quickjazztheory pdf 87
Post on 17-Sep-2015
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86
Examples
I VI II V
The basic progression is ( C Maj7 C Maj7 G7 G7 ) the quality of the subdominantchords can be changed as long as root movement [stated or implied] and the Tritoneresolution remains the same.
Can be altered to [always with melodic considerations]
I Maj7 I Maj7 V dom7 V dom7C Maj7 C Maj7 G7 G7
ToI Maj7 Vi min7 Ii min7 V dom7C Maj7 A min7 D min7 G7
I Maj7 Sub Ii V elaboration
ToI Maj7 VI dom7 Ii min7 V dom7C Maj7 A dom7 D min7 G7
Change in Quality (V of ii)
ToI Maj7 #I dim7 Ii min7 V dom7C Maj7 C# dim7 D min7 G7
Incomplete VI dom79 (also a passing tone chord)
ToI Maj7 III dom7 Ii min7 V dom7C Maj7 E7 D min7 G7
Tritone Sub for Vi dom7
ToI Maj7 vii min7 iii dom7 Ii min7 G7
Ii V elaboration
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