stedelijk museum fence pitch talk - may2008

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The Stedelijk Museum is being renovated and a brand new wing and main entrance added. The museum mangement invited a number of young artists to develop proposals for the fence around the building site. I was one of the artists and theorists to hold a pitch talk for the selected artists during a workshop held in May 2008.

TRANSCRIPT

SMThursday, June 18, 2009

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Thursday, June 18, 2009

Information Architecture

Information Decoration

Institutional Critique

(Membrane)Thursday, June 18, 2009

Information Architecture

Information Decoration

Institutional Critique

Thursday, June 18, 2009

3D model exhibit InfoArcadia, Stroom Den Haag

Thursday, June 18, 2009

InfoArcadia - printed matter & spoken columns pavilions with Armand Schulthess’ forest photographs

Thursday, June 18, 2009

InfoArcadia - corridor with contributor’s quotations

Thursday, June 18, 2009

InfoArcadia - InfoFitness Space

Thursday, June 18, 2009

Words in art are words.Letters in art are letters.Writing in art is writing.

Messages in art are not messages.Explanation in art is not explanation.

Ad Reinhardt (1913-1967)

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14

Ad Reinhardt (1913-1967)

Painting, 1954-58, 198 x 198 cm, Oil on canvas

National Gallery of Art, Australia

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1946

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1961

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Information Architecture

Information Decoration

Institutional Critique

Thursday, June 18, 2009

ISBN-10: 0226534197

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Paul Slovic et al - Survey, 1986 - Perceptions of Danger

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22InfoArcadia, 2000-2001 - InfoFitness Space

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Robert E. Horn

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26

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Information Architecture

Information Decoration

Institutional Critique

Thursday, June 18, 2009

Hans Haacke (1935-)Shapolsky et al. Manhattan Real Estate Holdings, A Real Time Social System, as of May 1, 1971The work consists of 146 photographic views of New York apartment buildings, six pictures of transactions, an explan-atory wall panel, and maps of Harlem and the Lower East Side. Each photograph is accompanied by a typed text that describes the location and the financial transactions involving the buil-ding in the picture. Haacke discloses transactions of a real-estate firm between 1951 and 1971. Harry Shapolsky, the key figure, who is well protected by influential friends, is guilty of an assortment of fraudulent practices of which the judicial system has been exceedingly forgiving. Haacke’s solo show at the Guggenheim, of which this work was to be part, was canceled by the director of the museum six weeks before the opening, and artists occupied the premises in protest against this censorship.

(source: Lucy Lippard - Six Years.: The Dematerialization of the Art Object from 1966 to 1972)

Hans HaackeNo Mortgage - 1971

Assessed Land Value $8,500Total Value: $24,000

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(Membrane)

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End of presentation

© Ronald van tienhoven 2008

Thursday, June 18, 2009

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