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Stefan Panhans

Exhibition installation views & preview links

Installationview »Freeroam À Rebours, Mod#I.1«, 2016, 4K, 16:14at »A Gallerinas Dream« (with Andrea Winkler), Galerie im Turm, Berlin, 2017

Installationview »We Just Left Shore«, 2017, Novel, 120 pagesat »A Gallerinas Dream« (with Andrea Winkler), Galerie im Turm, Berlin, 2017

Installationview »Freeroam À Rebours, Mod#I.1«, 2016, 4K, 16:14at »PERFORM! - Videonale.16«, Kunstmuseum Bonn (Foto: David Ertl)

Installationview Detail »Dirk Meinzer, Stefan Panhans, Andrea Winkler«Walls: Stefan Panhans »Up! Up!! Up!!!«, 2015/16, Mixed MediaDorothea Schlueter Galerie, Hamburg, 2015/16

Installationview Detail »Up! Up!! Up!!!«, 2015/16, MIxed Media (Mehl, Salz, Evian, 10 Thousand BC, Bio Rote Beete Saft, Maybelline New York Superstay 24H Make-Up, 21 - nude, Cola Zero, Ritalin,Glitter, Voelkel Bio Heimischer Multi, Schwarzkopf Professional BC Bonacure Moisture Kick Spray-Conditioner, Cool Blue Gatorade, Macha Tee Premium,Bio Chia Samen, Bio Acai Pulver, Black OX, Battery Stripped No Sugar, Green Smoothy orange, Heisse Tasse Tomaten Creme Suppe, Xanax,Ayurvededsiches Curcuma Extrakt, Bio Aroniabeeerensaft, Bio Chlorella Pulver, Bio Granatapfelkernöl, Organischer Schwefel, Bio Schokopudding Pulver,Phaseolamin, Cell bolic extreme, Glutamine Explode, Olimp Gold Omega 3 Sport Edition Fish Oil, Theaterblut, Bio Spirulina Pulver, Wakame Algen,Cosmoveda Ayus Taila, Anti Aging Hyaluron Cell Moisture Push Up Serum, Bio Rote Beete Chips, Nespresso Kazaar, Nespresso Vanilla Cardamom)at »Dirk Meinzer, Stefan Panhans, Andrea Winkler«, Dorothea Schlueter Galerie, Hamburg, 2015/16

Installationview Detail »Dirk Meinzer, Stefan Panhans, Andrea Winkler«ideo on flatscreen: Stefan Panhans »The best ones make you feel as fearless as Beyoncé«, 2015, HD 15:30 min.Dorothea Schlueter Galerie, Hamburg, 2015/16

Installationview »The best ones make you feel as fearless as Beyoncé«, 2015, HD 15:30 min.at »The best ones make you feel as fearless as Beyoncé« BÜHLERS, Fürth, 2015

Installationview »Items for Possible Video Sets« #28.2, 2012, 75 x 50cm, #21, 2011, 60 x 90cmat »The best ones make you feel as fearless as Beyoncé« BÜHLERS, Fürth, 2015

Installationview »Items for Possible Video Sets« #28.2, 2012, 75 x 50cm, #21, 2011, 60 x 90 cm, Background left side: »Sieben bis Zehn Millionen«, 2005, dv, 5:30 min.at »The best ones make you feel as fearless as Beyoncé« BÜHLERS, Fürth, 2015

View on Parque Lage’s chapel hosting the video installation »Noch ein Sportstück«, 2014, HD, 13:40 min. Loopat »A Mão Negativa / The Negative Hand «, EAV Parque Lage, Rio de Janeiro, 2015

Installationview »Noch ein Sportstück«, 2014, HD, 13:40 min. Loop, inside Parque Lage’s chapelat »A Mão Negativa / The Negative Hand «, EAV Parque Lage, Rio de Janeiro, 2015

Installationview »Items for Possible Video Sets«, work in progress since 2009, 30 x 45 | 45 x 30 cm - 60 x 90 cmat »22. Bremer Videokunst Preis – Stefan Panhans / Julian Öffler «, Städtische Galerie Bremen, 2014/15

Installationview »Noch ein Sportstück«, 2014, HD, 13:40 min. Loopat »22. Bremer Videokunst Preis – Stefan Panhans / Julian Öffler «, Städtische Galerie Bremen, 2014/15

Installationview »SORRY«, 2010, HD, 8:08, »Hollow Snow White, 2014, HD, 14:40 min. at »Too much Change Is not Enough«, Haus am Waldsee, Berlin, 2014

Installationview »If A Store Clerk Gave Me too Much Change«, 2009, HDV, 2 x15 min., »Homestory (Il Cielo In Una Stanza)«, 2012, HD, 3:10 min. at »Too much Change Is not Enough«, Haus am Waldsee, Berlin, 2014

