analysing still and moving images

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    Analyzing Still and Moving images

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    Visual analysis

    assumed to reflect or mirror

    The rational argument has been

    preferred over the appeal to theemotions

    Independent or combination with

    written or verbal dimension

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    Sensual Theories

    Gestalt ("The Whole is Different From

    the Sum of Its Parts")Constructivism (Short-Term Memory

    Builds Images)

    Ecological

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    "The Whole is Different From the

    Sum of Its Parts"

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    Perceptual Theories

    Semiotics (The Study of Signs)

    Ferdinand de Saussure (Swiss Linguist)

    Charles Pierce (American Philosopher)

    Iconic signs (Direct One-to-One Relationship--Photographs))

    Indexical signs

    (An Assumed Connection--Smoke From anExhaust)

    Symbolic signs (Meaning Must Be Learned--Words)

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    Iconic

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    Cognitive

    (Your Mind at Work)Memory (The Past Affects the Present)

    Projection (Giving Objects Added meaning--Tarot Cards)

    Expectation (Assumptions About What Must Be Present)

    Selectivity (Active Looking)Habituation (Normal Appearances Can Dull Vision)

    Salience (Relative Importance to the Viewer)

    Dissonance (Distractions--Noise, Personal Problems,Temperature)

    Culture (What and How We Learn to Get By)Words (Explanations Are Always Needed)

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    Four approaches

    Analysing news visuals as

    Distortion

    SymbolismSemiotic systems

    Epistemological guarantee

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    Distortion

    Camera can lie

    Phallic images, fake

    Distortion analysis addresses visualmanipulation, misleading selections,

    significant omissions and sense

    changing croppings

    Production based distortion

    Eg: Rushdies rushes

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    Symbolism

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    Semiotic systems

    Concerned with how meaning is createdbetween two signs with in the systemespecially in language

    Saussures view on language-Relational, not referential

    Organized on internal system, which help givemeaning to individual and social experience

    Relation between language and meaning isarbitrary.

    The system of the language pre-exists theindividual

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    Bergers semiotic film conventions

    Signifier( shot &film)

    Definition Signified

    Close-up

    Medium-shot

    Long shot

    Full shot

    Face only

    Most of body

    Setting &charactors

    Full body of person

    Intimacy

    Personal relationship

    Context,scope,public

    distanceSocial relationship

    Pan down

    Pan up

    Zoom in

    Fade in

    Fade out

    Cut

    Wipe

    Camera looks down

    Camera looks up

    Camera moves in

    Image appears on blankscreen

    Image screen goes blank

    Switch from one image to

    another

    Image wiped off screen

    Power,authority

    Smallness,weakness

    Observation ,focus

    Beginning

    Ending

    Simultaneity, excitement

    Imposed conclusion

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    Against British criminal justice bill

    Daily mail The Guardian

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    Analyzing visuals as

    epistemological guarantee

    Generalized objectivity claims of news

    Positioning of images, document or record

    Authoritative factuality

    Meinhof in her study identifies interrelation

    between news text and pictures

    Overlap

    DisplacementDichotomy