september music -...

September music

Item Type text; Thesis-Reproduction (electronic)

Authors Pershing, Karen Ervin

Publisher The University of Arizona.

Rights Copyright © is held by the author. Digital access to this materialis made possible by the University Libraries, University of Arizona.Further transmission, reproduction or presentation (such aspublic display or performance) of protected items is prohibitedexcept with permission of the author.

Download date 20/05/2018 03:31:14

Link to Item http://hdl.handle.net/10150/555049

SEPTEMBER MUSIC

by

Karen W illene E rv in

A Com position Subm itted in L ieu o f T hesis To th e F a c u lty o f the

SCHOOL OF MUSIC

In P a r t i a l F u lf i l lm e n t o f th e Requirem ents For th e Degree o f

MASTER OF MUSIC

In th e G raduate C ollege

THE UNIVERSITY OF ARIZONA

1 9 7 5

STATEMENT BY COMPOSER

T his com position has been subm itted in p a r t i a l f u l f i l lm e n t o f req u irem en ts f o r an advanced degree a t The U n iv e rs ity o f A rizona and i s d e p o s ite d in th e U n iv e rs ity L ib ra ry to be made a v a i la b le to borrow ers under r u le s o f th e L ib ra ry .

The use o f b r i e f e x c e rp ts from t h i s work i s a llo w ab le w ith o u t s p e c ia l p e rm iss io n , prov ided th a t a c c u ra te acknowledgment o f source i s made. R equests f o r p e rm iss io n to use extended e x c e rp ts from o r rep ro d u c­t io n o f t h i s m anuscrip t in whole o r in p a r t may be g ra n te d by th e head o f th e m ajor departm ent o r th e Dean o f th e G raduate C ollege when i n h i s judgment th e proposed use o f th e m a te r ia l i s i n th e i n t e r e s t s o f s c h o la r ­sh ip . In a l l o th e r in s ta n c e s , p e rm issio n must be o b ta in ed from th e com­p o se r .

SIGNED*

APPROVAL BY THESIS SUPERVISOR

T his com position has been approved on th e d a te shown below*

P ro fe s s o r o f Music

TABLE OF CONTENTS

Page

ABSTRACT......................................................................... ...... • iv

IIJSTRUKENTATION AND NOTATION.............................................. v

SEPTEMBER MUSIC

I . N octurne I ........................................ ...... 1

I I . C horale-Scherzo . . . . . . . . 10

I I I . R i s o l u t o ............................................................ 13

IV. N octurne I I . . .............................................. 21

ABSTRACT

SEPTEMBER MUSIC i s a com position f o r E^ a l t o saxophone and

trombone s o l o i s t s , accompanied by two t r i o s . The f i r s t t r i o con­

s i s t s o f th re e v l o l o n c e l l i , th e second o f two p e rc u s s io n is ts and

h a rp . I t i s in fo u r movements, th e l a s t be in g a s tro n g rem in iscence

o f th e f i r s t .

M u sica lly , SEPTEMBER MUSIC i s in ten d ed to exp lo re th e v a rio u s

p o s s ib le c o lo r com binations o f th e in s tru m e n ts , always re tu rn in g

to th e b a s ic sound id e a o f a l t o saxophone, accompanied by two p e r­

cu ss io n and h a rp , and trom bone, accompanied by th re e v lo lo n c e l l i .

The b a s ic u n ify in g d ev ice i s th e alm ost c o n s ta n t p resence of

a f l a t la y e r o f sound, ex em plified by th e re c o rd e r and ' c e l lo f ig u r e s

in N octurne I , th e trombone and 'c e l l o ch o ra le in C h o ra le -5 ch e rzo ,

th e r e c u r r in g F# t r i l l in th e R iso lu to and , a g a in , th e re c o rd e r

and 'c e l l o f ig u r e s i n N octurne I I ,

E m otionally , SEPTEMBER MUSIC should evoke m y ste rious n ig h t

sounds and th e "human" v o ic e s o f saxophone and trombone a g a in s t th e

r e l a t i v e l y "non-human" sounds o f ' c e l l ! , h a rp and p e rc u ss io n .

i v

L-M

i

IHSTRUHEirrATIOK, HOTATIOK AND INSTRUGIIONS

SEPTEMBER MUSIC I s sco red f o r i

E^ A lto SaxophoneTenor Trombone w ith F a ttach m en t

I f th e tro m b o n ist does no t wish to w h is tle (N octurne l ) , he should p la y th e g iv en p i tc h e s on Soprano R ecorder.

Three V io lo n c e l l iHarp, a ls o p la y in g Soprano R ecorder P e rc u ss io n I

Vibraphone 3 Wood B locks Tambourine Bass Drum Soprano R ecorder

P e rcu ss io n I IG lo ckensp ie lXylophoneBongosSoprano R ecorder

In d ic a te s c o n d u c to r 's cues d u rin g unm etered s e c t io n s . P la y e rs a re n o t c o -o rd in a te d w ith each o th e r d u rin g unm etered s e c t io n s excep t when p a r t s a re connected by a d o tte d l i n e .

P In d ic a te s b eg in n in g s o f m etered s e c t io n s

R ather slow n o te s . Beam in d ic a te s d u ra t io n o f no te

As f a s t a s p o s s ib le

A ccelerando

R ita rd

F ig u re in r e p e a t marks fo llow ed by l i n e in d ic a te s r e p e t i t i o n o f th e f ig u r e f o r th e d u ra t io n o f th e l i n e .

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3J TR& i 5AX ARE iNOEf^NOEVT OF THE CELL/ , AND OF EAOI OTHER..

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If THE TCoMBOMiST CANNOT WHtSTLE , HE SHOULD Play the pact on sopbakJo CecoiloEil .

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