Installationview »Juice&Gin, Merle/Danilo/Isabel«, 2003, DV, 17 min., »If A Store Clerk Gave Me too Much Change«, 2009, HDV, 2 x15 min.at »Too much Change Is not Enough«, Haus am Waldsee, Berlin, 2014

Installationview »Who�s afraid of 40 Zimmermädchen«, 2007, DV, 35 min.at »Too much Change Is not Enough«, Haus am Waldsee, Berlin, 2014

Installationview »Hollow Snow White II«, 2013, hollow, superbike, dog leash, Camouflage Suit, helmet, machine gun mock, multifunktion belt, batik T-shirt, coloured bamboo, wool, bubble wrap foil, sweetsat »Schnee schnell Schnee du bleiches Reh«, Villa Merkel, Esslingen, 2013/14

Installationview detail »The Long Goodbye (Pre-Afterwork-OK-Clubset) V«,, HD, 2013, 25 min.,videoprojection, wood, varnishat »Schnee schnell Schnee du bleiches Reh«, Villa Merkel, Esslingen, 2013/14

Installationview detail »The Long Goodbye (Pre-Afterwork-OK-Clubset) V«, HD, 2013, 25 min., videoprojection, wooden door, varnishat «Schnee schnell Schnee du bleiches Reh«, Villa Merkel, Esslingen, 2013/14

Installationview »Items for Possible Video Sets« (#21,# 28, # 28.2), C-Prints, 60 × 90 cm, 75 × 50 cm, c-printsat »Schnee schnell Schnee du bleiches Reh«, Villa Merkel, Esslingen, 2013/14

Installationview »Who’s afraid of 40 Zimmermädchen«, 2007, DV, 35 min.at »Schnee schnell Schnee du bleiches Reh«, Villa Merkel, Esslingen, 2013/14

Installationview »SORRY«, 2010, HD, 8:08at »Schnee schnell Schnee du bleiches Reh«, Villa Merkel, Esslingen, 2013/14

Installationview »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, 2013 modified wooden garage, peepholes, video loop »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, player, beamer, sound equipment, automatic timerat »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, Work in public space, Hamburg, Steintorplatz (near main station), July - October 2013

Installationview »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, 2013 modified wooden garage, peepholes, video loop »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, player, beamer, sound equipment, automatic timerat »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, Work in public space, Hamburg, Steintorplatz (near main station), July - October 2013

Installationview »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, 2013 modified wooden garage, peepholes, video loop »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, player, beamer, sound equipment, automatic timerat »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, Work in public space, Hamburg, Steintorplatz (near main station), July - October 2013

Installationview »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, 2013 modified wooden garage, peepholes, video loop »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, player, beamer, sound equipment, automatic timerat »The Long Goodbye (Pre-Afterwork-Ok-Clubset) Casino«, Work in public space, Hamburg, Steintorplatz (near main station), July - October 2013

Installationview (Set for the videoproduction of »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, 2013)at »The Long Goodbye (Pre-Afterwork-Ok-Clubset)«, Galerie Dorothea Schlüter, Hamburg, 2013

Installationview detail (Set for the videoproduction of »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, 2013)at »The Long Goodbye (Pre-Afterwork-Ok-Clubset)«, Dorothea Schlüter Galerie, Hamburg, 2013

Installationview detail (Set for the videoproduction of »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, 2013)at »The Long Goodbye (Pre-Afterwork-Ok-Clubset)«, Dorothea Schlüter Galerie, Hamburg, 2013

Installationview detail (Set for the videoproduction of »The Long Goodbye (Pre-Afterwork-Ok-Clubset) V«, 2013)at »The Long Goodbye (Pre-Afterwork-Ok-Clubset)«, Dorothea Schlüter Galerie, Hamburg, 2013

Installationview »SORRY«, 2010, HD, 8:08at »Untitled & Items for Possible Video Sets - FW Run / SORRY Homestory«, FELDBUSCHWIESNER, Berlin, 2013

Installationview »Untitled«, 2013, 45 x 30 cm, »Items for Possible Video Sets«, work in progress since 2009, 30 x 45 | 45 x 30 cm - 60 x 90 cm, all c-printsat »Untitled & Items for Possible Video Sets - FW Run / SORRY Homestory«, FELDBUSCHWIESNER, Berlin, 2013

Installationview »Sieben bis Zehn Millionen«, 2005, dv, 5:30 min. at »FORMER WEST: Documentations, Constellations, Prospects«, Haus der Kulturen der Welt, Berlin, 2013

Installationview, wall: »Untitled«, 2011, 80 x 120 cm, »Untitled«, 2012, 3 x 30 x 45 cm +1 x 40 x 60 cm, »Items for Possible Video Sets«, work in progresssince 2009, 30 x 45 | 45 x 30 cm - 60 x 90 cm, all c-prints, floor: satsuma peel, baton, leftovers from »Untitled«, 2012, performance in collaboration with LisaMarie Janke during the opening receptionat »Stefan Panhans: Untitled & Items for Possible Video Sets – Concrete Run«, Camera Austria | steirischer herbst, Graz 2012

