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Georg PhilippTelemann(1681 — 1767)
5 Triosonatasfor Flute,Viola da Gambaand B.c.
Vol i: Sonatas 1 – 3twv 42:c6twv 42:f5twv 42:g7
Georg PhilippTelemann(1681 — 1767)
5 Triosonatasfor Flute,Viola da Gambaand B.c.
Vol i: Sonatas 1 – 3twv 42:c6twv 42:f5twv 42:g7
ViMa 23 I – Version 1.0 – January 2018. A publication (htp://www.vista:are:usica.co:/).Editing and typeseting g 2018 Maurizio M. Gavioli. Licensed under the Creative Co::ons license “Atribution - Share Alike” (in si:ple words,
do with it whatever you like as long as you give :e proper credit and share derivativeworks like this one; for details, see htp://www.creativeco::ons.org/licenses/by-sa/3.0).
Typeset with MuseScore (htp://:usescore.org/). Texts set in Linux Libertine and Linux Biolinu: (htp://www.linuxlibertine.org/).
C o n t e n t s
(1) Sonata (C minor, twv 42:c6) 6brd ds Mus.ms 1042/77
(2) Sonata (E major, twv 42:f5) 15brd ds Mus.ms 1042/11
(3) Sonata (G minor twv 42:g7) 22brd ds Mus.ms 1042/46
4
P r e fac e
Tis edition reproduces ffese triosonatas for fute, fesiola da gamba and B.c. containedin four manuscripts of the Universität- und Landesbibliothek Darmstadt and onemanuscript of the Staats- und Universitätsbibliothek Dresden. With the addition of thetwo triosonatas included in the Essercizii Musici (twv42:h4 with fute and twv42:f3with recorder) – also published by VistaMare Musica –, they cofeser all extant Telemanntriosonates for woodwinds and fesiola da gamba. Te source manuscripts are listed in thetable of contents.
Te original text has been reproduced without any alteration, except as noted below.
E d i t o r i a l r e m a r k s
• All editorial additions are placed abofese the staff or marked by doted lines or parentheses.• Original clefs, time signatures, note fesalues, ties, slurs, bar lines and beamings hafese been retained.• Original clefs are retained in the score; in the separate parts, clefs more common today hafese been
occasionally preferred.• All marked accidentals hafese been retained, efesen when superfuous according to modern confesen-
tions; howefeser, they hafese been silently ‘modernised’ when today confesentions dictate adifferent sign (i.e.: a sharp used to raise a fatened note has been confeserted to a natural sign).
• All 1. and 2. fesoltas are editorial typographic additions; the source only had the changing partof the two measures, marked by a curfesed line underneath; for this edition measures hafesebeen completed.
• Accidentals abofese the staff or in small type between parentheses are editorial suggestions.• All originals were in three separate parts, with the exception of n° 2 (twv 42:f5) which was
original arranged in a score; for this edition they hafese all been set into score format.
C r i t i c a l n o t e s :
1. Measure added later. (1-last, m.18)2. Original: (2-IV, m.49)3. Measure partially unreadable in the source. (4-I, m.11)4. Original: B corrected into A. (5-II, m.13)
Mus.ms/(Graupnerms.?)
Flut.Trav.
VioladiGamba
Cembalo
aFlut.Trav.,VioladiGambaeCembalo( :c)
(1)Sonata
5
GeorgPhilippTelemann( — )
9
13
343434
Andante
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21
25
29
G.P.Telemann – 5Triifl,vdgeb.c. 7
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6
9
Allemande
8 G.P.Telemann – 5Triifl,vdgeb.c.
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15
18
21
24
G.P.Telemann – 5Triifl,vdgeb.c. 9
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10
18
343434
128128128
Menuet
AriaLargo
1.
1.
2.
2.
1. 2.
1.
1.
2.
2.
1. 2.
10 G.P.Telemann – 5Triifl,vdgeb.c.
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7
10
13
(
(
(
)
)
)
(
(
(
)
)
)
1.
1.
2.
2.
1. 2.
1.
1.
1.
2.
2.
2.
G.P.Telemann – 5Triifl,vdgeb.c. 11
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8
12
17
646464
Gigue
12 G.P.Telemann – 5Triifl,vdgeb.c.
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25
27
31
35
G.P.Telemann – 5Triifl,vdgeb.c. 13
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17
25
34
RejoissancePresto
(
(
)
)
1)
(
(
)
)
1.
1.
1.
2.
2.
2.
1.
1.
2.
2.
1. 2.
14 G.P.Telemann – 5Triifl,vdgeb.c.
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Mus.ms/(Graupnerms.)
Traverso
VioladiGamba
Continuo
Traverso,VioladiGambaeContinuo( :)
(2)Sonataa3
9
GeorgPhilippTelemann( — )
17
26
35
383838
Dolce
G.P.Telemann – 5Triifl,vdgeb.c. 15
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5
8
12
16
Allegro
16 G.P.Telemann – 5Triifl,vdgeb.c.
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22
25
28
31
G.P.Telemann – 5Triifl,vdgeb.c. 17
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38
43
48
51
3
33
18 G.P.Telemann – 5Triifl,vdgeb.c.
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9
12
15
323232
3 3
3
3
3 3
3 3
3
3 3
3
3 3 3
3
Largo
()
G.P.Telemann – 5Triifl,vdgeb.c. 19
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9
13
17
349834
3 3 3 3 33
(Gigaallegro)
( )
( )
1.
1.
1.
2.
2.
2.
20 G.P.Telemann – 5Triifl,vdgeb.c.
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34
40
45
33 3
3
3 3 3
3
2)
G.P.Telemann – 5Triifl,vdgeb.c. 21
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Mus.ms/(Grauperms.?)
FlautoTraverso
VioladiGamba
Basso
aFlaut.Trav.,VioladiGambaeCembalo( :g)
(3)Sonata
3
GeorgPhilippTelemann( — )
6
8
10
128128128
Siciliana
22 G.P.Telemann – 5Triifl,vdgeb.c.
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14
16
18
20
G.P.Telemann – 5Triifl,vdgeb.c. 23
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11
15
20
Allegro
24 G.P.Telemann – 5Triifl,vdgeb.c.
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31
36
41
45
G.P.Telemann – 5Triifl,vdgeb.c. 25
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54
58
62
26 G.P.Telemann – 5Triifl,vdgeb.c.
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6
9
12
Adagio
G.P.Telemann – 5Triifl,vdgeb.c. 27
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9
13
17
Allegroassai
28 G.P.Telemann – 5Triifl,vdgeb.c.
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41
G.P.Telemann – 5Triifl,vdgeb.c. 29
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