, London 1967 -‐ ISBN 0-‐571-‐09276-‐4

•  Jazz composer’s companion – Gil Goldstein -‐ © 1993 Advance Music •  Modal Jazz -‐ Composi'on and Harmony -‐ Vol. I -‐ Ron Miller © 1992

Advance Music -‐ order # 11303 •  Modal Jazz -‐ Composi'on and Harmony -‐ Vol. II -‐ Ron Miller © 1992

Advance Music -‐ order # 11308 •  Connec'ng Chords with linear Harmony – Bert Ligon -‐ © 1996 Hal

Leonard Corp. – ISBN 0793561930 •  Profiles 24 Essays for Vibraphone and Piano -‐ CD 099 De Werf,

Brugge, Belgium •  www.bartquar'er.be

© 2012 Bart Quar'er 14

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