Installationview »Items for Possible Video Sets«, work in progress since 2009, 30 x 45 | 45 x 30 cm - 60 x 90 cm, c-printsat »Stefan Panhans: Untitled & Items for Possible Video Sets – Concrete Run«, Camera Austria | steirischer herbst, Graz 2012

Installationview »Items for Possible Video Sets«, work in progress since 2009, 30 x 45 | 45 x 30 cm - 60 x 90 cm, »Untitled«, 2011, 80 x 120 cm,»Untitled«, 2012, 3 x 30 x 45 cm +1 x 40 x 60 cm, all c-printsat »Stefan Panhans: Untitled & Items for Possible Video Sets – Concrete Run«, Camera Austria | steirischer herbst, Graz 2012

Installationview wall: »Untitled«, 2011, 50 x 75 cm, »Items for Possible Video Sets«, work in progress since 2009, 45 x 30 - 60 x 90 cm, all c-prints left: »Untitled«, 2012, ca. 90 min., performance in collaboration with Lisa Marie Janke during the opening reception at »Stefan Panhans: Untitled & Items for Possible Video Sets – Concrete Run«, Camera Austria | steirischer herbst, Graz 2012

1. section of »Untitled«, 2012, ca. 90 min., security guard uniform & equipment, bandage, glove, satsuma, chair,performance in collaboration with Lisa Marie Janke during the opening receptionat »Stefan Panhans: Untitled & Items for Possible Video Sets – Concrete Run«, Camera Austria | steirischer herbst, Graz 2012

2. section of »Untitled«, 2012, ca. 90 min., security guard uniform & equipment, bandage, glove, satsuma, chair,performance in collaboration with Lisa Marie Janke during the opening receptionat »Stefan Panhans: Untitled & Items for Possible Video Sets – Concrete Run«, Camera Austria | steirischer herbst, Graz 2012

Installationview »SORRY«, 2010, HD, 8:08 min.at »Monitoring«, Kasseler Kunstverein, 2011

Installationview »SORRY«, 2010, HD, 8:08 min. (Next room, left: »If A Store Clerk Gave Me too Much Change«, 2009, HDV, 15 min.)at »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview »Items for Possible Videosets«, 2009 -2011, 30 x 45 | 45 x 30 cm - 60 x 90 cm | 90 x 60 cm, c-printsat »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview left: »Sieben bis Zehn Millionen«, 2007, DV, 5:30 min. right: »Untitled«, 2011, DV, 8 min.at »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview detail » M.H.I.O.C (S.R.)«, Variation 1, mixed media collages, pencil on paper, c-prints 1,89 x 2,64 in - 16,54 x 23,35 in, wooden panels,trestleat »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview »POOL«, 2004, DV, 7 min. at »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview »O.T. XXII (Bruxelles)«, 2009, 50 x 75 cm, »BB Y REN«, (Dortmund)«, 2010, 93 x 70 cm, all c-printsat »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview »O.T. XXVI (Zurich)«, 2010, 90 x 60 cm, »O.T. I (Hamburg)«, 2007, 78,5 x 116 cm, »O.T. V (Arrecife)«, 2007, 168 x 110cm, all c-printsat »Stefan Panhans – Wann kommt eigentlich der Mond raus?«, Museum für Gegenwartskunst, Siegen, 2011

Installationview detail left: (alternating with the two videos see next page): »If A Store Clerk Gave Me too Much Change«, 2009, HDV, 15 min.,right: »GLOW«, 2006, DV, 12:35 min.at »'I'm cold... did I actually do the bank transfers or not?... Pass me the coffee... what kind is it? Or is it tea? – Stefan Panhans, Videowerken 2005-2010«,W139, Amsterdam, 2010

Installationview »Untitled I (Hamburg)«, 2007, 78,5 x 116 cm, c-printat »Du kannst die Polizei belügen aber nicht mich«, Kunstverein Harburger Bahnhof, 2010

Installationview »Gefangenes Zimmer« (with Andrea Winkler) 2010, 4 x 6 x 4 m, Videoset, Requisites, MDF, Door. Wall: »Items for Possible Video Sets«50 x 75 - 90 x 60 cm, c-prints (Front: works by Andrea Winkler)at »Du kannst die Polizei belügen aber nicht mich«, Kunstverein Harburger Bahnhof, 2010

Installationview »Gefangenes Zimmer« (with Andrea Winkler) 2010, 4 x 6 x 4 m, Videoset, Requisites, MDF, Doorat »Du kannst die Polizei belügen aber nicht mich«, Kunstverein Harburger Bahnhof, 2010

Installationview »Gefangenes Zimmer« (with Andrea Winkler) 2010, 4 x 6 x 4 m, Videoset, Requisites, MDF, Doorat »Du kannst die Polizei belügen aber nicht mich«, Kunstverein Harburger Bahnhof, 2010

Installationview »Items for Possible Video Sets #7«, 2010, 80 x 55 cm, c-printsat »Du kannst die Polizei belügen aber nicht mich«, Kunstverein Harburger Bahnhof, 2010

Installationview »If A Store Clerk Gave Me too Much Change«,, HDV, 2 x 15 min., 2009at »Again here – Because We Aren’t What We Are«, M.1 Arthur Boskamp Stiftung, Hohenlockstedt, 2009

Installationview »O.T. IX (Bleckede)«, 2007, 108,4 x 71,5 cm, »O.T.II (BERLIN)«, 2007, 138 x 92 cm, »O.T., XVII (NYC)«, 2008, 102 x 65,4 cm, all c-printsat »Again here – Because We Aren’t What We Are«, M.1 Arthur Boskamp Stiftung, Hohenlockstedt, 2009

Installationview »Untitled XV (NYC)«, 2008, 110 x 168 cm, »Untitled IX (Bleckede)«, 2007, 108 x 72 cm, »Untitled XIII (Zürich)«, 2008, 120 x 78,5 cm,»Untitled XX (Stamford)«, 2008, 103,2 x 160 cm, »Untitled XVII (NYC)«, 2008, 102 x 65 cm, »Untitled II (Berlin)«, 2007, 138 x 92 cm, »Untitled I(Hamburg)«, 2007, 93 x 143,5 cm, all c-prints. (Sculptures by Alicia Kwade) at »Who’s Afraid of 40 Zimmermädchen«, Kunsthaus Hamburg, 2008

»Who�s afraid of 40 Zimmermädchen«, DV, 35 min., 2007at »Who’s Afraid of 40 Zimmermädchen«, Kunsthaus Hamburg, 2008

Installationview »GLOW«, DV, 12, 35 min., 2006at »Who’s Afraid of 40 Zimmermädchen«, Kunsthaus Hamburg, 2008

Installationview »Untitled XIII (Zürich)«, 2008, 120 x 78,5 cm, »Untitled XX (Stamford)«, 2008, 103,2 x 160 cm, c-printsat »Who�s afraid of 40 Zimmermädchen«, Kunsthaus Hamburg, 2008

Installationview »Untitled IV (Hamburg)«, 2007, 144 x 96 cm, »Untitled V (Arrecife)«, 2008, 168 x 110 cm, c-printsat »Who�s afraid of 40 Zimmermädchen«, Kunsthaus Hamburg, 2008

Installationview »GLOW«, 2007, DV, 12:35 min, at »Glow and Friends«, Galerie Olaf Stüber, Berlin, 200

Installationview »Red Light, White Sands, Black Palms«, 2002 – 2007, 42 x 62 / 62 x42 cm, 124 x 84 cm, c-printsat »Ballermann«, Kunsthalle zu Kiel, 2006

Installationview »Sieben bis Zehn Millionen«, 2005, DV, 5:30 min. at »Transmediale«, Akademie der Künste, Berlin, 2006

Installationiew »YamYoung M., Jasna/Kaja«, 2001, DV, 12 min., videoprojection in videobox with lametta curtainat »Passion des Sammelns, Sammlung Reinking, Sammlung Federkiel«Halle 14, Leipzig, 2005

Installationiew »YamYoung M., Jasna/Kaja«, 2001, DV, 12 min., videoprojection in videobox with lametta curtainat »Passion des Sammelns, Sammlung Reinking, Sammlung Federkiel«Halle 14, Leipzig, 2005

Installationview »Red Light, White Sands, Black Palms« #101, 2006, Opel Calibra, soundtrack, tuning, car-hifi with bass woofer, job-application manual,computer-game-magazine, chocolate easter rabbit, softdrinks, Halloween-Duffy-Duck, sticker, Google-pencil, paper, laughing coconuta»sculpture@citynord«, Hamburg, City Nord, 2006

Installationview »Red Light, White Sands, Black Palms« #101, 2006, Opel Calibra, soundtrack, tuning, car-hifi with bass woofer, job-application manual,computer-game-magazine, chocolate easter rabbit, softdrinks, Halloween-Duffy-Duck, sticker, Google-pencil, paper, laughing coconutat »sculpture@citynord«, Hamburg, City Nord, 2006

Installationview »Red Light, White Sands, Black Palms«, 2002 – 2007, 42 x 62 / 62 x42 cm, c-prints

at »Gezuckerte Hänge, Hungrige Spiegel, Glänzende Anrufbeantworter«, Galerie Olaf Stüber, Berlin, 2005